I've always felt that the real strength of the Beatles wasn't their hit songs, it was their album cuts. For any other band, She Said would have been released as a single'; it's that strong. For the Beatles, it was just another album cut - which none of them ever played again. It is one of the best songs on the album. Thanks for the How To.
The singles they released as promotion for the album's are incredibly cool, there will never be another band that's as creative as those four guys from Liverpool.
One of the gems on the album . It just stands out and proves that going back to their old fab four formula works. Its a shame they never performed it live
always loved this song , i remember when i was a little kid 13 years old in 1966 and learned and figured out this song i was like the neighborhood hero for like 2 weeks and all these years alter i still get goose bumps playing it
You say it's a simple song to play, but it really is a complexly composed song like the majority of their work. It has amazing chord coordination between John & George, not to mention the usual first class harmony's. In my opinion, the Beatles professionalism, musicianship, and attention to detail within their recorded songs, is second to none. Nice job with the lesson!👍🏻
Loving these songs from Revolver. One of my favourite albums and all the songs are great! Hope you do And your bird can sing and Got to get you into my life...
As I learnt this song a while back, the funny thing is you don't really notice the 3/4 change until it's pointed out, bizarre? Hey, I'm really liking the earthy tones of your casino brother.
Hey, Man. I just got turned onto your channel as I was hunting a proper Jungle Love lesson. You seem super competent and have some stellar content. Subscribed. Yeah, your Baby Blue lesson kicks ass too.
The Old Super Beatle Vox which was ALL solid state sounded like the ul730 to, but could also get quite loud if needed. I owned and used one from about 1975 to 1981, I sold it because it was so large an amplifier. Never Gigged it though. It had a built in Fuzz tone, which was similar to that full on Gain that the Mr. Robert gets. It also had a channel called MRB, which was Mid range Boost, which would have been like the Mr. robert pedal with the mid cranked. the did an excellent job with that pedal, but I think if one really boosts the midrange and adds compression on an amp modeller, most likely using a AC30 Amp Range you could emulate the UL730.
Very nice job. I worked She Said out a few times in my day. I never recorded it. I may give it a try. Are u in/at a guitar store? Lot of u vidcasters with these Beatles lessons have all the guitars laying around right there lol. Even the proper amps. Maybe a studio? It really is a good job. I like that "2+2=5, right?" Exactly, I know exactly what u mean about that little snippet on what note Harrison lands on. Couldn't quite get it with one guitar.
And Paul was on the track after all but left before vocals. It's such a departure as an album over what had come before yet George never really distinguished between Revolver sessions and Rubber Soul sessions.
Thanks for going to this level of detail to nail these. I got the guitar and the pedal and going thru a Fender Princeton, BUT... Do you think they were still using flatwound strings on Revolver? Just wonder if it's worth changing over...
Oh man, I have no idea. Not sure it would make all that much difference sonically, would it? I mean I know they are different, but if you're listening through super good headphones, cam you really tell that much difference?
Thanks for doing these. I like all the remixes except for the to strong bass on Taxman, at least on the computer, prefer the mono release on taxman. but you can hear stuff on them that was not real evident before. Nice not to have only Vocal panned to one side, instruments to the other, but that was how old stereo was with 4 track artists at least the ones recording out of Abbey road.
not sure it was actually take 15 which was the final backing track. I hear subtle differences in the guitars from the final. more dialogue on that here www.beatlesebooks.com/she-said-she-said
As always a great lesson. Have to say I think the remix of this song is inferior to the original. The guitars a more prominent and biting on the original.
the separation in the new mies is what makes them bad mixing. It's fun for Beatles nerds (self included) but it ultimately waters down the effect of the music when radio and streaming essentially replaces the (good) original mixes with these horror shows.
YOU ARE DOING IT WRONG! YOU'VE MADE IT MUCH HARDER THAN IT IS. THE RIFF IS EASIER TO PLAY WITH MINIMUM OF FINGERS, MEANING NO PINKY INVOLVED! OPEN STRINGS IS THE KEY AND THE FIRST NOTE OF THE RIFF IS SLIGHTLY BENT.
I've always felt that the real strength of the Beatles wasn't their hit songs, it was their album cuts. For any other band, She Said would have been released as a single'; it's that strong. For the Beatles, it was just another album cut - which none of them ever played again. It is one of the best songs on the album. Thanks for the How To.
Black Keys cover is strong, as well.
Exactly
The singles they released as promotion for the album's are incredibly cool, there will never be another band that's as creative as those four guys from Liverpool.
The 3/4 to 4/4 shift in this song is one of my favorite musical moments. I pop every time I hear it, even after 50-odd years!
This song has the most incredible guitar tone, I'm so obsessed with it!.
One of the gems on the album . It just stands out and proves that going back to their old fab four formula works. Its a shame they never performed it live
The tone is so perfect.
always loved this song , i remember when i was a little kid 13 years old in 1966 and learned and figured out this song i was like the neighborhood hero for like 2 weeks and all these years alter i still get goose bumps playing it
Found this again. Mesmerizing.....
Great tutorial and video. As Anne said, I was the same age in 66, but I was flown out to LA , for the summer, as a session player for Capitol.
You say it's a simple song to play, but it really is a complexly composed song like the majority of their work. It has amazing chord coordination between John & George, not to mention the usual first class harmony's. In my opinion, the Beatles professionalism, musicianship, and attention to detail within their recorded songs, is second to none. Nice job with the lesson!👍🏻
Loving these songs from Revolver. One of my favourite albums and all the songs are great! Hope you do And your bird can sing and Got to get you into my life...
Thanks
Thank you!
Terrific video, thank you for you breaking down this wonderful song in such an understandable and enjoyable manner, kudos.
Favourite off Revolver!
Nice breakdown! Thanks for doing this, you helped me finally understand the middle section the the time signature change. Great tone on your guitars.
GREAT JOB on the parts
Love your Guitars
Love your lessons! Thank you for all the effort, keep up the great work 😉
Best regards from Bavaria
Adrian
I do watch Sam Popin, he does some great Beatle music. I think Beatle music so intricate, and balanced.
Thank you for this (and Rain)! Much love...
You do all the great songs, not just the hit parade!
These are such great lessons. Thanks so much! And you’ve nailed the tone. I’ve tried the Dr. Robert pedal. It’s great.
Awesome, thank you!
I have Always preferred just taking Acid and letting the guitar play itself👁
Great insight and lesson!
Excellent job my friend
I always thought the Revolver guitar tones sounded solid state. Cool to find out.
Great tutorial. I'll be on this later today with my Casino.
That pedal keeps me awake at night. Also, all weekend...
It's great and worth every penny
@@12footchain Just sayin'...I think the DEA is surveilling my pedal....
would love to see you do the Gov't Mule version of this song my favorite Beatles cover
That acid trip had to have been what got John interested in the Tibetan Book of the Dead
Great job…you got the tone! Love it. It seems to me this is a Lennon-Harrison collaboration at least in the arrangement..
I think it's actually just John, George & Ringo. Paul apparently walked out of the session.
As I learnt this song a while back, the funny thing is you don't really notice the 3/4 change until it's pointed out, bizarre? Hey, I'm really liking the earthy tones of your casino brother.
Hey, Man. I just got turned onto your channel as I was hunting a proper Jungle Love lesson. You seem super competent and have some stellar content. Subscribed. Yeah, your Baby Blue lesson kicks ass too.
The Old Super Beatle Vox which was ALL solid state sounded like the ul730 to, but could also get quite loud if needed. I owned and used one from about 1975 to 1981, I sold it because it was so large an amplifier. Never Gigged it though. It had a built in Fuzz tone, which was similar to that full on Gain that the Mr. Robert gets. It also had a channel called MRB, which was Mid range Boost, which would have been like the Mr. robert pedal with the mid cranked. the did an excellent job with that pedal, but I think if one really boosts the midrange and adds compression on an amp modeller, most likely using a AC30 Amp Range you could emulate the UL730.
That MRB knob was used at end of back in the ussr flipping from position to position as the jet plane sound came in
Top shelf 12ft, love it ♪♫♪♫♪
Thank you! I used to play this song in B-flat; this way is much easier
Very nice job. I worked She Said out a few times in my day. I never recorded it. I may give it a try.
Are u in/at a guitar store? Lot of u vidcasters with these Beatles lessons have all the guitars laying around right there lol. Even the proper amps.
Maybe a studio?
It really is a good job. I like that "2+2=5, right?" Exactly, I know exactly what u mean about that little snippet on what note Harrison lands on. Couldn't quite get it with one guitar.
Also love this song, thanks
Could you do a lesson on Got to Get You Into My Life? - great guitar work especially on some of the outtakes
John and Paul fighting, quests Paul left and wouldn't play bass. John was always so cutting edge like a knife 😊.......go Johnny go.
And Paul was on the track after all but left before vocals. It's such a departure as an album over what had come before yet George never really distinguished between Revolver sessions and Rubber Soul sessions.
Fire mate
awesome..
Thanks for going to this level of detail to nail these. I got the guitar and the pedal and going thru a Fender Princeton, BUT... Do you think they were still using flatwound strings on Revolver? Just wonder if it's worth changing over...
Oh man, I have no idea. Not sure it would make all that much difference sonically, would it? I mean I know they are different, but if you're listening through super good headphones, cam you really tell that much difference?
Thanks for doing these. I like all the remixes except for the to strong bass on Taxman, at least on the computer, prefer the mono release on taxman. but you can hear stuff on them that was not real evident before. Nice not to have only Vocal panned to one side, instruments to the other, but that was how old stereo was with 4 track artists at least the ones recording out of Abbey road.
So the Backing Track / Take 15 from the Box set is the same one used for the album version?
not sure it was actually take 15 which was the final backing track. I hear subtle differences in the guitars from the final. more dialogue on that here www.beatlesebooks.com/she-said-she-said
It's such a great song... and Paul isn't on it because he left in a huff (one version).
Incorrect. He laid down the bass and split before the vocals were added. Check out take 15
The half bend is CRUCIAL Thx for insisting on that. It drives me crazy when bands do a full bend and ruin the pathos of the mood.
You know, I'm not sure I like Okell bringing up parts that used to be down in the mix. Like those blues-based licks.
I had never heard that Peter fonda story, I would not doubt, saying Nutty stuff. Leave it to John Lennon to write a song about it. LOL.
As always a great lesson. Have to say I think the remix of this song is inferior to the original. The guitars a more prominent and biting on the original.
So is this the inspiration for 'Sweet home Alabama' do you think?
Like deployed 👍
Fonda said that because he accidentally shot himself
the separation in the new mies is what makes them bad mixing. It's fun for Beatles nerds (self included) but it ultimately waters down the effect of the music when radio and streaming essentially replaces the (good) original mixes with these horror shows.
YOU ARE DOING IT WRONG! YOU'VE MADE IT MUCH HARDER THAN IT IS. THE RIFF IS EASIER TO PLAY WITH MINIMUM OF FINGERS, MEANING NO PINKY INVOLVED! OPEN STRINGS IS THE KEY AND THE FIRST NOTE OF THE RIFF IS SLIGHTLY BENT.
Ok man, no need to yell
Whole video is talking
too much talk
Is there anyway u can play the song with 40 mins of talking,wat too much talking,just play the song ,not a history lesson
John and Paul fighting, quests Paul left and wouldn't play bass. John was always so cutting edge like a knife 😊.......go Johnny go.