You can also create a preset in Media encoder, drag all your footage and drop it on this preset in Media Encoder and it will automaticly set it right & ready to encode!
I'm a bit confused about this process. After you've cut the sequence with the transcoded footage, how do you relink it to the camera originals afterwards? I've gone over a couple of other processes for transcoding and this seems reeeeally inefficient... Is it not quicker and easier to just adjust your import settings? That way when you drag and drop camera raws into your project, it will automatically transcode to the format and location that you've preset in those ingest settings, plus it will be super easy to relink...
if you have clips with multiple frame rates, multiple audio channels, or aspect ratios, and they all get ingested with the same preset, then typically this can really screw with your online process. if you conform 2k clips to 1920, you will have to reframe things. if you export a clip with 8 channels of audio to stereo, you can REALLY screw up your online. if you are working with ONE camera setting for your entire project, by all means make a proper ingest setting and ingest your footage. but in terms of a typical project i find this the safest method with premiere/media encoder.
Hey man, I'm about to start cutting a doc, and the project they gave me is all H.264 footage, can I just transcode the media? Or do I need a whole new project? Sorry for the dumb questions, I'm an Avid guy...
Hey there! I'd suggest you transcode the media to something like prores422hq, and use that as your final codec. That way you can just edit with the prores, and delivery with it. If you're on a pc, try a hi-quality DNxHD/DNxHR codec! Hit me up with any further questions at crushvisuals@gmail.com if you need more details. Thanks!
you would think that amongst quarantine i would find the time to make a part 2, and yet things just got busier with work haha. sorry i haven't found the time to make this :( i'm still hoping to eventually. if you ever have any questions, you can always email me at crushvisuals@gmail.com
Aot Rivera when I started this series I had some free time. Currently working on an HBO series and it's taking up a lot of time. Hoping to get back into it around September! Sorry for the wait :(
Hey mate, I have 720, 1080 & UHD footage (+photos...) I did my Premiere sequence DCI 2K (2048 × 1080). My question is if with all the upscaling-downscaling, am I giving my workflow/computer a headache? Final delivery: Web/DVD/BlueRay and Film Festivals. Should I just edit in 4k? or maybe 1080? my computer: MacBook Pro (Retina, Mid 2012), 2.6 GHz Intel Core i7, 16 GB 1600 MHz DDR3, NVIDIA GeForce GT 650M 1024 MB Intel HD Graphics 4000 1536 MB. Yup, I know not the best. ooo am using proxies.
Hey man come back!
part 2 is up!
What informed the decision to use GoPro Cineform?
You can also create a preset in Media encoder, drag all your footage and drop it on this preset in Media Encoder and it will automaticly set it right & ready to encode!
I'm a bit confused about this process. After you've cut the sequence with the transcoded footage, how do you relink it to the camera originals afterwards?
I've gone over a couple of other processes for transcoding and this seems reeeeally inefficient... Is it not quicker and easier to just adjust your import settings? That way when you drag and drop camera raws into your project, it will automatically transcode to the format and location that you've preset in those ingest settings, plus it will be super easy to relink...
if you have clips with multiple frame rates, multiple audio channels, or aspect ratios, and they all get ingested with the same preset, then typically this can really screw with your online process. if you conform 2k clips to 1920, you will have to reframe things. if you export a clip with 8 channels of audio to stereo, you can REALLY screw up your online. if you are working with ONE camera setting for your entire project, by all means make a proper ingest setting and ingest your footage. but in terms of a typical project i find this the safest method with premiere/media encoder.
Thank you for the tutorial! Still waiting for part 2 !!!!!
just waiting for a weekend off from work haha :) hopefully soon
@@christianrushpostpro Looking forward to it. The videos so far have been extremely useful. Thank you.
@@christianrushpostpro 7 months can't wait for part 2
@@harshbhavsar717 lol, you know what? I've got some time today i think. i'll start the session now. keep an eye out
part 2 is up!
My project window does not look like this, how do I make it look like this?
Awesome in-depth tutorial. I am looking for info on How to Export PRORES from a PC with Premiere Pro 2019 (v 13.0.3).
Hey man, I'm about to start cutting a doc, and the project they gave me is all H.264 footage, can I just transcode the media? Or do I need a whole new project? Sorry for the dumb questions, I'm an Avid guy...
Hey there! I'd suggest you transcode the media to something like prores422hq, and use that as your final codec. That way you can just edit with the prores, and delivery with it. If you're on a pc, try a hi-quality DNxHD/DNxHR codec! Hit me up with any further questions at crushvisuals@gmail.com if you need more details.
Thanks!
Very helpful video for getting to grips with Premiere.
Your tutorials are a cut above, you should make a Premiere Pro course on Udemy to help sustain your output.
that sounds pretty fun :)
disappointed part 2 never came out
you would think that amongst quarantine i would find the time to make a part 2, and yet things just got busier with work haha. sorry i haven't found the time to make this :( i'm still hoping to eventually. if you ever have any questions, you can always email me at crushvisuals@gmail.com
part 2 is up!
Where are the other tuts?
Aot Rivera when I started this series I had some free time. Currently working on an HBO series and it's taking up a lot of time. Hoping to get back into it around September! Sorry for the wait :(
No worries, I understand.
Hey mate, I have 720, 1080 & UHD footage (+photos...) I did my Premiere sequence DCI 2K (2048 × 1080). My question is if with all the upscaling-downscaling, am I giving my workflow/computer a headache? Final delivery: Web/DVD/BlueRay and Film Festivals. Should I just edit in 4k? or maybe 1080? my computer: MacBook Pro (Retina, Mid 2012), 2.6 GHz Intel Core i7, 16 GB 1600 MHz DDR3, NVIDIA GeForce GT 650M 1024 MB
Intel HD Graphics 4000 1536 MB. Yup, I know not the best. ooo am using proxies.
Aot Rivera I'd definitely try to avoid 4k footage on a laptop. Try to keep it around 2k and 1080 in my opinion with a good codec for editing
So I made a Cinema 2k test. Is letterboxing normal?