There is an increasing movement today amongst younger players to put performance and composition back on a human scale. Whether this is intentional or not is hard to say. Sites like AS are running circles around the old guard.
Sounds great! Would you have any suggestions for a temperament to use for this piece? I’m playing 3 pieces at an event later this month, including this piece. The other two are English virginal pieces, and everything is in g minor. I am still tuning the bearing octave of my instruments using my Korg OT-120, so it would need to be a temperament available on there (I will train myself to tune in full soon)! I’m thinking quarter comma meantone might be the wrong choice for the Pachelbel... any thoughts on this would be highly appreciated.
Pachelbel was a progressive composer, also in the keys he used, so he is far closer to Werckmeister 1707 (which is basically equal temperament) than to meantone. So I tune my clav in Werckmeister 1707, wohltemperirte harmonia (what's in a name?). You'll not hear often about this last tuning since we as a early music community don't like the idea that ET was historically present from end 17th century.
Well, that was satisfying! I'll be listening to this again and again. Will be looking for the CD.
Beautiful performance. I really like Pachelbel's melodism and (apparent) simplicity.
thanks! Also for the correction, that I've changed
Потрясающе.. Bravo🙏
Good to hear these lesser known gems!
Thanks Luca, the rest of the Hexach. will come (also on vinyl!)
Stunningly beautiful work! Thanks for all you do.
Pachelbel has other great works that needs to be heard, like this one. It's always THAT piece that's getting overplayed
Glad you liked it! I'll do the complete cycle for release on vinyl/cd
Utterly wonderful!
Happy to discover such an unknown treasure. 5:04 reminded me of Waltz for debby😆
Well played Wim ...its good to hear this ...nice phrasing ..and staccato ..
Thanks Mike!
Sounds fantastic! Thank you for introducing Pachelbel to me (innitially with his Ciacona in F minor).
Wonderfully lyrical playing Wim.
Thanks Matthew, glad you liked it
Wim, why do you not vary repeats? CPE in the True Art recommends.
one must feel confident to be better or more interesting of what already is written...
@@AuthenticSound a very honest reply. Yes, it's intimidating.
There is an increasing movement today amongst younger players to put performance and
composition back on a human scale. Whether this is intentional or not is hard to say. Sites
like AS are running circles around the old guard.
AS?
Does anyone have the English translation of the 1699 edition preface?
Sounds great! Would you have any suggestions for a temperament to use for this piece? I’m playing 3 pieces at an event later this month, including this piece. The other two are English virginal pieces, and everything is in g minor. I am still tuning the bearing octave of my instruments using my Korg OT-120, so it would need to be a temperament available on there (I will train myself to tune in full soon)! I’m thinking quarter comma meantone might be the wrong choice for the Pachelbel... any thoughts on this would be highly appreciated.
Pachelbel was a progressive composer, also in the keys he used, so he is far closer to Werckmeister 1707 (which is basically equal temperament) than to meantone. So I tune my clav in Werckmeister 1707, wohltemperirte harmonia (what's in a name?). You'll not hear often about this last tuning since we as a early music community don't like the idea that ET was historically present from end 17th century.
AuthenticSound Thanks for the quick reply Wim!
very good :D
Thanks Danimar!
Ps: I think you meant underestimate(not overestimate) in your last sentence in the description
Is it my imagination, or is the theme Mein Junges Leben hat ein End ?
Does anyone have the English translation of the 1699 edition preface?