Cossotto's ability to change the color of her voice to match the phrasing or even that of another within an ensemble is perhaps the most impressive aspect of her remarkable vocal gifts.
Yo la escuché en vivo en el Teatro Colón de Buenos Aires , en éste mismo rol, y les puedo asegurar que era impresionante ! jamás te olvidaré grandísima Fiore !!!!
Yes. This is an exciting performance though it is sometimes marred by Cossotto's failure to reach the desired note. Nonetheless, Cossotto was an outstanding mezzo.
I don't generally put in negative comments, but I must on this. As good as the video is, and as good as the principals are, I couldn't hear the chorus. I am a chorister, and have done this show, and this is such exciting music that it is nearly impossible not to sing it with many more Fs than are in the score. Did the Maestro totally cut the chorus, or did he hold them back? It seems to me that there was no need to rein the chorus in with these wonderful principals. Anyway, more chorus.
Qué grandes interpretes !!!! Enjoy the Opera !!! Viva el MAESTRO VERDI !!!
Cossotto's ability to change the color of her voice to match the phrasing or even that of another within an ensemble is perhaps the most impressive aspect of her remarkable vocal gifts.
Tutti sono meravigliosi, ma Fiorenza e sublime.
La Cossotto!Non vedremo mai un'altra.
La plus grande Azucena que j'ai jamais vue !
She sings Azucena with the same depth and degree of love that Verdi had when he composed her music. Verdi loved his mezzos!
Grazie mille !!!
Extraordinarios Fiorenza Cossotto y Piero Cappucilli, epoca de oro!!!!
Pablo Reece A sunset of a golden epoca. Now... The nothing
Magnificent dramatic singing...deeply moving, genuine vocal
artistry sung from the depths of the soul! Bravi!
Interpretazione magistrale Cappuccilli Cossotto Van Dame
Yo la escuché en vivo en el Teatro Colón de Buenos Aires , en éste mismo rol, y les puedo asegurar que era impresionante ! jamás te olvidaré grandísima Fiore !!!!
Fiorenza canta con l'anima e con un à voce viscierale. bravissima!!!!
Fiorenza, la più grande!!! Brava!!!!!!!
Nell' 12 luglio 2005 il grandissimo Piero Cappuccilli e passato nell'altro mondo. A rivederci Maestro!
Amo la Cossotto.Amero lei tutta la mia vita.
Csodálatos Azucena ,,,,,gyönyörű hang és szinészi alakítás Gratula!!!
Io deserta vado errando, di quel figlio ricercando.... Che frase!
Cossotto, Cappuccilli❤❤
Wonderful sound and picture quality, great singing
Yes. This is an exciting performance though it is sometimes marred by Cossotto's failure to reach the desired note. Nonetheless, Cossotto was an outstanding mezzo.
Bravo Fiorenza e Piero- Magnifico!
Saw her do this role at the Met with Caballé. Madame Cosotto stole the show!
she always did! :)
MERCI beaucoup!!!
Grandisima Azucena!!!
The best Azucena!
Bellissima scena, ottime voci, ma nel finale caro Verdi fai cantare 3 voci insieme e avviene una fiera!!! Le voci devi farle cantare una alla volta!!🙂
la mejor Azucena que escuché en mi vida, (que es larga) y escuché a muchas
Brava!!! La Fiorenza, Brava.
Ecco la opera italiana!
L'unica vera Azucena di cui ho memoria 👏👏👏👏👏👏👏
Canto spendido e grande recitazione
This is an awesome video! Bought the DVD
after seeing it here.Thanks, Lady Armida. Love
your videos.
Non saranno mai gli atri.Addio bel passato!
Brava
"MeZzOs GeT bOrInG RoLeS!"
*laughs in Cossotto*
IMMENSI
Bravo!!!!!
The best Mezzo
grande
Del testo del trio Azucena Conte è Ferrando, adoro tutto, ma imbattibile è la parola PERFIDA
giganti
mi ricordo quando l'anno trasmessa allaRai quest'opera
Which mezzo has ever been better the her? None I think!
W Verdi una montagna della musica come disse Pavarotti
Credevo che non esiste un'artista meglio di Barbieri e Stignani. Adesso io dico di si. Si chiamma Cossotto.
Per me, se non meglio, sì allo stesso livello. Forse le mie Azucene preferite siano la Simionato e la Nicolai.
Comunque, strepitose tutte.
Ascolti Giulietta Simionato oppure Elena Nicolai e mi dica.
Nents lav mardik kain, trust me, that you are the last person on everyone's list. Asuma how...
"Deh! Rallentate o barbari" - 4:40
I don't generally put in negative comments, but I must on this. As good as the video is, and as good as the principals are, I couldn't hear the chorus. I am a chorister, and have done this show, and this is such exciting music that it is nearly impossible not to sing it with many more Fs than are in the score. Did the Maestro totally cut the chorus, or did he hold them back? It seems to me that there was no need to rein the chorus in with these wonderful principals. Anyway, more chorus.
Choral fragments are life! Love it when such an enormous sound makes the house seem it's going to collapse.
Karajan estaba apurado por volver a casa....
...y para asasinar los cantantes :-)))
Soprano lirico leggero
0
she just does not have the vocal weight foe azucena , i prefer barbieri/ simionato or zajick
Obraztsova! 😍
Again criticism of a great artist! Good manners prevents me from saying what I think of this nonsense!