Unforgiven (10/10) Movie CLIP - I'll See You in Hell (1992) HD
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CLIP DESCRIPTION:
Will Munny (Clint Eastwood) takes his revenge on Little Bill (Gene Hackman) for killing his best friend.
FILM DESCRIPTION:
Dedicated to his mentors Sergio Leone and Don Siegel, Clint Eastwood's 1992 Oscar-winner examines the mythic violence of the Western, taking on the ghosts of his own star past. Disgusted by Sheriff "Little Bill" Daggett's decree that several ponies make up for a cowhand's slashing a whore's face, Big Whiskey prostitutes, led by fierce Strawberry Alice (Frances Fisher), take justice into their own hands and put a $1000 bounty on the lives of the perpetrators. Notorious outlaw-turned-hog farmer William Munny (Eastwood) is sought out by neophyte gunslinger the Schofield Kid (Jaimz Woolvett) to go with him to Big Whiskey and collect the bounty. While Munny insists, "I ain't like that no more," he needs the bounty money for his children, and the two men convince Munny's clean-living comrade Ned Logan (Morgan Freeman) to join them in righting a wrong done to a woman. Little Bill (Oscar-winner Gene Hackman), however, has no intention of letting any bounty hunters impinge on his iron-clad authority. When pompous gunman English Bob (Richard Harris) arrives in Big Whiskey with pulp biographer W.W. Beauchamp (Saul Rubinek) in tow, Little Bill beats Bob senseless and promises to tell Beauchamp the real story about violent frontier life and justice. But when Munny, the true unwritten legend, comes to town, everyone soon learns a harsh lesson about the price of vindictive bloodshed and the malleability of ideas like "justice." "I don't deserve this," pleads Little Bill. "Deserve's got nothin' to do with it," growls Munny, simultaneously summing up the insanity of western violence and the legacy of Eastwood's Man With No Name.
CREDITS:
TM & © Warner Bros. (1992)
Cast: Gene Hackman, Clint Eastwood, Saul Rubinek
Director: Clint Eastwood
Producers: Clint Eastwood, Julian Ludwig, David Valdes
Screenwriter: David Webb Peoples
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“Deserve’s got nothin’ to do with it.” That line is what sets this film apart from other films in its genre. It’s not about good guy vs bad guy, right vs wrong, typical Western tropes. It about “You killed my friend, so I’m killing you.” Simple, brutal, and real.
Well, but it does have to do with right vs. wrong. I have to watch this movie again to remember all the scenes but what I can tell from these clips is that William Munny even though an unrighteouss man himself, did a righteous thing, a right thing when he put this bad guy, this murderer, away. Live by the gun (as in using the gun unrighteously), die by the gun. You reap what you sow. So in this act he was a judge, jury and executioner who gave the right sentence. One less evil man walking the Earth.
And let’s not forget “ We all have it coming kid “
@@richardstonechild3269 Yes we do. But for some of us someone else took the bullet in our stead.
@@assessobserveandexemplify4112 Good point. But right vs wrong is relative here. To the families of the people William Munny murdered, he’s the evil man still walking the Earth. And technically, Bill was the “good guy,” the lawman protecting his town from assassins, despite his own callous nature of law enforcement. Just because we root for the main character does not make him a good person. Reminds me of Walter White. We loved Walter, but make no mistake that he was a ruthless drug lord. Same with Munny, we empathize with his character, but make no mistake that he was a killer and assassin for hire.
Strange thing to kill a man you take away all he has and all he could have
Best part of the whole movie is when Bill says “I’ll see you in hell” and Will just says “yeah” as if he’s been resigned to that fate for a long time.
You're totally right, there is no "as if" about it
What's funny is that he claims he doesn't deserve this, then admits that he will join Will in hell.
Well, if you killed children…yeah.
No fancy one-liner, just an acknowledgment
Is there a blooper here ? It sounds like he says "I'll see you in hell Wade Money " and not Will Money . Watch again .
It's amazing to watch the humanity leave William Munny after he hears Ned is dead. When he walks into that bar, he is the Reaper of Souls.
He's nothing that fancy. He's a cold-blooded killer. Always has been. Just stopped for a while, is all. Unforgiven, he returned true to his nature.
spackle9999 this time he had a motivation to kill a reason and who is to say he didn’t have a reason in his old killing days
@@spackle9999 He's not that simple. He has the skills of a killer from his past, but he managed to make a woman fall in love with him and marry him. He had two children with her, and seemed to be a caring dad in his own way. He didn't kill people he could have very well have at the end. He resorted back to his ways for revenge of a friend and has formidable talent in killing, but he's not the same man he was in his past.
@@spackle9999 Nope we don't know what was his actual nature was, we know his reputation and what he did, but he wasn't one dimensional evil character.
And "drunk". Alcohol for a few people is liquid courage. He had to be "full" in order to not feel anything.
"I don't deserve this"... says the man who just whipped a guy to death.
An innocent guy at that, didn't have any part in killing anyone so he got whipped to death for passing through.
@@20hiddenninja He was an accessory to murder.
@@rocketpig1914 Well you could try to pitch it that way, an accessory before the fact, but in this instance I doubt it would hold up in court. The girls who offered money would all be accessory before the fact for sure though no one is trying to charge them, for Ned to be guilty on those grounds he needs to have done something demonstrable to encourage or assist with the crime. He left well before any crimes took place so simply knowing someone might commit a crime in the future doesn't cut it. Also, minor but amusing detail, film takes place in 1880-1881 so none of those "See something say something" laws saying he is obligated to report anything would exist.
Really shows you how delusional Little Bill is. He thinks he is above reproach because he feels like he's cleaning up the town of assassins. Deserves got nothing to do with it.
@@rocketpig1914 wow! You really must not have been paying attention. Accessory to murder huh? Please explain
Up until his final breath, Gene Hackman gives one of the most stellar performances of his remarkable career
Yeah he always did a great job always
The man never phoned it in
Hackman is one of my two favorite living actors, the other being Robert Duvall.
@@Gunners_Mate_Guns Two very fine choices, couldn't do much better than that.
Yes I agree it takes skill to be a convincing bad guy
"Deserves got nothin' to to with it." The tagline of life.
Snoop made the same comment in "The Wire" I think.
"Deserve got nuthin' to do with it. It's his time, that's all." She said to Michael moments before he killed her.
NOBODY GETS OUT ALIVE
I realize that it's just an actor reading a line here, but it's a seriously deep philosophical concept. Society would be much better off if we were to embrace this truth. Instead, most prefer pretty lies.
@@kenp3L I've said before that if Albert Camus had written a western it would be "Unforgiven".
The crazy thing about that scene is that he doesn't look away before, while and after blowing the head of Little Bill. Absolutely no remorse, emotions, feelings, just an angel of death.
It sells itself. Eastwood always knows his limitations 😂
@@Fister_of_Muppets Nice callback
He needed the alcohol to numb himself in order to become that coldblooded killer. That's why he started drinking in the scene prior to this one, where he was told Ned is dead.
You reap what you sow.
It's a very satisfying conclusion and perfect end to this movie.
He a reaper
I'll give this to "Little Bill" he didn't go out like a punk. He looked Munny in the eye and stared daggers at him until the end. "I'll see you in hell, William Munny." was a threat.
Until that last little gasp of breath intake before the shot, which gave away his fear and dread.
@@Setmose that may have been pain from the golf ball sized hole in his gut
What gets me is Munny's reply: "Yeah." He knows he's damned, and no longer cares.
I agree. I think will toll bills last line in the movie is when he calls William Munny
@@muammarbinsharif6425 Oh no...it was certainly FEAR and DREAD.
This movie ages so well. A brilliant revisionist take on the old west. The contrast between the kid who talks more than he's experienced and Munny trying to atone for his dark past. Incredible cinematography and acting. One of the truly deserving recipients of Best Picture.
Never like this movie, Gene Hackman should of just played dead, duhhh.
@@safffff1000 You don't like basic English grammar either it seems.
I saw it on a giant screen when it came out. No one had ever made a Western like this. It definitely deserved the Academy award.
true TRIVIA: Bradley Cooper approached Clint to direct AMERICAN SNIPER, and Clint said he sold it to him as "Unforgiven" in the modern era. It is rumored Bradley Cooper memorized every line on UNFORGIVEN and knows the movie in and out.
It's not a revisionist take on the Old West. It's just a good American Old West movie.
Clint Eastwood's portrayal of this worn out man who has killed practically everything that moved is excellent.He deserves another oscar just for pulling breath.
This script was initially rejected as over the top and ostentatious.
@@Tattlebot But it ended up being so good. Very authenticious
@@hawk66100 authentilicious
It's amazing how much a violent movie changes as you mature. As a teenager I was completely unaffected by on screen deaths but as an adult it really hits home just how violent murder is.
Same here, I remember watching the movie in the 90s and thinking how cool the killing looked like. Now knowing what death is, scenes like this make a complete different impact on me. Age!
Forebrain grew in. Doesn't get there until 25 or so. It's what makes teens impulsive jackasses. :P
You have to develop a sense of maturity and wisdom to appreciate what a well written scene this is, absolutely brilliant
Same. When I was a teenager I played games like Grand Theft Auto. Now I just about can’t. It makes me sort of sick to partake in even a simulation of murder.
@@kgpspyguy ignorance is bliss
"All I can tell you is who's gonna be last".
That's enough to scare the writer shitless.
N Wibawa well he did piss himself early in the movie
"I was lucky in the order, but I've always been lucky when it comes to killin folks"- William Munny one of the most savage and overlooked lines in the history of film
yes
really reminds me of some of the lines in the movie Heat - just unforgettable classics
@@markmorris76 agreed, another absolute masterpiece of film making. Sad they don't make movies like they used to.
10 Luck stat.
I like the way he almost says it like he'd never thought about such a bizarre topic and is vaguely surprised at answering it. Killing was just something he's done. No romance to it.
I love how Gene Hackman takes his last breath and steels himself for the final blow. What an actor.
When a Gunslinger lives long enough to be an old man, this is what becomes of him.
This was Clint saying goobye to the Westerns. Him saying Thank you to Sergio Leone.
Wish he did another one, I just love Clint Eastwood westerns!
If Eli Wallach lived long enough, I wished they did a western with a ghost town inhabited by Clint and Eli.
@@MustangCollectibles he did. His new movie, Cry Macho, comes out in September. Since, it takes place in Texas, so it's technically a Western.
@@Only1Noodle A SOUTH-Western. :)
Grand Torino and million dollar baby. Clint Eastwood is Hollywood.
The shadow over his eyes with his hat, the big overcoat, and the lighting in the room that is just enough so you can see everyone, all this adds to this air of death around Clint in this scene, the thunder crashing and the rain outside are the icing on the cake of a truly cinematic scene
Clint was a fashion maven with his attire. He must have worked with some of the best costume people in the business.
Clients face kinda seems to have become skull like for the scene as if he has become death itself.Well deserved Oscar's for Cinematography, Best Picture,and Best Supporting Actor for Hackmans Sheriff.
@@jymfysher7704 for once, the right film bagged up at the Oscar's, not some namby pamby nonsense that no one really likes that never gets remembered
you damn right !!!!!!!!!!!
The famous Eastwood glare right
The greatest thing about this film is the misdirect.
Clint is starring in a western, so you expect him to be a badass.
Everyone in the film that's heard of William Munny talk about him like he's a legend.
The whole way through the film William Munny is weak, old, poor sighted, poor shot, poor horseman, poor farmer, reluctant, ashamed, beaten.
He's the opposite of everything you thought you'd see, the opposite of everything everyone else in the film said you'd see, he'd be unremarkable if he were even a bit better at what he's doing.
And then they kill Ned, and we see why they speak of him as a legend, he's every bit as daring, capable, remorseless, and terrifying as they said he was.
He's still the monster that kills women and children and most anything that's walked or crawled, and he's come for you.
Amazing what a bottle of booze will do
AHHHHHHHHHHHHH!!!!
@@TheAdamisgay He already decided what he was going to do, before he started drinking. Killing Ned was the trigger, that started it all.
Don’t forget the whiskey. Once he started drinking he got mean, real mean.
@@swimbait1 He became his old self because they killed Ned, not because of the drinking.
Unforgiven, quite possibly the last great western ever made.
It's also Eastwood's last Western movie!
What about 3:10 To Yuma?
@@symmetrymilton4542 Not really.
Open Range 2003 is a great one imo. The remake of True grit i thought was excellent too. This guys having a laugh mentioning the remake of 3:10 to yuma. Entertaining yes, but thats it.
Bone Tomahawk says hi
I’ve always loved the last breath Hackman takes before getting shot. That little shiver in his breath shows he is afraid to die, but nevertheless accepts his faith. He might not be a good guy, but he sure as hell ain’t a coward.
'Deserves got nothing to do with it' is THE line, no matter at what context you take it, it haunts you for the rest of ones life after youve heard it
Especially since it’s not so
much spoken as snarled with pure venom.
It's a hell of a thing killin' a man. You take away all he's got and all he's ever gonna have
Vegeta solo That's one of my favorite line's
r=exactly everything his family and future family what money he has his life his breath everything thats the best part of busting a fool u completely erase him or her lol epic gangsta moments
And knowing , you'll die the same way ,,, one day .
That's why is a serious sin.
Yep, definitely one of the greatest movie quotes ever.
Concise and elegant
You will never see acting like this again. From two legends like Clint Eastwood and Gene Hackman.
+Allen Greene That is an unfortunate statement. Heck, I would do with some good westerns again. Also, don't forget the Duke.
Jeffrey Farr Yeah true. Although I wasn't a fan of John Wayne.
+Jeffrey Farr I thought the 3:10 to Yuma remake was pretty good.
True
+khatool Exactly. It was pretty good, not fucking epic!
I love how the characters are not precise in their shooting, they miss, they get scare, they run. They are very human until William Munny goes into town to take vengeance for his friend. He went in there to kill everyone. Excellent movie, script, director, actors. 100% score for me.
Even when William falls off the horse, he owned up to it. Back when Men Were Men, and Blood was Red. Nowadays no one knows what a Man is, and Blood is Rainbows and sugar plum fairies.
Best Movie to climax the Man With No Name, unintentionally.
Eastwood said this movie was the culmination of everything he's ever loved and experienced about westerns. He was right on the munny.
The thing I loved about this movie -- something very few have ever done -- is that Lil Bill was a fully-developed, three-dimensional character. When he said how he hated assassins and men of low character, it really drove a point that he, even as a villain, had his own fancies and quibbles; you know, as an actual person would.
Sure, he was a mean-ass bastard who deserved what he got -- har har -- but he was a believable bastard. Terrific writing, I must say :)
Lil Bill... the very first rap star smh
Gene Hackman refused the role, but Eastwood insisted until he accepted. What a great actor!
William Munny : "...yeah.."
Intresting comment , why do you think Lil Bill was the villain??
I really would like to read some true and honest argument on this one...someday.
I agree that this was actually terrific writing , but i would say Lil Bill was not the villain, but the assassins were, all three of them, no matter their personal perspectives. Wich imo is the fantastic writing here: The morally good guys with bad character and the immoral guys with good character.
@@veranicus6696 I think the idea was to make this morally ambiguous. There isn't a clear hero or villain. Which is completely realistic, almost everyone is a combination of both
"I'll see you in hell, William Muney"
"Yah"
.... Bammn
the equivalent of
"k"
Digitalbunt yed
Yes
Y'alls dun mispeald money! Gramor police is inbound! Gawd have mercy on y'alls sueols!
“All I can tell you is who’s going to be last”
Ha ha
“I was building a house.” This movie totally brought a depth and humanity that other westerns didn’t. The last great western.
Hello, does Django Unchained rang any bells.
@@majorfanboy2005 Django was not even close to this movie. It was good, but not this good.
@@majorfanboy2005 you really need to watch movies older than 10 years old that weren’t made by Quentin Tarantino.
@@jasoncharles9481 I have. I seen It's a Wonderful Life!
@@jasoncharles9481 also what you got against Quentin Tarantino that guy's a master at directing! On the same level of Steven Spielberg and Stanley Kubrick!
-When confronted by superior numbers an experienced gunfighter will always fire on the best shot first.
-Is that so?
"All I can tell ya is who's gonna be last..." if you weren't intimidated before that line should make you shake in fear
probably peed his pants again
Good thing he had his brown trousers on.
Learn how to use punctuation, you idiot.
This is probably the best western ever made. The music, scenery, and the acting is amazing.
That AND "Open Range".
You should also watch ‘Once upon a time in the West ‘.
@@counsellor4jobinterviews551 Seconded!
Total masterpiece there.
Tombstone
@@FireTiger941 I love "Tombstone," but "Unforgiven" is superior.
My personal favorite is "Once Upon a Time in the West," though.
One of the many things that makes this movie so gripping is the character of William Munny. Usually, in movies you have the "bad guy with a heart of gold" archetype. You know the character that on the surface might seem to be bad but is misleading both the audience and himself because there really is good inside. Think the Han Solo type.
What's great about Munny is he's a guy with this pathology, who is capable of murdering "anything that walked or crawled on this earth". His wife changed him (or so he thinks) and he's blames his murderous behavior on alcohol and says it is all in the past. That he isn't like that anymore. It's kind of like the last act of A Clockwork Orange in a way. Munny is in denial that he's still a killer. He wants to believe he's redeemed. And so, when Little Bill says "I'll see you in Hell" it's really powerful, more than just a curse. Munny knows that he's not changed, that's he not "forgiven", and he will indeed see Little Bill in Hell. That's why when Clint says "yeah," its the summation of Munny's character arc.
Brilliant, brilliant writing and acting. Eastwood, Hackman, Freeman, and Harris. What a cast.
Well said its about a mans lack of self control
An excellent film
I was kind of worried about what would happen to his children when we see how Munny has regressed, but then the epilogue stated he went back to a normal life and become a rich Dry Goods salesman. So I guess this was only a temporary regression.
I believe the epilogue said that he kind of disappeared, and it was just a rumor that he ended up in San Fran selling dry goods. It's possible that he never made it back and the kids stayed with Ned's wife.
Well said.
@Will McCormick
👌🤞
"I don't deserve this." The quintessence of self centered selfishness, and the total lack of understanding of one's own accountability and responsibility for past deeds. Those words, in light of the sheriff's behavior through the entire movie, make it seem good and proper when Munny blows the sheriff's head off. This scene is a tribute to both great writing and great acting.
Yeah 👍
To me it seemed like it was shock more than anything. He was dying, and couldn't move, few people have the inner peace to quietly await their death. He said it as if somehow, if he could convince "God" and his angel of death that he didn't deserve to die, maybe he wouldn't. But I don't know what its like to know I'm going to die very soon, and without a doubt.
I think it's a pretty natural reaction- you had plans, you had things you were working towards, things you were looking forward to, and you will not get any of that, and you just found out. Imagine. Hard a moment as they come.
What exactly did the sheriff do besides his job? I think the point of the scene was that William munny merited death far more than the sheriff did, hence the deserve line.
@@4_vaccuum_salesman_of_marr944 Well, he didn't do anything about the woman who was sliced up; just made the offenders give horses to HER BOSS for his revenue loss since she was damaged goods now, he extrajudicially beat 2 men after confiscating their guns, and he tortured Ned to death. Hardly did his job and did some pretty awful stuff to go with it.
This is so great because we see that Will takes zero pleasure from this. He doesn't want a book written about him, nor does he want anymore crazy stories going around about him. He didn't even want to murder Little Bill but it had to be done because of Ned. Will knew that it was more his own fault for bringing Ned back into this than it was Little Bill's fault for basically just doing his job.
The postscript says Will sold his farm and moved west with his kids and basically lived happily ever after and I like to believe Ned's widow got his share and used it to do something good and perhaps even remarried, and the Kid probably never spilled another drop of blood again and maybe used the cash to buy himself some glasses.
it wasn't little Bill's job to be so cruel to Ned though
@@jacobbell8171 No it was not. Bill followed his own laws and issued out his own brand of justice. It gave him control over this small town, allowing him to run it as he saw fit. The bounty, while illegal, was only put out because of his shoddy ruling in lieu of proper lawful prosecution. On a more personal level, Bill saw it as a subversion/defiance of his power.
@@TRTMN-vs3ew well said
damn thats pretty smart
Actually, I heard that the Kid met a much darker fate - there was a rumor that in the original script, he went home and was so consumed with guilt that he drowned himself.
"I've killed women and children...I've killed just about everything that walks or crawls on this earth at one time or another".
"Right gentleman, he's got one shot left, when he's done take out your pistols and shoot him down like the mangy scoundrel he is!''.
A real American hero.
Im a bastard, a bad person but I admit it....
@@rockethutchins8547 "shot him done"???? I think you mean SHOOT HIM DOWN. And it's MANGEY, not "maingey." Use spell check.
뿡뿡! ^__^ you're right, na spell checks for wannabes
the lines of dialogue in this film are just another level
Hackman was an amazing actor. Should definitely get a lifetime achievement award at some point. I'll never tire of watching French Connection or Hoosiers or Unforgiven.
He's incredibly underrated.
Totally agree with you GM!
Or even Lex Luthor in the 1978 Superman. He's a HUGE part of what makes that film work so well! And yeah - he's underrated.
Gordon M He did win an Oscar for this role.
+Barstool Blues, He's a two-time Oscar-winner. He's a beloved actor whose films are often remembered mostly for his performances (Poseidon Adventure, anyone?). Sure, he's not in the conversation as much as a Brando, perhaps, but he's so acclaimed that I'm not sure it makes any sense to call him underrated, let alone "incredibly underrated."
Notice how the autobiographer walks off, he realized that he wasn’t talking to an english bob or little bill, he was the real deal
Well he did basically threaten to kill him.
Exactly! He finally got to meet someone who encompassed all the grandiose accolades he'd given to others, and it terrified him.
*biographer
@@Saanichian thanks
@@spartanrh83 and he could say he was there himself rather than a secondhand account.
Chuck Norris has nightmares about William Munny.
percyzeppelin The only thing that scares Chuck Norris, is Chuck Norris.
Chuck Norris may have nightmares...but William Munny checks under his bed at night...for Chuck Norris...lol
The bogey man checks under the bed for Chuck Norris.
percyzeppelin lmao
This is terrific.
I've never been a big fan of the Western genre, but this is hands-down my favorite movie -- and has been since the day I saw it 30 years ago. When people ask why, I tell them it is the perfect movie. A compelling, thoroughly original and engaging story about imperfect people -- in other words, real people -- that is beautifully shot and acted. And without an ounce of fat on it.
There should be college courses on the study of this film. Such a brilliant art piece. You could watch it as intended and see and feel one way. Watch it without audio and get lost in the visuals. Or just listen to it and let it haunt you, the dialog, music, the thunder claps of that last scene in the bar....shivers...the evil within the character is felt.
It is one of the best films ever made, but it is not thoroughly original. It relies on a very commonly used plot: a man with a violent past, since reformed, now returning to face his past
Part of the film’s lasting appeal for me is that it isn’t a Western; it just takes place in the West.
I know exactly what you mean. There are some films that are so superb they transcend the genre (if that's not too pretentious a way of putting it)
Good point. Is anything thoroughly original? There are a limited of story lines.
Quite simply, this is THE best cowboy movie EVER made. Everything about it is nigh on perfection. The mood, the landscape, the down to earth reality of life at that time. The lighting in half shadows. I could go on and often do, boring people to death. It's my number one film.
Totally agree with you
Little Bill: "I'll see you in Hell, William Munny."
William Munny: "Yeah."
This is proof that John Wick is the reincarnation of William Munny.
That line "deserve's got nothing to do with it" is one of the best lines of any movie, ever. It's not about little Bill. It's about everyone. Perhaps we should live in a society where the things that happen to people are based on merit, but we don't. Actions have consequences; sometimes they're fair, sometimes they're not, and once you put a chain of events in motion you have to accept that. True of every character in this great movie, and true of life. Maybe the best western ever made.
I'm not a big fan of meritocracy m'self. It's phony. Merit is like credit: it's only good because we say so. The fact that actions have consequences is basic Newtonian physics. "Deserve's got nothin' to do with it"
The way his eyes glistened with satisfaction after blowing the man's head "clean off".. There's no more like Clint dude. No comparisons. Made his definitive final statement - on the ruthless onscreen persona he basically created - with this, his last western. Nobody's done it better than Eastwood!
This is in my top ten list of favorite films. Easily one of Eastwood's best by a long shot. So insanely deep. This scene especially. No real good guys or bad guys. Not throughout the entire film, really. Just men in a seriously brutal world, all of whom made their mistakes. All of them doing the right thing from a particular perspective, and the wrong thing from another. Deserves got nothing to do with it...
Those are the movies I like, where the good guys don't always win, it's a draw or stalemate between the two, the main protagonist doesn't defeat the main antagonist but the deuteragonist does, especially when they make a sympathetic villian you can root for. ✌️O.o
It's gnarly he took aim before blasting his head off.
Proper gun control.
That seemed a little unnecessary considering the distance.
@@missedmebich2963 It was more of a statement than anything.
It added suspense…
Look I root for Clint and the boys the whole movie like anyone else. But little Bill is never a coward and even as a villain I respect that.
Clint Eastwood
Morgan Freeman
Gene Hackman. 3 good actors legends
GREAT actors....
@@HalleyBay61 agreed! Saying they are just good is an underrated statement. They are great. No question.
Don't forget Harris
@@peteharry351
I absolutely agree, Richard Harris was just as good as these asteemed gentlemen.
I love that "I'll see you in hell william money"...and the simple "yeah" response.
No illusion of righteousness, it's obvious that even though they're both bad men clints character is in a whole other league of the damned...there's subtle threatening implication to his comeback...like wait until I get there and we see each other again.
That was always my take, like, "yeah, just wait till I get to hell and get my hands on you again..."
I think William was more sympathizing with Bill. Remember, both these men were evil, but only William seemed to realize this or even accept it.
The grim reaper with a shotgun and a bad ass attitude. Great movie.
Tony Smith
You mean a Spencer 1860 Carbine
"Death must be so beautiful. To lie in the soft brown earth, with the grasses waving above one's head, and listen to silence. To have no yesterday, and no tomorrow. To forget time, to forgive life, to be at peace." Oscar Wilde.
My husband refuses to watch a movie twice, except this one which he has watched many times. There are so many little things, bits of dialogue that set a tone. One of the phrases is "these ones" and "she's giving me the evil eye," "you'd be William Munny, out of Missouri what kills women and children." The characters are unforgettable, English Bob, LIttle Bill Daggitt, W.W. Beauchamps who writes, the Kid who is nearsighted. "It's a hell of a thing to kill a man. You take everything he has and everything he's ever gonna have. Well, he had it comin'. We all got it comin', Kid." William Munny was a philosopher as well as a killer.
Such a superb film. I always loved the lack of clearly defined roles of "good" and "bad" guys. Just hard men out doing hard jobs, with so many layers of moral ambiguity. Plus phenomenal acting and this is one of my favorite films.
Bill acting tough, then that last little look where he knew he was face to face with the Grim Reaper. And lost.
I am 73. When I was less than 10, I talked to my grandfather about what the real west was like and outlaw stuff. People were not walking around with pistols strapped to their waist. Cowboys were the lowest in order socially. The job was seasonal, dirty and very harsh. Gramps said that if a man went wayward and joined a gang of outlaws, the locals would find out where they were set fire to the cabin[if any] and shoot them as they exited. No "rights" were read, no arrests, and no jail time. But then again, I remember wringing chickens neck for supper and plucking feathers after you boiled it a bit for ease of application. We didn't know what organic meant.
I always hated the plucking
I thought chickens just came from Chic-Fil-A.
Ill never forget how his eyes look like that of a shark... just black holes.
Black eyes. A doll's eyes.
Eastwood went out of his way to make sure every detail was period correct, from costumes to props to sets...
The writer knew his proper history, as well, giving us all a fairly accurate portrayal of life in the old west. All movies should be made like this.
I love how he's not some done up slickster of a gunmen, his overcoat is worn, he's got scars on his face, riding a flee bitten field broken horse, well past his prime, but nonetheless, walks into a room outnumbered probably 15 to 1, fearless, with just one mission in mind, to avenge his dead friend... Not caring about the outcome, as long as he accomplishes his objective... One of if not the best western there is
“I guess they’ve had it coming”...
“We’ve all got it coming”.
I love how it shows that he’s a real killer, like English bob and little bill were interested in the fame and they were happy to talk to the story writer about their shooting days but William Munny isn’t concerned with that. He’s a killer through and through
William Munny is a psychopath. English Bob and little Bill, although violent, weren’t totally disconnected like Munny was who had zero empathy for anyone he killed. Throughout the film Munny doesn’t really fit in anywhere and actually appears to be someone acting the way he believed a normal person would act. Ned and the Kid were actually having fun at a certain point and so too was little Bill as he described his experiences in the west to the author.
I think towards the end of the movie this is further emphasized when Little Bill tried to shame Munny by stating that he had killed woman and children in the past.(Bill was a master of mind games) Most almost everyone would shy away from admitting to something like that. Munny not only immediately acknowledges it, but adds to it by stating he has a long history of murder and that he had killed just about every walk of life at one point in time. He wasn’t bragging nor was he trying to scare anyone, he was simply acknowledging to Bill that this wasn’t mistake nor a false identity. He was indeed that person.
"I'll see you in hell Williams Munny"
"Yeah"
Cold as ice
One great line after another, brilliantly delivered by Eastwood throughout the movie. Worth watching over and over.
That is one of the most chilling scenes in any film. A lot of it due to Eastwood's subtle facial expressions. Then how this scene became climactic from the rest of the film's development. Eastwood is one hell of a director.
"I was building a house."
Hackman even generates a tiny bit of sympathy with that line.
He's not really a villain, just happened to be on the other side of a conflict
@@joesomenumbers he really was.
Connor McCartney oh yeah
He just wasn't no carpenter.
😡I'll see you in Hell
😐OK....BANG
Clint Eastwood--fewer words are best.
Gets that from Sergio.
"Talk slow, low, and don't say too much." John Wayne
John Ford felt fewer words was better. I had to watch alot of his movies when i was older i could not believe how much he said with out saying nothing .loved unforgiven.
yeah
Talk is cheap. Rule of life.
"All I can tell ye is who's gonna be last"
End of that conversation.
It was that young man who was a very close friend of mine, he was a decent good man worked hard for his family and looked after his friends. One day he fell over from the 10th floor, and I couldn't find an answer to the same old question if he deserved that end? but perhaps Eastwood is right "deserve 's got nothing to do with it.
Greetings from Egypt.
Two of the greatest actors of my lifetime - Clint and Hackman.
Everyone talks about the "deserve" line. Him saying, "yeah", is the film to me.
Muney is the apocalypse. He doesn't care about moral high ground. He doesn't justify his actions in any way like the other killers do. He is death. He has accepted that by this point in the movie.
They killed his only friend. They have to pay blood for blood. You'd be lucky to have a friend like William Muney.
Nah, "I aint like that no more". He was a reformed man, married (widower), a farm. UNTIL his friend who "he went south yesterday, ... Ned never killed anybody", was heinously murdered by little Bill and his accomplices. This time it was a sense of justice in which the killing spree ensued. They got what was coming to them.
But in a way Munny got his only friend killed. This run for money cloaked in righteousness got Ned killed. Ned would have never been there without Munny.
He tried to do better. He never really changed. He is death. That's a Sergio Leonesque thing to do. It's where Eastwood learned about Westerns.
Ned was a killer like the rest of them
The fact that Clint is still acting after 30 years of this film's release is just hard to imagine.
Yea I saw cry macho and while it's not his best work the fact he's even in it is impressive enough
"I'll see you in hell William Munny"
"Yah"
So short but so big all at once.
“Deserve’s got nothin to do with it”
Maybe my favorite line in a movie ever. So badass!
"I was lucky in the order.."
Awesome line
A superb movie in every sense. Acting, script, cinematography, characters and storyline. Eastwood proving, yet again, his brilliance along with a sublime Hackman, Harris and Freeman.
“I’ll see you in hell William Munney”
Long pause...
“yea”
The Gran torino ... ohhh yeaaa
No argument no counter talk. Acknowledges that he’s right and fires.
The scar on Clint’s face made him fit his part very good.
I just realized that Munny killed Little Bill with Ned's Spencer rifle. And they both have the name, "William": interesting duality there.
ChannelViral So then this duality you speak of is the point of the film. Little Bill and William Munny are two sides of the same coin.
William Munny actually killed Little Bill with a pistol. The shotgun he used to kill Skinny is a double-barrel. Munny didn't use the Spencer rifle at all; he was just reloading it after reclaiming it from Little Bill.
@@Falconlibrary Yes, but then he realizes Little Bill is still alive, and finishes him off with the Spencer Rifle...
@@suchanhachan yes your right.
@@Falconlibrary What an odd comment
2:11 The small breath that Hackman takes right before he's shot really adds to the fear and coldness of the scene.
I know. It makes it so much more gut wrenching
Unforgiven and Tombstone were the best westerns ever made to date.
I think it is genuinely hard to compete, like I remember seeing "3:10 to Yuma" or something, maybe solid effort, but just so not-as-good as Unforgiven and Tombstone and pinnacles of Leone.
Dances with wolves is better than tombstone. Hell, Costners Wyatt Earp was better because it was more true to Wyatt Earps actual biography
Lonesome Dove is the greatest western ever made.
Definitely within my Generation!
I would put "The Outlaw Josey Wales" before "Tombstone". IMHO.
Every line in this movie is gold!
At the last kill we finally see who Eastwood’s character really is. Because he prolonged the moment... for enjoyment. He is and always has been a sadistic killer that feeds on murder like he did with the sheriff, and by his own admission women and children as well. Still chilling after all these years.
hell of a thing killing a man, you take away everything he's got and everything he's ever going to have. - William Money
Jack N. Green (Eastwood's longtime brilliant cinematographer) shot a beautiful scene here. 🎥
These two characters and English Bob should have a prequel series.
“Has it ever struck you that life is all memory, except for the one present moment that goes by you so quick you hardly catch it going?”― Tennessee Williams..
"Unforgiven"(1992) is a Western movie masterpiece, and this is the best Western movie of all time!
Better than Lonesome Dove?
I liked Shane and new 3:10 to yuma... and the hanging tree
This has to be the greatest western of all time hands down. Even though the story is fiction, the gun fight at the end was very realistic especially when Clint went down to one knee to avoid the shots from the other lawmen. Very well done scene. One of my favorite parts of the movie was William saying: I thought I was gone. I wouldn’t normally pay no notice to high country… trees, But I sure notice them now.
Such a great scene
No ridiculous choreography, cheesy dialogue or embellished aesthetics, just raw realistic, gritty justice delivered and received by two of the greatest actors of a generation
Well said!
"im at point blank range & im still goin to look down the sights/barrel of my gun" BANG.......
Proper gun control.
The last muzzle from his Best Rifle, there’s a few seconds that he thought he’s gonna meet ‘Little Bill’ in hell.
When he said: “Yeaah”, that’s the answer of a man with no regrets that he’s not forgiven or asking for forgiveness. Truly outstanding film.
I wouldn’t say he has no regrets. I think he just accepts his regrets/fate. In fact, he spends a large portion of the film wrestling with his regrets.
@@chefref5027 I agree. I think the "yeah" is more resigned. He tried to be a good man -- husband and father. He tried to be the man his wife expected him to be. But in the end, he had to accept who and what he was.
@@chefref5027 nono, that would be exactly the Unforgiven part of the name of the movie...
@@robertlevy105 It was crazy when little bill said "See you in hell" and then clint eastwood said "yeeeaaah whatever" and started fortnite dancing. I felt that.
"I was building a house"
Now it can be a mausoleum.
Legend has it, Little Bill and William Muney are still battling it out in Hell...
With this film, Mr. Eastwood's changes our 1960's perception and glorification of what a gunfighter or murderer is. No more shootem up fantasy, but what it personally feels like to take a life. " Hell of a thing kill'in a man, you take away all he has and all he ever will have". Best western ever by the best actor and director, Clint Eastwood. Clint Eastwoods movies in his later years all contain great morals great stories, that educate the world without most people even knowing it. This is why i respect the man.
Some years later, Mrs. Ansonia Feathers made the arduous journey to Hodgeman County to visit the last resting place of her only daughter.
William Munny had long since disappeared with the children...some said to San Francisco where it was rumored he prospered in dry goods.
And there was nothing on the marker to explain to Mrs. Feathers why her only daughter had married a known thief and murderer, a man of notoriously vicious and intemperate
disposition.
And his great great grandson became a famous inspector for the SFPD, known to be extreme but effective in his methods. "Go ahead punk, make my day"
Such a powerful scene. Probably the most powerful of any movie I've ever watched. Maybe with the exception of Gran Torino.
William Munny was a stone cold killer in his past. His wife saved him though. He quit drinking and locked that all away and threw away the key. All of life's hardship slowly wore at that lock though and suddenly when they tortured and killed Ned, the lock broke violently and the beast returned. You can see it the moment Munny starts drinking whiskey again. First time alcohol had touched his lips in at least a decade. Then the bumbling older fellow we saw throughout the movie was gone and the original Willam Munny returned. Stone cold and angry. That look in Clint's eyes that shows something has broken. Something has snapped and there's literal hell to pay for it. One of the best movies in all of movie history.
No one seems to get that Bill is a shortened form of William...
That's definitely not an accident.
One of the best westerns since The Good, the Bad and the Ugly.
Another Eastwood movie
Better
@@drdeadbeat1604 Nope just different.
@@stevem2323 Once Upon A Time In The West is the greatest western ever made
@@maciek8159 It's hard to say, but definitely my top 3 ever, Searchers are there too.
2:14 no open casket funeral for Little Bill.
lmao
Ouch. That was low.
Surprised Clint did not get blood splatter with that close up shot.
At that distance would have been inevitable.
Yes, that's definitely a blooper that no blood got on Munny in the last shot.
“....deserves got nothing to do with it.”