I agree, although there's a bad doubling effect due to the two mics being active, creating an almost chorus/phaser type effect. Could be mic phasing or audio syncing issues, starts around 1:02.
What does that mean? What is a 'worship overdriven tone'? Worship music is music that leans to a certain lyrical bend not a certain guitar tone. This isnt an attack on worship music, some of that stuff is really cool, but the notion that there is a 'worship overdrive tone' is a bit ridiculous.
Rock tone, Metal tone, Jazz tone, Blues tone, Country tone, Punk tone.. It goes on. Names are applied to guitar tones because the frequent appearance of certain tones within certain genres is substantial enough to warrant giving it a classification. Like pizza. Depending on where it is made, it might be completely different. For example, pizza from Chicago and pizza from New York are both pizza, but what it means to be "Chicago style" or "New York" style have different meanings. The names for both come from a pattern of styles that resemble each other enough to warrant grouping them into two separate "genres" if you will. "Worship music" has become a genre somewhat. So, there are certain patterns and idiosyncrasies that have developed over the last fifteen years. Having been established by groups like Hillsong (and it's variants), Bethel, Jesus Culture, Gateway worship, and many, many more. Because of patterns in the musical stylings of these frontrunners of published worship music, the sought after tones of the electric guitar for regular everyday players have aligned with the trends. Also, lyrical content has nothing to do with guitar tone. What you have to realize is that music is more than lyrics. Furthermore, a channel called "Worship Guitar" just might tend towards the pursuit of improving, educating, and inspiring the ongoing evolution of the individual worship guitar player within the context of the before mentioned styling or genre that "worship music" (not "songs", which implies lyrical content more than "music" does.) currently finds itself in. Hope this helps a bit. Cheers.
I'm super happy that you decided to do demos, thanks!
I would think about turning off the room mic when playing. Direct amp tone got drowned out by the room. Good shoot out!
I think it's a matter of mixing. A room mic is nice so you can hear the tone with some air in between the mic and amp, like in person.
I agree, although there's a bad doubling effect due to the two mics being active, creating an almost chorus/phaser type effect. Could be mic phasing or audio syncing issues, starts around 1:02.
Alexander Bataller very true, I heard that as well. Like you said though, still a great shoot out. cheers :)
I was wondering where the flanger was...ha!
Out of phase vid, guys! Too bad you forgot to turn off the room mic in the final mix...
Why are they great from the worship context? I don't understand what lyrical content has to do with guitar tone.
Mister Tee I believe he meant as in the pedals are good to use for worship due to them allowing you to achieve that worship overdriven guitar tone.
What does that mean? What is a 'worship overdriven tone'? Worship music is music that leans to a certain lyrical bend not a certain guitar tone.
This isnt an attack on worship music, some of that stuff is really cool, but the notion that there is a 'worship overdrive tone' is a bit ridiculous.
Rock tone, Metal tone, Jazz tone, Blues tone, Country tone, Punk tone.. It goes on. Names are applied to guitar tones because the frequent appearance of certain tones within certain genres is substantial enough to warrant giving it a classification. Like pizza. Depending on where it is made, it might be completely different. For example, pizza from Chicago and pizza from New York are both pizza, but what it means to be "Chicago style" or "New York" style have different meanings. The names for both come from a pattern of styles that resemble each other enough to warrant grouping them into two separate "genres" if you will.
"Worship music" has become a genre somewhat. So, there are certain patterns and idiosyncrasies that have developed over the last fifteen years. Having been established by groups like Hillsong (and it's variants), Bethel, Jesus Culture, Gateway worship, and many, many more.
Because of patterns in the musical stylings of these frontrunners of published worship music, the sought after tones of the electric guitar for regular everyday players have aligned with the trends.
Also, lyrical content has nothing to do with guitar tone. What you have to realize is that music is more than lyrics. Furthermore, a channel called "Worship Guitar" just might tend towards the pursuit of improving, educating, and inspiring the ongoing evolution of the individual worship guitar player within the context of the before mentioned styling or genre that "worship music" (not "songs", which implies lyrical content more than "music" does.) currently finds itself in.
Hope this helps a bit. Cheers.
Mister Tee modern worship music is known for its atmospheric light driven tone. Lots of compression, reverb, delay, and transparent overdrives.
Mister Tee worship tone = originated in copying the u2 sound
thx. good
The room mic makes it difficult to focus on the amp sound. I hear the amp mic then the room mic. It's more noticeable on sudden stops.
Will these work for heathens too?
The audio quality of this video is bad.
Why are you talking about these pedals "especially from worship context"? What makes this context so kinda special?
mikekashaev the worship context isn’t special. Some worship guitarist prefer a very particular overdriven tone.
0:05 - is that... an acoustic guitarist crowdsurfing? how is that at all appropriate/a good idea, especially in a worship context?
aznhobo888 dude shut up 😂