Now THAT’S how you start a How To video. So much better than swiveling on a chair and pretending to be surprised that a camera is there. “Oh hi!” Subscribed.
loooooaaddds of good stuff in here! One thing to keep in mind though, is that proximity effect is a result of polar pattern. So cardioid or figure 8 settings will have a proximity effect, but omnidirectional won't. So making sure your settings on your condenser are complimenting your recording setup is important if that's an issue someone's running into. Personally, I keep it in cardioid, then either roll off low end at the mic, or change the actor's proximity to the mic while I'm tracking ADR to control the low end response (sometimes thinking about distance off the mic helps to keep the natural feeling and relation of indirect to direct sound being captured by the mic in the studio as well, of course this changes depending on the acoustics of the capture environment). Then whatever I can't balance I tweak in post. Sweet intro to ADR though! I'm definitely using this in my class! Thank you for the quick, to the point, and practical explanation! Hella boss!
A simple explanation and demonstration that gives so much power.. Thank you, you are amazing!! You helped me to calm down and focus on shooting my film with less worries (:
Thank you for this! Wonderful video. Crazy how it doesn't really have a ton of views, but I guess that's what separates the professionals from the hobbyist, huh?
Good video. Another way is to do loop record to takes 6-8 times and choose the best one. Then instead of exporting everything out of Logic, just add all the sfx in Logic.
Hey, when did the name change from Additional Dialogue Recording? Because there was nothing automated about it before digital editing became a thing, there wasn't any part of it that was automated on film, so how about a history of ADR? Maybe show how they did James Earl Jones as Darth Vader?
At the end of the word "professionals," Either the talent with his speech impediment, or the editor with his haste, there is an artificially abrupt ending. Would have kicked it back.
I think it refers to the automatic looping but could be totally wrong. It may come from the pre-computer days where they had special techniques to make it work on film.
I just looked it up before finding this video. Surprisingly, no one really cares much about the confusion the name induces since I had to look a bit to find an answer on Quora by Rj Kizer. It seems that prior to the automated system, one would have to cut film and audio for each portion of dialogue to be worked on. Systems were developed to automate the looping electronically--one being ADR, and the other, EPS, being the system that actually became the norm, despite the former's name living on.
@@thechannelitrollwith1645 Thanks! Yeah, I figured the word "automated" in this instance had more to do with the use of a machine to assist with or replace a previously manual process, rather than a computer completely doing something for you.
@@ashwanibhola3766 No problem, hopefully I paraphrased accurately lol. Because of the name seemingly calling the dialogue replacement automated, I'd previously thought it was a system that roughly synced new audio for you. I wouldn't call it a misnomer since the process in question continues to be automated, but I feel like we're so far removed from the original issue that my confusion was reasonable.
ADR gives us a chance to direct the actor again by changing the tone, style, loudness and the distance from the microphone. (Sorry for my bad grammar.)
It still doesn’t feel like it 100% fits to my ears. Something feels off and I can’t place it, but the same thing happens to me… Do you have any updates or insight on how to make it feel more natural? Great video though and definitely helps to get most of the way there!
Ok, a hell of a lot of work.cut the nusic, sounds crappy. So how do they dubb Darth Vaders voice, or voices in a movie with others, like Goldfinger, for instance.
A big membrane condenser from a short distance in a controlled environment will get you much better audioquality than the best shotgun mic from ar away or the best close but tiny lav mic can. The Question is whether it's possible or worth the effort for a given project. Not even mentioning about wireless mic systems...
Now THAT’S how you start a How To video. So much better than swiveling on a chair and pretending to be surprised that a camera is there. “Oh hi!”
Subscribed.
loooooaaddds of good stuff in here!
One thing to keep in mind though, is that proximity effect is a result of polar pattern. So cardioid or figure 8 settings will have a proximity effect, but omnidirectional won't. So making sure your settings on your condenser are complimenting your recording setup is important if that's an issue someone's running into.
Personally, I keep it in cardioid, then either roll off low end at the mic, or change the actor's proximity to the mic while I'm tracking ADR to control the low end response (sometimes thinking about distance off the mic helps to keep the natural feeling and relation of indirect to direct sound being captured by the mic in the studio as well, of course this changes depending on the acoustics of the capture environment). Then whatever I can't balance I tweak in post.
Sweet intro to ADR though! I'm definitely using this in my class! Thank you for the quick, to the point, and practical explanation! Hella boss!
i've watched a dozen adr vids and this is the most helpful by far. thx!
Great presentation and description, well done.
Great video. Fantastic. Thanks!!!
A simple explanation and demonstration that gives so much power.. Thank you, you are amazing!! You helped me to calm down and focus on shooting my film with less worries (:
Incredible performance! Very impressive right off the bat.
this is fantastic! you guys are awesome!
Thank you for this! Wonderful video. Crazy how it doesn't really have a ton of views, but I guess that's what separates the professionals from the hobbyist, huh?
Thank you for the video. Respectfully, dynamic mic if you don't have a treated room, and if you can spend a little time in eq.
Nice Video... Keep it up.
Good video. Another way is to do loop record to takes 6-8 times and choose the best one. Then instead of exporting everything out of Logic, just add all the sfx in Logic.
Thank you for this wonderful tutorial.
THANK YOU!
Good tips!
Thank you, Virginia!
Great stuff guys!
We appreciate that, Josh!
Hey, when did the name change from Additional Dialogue Recording? Because there was nothing automated about it before digital editing became a thing, there wasn't any part of it that was automated on film, so how about a history of ADR? Maybe show how they did James Earl Jones as Darth Vader?
That intro 🔥
Thank you. Few tips i haven't heard before)
Watching this in audio class now
At the end of the word "professionals," Either the talent with his speech impediment, or the editor with his haste, there is an artificially abrupt ending. Would have kicked it back.
Amazing!!!
Thanks for explaining this! Just curious, what part of the process is "automated" as the name suggests?
I think it refers to the automatic looping but could be totally wrong. It may come from the pre-computer days where they had special techniques to make it work on film.
I just looked it up before finding this video. Surprisingly, no one really cares much about the confusion the name induces since I had to look a bit to find an answer on Quora by Rj Kizer. It seems that prior to the automated system, one would have to cut film and audio for each portion of dialogue to be worked on. Systems were developed to automate the looping electronically--one being ADR, and the other, EPS, being the system that actually became the norm, despite the former's name living on.
@@thechannelitrollwith1645 Thanks! Yeah, I figured the word "automated" in this instance had more to do with the use of a machine to assist with or replace a previously manual process, rather than a computer completely doing something for you.
@@ashwanibhola3766 No problem, hopefully I paraphrased accurately lol. Because of the name seemingly calling the dialogue replacement automated, I'd previously thought it was a system that roughly synced new audio for you. I wouldn't call it a misnomer since the process in question continues to be automated, but I feel like we're so far removed from the original issue that my confusion was reasonable.
Can anyone tell me why it's called "automated" when it's the same thing as dubbing, and isn't automated?
Very Useful, Thanks
ADR gives us a chance to direct the actor again by changing the tone, style, loudness and the distance from the microphone. (Sorry for my bad grammar.)
Bollywood does it so smooth you don't even come to know about it. They are real pros and have been doing it for so long.
I don't know if you're being sarcastic because Bollywood has horrendous ADR.
@@TonyStark799 Then you do know
Amazinggggg
awesome!!
What is the software we need to use ?
🙌🙌🙌🙌 Thank you so much
It still doesn’t feel like it 100% fits to my ears. Something feels off and I can’t place it, but the same thing happens to me… Do you have any updates or insight on how to make it feel more natural?
Great video though and definitely helps to get most of the way there!
Mic'd too tight (in this example it was mic'd more like VO).
If nothing else, ADR should motivate you to get the sound right at the beginning.
And how is this automated?
perfect....education
That's what they do in Power Rangers, right?
Ok, a hell of a lot of work.cut the nusic, sounds crappy.
So how do they dubb Darth Vaders voice, or voices in a movie with others, like Goldfinger, for instance.
I would be careful with many of the things stated in this video
Pay for a Sound location guy...
A big membrane condenser from a short distance in a controlled environment will get you much better audioquality than the best shotgun mic from ar away or the best close but tiny lav mic can.
The Question is whether it's possible or worth the effort for a given project.
Not even mentioning about wireless mic systems...