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Yes, "Strategies to Improv" would be helpful.
You make this sort of things understandable. 😊😊 😅
My Funny Valentine, Round Midnight, Epistrophy, maybe some Beatle Tunes….Improvisation ideas are awesome too…excellent job as always…Les
C7-B7-Bb7. C7 normally goes to F(7), B7 is the tritone of F7
Yes! :)
@ ~4:45 we see a Dmaj7 in iRealPro but the RB is just a D/F#. The melody note is a D, so wouldn't the C# of the Dmaj7 clash?
Finally understand this tune!! Suggestion for analysis - a beautiful Gershwin song whose harmony has always puzzled me: Embraceable You. Hard to find a harmonic analysis of it anywhere.
Let me know if you have any tune in mind we can do next!
@@jazzguitar “Embraceable You”by George Gershwin. It’s harmonic structure has always eluded me.
This is excellent! If you would be so kind, please do “strategies to improv!” Do you do private lessons?
Yes! I've been a guitar coach/teacher for many years now :)Check out the link in the description if you are interested 😉
as simple as Do Re Mi... A, B, C... 1, 2, 3 🎶
Yes, "Strategies to Improv" would be helpful.
You make this sort of things understandable. 😊😊 😅
My Funny Valentine, Round Midnight, Epistrophy, maybe some Beatle Tunes….Improvisation ideas are awesome too…excellent job as always…Les
C7-B7-Bb7. C7 normally goes to F(7), B7 is the tritone of F7
Yes! :)
@ ~4:45 we see a Dmaj7 in iRealPro but the RB is just a D/F#. The melody note is a D, so wouldn't the C# of the Dmaj7 clash?
Finally understand this tune!! Suggestion for analysis - a beautiful Gershwin song whose harmony has always puzzled me: Embraceable You. Hard to find a harmonic analysis of it anywhere.
Let me know if you have any tune in mind we can do next!
@@jazzguitar “Embraceable You”by George Gershwin. It’s harmonic structure has always eluded me.
This is excellent! If you would be so kind, please do “strategies to improv!” Do you do private lessons?
Yes! I've been a guitar coach/teacher for many years now :)
Check out the link in the description if you are interested 😉
as simple as Do Re Mi... A, B, C... 1, 2, 3 🎶