I was by a Richter recital in Strassburg in 1971 . He played a Scriabin Sonata just in this mood . I was statufied and sweated in my chair in big heavy drops . I never forgot it .
I'm no classical music nerd, just a regular music nerd, but this is one of my favorite piano sonatas and Richter is my favorite classical pianist. He gives a raw power to his interpretations that I've rarely heard in my admittedly limited exposure to classical canon and performance.
Jaisoo Bahng Could not 'ave said it better me self !! Richter reminds me, spiritually, of the cellist J. Du Pre. For a long time the only Beethoven Sonata performances I would listen to were by the 1950's perfectionist Solomon. Until, that is, I heard Richter.
I realized the possibilities of piano when I first heard Richter playing this sonata.I was electrified and began for the first time practising hard enough to play the appassionata. I can remember this moment as if it has just happened.
Alexei K... U R ABSOLUTELY RIGHT ON THAT! Beethoven never went for insignificant details ,his idea of music was just overall and wholesome passionate affairs! I always thought richter interpreted right way and he was a brilliant in many way. Only how I wish I met him..... just marvellous.....!!!!
Pablo Souffron I don’t agree wt u bcz there were many evidence of his style of playing wt his short and tubby fingers abrupt and crashing down yet there were great sensitivity described by some of his students . It was all abt overall listening I believe that statement I read so many many biographies and the words from those who was connected wt him as I worship him ever since my childhood! I think nowadays all the players are possibly refined as instruments itself have been improved so much. Also we must be so so grateful bcz of this Giant composer we now have far better piano( his constant complaints to piano manufacturers) oh, I love his music ! Pls, listen to(SEUNG JIN CHO)Hamamatsu, piano competition,Japan 15 yrs old his play of this same piece !!!
Yes, this is a performance of extremes, particularly the lickety--split 3rd movement. But Richter captures something elemental and frightening in this sonata. I think Beethoven wanted us to be a bit scared listening to this music. Richter's makes the 3rd movement like the Last Judgment. I think it is a great performance, even if not to all tastes. A great artist - and Richter was that, in spades - can make things work that lesser performers could not. Like Richter's VERY slow performance of Schubert's sonata D. 960. Even while I'm thinking it is way too slow, Richter makes it work on his terms. But I would not want to hear anyone else take it that slow!! Similarly, I recognize that this final movement is faster than Beethoven wanted, hardly "non troppo." But that thought only came to me after I picked myself up off the floor.
When Beethoven wrote this there was no piano made yet that it could have been played like this on. Richter even pushes the envelope of the best Steinway out there. Imagine if Beethoven himself could hear this.
So perhaps we could say that what we have here is the creation of Beethoven, Steinway, and Richter, something that could only come into being at a certain point in time?
Listening to Richter helps me make sense of the sonata better than anyone else’s interpretation. I think it’s wonderful that so many people can have different views, preferences, it’s important to remember that what each of has is a unique perspective that should be respected, regardless of whether it coincides with anyone else’s
Какое исполнение - никто больше эту вещь так вдохновенно и технически совершенно не играл!!! Можно бесконечно слушать и никогда не надоест. Это знаменитое исполнение 1960 года в концертном зале имени Чайковского. А во втором отделении был Гайдн 10 соната))
+Sapienti Sat К сожалению, бывали, и не раз. Но, как сказал дедышка Крылов, "Орлам случалось ниже кур спускаться, но курам никогда до облак не подняться".
Это исполнение похоже на "исполнение века", но это было не в зале им.Чайковского, а в БЗК 09/06/1960 (в первом отделении - до-минорная соната Гайдна и 3-я Бетховена, во втором - 22-я и 23-я сонаты Бетховена). Была такая пластинка, но без бетховенских 3-й и 22-й, а теперь есть диск. Но сейчас мы слушаем запись, сделанную 31/05/1960, Ленинград, Малый зал филармонии им.Глинки. Я ее хорошо знаю, т.к. в моем собрании она уже 15 лет. И то, и другое исполнение потрясающие! Можно также сообщить, что Рихтер сыграл тогда еще и 3-ю, 12-ю и 22-ю сонаты Бетховена и четыре этюда Шопена на бис. Существуют неизданные записи 3-й и 22-й сонат и трех этюдов Шопена.
I attended the piano master class of Gyorgy Sebok in the mid-1970's. On the subject of Richter he said that when he was "on" for a performance of the Appassionata 3rd movement it was the best, "like hot lava." When he was not it could be messy. This is pretty clean and molto exciting!
I always know whether or not I'm going to like a performance of this piece if I get a "chill" by the third note. I got a BIG chill here! Wonderful. Thanks for posting!
Для Рихтера это была одно из самых сложных произведений. По его же высказыванию, он, садясь за инструмент, никогда не знал, как получится Аппассионата в этот раз. Про третью часть он говорил, что крайне сложно передать клавишами диалог (спор) нескольких неземных существ. Для меня же данная интерпретация - наилучшая из всех. Супер.
рихтер доносит до слушателей самые сокровенные замыслы композитора как никто из исполнителей в его исполнении самые казалось бы скучные призведения композиторов обретают живую душу и плоть
Richter is known for sticking to the score of a piece. He put the sheet music when he played. So, it can be assumed that he was trying to capture what the composers were trying to put into even when he was actually performing. So, that says it all.
Именно это настоящий стиль исполнения самого Бетховена. По свидетельствам очевидцев, великий композитор после того как потерял слух играл с такой мощью и остервенением на фортепиано, что слушатели, бывало теряли сознание.
He captures Beethoven’s phrases of all lengths, short and clipped versus long and flowing, and thereby gets Beethoven’s points across. He takes himself out of the middle and leaves Beethoven speaking to you directly. Perhaps older recordings help with that distance from the artist? Don’t know, but there is still something very special about Richter performances, a unique combination of power, expression and control. It seems to come so naturally to this, one of the very greatest pianists of all time
Often rushed (with unnecessary wrong notes), extremely aggressive, hands not together, general manic mood that's rushing to get to the end so he can get his nice applause
La fuerza, la vitalidad, el sentir, el fuego, la pasión y la sin seriedad uñidos en esta versión, mejor imposible, casi perfecto, te deja agotado y queriendo más.
When my 70 year old, white hair, yacht-sized Caddie driving, proper Southern Belle of a piano teacher told me at the wise-old age of 15 "in order to play the Appassionata you need to have lived...if you get my drift." I almost fell off the stool.
What's astounding is that this interpretation is half a century old now and no other pianist can sound like this if they choose to mimic this phrasing.
Кожне виконання С. Ріхтером класичної музики - це життя людини в мініатюрі: народження, пошуки істини, любов, страждання, біль втрат, осінь, останній погляд у небо...
This is by far the sharpest and best performance by Richter (maybe even better than the Moscow Conservatory live recording of June 9 of the same year). That's why it's a shame that the end of the second movement is missing. Is there a problem with the sound source? リヒテルの中でも飛び抜けてキレている、最高の演奏（同年6月9日のモスクワ音楽院ライブ録音よりいいかも）。それだけに、第2楽章の終わりの部分がなくなっていて残念。音源に問題があるのかな？ ↓ Same recording, but this one is less damaged. ↓ 同じ録音でも、こっちの方が損傷は少ないね。 th-cam.com/video/pYiNy7BQN2I/w-d-xo.html
We judge, he IS a master (Witold), actually he was really strong man, no joke ... and c'mon Andrea... Письма "Letters" will be a reminder of what I missed, thanx Jasoo... I have listened to this since I was 1974, 30 years before utube yet I can't find a match. He's my favorite for op. 23
I was by a Richter recital in Strassburg in 1971 . He played a Scriabin Sonata just in this mood . I was statufied and sweated in my chair in big heavy drops . I never forgot it .
Fritz Maisenbacher which sonate ? Scriabin one of my favorites!
@@felmusik5043
The Fifth Sonata.
Sviatoslave Richter, one of the greatest pianist in the history of music!!
I wept when I read his book " Letters..."
lmfao
I'm no classical music nerd, just a regular music nerd, but this is one of my favorite piano sonatas and Richter is my favorite classical pianist. He gives a raw power to his interpretations that I've rarely heard in my admittedly limited exposure to classical canon and performance.
Richter understood Beethoven in the entirety of his music and the person hood.
Incredible. Magnificent.
lol
Jaisoo Bahng Could not 'ave said it better me self !! Richter reminds me, spiritually, of the cellist J. Du Pre. For a long time the only Beethoven Sonata performances I would listen to were by the 1950's perfectionist Solomon. Until, that is, I heard Richter.
i guess that means you do too! to be able to judge richter like that haha
@@Jimserac😅
One of the best player in modern time ever.
Вся я обрыдалась! Как это можно слушать! Как могут люди быть такими гениями ! Чувствуешь себя песчинкой в море, галактике человеческого таланта!
I realized the possibilities of piano when I first heard Richter playing this sonata.I was electrified and began for the first time practising hard enough to play the appassionata. I can remember this moment as if it has just happened.
Richter was like a dream...thank you.
абсолютно гениально.... Великий Бетховен. Великий Рихтер. Добавить нечего.
"To play a wrong note is insignificant, to play without passion is inexcusable!" -LvB. Wish I could see Richter playing this...
Alexei K... U R ABSOLUTELY RIGHT ON THAT! Beethoven never went for insignificant details ,his idea of music was just overall and wholesome passionate affairs! I always thought richter interpreted right way and he was a brilliant in many way. Only how I wish I met him..... just marvellous.....!!!!
I think this citation is hisorically false, beethoven never said this
Pablo Souffron I don’t agree wt u bcz there were many evidence of his style of playing wt his short and tubby fingers abrupt and crashing down yet there were great sensitivity described by some of his students . It was all abt overall listening I believe that statement I read so many many biographies and the words from those who was connected wt him as I worship him ever since my childhood! I think nowadays all the players are possibly refined as instruments itself have been improved so much. Also we must be so so grateful bcz of this Giant composer we now have far better piano( his constant complaints to piano manufacturers) oh, I love his music ! Pls, listen to(SEUNG JIN CHO)Hamamatsu, piano competition,Japan 15 yrs old his play of this same piece !!!
suki serjeant Beethoven and Schubert are from this epoc or more forward!!!
Beethoven said that. I saw it on My imortal
Yes, this is a performance of extremes, particularly the lickety--split 3rd movement. But Richter captures something elemental and frightening in this sonata. I think Beethoven wanted us to be a bit scared listening to this music. Richter's makes the 3rd movement like the Last Judgment. I think it is a great performance, even if not to all tastes. A great artist - and Richter was that, in spades - can make things work that lesser performers could not. Like Richter's VERY slow performance of Schubert's sonata D. 960. Even while I'm thinking it is way too slow, Richter makes it work on his terms. But I would not want to hear anyone else take it that slow!! Similarly, I recognize that this final movement is faster than Beethoven wanted, hardly "non troppo." But that thought only came to me after I picked myself up off the floor.
Sviatoslav Richter: Full Stop: Mesmerizing
Allegro assai 00:00
Andante con moto 10:23
Allegro ma non troppo 16:20
Richter is the Best of the Best~I love it most..
I am happy because I heard this great and amazing playing in my life. tempo, expressions all perfect
Questa Appassionata è proprio appassionata. ❤
A great pianist! I 've heard him performing in Athens live, I 'll never forget!
Господи... Сколько же страсти, жизни в этом исполнении!!!! Словами не выразить... ❤️❤️❤️
Das ist für mich die beste Interpretation der Appassionata aller Zeiten!
Ja, das ist sie, fürwahr!
Meine Mutter, die eine Qualitäts Pianistin war, sag immer, daß er der beste Pianist unserer Zeit ist.
omg! this is crazy! Best interpretation ever!!
When Beethoven wrote this there was no piano made yet that it could have been played like this on. Richter even pushes the envelope of the best Steinway out there. Imagine if Beethoven himself could hear this.
So perhaps we could say that what we have here is the creation of Beethoven, Steinway, and Richter, something that could only come into being at a certain point in time?
Немыслимо... Что за потрясающее исполнение.... До слёз...
Good lord....The last presto section has my whole skull filled with chills. That is kamikaze fast.
Richter besitzt die magische Fähigkeit Beethovens Anwesenheit in den Raum zu holen.....Und noch viel mehr als das!
Incredible. I love the intensity he brings to this. Thanks so much for sharing!
Listening to Richter helps me make sense of the sonata better than anyone else’s interpretation. I think it’s wonderful that so many people can have different views, preferences, it’s important to remember that what each of has is a unique perspective that should be respected, regardless of whether it coincides with anyone else’s
One of the Best Appassionata
I didn't realize what is Appassionata until I listened to Richter. He precisely conveys everything what Beethoven wanted to tell.
You made a great comment..That's just what I Want To Say!!!
Btw Beethoven never named this sonata appassionata.
@@research-xe3zc He named it La Passionata, which kind of is the same thing
Great comment, thanks!
richter is the antithesis of sterile pianism. such unparalleled intensity.
increible furia beethoveniana, una tormenta desatada por el gran Richter. gracias por subirlo.
breathtaking
Какое исполнение - никто больше эту вещь так вдохновенно и технически совершенно не играл!!! Можно бесконечно слушать и никогда не надоест. Это знаменитое исполнение 1960 года в концертном зале имени Чайковского. А во втором отделении был Гайдн 10 соната))
Alex Ustas Разве были вещи, которые Рихтер играл не совершенно?
+Alex Ustas Ну, насчёт "технического совершенства" можно поспорить, но вот насчёт вдохновения Вы правы.
+Sapienti Sat К сожалению, бывали, и не раз. Но, как сказал дедышка Крылов, "Орлам случалось ниже кур спускаться, но курам никогда до облак не подняться".
Это исполнение похоже на "исполнение века", но это было не в зале им.Чайковского, а в БЗК 09/06/1960 (в первом отделении - до-минорная соната Гайдна и 3-я Бетховена, во втором - 22-я и 23-я сонаты Бетховена). Была такая пластинка, но без бетховенских 3-й и 22-й, а теперь есть диск. Но сейчас мы слушаем запись, сделанную 31/05/1960, Ленинград, Малый зал филармонии им.Глинки. Я ее хорошо знаю, т.к. в моем собрании она уже 15 лет. И то, и другое исполнение потрясающие! Можно также сообщить, что Рихтер сыграл тогда еще и 3-ю, 12-ю и 22-ю сонаты Бетховена и четыре этюда Шопена на бис. Существуют неизданные записи 3-й и 22-й сонат и трех этюдов Шопена.
@@bach5861 За это живое исполнение на грани риска мы и любим Святослава Рихтера!
amazingly brilliant
I attended the piano master class of Gyorgy Sebok in the mid-1970's. On the subject of Richter he said that when he was "on" for a performance of the Appassionata 3rd movement it was the best, "like hot lava." When he was not it could be messy. This is pretty clean and molto exciting!
I always know whether or not I'm going to like a performance of this piece if I get a "chill" by the third note. I got a BIG chill here! Wonderful. Thanks for posting!
Для Рихтера это была одно из самых сложных произведений. По его же высказыванию, он, садясь за инструмент, никогда не знал, как получится Аппассионата в этот раз. Про третью часть он говорил, что крайне сложно передать клавишами диалог (спор) нескольких неземных существ.
Для меня же данная интерпретация - наилучшая из всех. Супер.
для меня только одно исполнение сравнится: th-cam.com/video/kh0Jom3wfAs/w-d-xo.html
(Алексей Султанов)
Для меня тоже... Алексей Султанов !
На мой взгляд лучшее исполнение этой сонаты Рихтером было в 1960 году в БЗМК. Есть запись на пластинке.
How fascinating!! This comment (while hearing the Master Richter's breathtaking performance ) has significantly improved my life quality. Thank you !
Beautiful! Thanks for posting!
Чтобы сразу и навсегда полюбить Бетховена, достаточно послушать только одно это фантастическое исполнение.
He is a giant.
Imagine seeing and hearing him play this live.
Гениально все, и музыка и Рихтер!
рихтер доносит до слушателей самые сокровенные замыслы композитора как никто из исполнителей в его исполнении самые казалось бы скучные призведения композиторов обретают живую душу и плоть
Life is all memory 💙💚
ONE OF MY HEROES
Thank you so much for uploading it. Wonderful.
Extremely powerful performance. Love it, but then I have long loved Richter, particularly from his collaborations with Rostropovich.
Rien n'est trop beau pour être vrai. C'est la grandeur toute humaine de Richter !
Andante con moto 10:23 Allegro ma non troppo 16:20
👏🏻
È semplicemente geniale.
Richter is known for sticking to the score of a piece. He put the sheet music when he played. So, it can be assumed that he was trying to capture what the composers were trying to put into even when he was actually performing. So, that says it all.
Again, thank you.
A LEGENDARY PIANIST!!!!!!!!!!!!!!!!!
Perfect. Thank you for this piece.
parmi les plus grands pianistes on trouve évidemment Sviatoslav RICHTER
Absolutamente grandioso !!
Loved this one
Richter makes my soul tremble like a flower in the wind
Richter is Beethoven!
Да! Бетховен величайший композитор человечества.
Игорь Игоров
До мурашек...
la version la plus spectaculaire de l'histoire.
Именно это настоящий стиль исполнения самого Бетховена. По свидетельствам очевидцев, великий композитор после того как потерял слух играл с такой мощью и остервенением на фортепиано, что слушатели, бывало теряли сознание.
Согласна с Вами! Это чисто по- бетховенски- страсть, порыв, напор, стихия…человеческому уму не постижимо ❤❤❤
He captures Beethoven’s phrases of all lengths, short and clipped versus long and flowing, and thereby gets Beethoven’s points across. He takes himself out of the middle and leaves Beethoven speaking to you directly. Perhaps older recordings help with that distance from the artist? Don’t know, but there is still something very special about Richter performances, a unique combination of power, expression and control. It seems to come so naturally to this, one of the very greatest pianists of all time
Not at all, it's very obviously Richter playing. His style is extremely apparent in whatever he plays. I don't think he does composers much service
Often rushed (with unnecessary wrong notes), extremely aggressive, hands not together, general manic mood that's rushing to get to the end so he can get his nice applause
What virtuosity, thinks the audience, what speed! It sounded impressive to our amateur ears so let's clap hard!
@@AllUserNamesTaken111you sound jealous
@@davisatdavis1 jealous that his interpretation is inferior to that of other pianists?
Потрясающе, гениальное исполнение. Браво.
You are incredible 💗!
La fuerza, la vitalidad, el sentir, el fuego, la pasión y la sin seriedad uñidos en esta versión, mejor imposible, casi perfecto, te deja agotado y queriendo más.
AWESOME :) !! I can't say nothing, it's almost perfect :) !!
Beethoven's greatest sonata played by a true master
Гений. Бетховен для меня - Рихтер
22:33 the pure brutality of Richter , fantastic , tyrannical , orgastic !
Orgastic? You mean orgasmic?
@@albertweedsteinthethuggeni7797 Orgastic is correct too.
Yes, but Gieseking 1947 es more brutality,fantastic,tyrannical and orgastic. And more transparent and contrasted.
@@waterglas21
I've just listened to it.
Gieseking seems to have more authority, but less "flesh" .
But a wonderful version too.
Nice profile image :)
i don't know how to say but this is totally different and absolutely special. even some ugliness seems quite proper in this case.
When my 70 year old, white hair, yacht-sized Caddie driving, proper Southern Belle of a piano teacher told me at the wise-old age of 15 "in order to play the Appassionata you need to have lived...if you get my drift." I almost fell off the stool.
Gaym?
Even to really, Really! enjoy it, you need to have lived. I'm 71...
Agree!!!!
Una vez mas Richter no termina de sorprendernos con esta magnifica version de la sonata 23. Mucha fuerza y pasion eslava. Un verdadero deleite.
This is something very special.
Ingenious Richter,a w e s o m e
What's astounding is that this interpretation is half a century old now and no other pianist can sound like this if they choose to mimic this phrasing.
+brozors So what? I would rather listen to Richter, than to Lang Lang.
Perfect
Гениально играет, конечно.
Кожне виконання С. Ріхтером класичної музики - це життя людини в мініатюрі: народження, пошуки істини, любов, страждання, біль втрат, осінь, останній погляд у небо...
Is it possible that such a great pianist come to us again?
Or such a composer?
Great
Just to make it clear, its performance of one person, right.
yes ! !
third movement comes with a bang at 16:21.5. smashing!
All I can say is "wow!!!!!!!!! "
Muchas gracias por compartirlo.
This is by far the sharpest and best performance by Richter (maybe even better than the Moscow Conservatory live recording of June 9 of the same year). That's why it's a shame that the end of the second movement is missing. Is there a problem with the sound source?
リヒテルの中でも飛び抜けてキレている、最高の演奏（同年6月9日のモスクワ音楽院ライブ録音よりいいかも）。それだけに、第2楽章の終わりの部分がなくなっていて残念。音源に問題があるのかな？
↓ Same recording, but this one is less damaged.
↓ 同じ録音でも、こっちの方が損傷は少ないね。
th-cam.com/video/pYiNy7BQN2I/w-d-xo.html
My Passion! My Beethoven!
Furioso Richter. Grandissimo
Неповторимое исполнение!
:) In my inner ear it was amazing..
Вот так надо играть аппассионату л.в. Бетховена. Страсть., Скорость, буря, ураган, контрасты, резкие переходы, большая виртуозность!
Что же комментировать, когда исполняет Святослав Рихтер....
ГЕНИАЛНО ИЗПЪЛНЕНИЕ. САМО РИХТЕР МИ ДАВА ИСТИНСКА НАСЛАДА ОТ ТОВА ПРОИЗВЕДЕНИЕ. НАИСТИНА ИЗУМИТЕЛНА И НЕЧОВЕШКА МУЗИКА!
A Man is telling us a story... Bozhe 😇😇😇
Der Richter und sein Meister.
We judge, he IS a master (Witold), actually he was really strong man, no joke ... and c'mon Andrea... Письма "Letters" will be a reminder of what I missed, thanx Jasoo... I have listened to this since I was 1974, 30 years before utube yet I can't find a match. He's my favorite for op. 23
리히터의 연주로 베토벤을 듣는 것은 무척이나 행복한 일입니다. 머라이어 페라이어 연주 또한 베토벤과 잘 어울립니다.늘 즐겨 듣습니다.💟
I've got blisters on my fingers!
У меня есть пластинка с исполнением С. Рихтером "Аппасионаты", запись 1962 года - на них я учился музыке.