Danke, Thomas! I'd like to see your approach on sautillé - e.g. to have a crisp (but light) sound with a relaxed wrist and to keep that quality on all strings (especially on the G- and C-String in thumb-position). Anyway, thanks for sharing your thoughts!
Hi Journeyman I think I did explain it…watch it again! By putting a lot (more than you maybe think!) pressure on the bow, in order to obtain staccato notes. As I said in the video: start with just 3 or 4 notes and then try to control the whole run. But learning staccato takes more than a 3-minute class, that’s for sure…good luck!
Incridible your master class!!
Danke, Thomas! I'd like to see your approach on sautillé - e.g. to have a crisp (but light) sound with a relaxed wrist and to keep that quality on all strings (especially on the G- and C-String in thumb-position). Anyway, thanks for sharing your thoughts!
bravissimo
Great!! Thanks
Welcome!
Thank you, great video very useful
super master class
Thank you very much
I' m doublebassist, and teacher in University in Rio.Come to Brasil!!!
Superb!
Thank you! Cheers!
So the bow is technically NOT leaving the string? Does it leave the string in the Piatti 12?
...yes ..that's right - stay on the string - and for Piatti it's off the string!
@@ThomasDemenga Thank you!
You’re not explaining how you are attacking the string. It’s very good, but your explanation isn’t clear.
Hi Journeyman
I think I did explain it…watch it again!
By putting a lot (more than you maybe think!) pressure on the bow, in order to obtain staccato notes.
As I said in the video: start with just 3 or 4 notes and then try to control the whole run.
But learning staccato takes more than a 3-minute class, that’s for sure…good luck!
@@ThomasDemenga thank you