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In this video producer, mix and mastering engineer David Gnozzi
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Casually reminding the difference between a real engineer and the rest of the channels 💪💪
There are other TH-cam mix instructors that are real professionals. You guys need to jump off this guys jock. Sure he's very good at what he does, but he's not the only one.
@@keithferris9574 David Is spreading audio knowledge since "Homestudioitalia" 😆 (only for few ppl)
he deserve it!
Now this is a gem of a tutorial; one of the best I've seen because you actually show why we use these tools to fix problems in the mix. Great video 💯💯💯
🙏🙏
That splitEQ trick is 🔥🔥
I purposely watched this on my iPhone (an old 6 with dodgy speakers!) and I could still pick up the differences. An excellent testament to your skills I would say! Looking forward to rewatching with my studio monitors. Superb as always, thank you for sharing your process.
Thank you 🙏🙏
Yes!! You're the best, the master sounds incredible
Really good move on the ozone, made it so much better
The only thing that distracts me in this mix is the snare sound. It's just too loud and ear-jabbing. I try to turn the volume up to hear more of the other elements, but the snare pokes through too much.
Edit: I wrote this comment before watching the whole video. And I'm glad that you mention the same thing at 6:33.
🔥
Can you send the link for this one particular tutorial? 🙏🏽🙏🏽🙏🏽
It's members only.
Have you know the TH-cam shorts reply it's a new feature of TH-cam hope it helps your channel for content i love all your videos
💯💯💯💯💯💯💯💯
What would be the determining factors that would have you choose the 542’s over the Fatso?
Whether I need a compressor or a tape emulator.
That shaker move was cool but if you didn't have spiff could you use dynamic eq on sides in that spot maybe? Still automated
Maybe
David i been following you for 15 yrs....
That means we're getting old my friend 😅 jk thank you 🙏 that humbles me. If you want one of the courses on the website let me know and I'll give you a free coupon. Least I can do 🙌
You said not to limit on your two bus channel if I'm not mistaken but can you limit on your inserts and then limit on your master
Why are you so handsome???? Mog king dear god.
That spliff move is something else man .Amazing ....
woow, what a fcking perfect mix
This is the RnB course on the website, right David? I'm gonna get it
The music industry is buzzing with news, I saw on Entertainment Tonight and TMZ that my all-time favorite band Hellfire Society is getting back together and is currently in the studio recording a Christmas album. Do you know if there is any truth to that?
Country Christmas album to be precise
I wanna see the analog part. Which course is this on the website?
Hi! Do you use k-system in your mixings? Is better to mix metal in k-12 or k-14?
I don't
;/ i clicked on join and still couldnt watch the rest of the vid. its not there. i love this content but i still feel misguided. i wanted to see the rest now but... anyways.
It's not out yet
Hey David, what's the best way to access all your courses? YT member, website purchase, or any bundles? Thanks, love the content as always.
Most of them when you get the highest tier channel membership but a few are website purchase only. If you want a bulk discounts please write to bookinghfs@gmail.com and my assistant will get you a coupon
Amazing work, David! I enjoyed this so much ❤
🙏
Amazing work as always David! Cheers
Thank you 🙏
Is Weiss dees better than ozone Stabilizer in mastering?
They don't do the same thing
Hi, David. At 17:13 you mention finding the full version in the Members Only section. Well, I'm a n00b coz I can't find it. Perhaps I'm looking for the wrong title. Can you or one of the channel members please point me in the right direction? Thanks.
It will be available for members but it's not out yet.
@@mixbustv Thanks for responding!
What controller you using on your desk?
I have several. If you're referring to the fader, it's Xtouch One
Hi David, I have one question about plosives. If the plosives in the original vocals are OK and not loud, BUT after compression those plosives become too loud it means that my attack is too slow and those plosives are escaping? The rest of the vocal sounds good and under control. Does automating a multi-band compressor only on those plosives would be the best solution to avoid affecting the rest of the vocal transients?
Not necessarily that your attack is slow, very fast attack on vocals is not a given. If you need and like the compression and sound you get and the only issue are the plosives you wither automate an eq manually, you use a dynamic eq or use RX de-plosive and all your issues are gonna be gone :D
@@mixbustv thanks a lot, you're the best
Thank you for sharing all your experience. You da man!
🙏🙌
Cool vid David! Had a few questions. Are you dithering before the hardware insert at all? I know some DAWs and probably some plugins that organize hardware inserts do it automatically. Do you ever use the transformer on the Fusion? I find that my masters can be a little dull without it even though I have a VSM-2 inserted before the Fusion and Brauer's Shadow Hills Compressor after with Nickel switched on. I'm not using Vintage Drive but I am using Violet, the HFC, Stereo imager, and the transformer. Have you tried the PQ plugin vs the hardware? They sound identical in the Audio Animals video where the input volume isn't pushed much. But another engineer showed me how the hardware does something special when you hit it with more volume. The plugin saturates too, kinda like Vintage Drive or The Black Box where it starts compressing the dynamics the more level you feed it. I'm curious about getting a hardware version. I use Basslane Pro after that to further edit the stereo image and then the Cedar Adaptive Limiter 2 for a final balance. But I'm not going for a lot of level. I'm try to aim for DR10 or higher without sounding too dynamic. Your DR7 master of No Sunshine is definitely one of the best DR7s I've heard. A ton better than some of the bigger names in mastering do for big name artists, definitely.
Can you show us how to use SSL CHANNEL ON ENTIRE MIX
Every mixing course I have has SSL on every channel
@@mixbustv Miscommunication, Im referring to mix bus or mastering. What would be your approach when grabbing one of these SSL for a overall mix. I like the Cla Mix Hub but I find myself using it mainly for vocals with all the components and just need a direction when using it on an mix bus or for mastering
genius as always! I always try to learn something, not being a "professional", this type of problem can be discovered more easily Mixing with a clipper/Limiter? The snare really is one of the elements that varies a lot when trying to master.
Do not mix with a limiter. You spot these issues with experience and by training your ears.
@@mixbustv thanks David.
@@MrFox1111 Thank you for your words, I have really tried to do this, I basically work on my projects, having a full time job, I always try to learn, I buy my equipment and do what I like as a hobby, living in an apartment with a family is not easy at all having "time" to do what we like, at the moment I'm mostly using the Apollo Twin X and audeze mm500.
Sounds great
This was a great demonstration, David! As I was listening to the mix I also thought "wow mix is really good - it's gonna be interesting to hear what can you do to improve it without the quality of it." And for sure - the improvement is very clear! Super cool lesson.
great work small moves nothing to drastic opened up the mix gave the vocals great lift
Your videos are always too long man...
Go on TikTok and watch dances 👍
@@mixbustv 😃 very funny reply. But of a truth... Try see how you can be minimizing some while you still pass the accurate message. Straight to the points that matter
When we will the analog part tho 🔥 🔥 🔥 🔥 🔥 🔥 🔥 🔥
Smart moves. Thanks for the insight.
Hello David, I hope you are doing well.
I am looking for a sound that I like, and although I know a few pieces that can provide it, some are out of budget or, like the Stamchild, you have to wait long to get it, etc...
Since you mentioned the IGS 825 I wanted to ask you about the IGS Tubecore, how does it compare to the Stamchild or the Fairchild/clones weight in general, how about against the Dictator. Have you tried the Manley Vari mu? What would you recommend me for a tube/vari mu compressor to be used mainly in the 2 bus, and that it is 5K or less for a stereo/dual mono unit?
Thank you!
I never tried the tubecore but IGS makes great stuff. I'm not a big fan of the Manley MU. Dictator is amazing, but not necessarily the first choice on anything aggressive
Afrobeats song sounds dope.
Amazing! Thank you David
Nice! For what reason you use ozone 11 eq for high shelf boost over weiss eq1?
Because I used the "vocals only" processing
Any review coming up for the new Antares A.I De esser?
I haven't heard anything yet from them but it's possible
@@mixbustv Cool! Hope it happens. Really interested in your opinion
Good 👍🏾
The ultra/infrasaonic plugins are very interesting. Would you still suggest using them if mastering 100% in the box?
Not for the same reasons and not by default. But when/if you need filters, those are definitely the ones to.go with
@@mixbustv So your video led me to the TDR website, where I just discovered TDR DeEdger. Dan Worrall narrates the video on the page. Looks like an amazing plugin. Have you used it? Curious if it's something you recommend or if Oeksound (soothe and/or spiff) or MTM Reso totally takes its place
Great tips! Is the member video out yet, cause I cant seem to find it?
Not yet
TOP! 🔝
Would love to also hear a gain matched master against the mix to see if the integrity of the mix was preserved after everything you did (I am sure you do this as many ME's do, but odd to not show it). It helps to see something like that early to help with the decision of whether or not the tutorial is worth watching/paying for.
You do have em level matched right at the beginning.
@@mixbustv did I miss it? I must be an idiot - I watched it all the way through (really enjoyed the tip with weiss deess in a mastering sense - I've always read about people using it in mastering on gearspace but have never seen anyone actually use it.)
@@mixbustv watched it back, I didn't miss it - it's not LUFS matched so it's very hard to make a comparison. I usually match LUFS after making my changes just to ensure the tonal balance is maintained. Anyway all good - just wanted to leave some feedback, I really enjoy your videos and appreciate your response.
You are genius my Teacher
🙏🙏
Awesome video bro!
Thank you!
@@mixbustv 😎
Very kind to share this