Full Album available // Schumann: The Piano Works by Sviatoslav Richter 🎧 Qobuz (Hi-Res) cutt.ly/PegkI0ew Tidal (Hi-Res) cutt.ly/VegkOxET 🎧 Apple Music (Lossless) cutt.ly/xegkOH1K Deezer (Hi-Fi) cutt.ly/pegkPlSr 🎧 Amazon Music (Hi-Res) cutt.ly/6egkPOok Spotify (mp3) cutt.ly/AegkP3ng 🎧 Idagio (Hi-Fi) cutt.ly/5egf3JrW TH-cam Music (mp4) cutt.ly/YegkAfOR 🔊 Download the album (Hi-Res Master) cutt.ly/Classical-Music-Reference-Recording-Website-Schumann-SRichter Robert Schumann (1810-1856) Piano Works by Sviatoslav Richter 00:00 Thema und Variationen über den Namen Abegg, Op. 1: Tema. Animato. Var. I-III 07:57 Papillons Op. 2: Introduction: Moderato. Waltzes I-IV. Polonaise. Waltzes V-IX. Polonaise. Finale 22:31 Marsch in G minor, Op. 76, No. 2: Sehr kräftig, Etwas ruhiger, Erstes Tempo Piano: Sviatoslav Richter Recorded in 1956 & 1962, at Prague, Milan & Italy New mastering in 2024 by AB for CMRR 🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): cutt.ly/5eathESK 🔊 Find our entire catalog on Qobuz: cutt.ly/geathMhL 🔊 Discover our playlists on Spotify: cutt.ly/ceatjtlB ❤ Support us on Patreon www.patreon.com/cmrr/about Umberto Masini: "Just as the man Richter is simple and modest, so is his music. The sounds of his piano touch a daily nobility, and in his art we can invariably discover the charm of sincerity, the greatness of enduring values. Every time one hears Richter, in any branch of his vast repertoire, one uncovers truth and simplicity. Notice his tempos, always surprising and enticing. Let yourself be captivated by his dreams, by the wonderful sensitivity of his spirit. And if you attend one of his concerts, try if possible to sit in the front rows of the hall. Not only will you be able to see Richter up close, observe his expression, and admire the mysterious play of his fingers, but you will also notice his curiosity, his interest in you, the audience. And at the end of the concert, when Richter comes to the front of the stage to greet and thank you, he will not only ask for applause, but will want to know if you truly enjoyed the concert. He will search the stands for the looks you have thrown him and will immediately discover the response you wish to give him. So look at him: look at him with gratitude. He will understand, and finally, momentarily releasing his stern expression, he will give you a broad disarming smile, letting you know that he, like you, is happy. Do not ask him for an autograph, as one does with divas. For Richter, a glance is enough. Your glance." Beethoven: Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" by Sviatoslav Richter 🎧 Qobuz bit.ly/3tdUd1m Tidal bit.ly/3tin9VY 🎧 Apple Music apple.co/3UtpjNJ Deezer bit.ly/3GzAfRO 🎧 Amazon Music amzn.to/3NflbfW Spotify spoti.fi/3GB64Ke 🎧 Napster bit.ly/3NhP9jB TH-cam Music bit.ly/3NhTHq8 Robert & Clara Schumann PLAYLIST (reference recordings): th-cam.com/play/PL3UZpQL9LIxOoUF6exytTHfCssJcVdpZu.html
Umberto Masini: "Just as the man Richter is simple and modest, so is his music. The sounds of his piano touch a daily nobility, and in his art we can invariably discover the charm of sincerity, the greatness of enduring values. Every time one hears Richter, in any branch of his vast repertoire, one uncovers truth and simplicity. Notice his tempos, always surprising and enticing. Let yourself be captivated by his dreams, by the wonderful sensitivity of his spirit. And if you attend one of his concerts, try if possible to sit in the front rows of the hall. Not only will you be able to see Richter up close, observe his expression, and admire the mysterious play of his fingers, but you will also notice his curiosity, his interest in you, the audience. And at the end of the concert, when Richter comes to the front of the stage to greet and thank you, he will not only ask for applause, but will want to know if you truly enjoyed the concert. He will search the stands for the looks you have thrown him and will immediately discover the response you wish to give him. So look at him: look at him with gratitude. He will understand, and finally, momentarily releasing his stern expression, he will give you a broad disarming smile, letting you know that he, like you, is happy. Do not ask him for an autograph, as one does with divas. For Richter, a glance is enough. Your glance." Beethoven: Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" by Sviatoslav Richter 🎧 Qobuz bit.ly/3tdUd1m Tidal bit.ly/3tin9VY 🎧 Apple Music apple.co/3UtpjNJ Deezer bit.ly/3GzAfRO 🎧 Amazon Music amzn.to/3NflbfW Spotify spoti.fi/3GB64Ke 🎧 Napster bit.ly/3NhP9jB TH-cam Music bit.ly/3NhTHq8
Kräftige doch wunderschöne Interpretation dieser drei romantischen und fein komponierten Klavierwerke im veränderlichen Tempo mit klar artikuliertem doch elegantem Anschlag und mit künstlerisch kontrollierter Dynamik. Die verbesserte Klangqualität ist auch erstaunlich hoch als Originalaufnahmen von mehr als sechzig Jahren vor. Wahrlich intelligenter und unvergleichlicher Pianist!
Vorrei segnalare un bellissimo libro scritto da Rattalino: Richter il visionario". Illuminante .❤ Fa affiancare a un lungometraggio / inyervista di Bruno Monsangeon , dal titolo " Enigma Richter". È in due parti , c'è versione in italiano...
La musique de Schumann n'est jamais moyenne mais presque toujours géniale ; c'est vrai qu'elle peut en dérouter certains mais ils peuvent l'écouter plusieurs fois et mettre leurs oreilles déficientes au diapason, bon courage mais ne désespérez pas ...😝
@@Piflaserthe comment here appears to be that these works are average. I’d disagree. Schumann was a creative genius and his ability to write for the piano and bring out an extraordinary range of colours and emotions is pretty much unmatched.
Because they can discover the beauty of "mid music" and interpret them astonishingly. And you, my dear friend, have confined yourself in the little room of "fine music", whatever the contrastion of "mid music" is and what it means.
Full Album available // Schumann: The Piano Works by Sviatoslav Richter
🎧 Qobuz (Hi-Res) cutt.ly/PegkI0ew Tidal (Hi-Res) cutt.ly/VegkOxET
🎧 Apple Music (Lossless) cutt.ly/xegkOH1K Deezer (Hi-Fi) cutt.ly/pegkPlSr
🎧 Amazon Music (Hi-Res) cutt.ly/6egkPOok Spotify (mp3) cutt.ly/AegkP3ng
🎧 Idagio (Hi-Fi) cutt.ly/5egf3JrW TH-cam Music (mp4) cutt.ly/YegkAfOR
🔊 Download the album (Hi-Res Master) cutt.ly/Classical-Music-Reference-Recording-Website-Schumann-SRichter
Robert Schumann (1810-1856) Piano Works by Sviatoslav Richter
00:00 Thema und Variationen über den Namen Abegg, Op. 1: Tema. Animato. Var. I-III
07:57 Papillons Op. 2: Introduction: Moderato. Waltzes I-IV. Polonaise. Waltzes V-IX. Polonaise. Finale
22:31 Marsch in G minor, Op. 76, No. 2: Sehr kräftig, Etwas ruhiger, Erstes Tempo
Piano: Sviatoslav Richter
Recorded in 1956 & 1962, at Prague, Milan & Italy
New mastering in 2024 by AB for CMRR
🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): cutt.ly/5eathESK
🔊 Find our entire catalog on Qobuz: cutt.ly/geathMhL
🔊 Discover our playlists on Spotify: cutt.ly/ceatjtlB
❤ Support us on Patreon www.patreon.com/cmrr/about
Umberto Masini: "Just as the man Richter is simple and modest, so is his music. The sounds of his piano touch a daily nobility, and in his art we can invariably discover the charm of sincerity, the greatness of enduring values. Every time one hears Richter, in any branch of his vast repertoire, one uncovers truth and simplicity. Notice his tempos, always surprising and enticing. Let yourself be captivated by his dreams, by the wonderful sensitivity of his spirit.
And if you attend one of his concerts, try if possible to sit in the front rows of the hall. Not only will you be able to see Richter up close, observe his expression, and admire the mysterious play of his fingers, but you will also notice his curiosity, his interest in you, the audience.
And at the end of the concert, when Richter comes to the front of the stage to greet and thank you, he will not only ask for applause, but will want to know if you truly enjoyed the concert. He will search the stands for the looks you have thrown him and will immediately discover the response you wish to give him.
So look at him: look at him with gratitude. He will understand, and finally, momentarily releasing his stern expression, he will give you a broad disarming smile, letting you know that he, like you, is happy. Do not ask him for an autograph, as one does with divas. For Richter, a glance is enough. Your glance."
Beethoven: Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" by Sviatoslav Richter
🎧 Qobuz bit.ly/3tdUd1m Tidal bit.ly/3tin9VY
🎧 Apple Music apple.co/3UtpjNJ Deezer bit.ly/3GzAfRO
🎧 Amazon Music amzn.to/3NflbfW Spotify spoti.fi/3GB64Ke
🎧 Napster bit.ly/3NhP9jB TH-cam Music bit.ly/3NhTHq8
Robert & Clara Schumann PLAYLIST (reference recordings): th-cam.com/play/PL3UZpQL9LIxOoUF6exytTHfCssJcVdpZu.html
Umberto Masini: "Just as the man Richter is simple and modest, so is his music. The sounds of his piano touch a daily nobility, and in his art we can invariably discover the charm of sincerity, the greatness of enduring values. Every time one hears Richter, in any branch of his vast repertoire, one uncovers truth and simplicity. Notice his tempos, always surprising and enticing. Let yourself be captivated by his dreams, by the wonderful sensitivity of his spirit. And if you attend one of his concerts, try if possible to sit in the front rows of the hall. Not only will you be able to see Richter up close, observe his expression, and admire the mysterious play of his fingers, but you will also notice his curiosity, his interest in you, the audience.
And at the end of the concert, when Richter comes to the front of the stage to greet and thank you, he will not only ask for applause, but will want to know if you truly enjoyed the concert. He will search the stands for the looks you have thrown him and will immediately discover the response you wish to give him. So look at him: look at him with gratitude. He will understand, and finally, momentarily releasing his stern expression, he will give you a broad disarming smile, letting you know that he, like you, is happy. Do not ask him for an autograph, as one does with divas. For Richter, a glance is enough. Your glance."
Beethoven: Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" by Sviatoslav Richter
🎧 Qobuz bit.ly/3tdUd1m Tidal bit.ly/3tin9VY
🎧 Apple Music apple.co/3UtpjNJ Deezer bit.ly/3GzAfRO
🎧 Amazon Music amzn.to/3NflbfW Spotify spoti.fi/3GB64Ke
🎧 Napster bit.ly/3NhP9jB TH-cam Music bit.ly/3NhTHq8
Kräftige doch wunderschöne Interpretation dieser drei romantischen und fein komponierten Klavierwerke im veränderlichen Tempo mit klar artikuliertem doch elegantem Anschlag und mit künstlerisch kontrollierter Dynamik. Die verbesserte Klangqualität ist auch erstaunlich hoch als Originalaufnahmen von mehr als sechzig Jahren vor. Wahrlich intelligenter und unvergleichlicher Pianist!
Beautiful .. His touch is so gentile.... deep .. deep sound . Oh.. Shuman .. clear... I can feel his fingers..
Bravo pour la prise de son remarquable ! Pour l'oeuvre et l'interprète, il n'y a pas de termes suffisamment élogieux.
Mega!
Благодарю !
Best performance ever.
Vorrei segnalare un bellissimo libro scritto da Rattalino: Richter il visionario". Illuminante .❤
Fa affiancare a un lungometraggio / inyervista di Bruno Monsangeon , dal titolo " Enigma Richter".
È in due parti , c'è versione in italiano...
💖
La musique de Schumann n'est jamais moyenne mais presque toujours géniale ; c'est vrai qu'elle peut en dérouter certains mais ils peuvent l'écouter plusieurs fois et mettre leurs oreilles déficientes au diapason, bon courage mais ne désespérez pas ...😝
크으... 이거거든
Never have understood why a great pianist would play mid music.
What is mid music?
@@Piflaserthe comment here appears to be that these works are average. I’d disagree. Schumann was a creative genius and his ability to write for the piano and bring out an extraordinary range of colours and emotions is pretty much unmatched.
Because even mid music can be played beautifully
@@Piflaser I think he means miniature.
Because they can discover the beauty of "mid music" and interpret them astonishingly.
And you, my dear friend, have confined yourself in the little room of "fine music", whatever the contrastion of "mid music" is and what it means.