Wolfgang Amadeus Mozart: Symphony No. 40 in G minor K. 550 | Gregory Ahss, leader - CAMERATA Salzburg | Recorded at the Wiener Konzerthaus. www.camerata.at
This is the most perfect realization I ever heard of Mozart;'s great g minor symphony. MOLTO ALLEGRO, passion, shading, clarity, superb rhythm, just not enough words to praise it.
I think the profundity of the second movement is so totally unique, those depts will not be reached again until well entered the Beethovenian era. In all the classic symphonic output of the time, there's no sound and dept comparable. And man, THE MENUETTO! speechless.
This was the first time I had listened to Symphony #40 in its entirety in years. I have never heard such a sparkling interpretation. There was so much to see and hear. I loved how Ahss conducted downbeats by prepositioning his bow for the downstroke. Also, this performance had much of the intensity of a great chamber concert, because every player was distinctly responsible for the integrity of the ensemble. Bravi!
This is the first time for me as well I'm taking a music appreciation class and usually I listen to just Baroque pieces but this was a treat to listen too! Best wishes and thank you to Dr. Samantha Arten for introducing this to our class!!
i feel the spirit of Mozart here. i thank you all very much for your hard and dedicated work. other interpretations did not reach the understanding that you reached. thank you again and i wish you and your families ALL THE BEST.
I have only listened to 5 minutes of this recording, but I needed to pause the video and write you - thank you so much! It is a great pleasure to listen to you and to watch to you as a group - you are great!
It started out amiable enough but got hung out, coming out of the second movement. But the stayed lively and consistent throughout and I just adore their performance. Nothing missing, nothing broken.
Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788. It is sometimes referred to as the "Great G minor symphony", to distinguish it from the "Little G minor symphony", No. 25. The two are the only extant minor key symphonies Mozart had written. The date of completion of this symphony is known exactly, since Mozart in his mature years kept a full catalog of his completed works; he entered the 40th Symphony into it on 25 July 1788. Work on the symphony occupied an exceptionally productive period of just a few weeks during which time he also completed the 39th and 41st symphonies (26 June and 10 August, respectively).
Iese cam alandala fara dirijor.Unii care comenteaza pe aici sunt dati pe spate ;beautiful ,briliante,absolutely delightful, dar nu e chiar asa.Probabil ca nu ati ascultat simfonia 40 intr-o executie de clasa,cu dirijor, pana acum.
I used to prefer a slower tempo, but somehow I like this interpretation. I think Mozart wanted to put emphasis on phrases not single notes and nobody expects this minuet to be played in dance halls.
This is the most perfect realization I ever heard of Mozart;'s great g minor symphony. MOLTO ALLEGRO, passion, shading, clarity, superb rhythm, just not enough words to praise it.
Очень замечательно. Оркестр просто класс
This is incredible. I hope they do more of Mozart like this.
Hands down, the best, most intense, nuanced, and joyfully played performance of Symphony 40 I’ve ever heard. 👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻🥰
Fantastic performance!!
Thank you, wonderfully portrayed. The first piece of music from the classics which I was introduced to at school....and still my favourite 🤩
Mozart en estado puro. 100% recomendable esta versión de esta milagrosa sinfonía. Bravo a la Camerata🤗 .
Очень цельно, эмоциально! Ансамбль замечательный! Музыканты высший класс! Браво!
I think the profundity of the second movement is so totally unique, those depts will not be reached again until well entered the Beethovenian era. In all the classic symphonic output of the time, there's no sound and dept comparable.
And man, THE MENUETTO! speechless.
This was the first time I had listened to Symphony #40 in its entirety in years. I have never heard such a sparkling interpretation. There was so much to see and hear. I loved how Ahss conducted downbeats by prepositioning his bow for the downstroke. Also, this performance had much of the intensity of a great chamber concert, because every player was distinctly responsible for the integrity of the ensemble. Bravi!
😅😅😅😅
I totally agree.
This is the first time for me as well
I'm taking a music appreciation class and usually I listen to just Baroque pieces but this was a treat to listen too!
Best wishes and thank you to Dr. Samantha Arten for introducing this to our class!!
Thanks for this upload!
Wow. Glückwunsch zu dieser Interpretation und vielen Dank.
Die beste Insterpretation der Sinfonie, die ich bis heute gehört habe
Yes, amazing! All those nuances... never or rarely heard!
Finde ich auch.
Dann kennst du nicht Harnoncourts Interpretation mit dem Concentus Musicus, auch hier bei TH-cam zu finden
i feel the spirit of Mozart here. i thank you all very much for your hard and dedicated work. other interpretations did not reach the understanding that you reached. thank you again and i wish you and your families ALL THE BEST.
This has always been one of my favorites for life!
Spiritual and sublime.
This wonderful performance attests to authenticity of Mozart’s musical aesthetics and impeccable and inspiritual
truly a great execution.. this opera is sublime and brilliant❤
Perfection. Bravi!
1. Molto allegro: 0:18
2. Andante: 8:13
3. Minuetto (Allegretto - Trio): 21:40
4. Finale - Allegro assai: 25:35
I have only listened to 5 minutes of this recording, but I needed to pause the video and write you - thank you so much! It is a great pleasure to listen to you and to watch to you as a group - you are great!
Absolutely delightful! The strings play with such incision, directness and complement the winds beautifully!
It started out amiable enough but got hung out, coming out of the second movement. But the stayed lively and consistent throughout and I just adore their performance. Nothing missing, nothing broken.
I love selection of the 1st violinist as conductor too as well as the somewhat stunned silence at the conclusion
Eine Riesen-Freude.
Suena realmente bien esta cameratta autodirigida por su concertino
Breathtaking!!
Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788. It is sometimes referred to as the "Great G minor symphony", to distinguish it from the "Little G minor symphony", No. 25. The two are the only extant minor key symphonies Mozart had written.
The date of completion of this symphony is known exactly, since Mozart in his mature years kept a full catalog of his completed works; he entered the 40th Symphony into it on 25 July 1788. Work on the symphony occupied an exceptionally productive period of just a few weeks during which time he also completed the 39th and 41st symphonies (26 June and 10 August, respectively).
É lindo...meu Deus de céu..Me peguei paralisada vendo o show..Que show!! É a melhor música do mundo!!!!!!
The tempo is IDEAL! It is the beauty of artistic angst. Mozart at his subliminal best. PWG
Really great, thanks!
stupenda esecuzione bravissimi complimenti
Glory to Mozart an Angel among us !!
Vienna with ❤to TH-cam
Great
Esecuzione strabiliante....da sogno !
❤😮
somehow the Harmony flows through all of you.
Absolutely beautiful, but somehow camera work seems a bit confusing, as if cameraman forgot even Iris exists😅
A wonderful sparkling performance. A pity it kept being interrupted by adverts pounding out rock music in the middle of a movement.
Chyle czoła...
25:36
Orchestras seem so much more full of life and excitement without a conductor. I wonder why?
0:20 Bro looks as zesty as Drake 💀
Iese cam alandala fara dirijor.Unii care comenteaza pe aici sunt dati pe spate ;beautiful ,briliante,absolutely delightful, dar nu e chiar asa.Probabil ca nu ati ascultat simfonia 40 intr-o executie de clasa,cu dirijor, pana acum.
Vverry fast
Accurate but too fast. Especially the minuet which is meant to be an elegant dance, not a rushed piece.
I used to prefer a slower tempo, but somehow I like this interpretation. I think Mozart wanted to put emphasis on phrases not single notes and nobody expects this minuet to be played in dance halls.
The ad are terrible. They interupt the experince Dislike
いいけど、わざとらしい