Mike you do a superb job of educating the likes of me with your knowledge of tone and the playing of these 6 string vintage les pauls etc! thanks for the help you give us mere mortals 😊
I had the privilege of playing legit 59 burst at the NY Guitar show approximately 20 years ago. Ive always loved Les Pauls. I still own the Black 1980 sStandard my dad bought me as a birthday gift. I still use it out on gigs. It just got better with time. I agree with what Mr Burn said about vintage guitars feeling different. My guitar has the "speed neck" employed by Gibson in 1960, after they re tooled all their equipment due to aging. The 59 Neck is a bit thicker and took a bit getting use to, but thanks to the gentleman who was selling it, he let me play until I warmed up. After 5 minutes, I wanted it! Lol needless ti say I had Champagne taste with a beer pocket book. He let me play it through a 50 watt Marshall. No pedals. Just amp settings. the clean sound was a dream. Perfect. for jazz and the type of playing Mr Burns demonstrates here. Highly responsive and enjoyable. The real "balls" if you will came our when I was allowed to bring the gains and all the other settings up and the nice gentleman sugessted I "shred" a little. Man the high and low end were amazing, not to mention the sustain, especially in the rhythm pickup setting. Again, stock electronics and everything. The only thing doet to the guitar was an excellent refret job done by Rudy Penza of Rudys Music on 48st in Manhattan the gentleman told me. I don not even know if Rudys is still there. It was my understanding he did Several of Mr Claptons guitars as well. Back to the Les Paul. It was amazing. Yes it had marks in the usual places such as belt marks in the back, and wear on the back of the neck. It was apparent the former owner used it as intended. To be played. Not put in a sealed room to be looked at. My guitars tone became better over 30 years of constant playing. Obviously this one did as well. The only hope I will ever have of owning one of these gems os to maybe stumble across a Gibson Custom shop job. Even those are out of this word price wise. I also own a 1974 Strat and a 1970 Tele.Both wonderful instruments and I wouldnt get rid of them for the world. I just keep going back to the sweet familiarity of my Les Paul. Especially if I want a really hard edge or a harder "bluesy" sound. I had a younger guitarist, about 30 years younger than I , suggest I put active electronics in mine to give the guitar a more harder punch for todays music. I gently explained my rational for not. I explained that the instrument itself is capable of talking the way I want it with out having too drill holes into it and rely on batteries. He really did not understand the significance or history of the Les Paul family of guitars. I suggested if he had the money, buy a modern Les Paul Studio and put which ever electronics he wished in it. I would even help pay for the installation. He plays a Jackson, I forget the model, with all active electronics in it . The works. He did purchase one and I paid for all the electronic upgrades he wanted. After 6 months I finally asked him where his Jackson was. HE was honest and told me the Les Paul puts the Jacson to sleep I chuckled at that.Im just sorry these instruments are priced so far out of the average guy/girls hands. Even the Gison reproductions. There has to be a way to re introduce these remarkable instruments to todays players. Not just the Les Pauls but the Fenders, Martins, and other "old "school" instruments without breaking the financial backs of the buyers. On a side note, the younger gentleman and I became good friends and still play regularly to this day. He also told me that lack of a tremolo bar forced him to work extensively on his vibrato approach and he sounds fantastic.. He still uses the Jackson of course, but if he wants to express raw emotion, the Les Paul is in his hands. At my wife urging, and without his knowledge, I redid my will recently and left my Guitars, Amps , all my related equipment and anything else related to my musical backroad to him upon my death. Im not a well known guitar player. Im not a Van Halen or a Gary Moore or Steve Morse. Just a guy who loves music of all types and loves guitars. I highly suggest to anyone who loves Les Pauls, maby check out the Epiphone line. I haven't played one yet but my friends are telling me they are excellent and affordable. Sorry for the long rant and for boring anyone. Chalk it up to old age. Lol. Peace everyone.
Thanks to the owner for letting us hear it and to you who played real nicely and recorded it very well. Having newer MHS 'PAFs'myself this is ia great reference to compare them to.
You Can really handle the guitar! Nice playing✨ And what a lovely guitar.....🙏 Something unique with Les Paul, and especially the old ones like the one you show us in this video!
Sorry to keep nagging, Mike , but each time I return I realize even more what a musical and tremendous guitarplayer you are, and with such a nice down-to-earth and friendly attitude. Cheers, Magnus.
I love the les Paul my step-dad has a ‘94 epiphone les Paul gold top and I use it quite a lot and it’s probably the best guitar I’ve ever played my point is the les Paul is AMAZING
Hi Michael, Kompliment für Deine Videos. Du kommst sympathisch rüber und die Art wie Du spielst gefällt mir als Gitarrist gut. Weiterhin viel Erfolg. Gruß Christian
Sounds great and it`s a nice guitar with all the patina and stuff...but the main reason that it sounds so good is that you really can play...90% of the tone comes out of your hands
I felt a little bit of a Jeff Beck influence there, which is a good thing. I always love your playing. Keep the videos coming please. Could you also post your signal chain?
Wow, Mike, your playing is so tasty that I am drooling at my desk at work... Tone is just fabulous as well. Of, course it is to a great extent in your fingers, but still , what pick-ups are in that guitar? So damned well sounding I cant tell...
Verdammt, jetzt wird man schon aus dem Gallus hier verfolgt. ::)))))) Wird wohl doch mal Zeit, daß ich auch ein deutsches Video mache um mal die Gemeinde zu erweitern. :)
so warmmm yet bright when u need it to be...Brilliant...I love your use of fingerstyle...when u switched to pick which did u use?? thanks so muchMike!!
Stripped bursts are actually historical though. There's several famous examples .. I wouldn't have refinished a 59, whatever the condition .. But its all good. :)
Wieder ein tolles Video! Leider bist Du mit Schuld daran, dass ich immer mehr Gefallen an alten Gitarren finde ;-) Witzigerweise bringen die mich auch dazu, immer mehr mit den Fingern zu spielen statt mit Plek, und mit den Reglern natürlich...
It's the original neck, thus the headstock crack. They varied form one to the other, add on mods, refinishing and re-sanding and it's likely unique to itself by now.
@@Lensman864 maybe you didn't understand what I said the old les Paul's were hand made so they are different from each other not exactly the same but now machines make them all the same on a cnc😜
du spielst klasse - kommst wahnsinnig symphatisch rüber - dem hype dieser 59er steh ich allerdings kritisch gegenüber - ich konnte auch schon 3 ausgiebig testen - für meinen geschmack ( betonung auf meinen ) war eine der absolute killer und die anderen beiden einfach ...... na ja
Danke fürs Vorbeischauen! Und ja mit Vintage Instrumenten ist es wie mit neuen Gitarren: manche schauen gut aus und lassen sich nicht so dolle spielen bzw. klingen "normal", andere wiederum sind schlicht exorbitant gut und klingen einzigartig. Man muß sie halt in die Hand nehmen und einstöpseln/spielen - irgendwie ist es dann auch wie mit Schuhen. :))))
The Rossington signature model I was able to play had a very special character, besides being a real eye-catcher. It is close to a 59, but especially the clean sound does not compete imho which of course also has to do with the pickups. Apart from that it is a rocker and a great Les Paul model built in modern times.
Dear Mike - I think the real reason you talk so much at the beginning of your videos is to save us poor viewers from having our jaws dropped to the ground for the entire length. That would be both uncomfortable and very unhygienic. The tone of the '59 Gibson from 4:15 onwards is just unbelievable. Your playing is also excellent, as ever....
....If thing could be so simple......there are lots of workmans who build with love and pride but they haven t achieved that standard since today......
New Les Pauls often DO sound as good as this one and the construction on original 59 to 60s was inconsistent so the comment about quality below is rubbish.
Nope: guitar.com/features/paul-kossoff-les-paul/ Although why anyone would refinish a stripped '59 is totally beyond me. In fact I don't understand - at all - the concept of 'restoring' vintage guitars and erasing all the years of character. What truly astonishes me is that people think (rightly) that it adds to the value. Its bonkers imho.
![[FULL EP.16] เซียนพาลุย "เผือก-ฟรอยด์" กรี๊ดลั่น จนปูหนี | เฮ็ดอย่างเซียนหรั่ง | One Playground](http://i.ytimg.com/vi/FsqUvwS3b-Y/mqdefault.jpg)
![PURPEECH - นี่ฉันเองคนที่... (It's me) [Official MV]](http://i.ytimg.com/vi/NuhHd0hOOg8/mqdefault.jpg)
That's why the 59 les paul is considered the best electric guitars ever made
Every video I watch you play is a pleasure. You play so well, the equipment is just a small part of the total experience, thank you!
Mike you do a superb job of educating the likes of me with your knowledge of tone and the playing of these 6 string vintage les pauls etc! thanks for the help you give us mere mortals 😊
Superb! guitar and playing Mike as always. You lucky and very talented man! Greetings from UK
I had the privilege of playing legit 59 burst at the NY Guitar show approximately 20 years ago. Ive always loved Les Pauls. I still own the Black 1980 sStandard my dad bought me as a birthday gift. I still use it out on gigs. It just got better with time. I agree with what Mr Burn said about vintage guitars feeling different. My guitar has the "speed neck" employed by Gibson in 1960, after they re tooled all their equipment due to aging. The 59 Neck is a bit thicker and took a bit getting use to, but thanks to the gentleman who was selling it, he let me play until I warmed up. After 5 minutes, I wanted it! Lol needless ti say I had Champagne taste with a beer pocket book. He let me play it through a 50 watt Marshall. No pedals. Just amp settings. the clean sound was a dream. Perfect. for jazz and the type of playing Mr Burns demonstrates here. Highly responsive and enjoyable. The real "balls" if you will came our when I was allowed to bring the gains and all the other settings up and the nice gentleman sugessted I "shred" a little. Man the high and low end were amazing, not to mention the sustain, especially in the rhythm pickup setting. Again, stock electronics and everything. The only thing doet to the guitar was an excellent refret job done by Rudy Penza of Rudys Music on 48st in Manhattan the gentleman told me. I don not even know if Rudys is still there. It was my understanding he did Several of Mr Claptons guitars as well. Back to the Les Paul. It was amazing. Yes it had marks in the usual places such as belt marks in the back, and wear on the back of the neck. It was apparent the former owner used it as intended. To be played. Not put in a sealed room to be looked at. My guitars tone became better over 30 years of constant playing. Obviously this one did as well. The only hope I will ever have of owning one of these gems os to maybe stumble across a Gibson Custom shop job. Even those are out of this word price wise. I also own a 1974 Strat and a 1970 Tele.Both wonderful instruments and I wouldnt get rid of them for the world. I just keep going back to the sweet familiarity of my Les Paul. Especially if I want a really hard edge or a harder "bluesy" sound. I had a younger guitarist, about 30 years younger than I , suggest I put active electronics in mine to give the guitar a more harder punch for todays music. I gently explained my rational for not. I explained that the instrument itself is capable of talking the way I want it with out having too drill holes into it and rely on batteries. He really did not understand the significance or history of the Les Paul family of guitars. I suggested if he had the money, buy a modern Les Paul Studio and put which ever electronics he wished in it. I would even help pay for the installation. He plays a Jackson, I forget the model, with all active electronics in it . The works. He did purchase one and I paid for all the electronic upgrades he wanted. After 6 months I finally asked him where his Jackson was. HE was honest and told me the Les Paul puts the Jacson to sleep I chuckled at that.Im just sorry these instruments are priced so far out of the average guy/girls hands. Even the Gison reproductions. There has to be a way to re introduce these remarkable instruments to todays players. Not just the Les Pauls but the Fenders, Martins, and other "old "school" instruments without breaking the financial backs of the buyers. On a side note, the younger gentleman and I became good friends and still play regularly to this day. He also told me that lack of a tremolo bar forced him to work extensively on his vibrato approach and he sounds fantastic.. He still uses the Jackson of course, but if he wants to express raw emotion, the Les Paul is in his hands. At my wife urging, and without his knowledge, I redid my will recently and left my Guitars, Amps , all my related equipment and anything else related to my musical backroad to him upon my death. Im not a well known guitar player. Im not a Van Halen or a Gary Moore or Steve Morse. Just a guy who loves music of all types and loves guitars. I highly suggest to anyone who loves Les Pauls, maby check out the Epiphone line. I haven't played one yet but my friends are telling me they are excellent and affordable. Sorry for the long rant and for boring anyone. Chalk it up to old age. Lol. Peace everyone.
508 views, this is a rare opportunity to hear such a vintage instrument. Thank you, love your playing
Amazing playing and tone!!
I say it again... I'm a huge fan of your channel.... because.... of your playing.. very inspirational Mike... thanks again .
Great playing Sir , thanks for your Demo , Paulas have a really beautiful clean sounds .
A lovely touch , I hear Jeff Beck kind of feel ... thats meant to be a compliment , great stuff ! love your enthusiasm for this guitar too.. nice !
Thanks to the owner for letting us hear it and to you who played real nicely and recorded it very well. Having newer MHS 'PAFs'myself this is ia great reference to compare them to.
One of the best demo posts on't interweb.
Outstanding clean tones. Stellar crunch tones. Tasteful playing. Nice.
Beautiful player.🎸❤️
You Can really handle the guitar! Nice playing✨
And what a lovely guitar.....🙏
Something unique with Les Paul,
and especially the old ones like the one you show us in this video!
Awesome guitar and playing to match. I wish you would release an album of original songs, I would buy it!
Mike makes it seem effortless , such a great player 👍
Love it Mike, those 59s have magic in them
Nice video, Mike! And nice playing. Sweet sounds, especially the neck pickup.
Compliments to the restorer.
Wow what a treat a genuine 59 les paul...excellent demo Mike..very nicely played
Sorry to keep nagging, Mike , but each time I return I realize even more what a musical and tremendous guitarplayer you are, and with such a nice down-to-earth and friendly attitude.
Cheers, Magnus.
I really like your playing, it is excellent. Great video.
Bright yet mellow
Really enjoying your videos, Mike. Awesome playing and your charisma keeps the videos interesting!
I love your touch ! Nice backing track !!!
Wow your playing is awesome Mike😜
I enjoy your playing! Great stuff!
You always bring us the best, thank you!
It's a really beautiful guitar and you did a great job of playing it. I could see the absolute joy in your face and I don't blame you a bit.
Bah o cara toca bem pra caramba e a guitarra é um espetáculo à parte!!!!
As always mike , i enjoy your videos. I alway learn something new as well enjoy your musical creations
Guten tag mein herr, you have some beautiful guitars,I loved the Moderne video.
Great Playing and Feel.
Simply outstanding! You also are an amazing improviser!
Wow that was a nice experience this morning,I could almost feel it in my hands dam it!!!
Forgotten Sounds ...send the video the Gibson !!!
they have forgotten how their guitars sounds
.....Mike ...always a pleasure !!
I love the les Paul my step-dad has a ‘94 epiphone les Paul gold top and I use it quite a lot and it’s probably the best guitar I’ve ever played my point is the les Paul is AMAZING
Super!
Hi Michael, Kompliment für Deine Videos. Du kommst sympathisch rüber und die Art wie Du spielst gefällt mir als Gitarrist gut. Weiterhin viel Erfolg. Gruß Christian
i dig your unique style of playing ..
Sounds great and it`s a nice guitar with all the patina and stuff...but the main reason that it sounds so good is that you really can play...90% of the tone comes out of your hands
I felt a little bit of a Jeff Beck influence there, which is a good thing. I always love your playing. Keep the videos coming please. Could you also post your signal chain?
Excellent Sir !!!
Hey Mike, danke für das tolle Video mit 14 unvergesslichen Minuten deiner Musik und der unglaublichen 59‘ 💥🎸🎼✌️😎
Hat etwas gedauert, aber man hat mich ja geradezu dazu gedrängt. ::)) ;) ;) ;)
Glad to see you back!
Hehehehehe you do not get rid of me so fast. *drool* :))
Now I finally understand why the 59 les Paul is so coveted. That sounds unbelievable, so exciting, wow!!
You do great stuff with any guitar 👍
Wow, Mike, your playing is so tasty that I am drooling at my desk at work... Tone is just fabulous as well.
Of, course it is to a great extent in your fingers, but still , what pick-ups are in that guitar?
So damned well sounding I cant tell...
Great no pick needed🤘
Nice job on your videos, I find them relaxing....:}
Nice 👍 job Mike 🎸🎸🎸
You're a really tasty player...kudos.
Some Jeff Beck ...
Did you borrow Jeff Beck's fingers for this video Mike ? Thanks for posting this, excellent.
Excellent Mike 😀😁
Deine Solis gehen unter die Haut. Einfach nur top
That guitar has more soul than a James Brown suit !
"Got along famously"
For all the drama this guitar gas had in its life it still sounds wonderful.
Fantastic guitar, i agree about the vintage neck sizes, the few I've played are not that big
A great guitar makes us play better. They inspire
Klasse Gitarre ('58?) mit Killerton und wie immer sehr distinguiertes Spiel, Mike! Gruss aussem Gallus ;-)
Verdammt, jetzt wird man schon aus dem Gallus hier verfolgt. ::)))))) Wird wohl doch mal Zeit, daß ich auch ein deutsches Video mache um mal die Gemeinde zu erweitern. :)
What is German for F@k%ing Hell!!. What a monster! I'd forgotten how good these 59's are. It's devalued so I will buy it, Please.
Super!!!!!
so warmmm yet bright when u need it to be...Brilliant...I love your use of fingerstyle...when u switched to pick which did u use??
thanks so muchMike!!
Thanks for taking the time to comment! When using a pick I only use Jim Dunlop Nylon .73mm
@@MikeBurn danke and greetings from nyc...is the hughes and ketnes good for cleans as well does it have Reverb!!
chris rocco nyc
Excellent! Very Beck-ish.
Wow! Great!
Always love your demos. Very musical with a variety of tones. What strings are on it?
Stripped bursts are actually historical though. There's several famous examples ..
I wouldn't have refinished a 59, whatever the condition ..
But its all good. :)
awesome! thank you :)
Was the 59 neck swapped out for this slim profile or did Gibson produce some LP's with slim taper in 1959?
i had same thought
Entirely possible it was shaved. A lot were. Specially 'breakers'.
Wieder ein tolles Video! Leider bist Du mit Schuld daran, dass ich immer mehr Gefallen an alten Gitarren finde ;-) Witzigerweise bringen die mich auch dazu, immer mehr mit den Fingern zu spielen statt mit Plek, und mit den Reglern natürlich...
Hi . i've heard a rumour the 59 Pauls had a 10 inch radius fretboard . whould you know if that's true . nice playing .
12 inch!!
I thought it was a 58 because of the colour and lack of flame.
Somebody is influenced by Jeff Beck!
We're ALL influenced by Jeff Beck!
Gr8 playing!!Was the 59 neck swapped out for this slim profile or did Gibson produce some LP's with slim taper in 1959?
It's the original neck, thus the headstock crack.
They varied form one to the other, add on mods, refinishing and re-sanding and it's likely unique to itself by now.
You should do him a favor and replace those old pickups, and put in some nice EMG's in it before you return it to him.
Actually I made the silly joke when giving back the guitar to the owner that 'she sounds great now with Epiphone 'buckers'. LOL
Oh God, just the thought of that makes me cry.
OMG ....Thats bad freaking idea.... I wouldnt put emg's on KAY guitar
The pick-ups from hell, what are they? From which hell I mean .....!
No two are alike because they were hand built now they are all identically made on machines😜
Extremely not true!
@@Lensman864 maybe you didn't understand what I said the old les Paul's were hand made so they are different from each other not exactly the same but now machines make them all the same on a cnc😜
Skilz!!!
So weird to hear an English bloke talking with such a German accent.
du spielst klasse - kommst wahnsinnig symphatisch rüber - dem hype dieser 59er steh ich allerdings kritisch gegenüber - ich konnte auch schon 3 ausgiebig testen - für meinen geschmack ( betonung auf meinen ) war eine der absolute killer und die anderen beiden einfach ...... na ja
Danke fürs Vorbeischauen! Und ja mit Vintage Instrumenten ist es wie mit neuen Gitarren: manche schauen gut aus und lassen sich nicht so dolle spielen bzw. klingen "normal", andere wiederum sind schlicht exorbitant gut und klingen einzigartig. Man muß sie halt in die Hand nehmen und einstöpseln/spielen - irgendwie ist es dann auch wie mit Schuhen. :))))
A Peavey Classic 50??????????????? It's like eating a filet mignon steak with ketchup!
Scuse me while I go get a tissue and clean the mess I just made!!
I’m sure the refin did not hurt the value too badly
actually a refin makes it under 100k
Hey what do you think, is the "rossington" close enough to a 59? since you have played both...
The Rossington signature model I was able to play had a very special character, besides being a real eye-catcher. It is close to a 59, but especially the clean sound does not compete imho which of course also has to do with the pickups. Apart from that it is a rocker and a great Les Paul model built in modern times.
Dear Mike - I think the real reason you talk so much at the beginning of your videos is to save us poor viewers from having our jaws dropped to the ground for the entire length. That would be both uncomfortable and very unhygienic. The tone of the '59 Gibson from 4:15 onwards is just unbelievable. Your playing is also excellent, as ever....
You must be a bass player
Question: why does vintage guitar sound better than the newest ones?
Because back then, they were built with love and pride of workmanship not dollars in mind.
....If thing could be so simple......there are lots of workmans who build with love and pride
but they haven t achieved that standard since today......
New Les Pauls often DO sound as good as this one and the construction on original 59 to 60s was inconsistent so the comment about quality below is rubbish.
@@Lensman864 ....If you don t hear it ....I can t help you
@@Lensman864 ....but you save a lot of money....
Signal chain please? For the nextpost, please explain what amp and settings :)
I guess even a 1959 les paul still sounds like a Chibson in the wrong hands
Ouch...choose kindness
@@AverageHuman7026 your right I'm just jealous I have nice vintage strats I shouldn't be
@daniel laurence married an retired at 26..id rather not be married
what finish is that? really pretty
Are you suggesting it might be Paul Kossoth's stripped Les Paul?
Nope: guitar.com/features/paul-kossoff-les-paul/
Although why anyone would refinish a stripped '59 is totally beyond me. In fact I don't understand - at all - the concept of 'restoring' vintage guitars and erasing all the years of character. What truly astonishes me is that people think (rightly) that it adds to the value. Its bonkers imho.
Aquila Rossa the blonde faced guitar that Kossoff used was a loaner, but the best sounding guitar he ever used.
Hey dude, great guitar, great video!
fyi, it's not a good idea to describe a good thing as "cringe-worthy", it means very very bad ;-)
Thanks for the heads up! Lost in translation...omg... ::::)))))))
German trying to speak English Ja! 😂😂
JB?
sounds almost as good as a 2015 Chibson
Sadly Chibson with upgraded electronics and high end pickups blows away most Gibsons, I'd put mine up against any R9 pretty much
1958
Sounds amazing - But the refin is so bad. I would have sent it to Historic Make overs or Gil Yaron or something...
William In Europe I would send it to Crazyparts.de for a refinish.
The finish is beautiful. Vintage Age. Done.
What is the Serial Number..?
Not all vintage Gibson's have serial numbers.
Why does he have a fender strap
Nikolas Katrinakis to hold the guitar in place
to make it sound better lol numbnuts