Get More Out Of Your Arpeggios!

How to Get more out of your triads and arpeggios! 😎
More than one arpeggio or triad per chord and some bebop licks to demonstrate it
Which one is your favorite?
-1 Dm7
-2 F major triads
-3 Fmaj7 Arpeggio
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My name is Jens Larsen, Danish Jazz Guitarist, and Educator. The videos on this channel will help you explore and enjoy Jazz. Some of it is how to play jazz guitar, but other videos are more on Music Theory like Jazz Chords or advice on how to practice and learn Jazz, on guitar or any other instrument.
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[@JensLarsen]

The Most Useful Arpeggio 💥 th-cam.com/video/J9f700KhF98/w-d-xo.html

[@jamescopeland5358]

That's something to remember, it makes perfect sense

[@JensLarsen]

Thank you 🙂

[@jan_Travis]

I remember vamping over a D9 chord one day and realized that within this chord, I have three triads/modes I can improvise over this. Changed my viewpoint on triads and just how powerful they are.

[@R_Thomp]

Cool stuff!

[@lorenzosyquia4769]

pretty much the relative major! Good insight.

[@JensLarsen]

If you think of it as the arpeggio and triad from the 3rd then it works on even more chords 🙂👍

[@jarodvmusic]

These shorts are great every time!!!

[@JensLarsen]

Thank you 🙂

[@0_xxiii_0]

I enjoyed the thumbnail 😂

[@danclark3377]

Do you have a collection of these exercises on paper? Would be easier for me

[@JensLarsen]

They are on Patreon as PDFs

[@Ramdas_Devadiga]

Great lesson as always, but how we do theorize this on our own? Is this knowledge reachable only through random experiences, practice over time or you somehow just have to get through the entire theory first and then fit it all together? Thanks.

[@JensLarsen]

Try to find the same arpeggios for a G7 and see how that works?

[@tomheineman4369]

A major and a minor in every 7

[@Sam_Bolic]

D fac🤨

[@Danumurti18]

What if I extend from the 5th of the chord? Playing Am7 in Dm7?

[@JensLarsen]

That can work as well, but you may miss the 3rd to get the sound of the chord

[@Danumurti18]

@@JensLarsen what if I play solo against piano that play Dm7, G7 add 9, C maj7 --> I play arpeggio of Am7, Dm7, Gmaj7?

[@JensLarsen]

@@Danumurti18 why don't you just try it, and see how you like the sound?

[@Danumurti18]

@@JensLarsen I like it, it add more variation, except the maj7 of G against Cmaj7, so I play G maj triad instead.. but not sure if other will like it or not, or other will like that F# sound against C (that should work to get lydian sound, but not sure why it's not work for me when played as 251 like that).

[@JensLarsen]

@@Danumurti18 in the long run you might get more out of playing strong melodies instead of trying to find more notes to play 🙂

[@frankmonteleone5361]

Jens can I just think of this as using the relative major scale ?

[@JensLarsen]

Yes, but you get a lot of Dm7 chords that are not in the key of D minor. In fact, when you are in D minor then the I chord is often not a Dm7 :)

[@frankmonteleone5361]

@@JensLarsen thank you. I was just thinking of the Dm7 or any m7 chord on its own not a blanket kind of thing. So I should/will explore all the chords in the key ? Sorry for all the questions. Thank you.

[@JensLarsen]

@@frankmonteleone5361 Yes, you want to learn the diatonic arpeggios of any scale that you use in your solos.
I talk about that here: th-cam.com/video/2Ze22BNftAA/w-d-xo.html

[@frankmonteleone5361]

@@JensLarsen Thanks again !

[@Noah_AWICB]

Got no idea what any of that means

[@JensLarsen]

But do you want to do something about that? And what were you hoping to learn?

[@thijs199]

Kijk jij naar lingo? Je gitaar toon is hetzelfde als de sounds van de letters lol