I have a Sony A1 & absolutely suck with it. I’m a lot better than when I started with it though (first camera) How overwhelming would a V Raptor be? Budget is not the concern Have a fully spec M1 Ultra Mac Studio & Nano Texture Studio display
The image out of it looks amazing. I have yet to shoot on a Red, since I am starting to grow my projects, I'll eventually get there (hopefully). Thanks for the insight on these cameras and the workflow around them ✌️
My Mac Studio ultra plays back 8k. Red footage like butter. By the way you kept saying how noisy the images from the raptor… Really makes me uninterested.
Dont forget - its two (2) sensors glued together and the connection line is visible in some cases. I dont understand why some people on TH-cam dont mention it.
@@CINENIMUS I have one and the only time I've seen the split is if I have no lenses or adapters on it. Other than that, I've tried everything to get that split and I can't
I have a Sony A1 & absolutely suck with it. I’m a lot better than when I started with it though (first camera) How overwhelming would a V Raptor be? Budget is not the concern Have a fully spec M1 Ultra Mac Studio & Nano Texture Studio display
I would suggest that you learn the A1 until you mastered it first. Using a cine cam wont make your work better unless you learn settings, lighting, and composition. Hope this helps!
You need a variety of quality glass with this. Using the same lens for every shot makes the entire image seem flat and it gets that video look. It doesn't matter what you can see through the lens, its all about the pull points each individual lens has that separates objects in view for that film feel.
@@TimeKillersAddendum Zero chance that Roger Deakins would ever shoot on just one lens, especially on something like the Alexa LF. I guarantee you it took a series of quality prime lenses to place that picture together. 40mm would have been garbage for wide shots on the Alexa LF and same goes for quality close ups. You need to track down a quality directors view finder, or at least an app on your phone to get started on how framing dictates what lens will be used.
@@Rukiasriot1 for sure! The price point is amazing. I feel like the Raptors look is more like the top end of a clean high quality image whereas the ursa promotes more of a creative look. But the ursa with the smaller s35 sensor and 12k resolution is very unforgiving on less sharp lenses if you want the full 12k. I would surely go for the ursa personally but the raptor puts up a really good performance aswell
I just bought the raptor and it's hands down the best camera I've ever used. So amazing.
I have a Sony A1 & absolutely suck with it. I’m a lot better than when I started with it though (first camera)
How overwhelming would a V Raptor be?
Budget is not the concern
Have a fully spec M1 Ultra Mac Studio & Nano Texture Studio display
Thanks for the video! I want to buy a Komodo X or a used Monstro mostly for narrative. Which one would you recommend?
I mean I’m eyeing a used Monstro myself
Super excited to watch the short!
The image out of it looks amazing. I have yet to shoot on a Red, since I am starting to grow my projects, I'll eventually get there (hopefully). Thanks for the insight on these cameras and the workflow around them ✌️
You’ll get there
My Mac Studio ultra plays back 8k. Red footage like butter.
By the way you kept saying how noisy the images from the raptor… Really makes me uninterested.
I said old Reds were noisy. The raptor wasn’t at all.
Damn I was thinking "I should reach out and see if u ever need a steadicam op for your shorts" but it looks like you already got one 😂
Dont forget - its two (2) sensors glued together and the connection line is visible in some cases. I dont understand why some people on TH-cam dont mention it.
Really???? Have you got any links to this?
@@tbip2001 ha you know how to use google right 😎
This is very hard to recreate and most FF cinema cameras are two sensors including Arri
@@CINENIMUS I have one and the only time I've seen the split is if I have no lenses or adapters on it. Other than that, I've tried everything to get that split and I can't
@@spensersakurai or 3 sensors like the alexa 65
thanks for your thoughts! also, let me film your BTS video next time ;)
When's the new film coming out??
Mmmm delicious FF 8K
Take my money… *buys pocket 4K instead*
🙃
Monstro price has halved since this came out - prefer the DSMC2
What lens did you use at 4:06? Sigma 35mm or 40mm?
Sigma 40mm t1.5
@@spensersakurai Thanks! I love 40mm on FF! Beautiful Shot!
Such a beast of a camera!!
Kinda ironic because a movie called Beast was shot using this camera.
@@Yuvalogy 😂😂😂
Are you using the Canon Speedbooster (the one they initially made for the c70)? Or the Metabones speed booster, for the Komodo?
Canon.
@@spensersakurai thanks for confirming!
Well, if I ever have $24K for a camera....
So the Komodo is more convenient, right?
You say that the native ISO is 1600. But isn't it 800?
@Text me on telegram 👉@SpenserSakurai SPAM
I have a Sony A1 & absolutely suck with it. I’m a lot better than when I started with it though (first camera)
How overwhelming would a V Raptor be?
Budget is not the concern
Have a fully spec M1 Ultra Mac Studio & Nano Texture Studio display
I would suggest that you learn the A1 until you mastered it first. Using a cine cam wont make your work better unless you learn settings, lighting, and composition. Hope this helps!
@@RyanPiwarski that’s exactly what I was thinking. Thanks for the comment
Make the leap once I’m on my game with Sony
Have a great weekend!
that steadicam vest is not fitted properly lol
You need a variety of quality glass with this. Using the same lens for every shot makes the entire image seem flat and it gets that video look. It doesn't matter what you can see through the lens, its all about the pull points each individual lens has that separates objects in view for that film feel.
Can you elaborate on this? 1917 was filmed mostly on a 40mm.
@@TimeKillersAddendum Zero chance that Roger Deakins would ever shoot on just one lens, especially on something like the Alexa LF. I guarantee you it took a series of quality prime lenses to place that picture together. 40mm would have been garbage for wide shots on the Alexa LF and same goes for quality close ups. You need to track down a quality directors view finder, or at least an app on your phone to get started on how framing dictates what lens will be used.
*Call me by your name has entered the chat*
For the love of GOD... turn the lights on in your house.
Oh look , a squarepase ad.... im OUT.
Ursa 12k vs red raptor?
Well, they are very different and both have pro's and cons. What do you want to shoot and what is your style like?
@@NebulousFilms short films and docs I feel like what the ursa can do for the price in comparison is crazy
@@Rukiasriot1 for sure! The price point is amazing. I feel like the Raptors look is more like the top end of a clean high quality image whereas the ursa promotes more of a creative look. But the ursa with the smaller s35 sensor and 12k resolution is very unforgiving on less sharp lenses if you want the full 12k. I would surely go for the ursa personally but the raptor puts up a really good performance aswell