You have so many videos! I was lead here from your OBS improvising video, not sure if I'd seen it. I had not and it's great of course. Since I know the pattern, the most helpful to me is going in and out of the hokum. It's the first actual instruction I've seen on that. Then gradually speeding up so we can hear it. Thank you! Sheryl
You've made me laugh with this one Chris. I taught myself how to play this after years of having a go, struggling with it, and coming back to it lol! I can't count with orange blossom special I have to just do it 🤣 so well done you for an excellent lesson 🎻🎻🎻
When I was in England in 19 76 to 1977 all I heard on BBC One was shake rattle and roll and I've got me a combine harvester. I didn't hear any bluegrass music over there I'm glad that they have it now. I was showed how to do the shuffle by a man in Prescott Arizona whose name is Gary. He did square dances with the Mingus mountain band. He's now in New Mexico however he played in the Appalachian style which greatly included the shuffle in most of their music. I'm just now beginning to be able to play the Orange blossom special in a slow manner that is I practice it should get faster
Good background information Chris. Like you, I was stunned by OBS and it took me years of repetitive struggle to learn how to play the shuffle..!! There were no excellent players like yourself on TH-cam to explain it..!! You really have provided one of the best explanations of this attractive bowing pattern that has been done to my knowledge. Thank you, you've done well..!! I'm off to play "Cotton Patch Rag" now...!! 👍
I see that you have an erhu hanging on the wall. About twenty years ago I was at the Tennessee Valley Old Time Fiddlers Convention in Athens, Alabama and there was a gentleman from China there with an erhu. He did not compete in the fiddle contest of course, however, he jammed with several groups and he and his wife were the darlings of the day. He was also asked to demonstrate the erhu by playing a tune at the evening session of the contest. He played a Chinese folk tune called “Horse Race”.
Yeah.. It is hard to get consistent sound for both directions. Though, I believe practice will make it. Thanks for the training routine. It really helped me to learn the bowing
OK ... first time trying this with you Chris ... I wonder how many times I''ll have to update this before I even get the basic method at a reasonable speed :)
Great video, thanks Chris! :) has your country and bluegrass book been delayed a year? Your description here says it'll be out in October 2021 but I seem to remember other videos saying it would be out late 2020? Either way I'll probably buy it hehe
Chris, I have struggled with this tune as many have. My problem is big fingers causing either the fingernail to buzz, or the palmar part of the finger to dampen, the adjacent string, when playing the multiple double stops. Any recommendations?
Hi Bob the only thing I can think of is to make sure your fingers are coming down vertically on the fingerboard rather than at an angle; this should decrease the amount of finger actually touching the string.
Very good lesson, Chris! I've been playing Orange Blossom Special for many years now, and I really struggled at first in the early years. I really had no clue! I had to learn from audio only, slowing down recordings by the likes of Roger Churchyard and Scotty Stoneman. A pity you couldn't have done this video back in 1970 :) One thing I did notice, in your lesson, between 13'04 and 13'06 you do two up-bows, one after the other. Was this just because you were demo-ing close to the frog, as opposed to playing at normal speed around the bow mid-point?
Hi. Glad you liked it. It's great to see someone paying such close attention to what I'm doing! My bow really has a mind of its own. At the section you point out, I probably did those two upbows in order to emphasise the final two phrases. But I wouldn't have done that at full speed. Also, when playing slow and teaching I tend to play near the heel, as here. Normally I would be closer to the middle.
@@TheFiddleChannel Well, you have a good camera angle there, which takes in your face, fiddle, left hand and all of the bow. On the vids that I made, sometimes I couldn't get that angle, and eg on demo-ing a bowing point, only the fiddle, bow and bow hand were visible. I put a little ring of bright tape around the mid-point of the stick, so it was easier to see bow direction, and especially changes of bow direction. (btw I'm Worldfiddler, I'm logged on to another account).
Not a stupid question, but it is a tricky one to answer! You could find a way to use it in any old time song or tune, but it might not always be appropriate. The general ethos of old time is to stick close to the melody, not improvise, and not be too flashy- just the opposite of bluegrass. So if you are playing with serious old time players they might not approve.
Love all of your videos as well as your sound on the fiddle. Thank you so much for all of the effort to explain the magic behind fiddling.
A great explanation, and the inprov on Orange Blossom was the most exciting I ever heard.
J'adore votre façon de jouer et merci pour le partage de votre dextérité.
Merci beaucoup!
You have so many videos! I was lead here from your OBS improvising video, not sure if I'd seen it. I had not and it's great of course. Since I know the pattern, the most helpful to me is going in and out of the hokum. It's the first actual instruction I've seen on that. Then gradually speeding up so we can hear it. Thank you!
Sheryl
Hi Sheryl, glad you found this useful!
this is the best instruction I've. seen so far .
Many thanks Gordon!
You've made me laugh with this one Chris. I taught myself how to play this after years of having a go, struggling with it, and coming back to it lol! I can't count with orange blossom special I have to just do it 🤣 so well done you for an excellent lesson 🎻🎻🎻
Another brill tutorial. Thanks Chris 👍
thanks!
When I was in England in 19 76 to 1977 all I heard on BBC One was shake rattle and roll and I've got me a combine harvester. I didn't hear any bluegrass music over there I'm glad that they have it now. I was showed how to do the shuffle by a man in Prescott Arizona whose name is Gary. He did square dances with the Mingus mountain band. He's now in New Mexico however he played in the Appalachian style which greatly included the shuffle in most of their music. I'm just now beginning to be able to play the Orange blossom special in a slow manner that is I practice it should get faster
Hi Kent. I'm afraid bluegrass is still not heard by most people in the UK, unless they watch Deliverance or Bonny and Clyde!
You’re bow control! Well done 👏
Thanks Peyton!
Good background information Chris. Like you, I was stunned by OBS and it took me years of repetitive struggle to learn how to play the shuffle..!! There were no excellent players like yourself on TH-cam to explain it..!! You really have provided one of the best explanations of this attractive bowing pattern that has been done to my knowledge. Thank you, you've done well..!! I'm off to play "Cotton Patch Rag" now...!! 👍
Hi Chris, I enjoyed your video very much and I have practiced it along with you. But not as fast or as good as yourself. Thank you for the lesson.
Thanks Danie, glad you found it useful.
I see that you have an erhu hanging on the wall. About twenty years ago I was at the Tennessee Valley Old Time Fiddlers Convention in Athens, Alabama and there was a gentleman from China there with an erhu. He did not compete in the fiddle contest of course, however, he jammed with several groups and he and his wife were the darlings of the day. He was also asked to demonstrate the erhu by playing a tune at the evening session of the contest. He played a Chinese folk tune called “Horse Race”.
Hi. Yes, it's a wonderful instrument! However, mine is purely for decoration.
Good break down thanks a lot
Thanks Peter, you're welcome!
Yeah.. It is hard to get consistent sound for both directions.
Though, I believe practice will make it. Thanks for the training routine. It really helped me to learn the bowing
Glad you found this useful!
Nice
OK ... first time trying this with you Chris ... I wonder how many times I''ll have to update this before I even get the basic method at a reasonable speed :)
Hi Frank. Take your time! It took me ages when I first learned it!
Great video, thanks Chris! :) has your country and bluegrass book been delayed a year? Your description here says it'll be out in October 2021 but I seem to remember other videos saying it would be out late 2020? Either way I'll probably buy it hehe
Hi Zach. Glad you like the video. Yes, sadly the book has been delayed by a year due to the virus.
Chris, I have struggled with this tune as many have. My problem is big fingers causing either the fingernail to buzz, or the palmar part of the finger to dampen, the adjacent string, when playing the multiple double stops. Any recommendations?
Hi Bob
the only thing I can think of is to make sure your fingers are coming down vertically on the fingerboard rather than at an angle; this should decrease the amount of finger actually touching the string.
Thank Chris
Very good lesson, Chris! I've been playing Orange Blossom Special for many years now, and I really struggled at first in the early years. I really had no clue! I had to learn from audio only, slowing down recordings by the likes of Roger Churchyard and Scotty Stoneman. A pity you couldn't have done this video back in 1970 :) One thing I did notice, in your lesson, between 13'04 and 13'06 you do two up-bows, one after the other. Was this just because you were demo-ing close to the frog, as opposed to playing at normal speed around the bow mid-point?
Hi. Glad you liked it. It's great to see someone paying such close attention to what I'm doing! My bow really has a mind of its own. At the section you point out, I probably did those two upbows in order to emphasise the final two phrases. But I wouldn't have done that at full speed. Also, when playing slow and teaching I tend to play near the heel, as here. Normally I would be closer to the middle.
@@TheFiddleChannel Well, you have a good camera angle there, which takes in your face, fiddle, left hand and all of the bow. On the vids that I made, sometimes I couldn't get that angle, and eg on demo-ing a bowing point, only the fiddle, bow and bow hand were visible. I put a little ring of bright tape around the mid-point of the stick, so it was easier to see bow direction, and especially changes of bow direction. (btw I'm Worldfiddler, I'm logged on to another account).
@@jimdorans4527 Hi Jim. People always complain when they can't see the left hand, so I always try to check before I start.
Can you use this in oldtime fiddle hope this isn't a stupid question
Not a stupid question, but it is a tricky one to answer! You could find a way to use it in any old time song or tune, but it might not always be appropriate. The general ethos of old time is to stick close to the melody, not improvise, and not be too flashy- just the opposite of bluegrass. So if you are playing with serious old time players they might not approve.
Who's permission do you need?