Male Vocal Ranges. Which one are you?
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- เผยแพร่เมื่อ 28 มิ.ย. 2024
- Sing along while I play each male vocal range. Discover if you are a tenor, baritone or bass. Male vocal registers are quickly covered here to uncover your vocal "sweet spot" and help you better understand your singing voice.
#singbetter #malesingers #beginnersinger #singingvoice #tenor #baritone #basssinger #vocalcoach #vocalcoaching - เพลง
Another great one! Huge value add for those of us males trying to find our range. Years ago, (decades actually) a musical friend play the same ranges as you to help me find a comfort range when we were taking music theory together. I like the encouragement for those who may be able to expand their comfort range. Great job! Doug from QML
Thank you, Doug! Glad to hear these match up with your singing history! I love hearing about your music journey!
I am everything after training. My original range was Bass Baritone (up to D4). I now go to at least E5 and have slide from C2 to F#5 one day and can make a noise at G5.
I enjoyed your heartfelt rendition of "This Nearly Was Mine" from South Pacific on your channel, Neil!
these are ranges for operatic fachs. Meaning, that a bass should be able to make the entire room vibrate with an E2. Same goes to baritone with a G2, and a tenor with a C3. Both basses, baritones and tenors can sing alot lower and higher than their fachs are assigned for. However, it won't be well projected, comfortable and won't be full of "ring" of "squillo".
There are tenors with notes as low as C2 (and thats me but i have my first resonance loss at A2, second resonance loss at E2, final resonance loss at C#2) and there are basses with notes as low as E1 and C1. All in chest voice, and have powerful, resonant notes down to A1 /G1. Plenty of baritones can also atleast hit a Bb1 daily, but lose resonance beyond G2/F2.
The key word here is resonance. Someone can be comfortable singing an E2, but it still might be outside their most resonant range. So to truly find out what someone's vocal type is, you need to factor in the weight of the voice, the volume & loudness of the low notes, the color of the voice, the passagio (where the voice wants to go into mix/ falsetto). But age and level of training also needs to be accounted for, as a trained tenor can sometimes beat an untrained baritone in low notes. Likewise, a trained baritone can also beat both untrained tenors and untrained basses in both low and high notes, especially if we match up an older, 30+ year old operatically trained baritone against some 18 year old random basses and tenors.
Hi Celatra. Thanks! I didn't see any singing on your channel. Are you also a singer or teacher? I've been teaching hundreds of students and wanted to share what the most common comfort ranges from my experience have been. We also sing a lot of pop, rock and theatre. I appreciate your input here! I hope people will find the additional info helpful. Please share your singing if you can! Everyone has a different voice and there are exceptions. I think the ranges I gave here are a good guideline to start with especially for beginners or contemporary singers. Thanks again for your comment.
@@rosannasvoice I'm a singer with pop / rock/ metal/ jazz training for 9 years and recently dived into classical/ opera and have a very deep dive into the history of opera, operatic fachs, voice types, misconceptions about the voice and voice types, etc etc.
i've had talks with operatically trained people, some with 6-8 months, 2-6 years, some with 10+.
the one thing that both singing teachers and many other people get wrong, is that they'll call anyone who can convincingly sing a G2/F2 a baritone or even a bass, when in reality, many tenors can sing these notes with reasonable amounts of quality, especially if they are bigger voiced tenors.
Another misconception is that baritones can't have reliable comfortable ranges above G4, when many lyric baritones have A4's and Bb4's written for them in Operatic Arias.
The voice also only ossificates at around 30 years old, give or take 5 years depending on your voice type + sex. Which means that you can't really assign a accurate voice type to somebody until their voices are fully matured and settled.
As for my singing, you probably will never hear it. I'm not that confident that i'd share it. My knowledge on singing is greater than my skills in singing at this point.
@@Celatra Hello! Interesting that you mention baritones. I've worked with a few baritones that can comfortable go that high and a few that could not. People are commonly curious about their vocal ranges. I pointed out in my video that these are merely "labels" that have been frequently used to help singers classify their most comfortable range "today". I agree that voices change with maturity. I mentioned in the video that I am supportive of singers expanding beyond the limits of these classified ranges. Singers I work with are choosing audition and performance pieces so knowing their best notes today is helpful while still working to expand in the future. I think it's wonderful that you are diving into the opera world!