Yulianna has a very deep and close spiritual connection with Chopin. She is very forthright about that. That's why She gives to his music a unique, incomparable personal dimention.
The gentle eyelash flutter to match the recurring iambic rhythm in the Andantino is a lovely touch; not sure if it was intentional or inadvertent. Excellent control of dynamics.
It sounds like an improvisation piece, when the piece comes to the end, you don't quite realize this is the end. Well it's an interesting interpretation.
People think that because Chopin is "soft" there shouldn't be a lot of bass and inner voices, and a much stronger main melody but it is exactly the opposite, the melody must be softened as much as possible and not shouted, so that the richness of colors and harmony of the interior and bass voices appear.
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One of the best interpretations, fresh, honest and passionate!!
Love her highlighting of inner voices in the Andantino section.
What pianists lack most is that they seem to be afraid of the inner voice of the songs, but I think that in Chopin they are especially essences.
Yulianna has a very deep and close spiritual connection with Chopin. She is very forthright about that. That's why She gives to his music a unique, incomparable personal dimention.
Such a brilliant perfomance
Haven't listened to a live #2 this good since Zimmerman's. Truly remarkable.
The gentle eyelash flutter to match the recurring iambic rhythm in the Andantino is a lovely touch; not sure if it was intentional or inadvertent. Excellent control of dynamics.
5:34 never heard someone keep the pedal down, sounds pretty cool
It sounds like an improvisation piece, when the piece comes to the end, you don't quite realize this is the end. Well it's an interesting interpretation.
I love her sound and style.
It's because she's not afraid to use bass and inner voice, as well as a unique rubato.
Thank you Chopin, and thank you for a beautiful rendition Yulianna
People think that because Chopin is "soft" there shouldn't be a lot of bass and inner voices, and a much stronger main melody but it is exactly the opposite, the melody must be softened as much as possible and not shouted, so that the richness of colors and harmony of the interior and bass voices appear.
frekin amazing XD
Trovo molti punti in comune con lo studio op 25 n.11
Chopin should be played by women. Chopin adored women.
So it should be played by straight men