I wish more singers would perform the Pur ti miro with this level of passion - in so many versions I've seen Poppea and Nero are barely interacting, but instead just singing straight to the audience. It's so much more effective when sung intimately!
Mrs Erica Schuller has such a great comedy talent I stayed enchanted during the whole performance. It was a delightful time to watch the concerto. Voice of an angel, but with energy of a deceitful Cupid! I think this was the essence of baroque. Every emotion taken to the extreme. Deadly sorrow, and explosive fun. Marvellous performance!!! My favourite was the drunk ending - hovewer the lyrical skills are clearly visible too! I am so mesmerized I cannot decide which Ms Erica I love more - brokenhearthed or drunk. Probably both. What a great lady!
Très belle interprétation du "tube" de Barbara Strozzi. Amusant de constater que la soprano et le violoncelle n'ont pas réussi à se mettre d'accord sur la "seconde augmentée" (ré-do#-si bémol-la)... Je pense qu'il faut la faire (et donc la chanter) et qu'on en trouve souvent chez Strozzi (l'amante segreto, etc...) et dans les chaconnes en général : cela donne une belle petite touche d'influence orientale : nous sommes à Venise vers 1650, et parce que c'est probablement une résurgence des règles anciennes de la FICTA... un peu trop long à expliquer.
In the Baroque period, music is emotional. It became emotional again in the Romantic era. Why were emotions toned down in the Classical period? Because it was the Age of Reason?
I wish more singers would perform the Pur ti miro with this level of passion - in so many versions I've seen Poppea and Nero are barely interacting, but instead just singing straight to the audience. It's so much more effective when sung intimately!
Strozzi's song is amazingly beautiful.
Such a lovely lady and a wonderful soprano. Brava!!
What a divine voice The voice of an Angel Bravo Diva your divine voice thrills my soul
Mrs Erica Schuller has such a great comedy talent I stayed enchanted during the whole performance. It was a delightful time to watch the concerto.
Voice of an angel, but with energy of a deceitful Cupid!
I think this was the essence of baroque. Every emotion taken to the extreme. Deadly sorrow, and explosive fun. Marvellous performance!!!
My favourite was the drunk ending - hovewer the lyrical skills are clearly visible too!
I am so mesmerized I cannot decide which Ms Erica I love more - brokenhearthed or drunk. Probably both. What a great lady!
Beautiful musicianship and technique, and deeply entertaining. Thank you!
It's been a year since I last watched this. This time: thank you for the translations.
beauty and elegance of music in every second, what a privilege to be able to watch this online, amazing! thanks a lot!
Fabulous ! I wiah I was there.
Beautifull performance!!! greetings from Utrecht the Netherlands
what a beautiful performance
👏 BRAVO
These people are so beautiful, all springs from which the Devine flows out into the world!
Isn't it "Divine" or am I missing something?
Bravo!!!
great fun!
Thank you for posting this.
lovely performance. wish I had been there
I was. it was as beautiful and memorable as you'd think.
I think I need to move to Cleveland...
The Enlightenment always had its countermovements (Sturm und Drang, for example). How can we have reason and emotion at the same time?
❤EUTERPE PIANGE❤
Anyone that know the name of the painting and his author in 0:06?
Alguien sabe como se encuentra partitura "Che si puo fare" porque en internet está escrita de otra manera
Très belle interprétation du "tube" de Barbara Strozzi. Amusant de constater que la soprano et le violoncelle n'ont pas réussi à se mettre d'accord sur la "seconde augmentée" (ré-do#-si bémol-la)... Je pense qu'il faut la faire (et donc la chanter) et qu'on en trouve souvent chez Strozzi (l'amante segreto, etc...) et dans les chaconnes en général : cela donne une belle petite touche d'influence orientale : nous sommes à Venise vers 1650, et parce que c'est probablement une résurgence des règles anciennes de la FICTA... un peu trop long à expliquer.
In the Baroque period, music is emotional. It became emotional again in the Romantic era. Why were emotions toned down in the Classical period? Because it was the Age of Reason?