13:44 ... this incredible moment .... the clarinets and the flutes, these four guys ... my heart's breaking ... recalls me to the best times of my life ........... thank you
This is complete and total adoration of the legendary conducting maestro, Karl Böhm. I have never seen uninterrupted ovation for EIGHT MINUTES, and he came back on to the stage FOURTEEN TIMES! I have NEVER seen SO MUCH LOVE for a conductor! I truly wish I could have met this man.
Inmenso el maestro Karl Bohm! Junto a la Vienna Philharmoniker en una interpretación de asombrosa factura. La dinámica no careció de frescura y espontaneidad, lejos de un control excesivo, la orquesta fluyó con soltura y naturalidad. Bohm mantuvo su influjo, con la madurez y audacia de un verdadero consagrado del arte.
Böhm es el director que más me emociona por su magnífica forma de sacarle el carácter beethoveniano a esta preciosa obertura. Creo que es incomparable, también como nadie con Mozart.
12:43 from here, absolutely delightful. Karl Böhm at his peak. Sounds a bit like Carlos Kleiber ....... (and this not a tiny compliment in my mind !!!)
@@ruicao9805 The string section failed to play the three staccato notes on beats 2-3 and 4 in unison and at the same time they were watching the conductor, who was giving a minimally clear beat indicating where the downbeat of the measure was. It was an uncomfortable moment for the entire ensemble, I’m sure, but as any musician knows, once it is done, you must continue playing. So many great musicians have made recorded mistakes that will live forever. Oh well oh well.
By 18:25 they were all whispering about it to each other in the brass and wind sections. I would be surprised if any of them had the courage to say anything to the cellists or violists. They might have had their heads chopped off. It was nothing that could not be fixed with a few glasses of sake at dinner.
13:44 ... this incredible moment .... the clarinets and the flutes, these four guys ... my heart's breaking ... recalls me to the best times of my life ........... thank you
私はこの曲を45年聴いていますが、今でも感動して鳥肌がたちます。素晴らしいです。
I can't stop playing the last 4 minutes.
This is complete and total adoration of the legendary conducting maestro, Karl Böhm.
I have never seen uninterrupted ovation for EIGHT MINUTES, and he came back on to the stage FOURTEEN TIMES!
I have NEVER seen SO MUCH LOVE for a conductor!
I truly wish I could have met this man.
They played this piece for Encore. Amazing! This was played to all Japanese fans as a sincere gift. Thank you, Maestro Böhm!
ベームが最晩年 日本に愛され 日本を愛していた 彼に人生の中でもユニークな体験であったことをとても幸福に想う ハイレゾ録音などが出て来て彼の真骨頂が聴ける時代と為り、彼の偉大さを実感する今日この頃 もっと再生のしつが上がったら、彼の更なる価値が見いだされる事だろう。 当時のｳｨｰﾝﾌｨﾙの音は想像を絶する凄い音を鳴らしていた。
Fantastico de principio a fin.❤
13:00 VPO anno 1977 , is this BEAUTIFUL .... the most poetic orchester of the world ....
Karl Böhm: απλά υπέροχος!
Stupenda interpretazione di un Maestro immenso!!
Superbe musique relaxante de bethoven 🎹🎹🎸🎸🎂😘😘😘😘😘😘😘
Karl Böhm, un gigante dell’interpretazione musicale. Grande maestro, immortale.
Fantastico! Grazie👍👏👏👏👏👏🎼👍👍✌️👏👏👏💞💞🙋🌹🌷
カールベームは素晴らしいです
Che bello vedere il grande Karl Böhm sorridere commosso... è una rarità...
このころの日本は本当に芸術が盛んだった。ああ、あの頃に戻りたい。
Wunderbar!!
Inmenso el maestro Karl Bohm! Junto a la Vienna Philharmoniker en una interpretación de asombrosa factura.
La dinámica no careció de frescura y espontaneidad, lejos de un control excesivo, la orquesta fluyó con soltura y naturalidad.
Bohm mantuvo su influjo, con la madurez y audacia de un verdadero consagrado
del arte.
Impecable!
Saludos y felicitaciones desde Lima (ma15/VI/2021)-Perú-América.
Böhm es el director que más me emociona por su magnífica forma de sacarle el carácter beethoveniano a esta preciosa obertura. Creo que es incomparable, también como nadie con Mozart.
Insuperable, que mejor interpreación
13:33 the sudden beauty of the brasses of Vienna ...........
Wanderful
NHK Hall Tokyo 2 March 1977
altro che: un sacco di patate come ha detto Celibidache... Karl Bohm è un grandissimo direttore
序曲「レオノーレ」第3番大好きなんだよね!!
ベームのCDはあまり持ってないけど素晴らしい演奏!!
(バイロイトでの「指環」と「オランダ人」は持ってる)
12:43 from here, absolutely delightful. Karl Böhm at his peak. Sounds a bit like Carlos Kleiber ....... (and this not a tiny compliment in my mind !!!)
ドイツ音楽に関しては最高の人物 特にオーストリアでの彼の評価はこれ以上の栄冠は彼に与えるものがない、とされたほど それが少しでもわかったら、ベームの虜になるだろう、しかし録音では其の半分も彼の価値はわからない それほど当時の音は異次元的だったこの喝采は 偽物ではない、、欧州でも同時期の人気はすごいものだった、アメリカに行けば、当時の辛辣で有名な評論家たちも大絶賛だった、
16:45 Gerhard Hetzel(concert master)
@12:54 Messed up.
yeah, what made this happen???
@@ruicao9805 The string section failed to play the three staccato notes on beats 2-3 and 4 in unison and at the same time they were watching the conductor, who was giving a minimally clear beat indicating where the downbeat of the measure was. It was an uncomfortable moment for the entire ensemble, I’m sure, but as any musician knows, once it is done, you must continue playing. So many great musicians have made recorded mistakes that will live forever. Oh well oh well.
By 18:25 they were all whispering about it to each other in the brass and wind sections. I would be surprised if any of them had the courage to say anything to the cellists or violists. They might have had their heads chopped off. It was nothing that could not be fixed with a few glasses of sake at dinner.
Unforgivable.
@@karldelavigne8134
Uninteresting.
Böhm + WIENER philarmonik+ Beethoven 5th and 6th + Leonore as encore = classical music orgasm.
I dunno. I think that the audience liked the performance. Right?
not in 1977
I'm not sure if your comment is a reply to someone, but are you saying this isn't from 1977? if not, when is it from (month/year)??
@@tominrochester my comment was referring to the number of women in this orchestra in 1977
@@Gralsritter oh ok- do you happen to know what month in '77 this is from?
この頃のウィーンフィルは来日公演で
手を抜かなかった模様
手の平を見せないで手を振る
これって・・・・
Are there any women in the orchestra?
Pas encore à cette époque, depuis 2010 environ elles sont présentes hélas
原創性！
Brown Susan Garcia Richard Robinson Helen
Karl Böhm gehört zur Spitze der Dirigenten. Vielleicht nicht so lustig für die Musiker, aber klar im Text.