Saw the 11+ minute length of this and seriously got excited! I struggle mightily and flip flop with my a7iii picture profiles. Sometimes I feel like I do a good job and other times I feel like I know nothing, so I'm eager to see your process. Keep up the fantastic work!
Your voice sounds so soothing. Pure ASMR quality voice there. Been waiting for you guys to release a colour grading tutorial. Really glad that you guys did this!!
THANK YOU SO MUCH! I've been trying to figure this out for weeks and getting all these ugly artifacts trying to use this power grade. I was worried I was filming improperly and this fixed the issue.
As someone who has shot on 16mm before and graded it in davinci, I think you guys are pushing the look a bit too far. It may come down to taste here, but if you want to actually emulate the film stock instead of created a final graded look you should tone down the entire thing by about 25%. You can tell in a lot of these clips the the colors are getting too saturated and clipping (probably because of the 8-bit footage) and the shadows feel lifted. Film CAN look like this, but in actual movies the look is not pushed this far so that it is easier on the audience's eyes. I see this a lot with digital emulations where the colorists push the look farther than it should go to overcompensate for it being DSLR/mirrorless footage.
Hola, no sé mucho inglés. Your work is amazing, I follow you step by step and I learn a lot from you, you inspire me and not only me, but more people. Please do not stop what you are doing, I thank you very much for the inspiration you transmit. good vibes and keep it up
i just discovered Tom Bolles yesterday, through his works and his website and now youtube suggested me your video and see how he achieves those looks is amazing!
What picture profile did you use in this? Sorry if it was asked already. I love the nostalgia I just got a n a7II and I pray I can get to this feel of video your channel is amazing!
So i dont have the full version... Is there a way i can get rid of the overlay? Like which effects will i be forfieting due to not having the full version?
Hey man! To get rid of the watermarks all you have to do is get rid of the Denoise and film grain nodes! You can always add film grain using film grain overlays that you add into your timeline on top Of your actual clips
what should I put for my output color space and output gamma shoot canon t8i and it looks like the contrast/shadows were slammed all the way up any solution?
The colour output space and output gamma should be left on the settings that cineprint16 comes with. I.e. Arri and Arri Log C. With the t8i make sure your input gamma and input colour space are both at Rec.709
Hey! No you don’t, but the thing that won’t work is the film grain node if you’re using Davinci Resolve free version. But as a work around we have free film grain overlays on our website that you’re able to overlay on top of your footage to still get the film texture: meliorstudios.com/store/p/free-film-grain
Yes! Halation uses a linear method rather than Davinci resolves Halation fx, therefore you can use it with the free version of Davinci resolve and it’s easier for your computer to process too. Hope that answers your questions! We have a link to everything in our description: meliorstudios.com/store/p/cineprint-16
can someone explain how to do this in resolve if you recorded without any log settings? i recorded a video on my sony a7sii with the color baked in (so rec 709), and when i add cineprint it just looks terrible. im trying to learn!
Well done! really inspirational video! I have a question, when you shoot the video you do the white balance in camera or you leave the automatic balance?
This is because you’re using the free version of Davinci, to remove the watermark, turn off the film grain node and it should disappear. To get around adding grain we have free film grain assets on our website store
For the A7iii yes, as the magenta tint is less harsh and so with ITU.709 it's easier to work with in post. But for cameras like the A7siii or Fx3 or better S-gammut is perfectly fine!
Yes but you can’t use the film grain node or the Denoise node. You just have to turn them off and you’re good to go. We have free film overlays on our website to get around thso
@gettriggered8404 you will be able to use halation! It uses a different method that doesn’t require the studio version. I’m not sure about dust however
@@meliorstudios ah okay last question, do you think its worth it? buying the studio davinci? im aiming for film like on my videos. and pictures. does it “open a new world” when you buy the studio? or am i okay with the free version. - also do you have a account or something where we ask questions like q&a? thanks!
Hey! Yes this will work on you canon 77d footage completely fine. All you have to do is on the color space transform, set the input color space and input gamma to Rec.709 and you should be good to go
Hey quick follow up is there a way to change the CST to the correct input for every single clip so i dont have to go in manually selecting each clip and changing my input color space along with input gamma. This would save me a ton of time and still my first day using davinci, thanks so much!
Hey Jake, yes there is! If all the clips require the same CST you can save the node tree you’ve created with the CST settings you’ve chosen then save that as a powergrade in itself by using the powergrades tab in the Colour page. We’ve made a tutorial on how to do this: th-cam.com/video/j-qRovmIDrU/w-d-xo.html
one question i always had was why you are shooting in ITU709 and not S-Gamut? I also heard from other people that the color are better on ITU709... I am shooting with S-Gamut and the only Problem is that i have a lot of Magenta Shift (idk how its called)
That’s exactly the reason why! On the Sony A7iii, sgamut gives incredibly strong magenta tones which is hard to adjust in post. Using ITU.709, gives a much cleaner image to work with, this is only a problem with the Sony A7iii and older Sony cameras.
amazing video - I'm thinking about what would be the best camera as a base knowing I can't afford a gh5 - I was thinking if any camera that record would do the job such as the canon eos m ? or it must be like a gh5 or a blackmagic ? thanks.
Hey Ryan! Cineprint 16 can work with any camera, Tom used GH5 as an example as that’s the camera he used. But for this tutorial we used clips from our Sony A7iii. You can even use cineprint16 on iPhone footage if you wanted too. The eos m is a great camera, especially for filming everyday things
Yes! But you’ll have to turn the film grain node off. We have free film grain in the bio as an alternative that you can overlay on top of your clip in your timeline. You’ll get a similar effect!
Unfortunately we don’t know enough about grading in premiere to answer that. But I know Danny Gervitz did a really cool video showing how to create a film look in premiere Pro. If we find the link we’ll put it here
Hello! Nice work! I am soo thinking of buying the power grade. I already bought Juan Maleras Kodak Power grade and Film convert and I am still not achieving the look I am looking for. Maybe I am just bad 😂 I got a question: how did you change the magenta colour in the lips 😅?
Hey Yasemin, This is the only film emulation powergrade we've used and it's worked a treat for us in enabling us to create the look we wanted. And with lips usually being more saturated than the rest of the skin you can use the the qualifer to create a mask on the lips, selecting the magenta areas, then simply shift the hue towards the oranges. You can do this all when selecting the entire skin to shift the colours away from magenta. Another way is to use the colour warper and shift the red points towards the yellow
I use Premiere Pro. Is there a decent way to do all of my editing in there and then just do this color grade in the free version of Resolve? Thanks! Love the content!
@@meliorstudios Thank you so much! i appreciate it! I originally found Cineprint through you guys and fell in love. Since then I've seen it do often and now I'm gonna pull the trigger!
@@beaugotdrums7821 hey Beau, I think you may have bought a different Powergrade form our website. But if you send us an email at: Hello@meliorstudios.com we can send you the correct one
Ah yes, Cineprint is a powergrade that you need to purchase and install and then it'll show up. But we've just released an updated 16mm film emulation called Digifilm that you can check out here: th-cam.com/video/IELnqxdjQ34/w-d-xo.html
Yes it will! We used to shoot on the Ursa 12K with Braw and it worked fine. If you scroll down on the CST just select which film gen you’re using, (most like 5 of on the pocket 6) and you should be good
My footage looks really flat and bad after selecting the right input color space and input gamma in the CST node. Am I doing something wrong? It's just S-Log2 footage of my Sony A7iii (S-Gamut)
Hey Joran, we’re sorry to hear that, the footage when CST is completed will be a little bit flat especially with cineon but shouldn’t be super flat like a log profile. If that’s the cast it’s probably your CST settings. Make sure you double check your camera settings, I.e. colour space and colour gamma. If you’re using S-gamut make sure you’ve selected s-Gammut in the correct field of the CST. If you’ve used something other than s-gamut such as ITU.709, make sure you’re selecting rec.709. Let us know if you’re able to resolve this
@@meliorstudios I’ve made sure my settings are correct and match the settings of my camera. The footage still looks really flat. If you want, I can send you an email with some screenshots and more details
On the A7iii slog3 had no greater effect than Slog2 due to its sensor. But slog3 is much flatter than Slog2 which makes it harder to grade as well well the image falls apart more easily compared to Slog2 on the A7iii. On the A7siii slog3 can be used no doubt but for what we found Slog2 give a much cleaner image
@@meliorstudios awesome! thank you. i seem to never be able to get good colors out of slog2, but seem to be able to get what i want when i shoot with slog3. i'll have to shoot more slog2 because i love the stuff you guys can get out of this camera
Hey man! We recommend everyone shoots on what works for them! We’ve just found Slog2 works better for us than slog3 tho that doesn’t mean it’s the correct way to do it. At the end of the day as long as you’re getting an image you’re happy with Thats all that matters! Stoked to see what you create!
Hey! Yes you can apart from Noise reduction and film grain, all you have to do is turn those nodes off and you can still use the emulation! You can always add film grain overlays on your timeline instead using a film overlay
Use the NS matrix or Den and sub. This should help with your skin tones. Alternatively make a new node and select the skin using the qualifier and adjust the skin tones that way via the saturation and hue
This is beautiful! Keep up the great work!
Thanks so much Gawx!! Once again, we can't tell you how much we love your videos!
Oh damn, the big boyz are here
Thanku gawx🤝🥰
When great artist say to another great artist that his work is great🔥🔥❤️❤️❤️❤️Lav you both
yooo gawx wassup!!
Saw the 11+ minute length of this and seriously got excited! I struggle mightily and flip flop with my a7iii picture profiles. Sometimes I feel like I do a good job and other times I feel like I know nothing, so I'm eager to see your process. Keep up the fantastic work!
We’re stoked to hear that! We really hope you’re able to take something away from this tutorial:)
Your voice sounds so soothing. Pure ASMR quality voice there. Been waiting for you guys to release a colour grading tutorial. Really glad that you guys did this!!
Haha thanks a lot Fragile Monkey, we appreciate that. Hopefully it was somewhat helpful :)
mmmm that color separation between greens and oranges
Thanks!
So glad you made this! I’ve been wondering how you guys achieve this look. I’m definitely going to be incorporating this into my films
Super stoked you enjoyed and found it helpful!! Keep us up to date with what you create. We’d love to see
This is my new favorite channel. You guys crush it
We appreciate that a lot Scott! We’ll try to keep up with the consistent uploads
THANK YOU SO MUCH! I've been trying to figure this out for weeks and getting all these ugly artifacts trying to use this power grade. I was worried I was filming improperly and this fixed the issue.
We’re glad you managed to fix it!!
Beautiful work and such a soothing voice, reminds us of qoves studio
Thanks so much for taking the time to watch!
As someone who has shot on 16mm before and graded it in davinci, I think you guys are pushing the look a bit too far. It may come down to taste here, but if you want to actually emulate the film stock instead of created a final graded look you should tone down the entire thing by about 25%. You can tell in a lot of these clips the the colors are getting too saturated and clipping (probably because of the 8-bit footage) and the shadows feel lifted. Film CAN look like this, but in actual movies the look is not pushed this far so that it is easier on the audience's eyes. I see this a lot with digital emulations where the colorists push the look farther than it should go to overcompensate for it being DSLR/mirrorless footage.
Agree, it looks like the contrast is too low, and color depth just isn't there
you have any videos to show us then?
show us how to do it then.
this is true filmic / cinematic. gorgeous!
We're glad you like the look!:)
Man, You are an artist. Keep it up! Greetings from Peru 🇵🇪
Appreciate that a lot thank you!
Such a comprehensive, calming and easy to follow tutorial - thank you!
Really glad you think so! thanks for the feedback Antonia!!!
You can't imagine how much you helped me. Thank you man
Hola, no sé mucho inglés.
Your work is amazing, I follow you step by step and I learn a lot from you, you inspire me and not only me, but more people. Please do not stop what you are doing, I thank you very much for the inspiration you transmit. good vibes and keep it up
Firstly, you're English is great!!! And we really appreciate that a lot. Gracias por las palabras amables. Amamos peru!!
The model is so beautiful
He’s awesome!
Finally tutorial from you. I can die peacefully now....
Hahaha, man please don’t pass yet, we still gotta go see Mars 🚀
thank you for the information, big fan of your cinematic clips, saludos de Colombia 🇨🇴
No problem man, hope the video was somewhat helpful. Thank you for taking the time watch!
Great tutorial! Thank you very much, we look forward to more! Greetings from Argentina
We’re glad you enjoyed it! Can’t wait to upload more!
Awesome!! Thats the Look and Feel i have in mind with my GH5!
Stoked to see what you create! Thanks for taking the time to watch
the clips in the intro are so amazing. id love to make something like that for some music videos :O
Thanks a lot! And they’re really simple clips to shoot, best of luck!:)
i just discovered Tom Bolles yesterday, through his works and his website and now youtube suggested me your video and see how he achieves those looks is amazing!
It's awesome!
dude you are the best!!! thanks for this tutorial!
Thanks for taking the time to watch David!
Thank you! i dont make work the cineprint 16 before your tutorial, great work !
Thanks a lot Juan!
Coming in with the tutorials! This is very much appreciated, looking forward to more
We really appreciate that man! Can’t wait to share more
great video bro,
i'm filming with an iphone 11 what input color space & input gamma should i use ?
Thanks man! And for the iphone11 for both the input gamma and color space put in Rec.709
@@meliorstudios thanks bro !
🙏🏽
I really liked this one. Thanks!
Thanks for taking the time to watch!
can you make a short video explaining what camera profile settings you used !
Picture profile settings for the Sony A7iii should be the next tutorial we release
What picture profile did you use in this? Sorry if it was asked already. I love the nostalgia I just got a n a7II and I pray I can get to this feel of video your channel is amazing!
pp7
What a phenomenal look!
Thanks a lot Mike!
Really impressive good job
Thanks a lot Loze!
Finally! Thank you so much.
We hope you find it helpful!
Really pretty! Thanks!!
Thanks!
yessss so happy its here :)
We hope you find it helpful!
Thank you so much! Gonna try this out soon!
Thanks for taking the time to watch!
This video is great! I needed this 👏
Really Happy to hear that Lorenzo, We hope you find this video helpful!
Do i need Davinci Resolve Studio to use it because i downloaded it on a free version and i have watermark??
Nope! All you have to do is turn off the film grain node and the watermark should go
Thank you! I was waitnig for this! :)
We hope you found it useful!
So i dont have the full version... Is there a way i can get rid of the overlay? Like which effects will i be forfieting due to not having the full version?
Hey man! To get rid of the watermarks all you have to do is get rid of the Denoise and film grain nodes! You can always add film grain using film grain overlays that you add into your timeline on top Of your actual clips
@@meliorstudios appreciate it sm!! i was missing the denoise one!! thanks!!
@@ChrissBoustedt glad it’s working now!
No way, year 2024 y dont wana do this hard work. I need one click and my video looks like 16mm, come on
Finally! Thanks for this!
No thank you for watchin Jireh, we hope you find it useful!
You listened to the comments gosh I love you
We’re trying to create tutorials based on the community needs. We hope you found this helpful!
This is really good!
Thanks a lot!
Thankyou so much for the tutorial
Hope it was helpful!
@@meliorstudios verymuch looking forward for more tutorials really needed to start working with davinci and editing
I love this. Awesome video
Thank you for watching!
Can you please do this but for premiere pro😭
This Is amazing. THANK YOU
Thanks for watching!
Looks great
Thanks
@@meliorstudios you started with 'log' footage. how do you start when you just footage with no color profile or info, assuming its rec709.
What is the song at the beginning? I love your voice and song in video
Oo this video was edited such a long time ago I’m not sure, but it’s a song from Epidemic sound, I’ll try and find it. Also thank you!
what should I put for my output color space and output gamma shoot canon t8i and it looks like the contrast/shadows were slammed all the way up any solution?
The colour output space and output gamma should be left on the settings that cineprint16 comes with. I.e. Arri and Arri Log C. With the t8i make sure your input gamma and input colour space are both at Rec.709
Do you need da Vinci studio version for cineprint 16?
Hey! No you don’t, but the thing that won’t work is the film grain node if you’re using Davinci Resolve free version. But as a work around we have free film grain overlays on our website that you’re able to overlay on top of your footage to still get the film texture:
meliorstudios.com/store/p/free-film-grain
@@meliorstudios thank you for letting me know one more question? Would halation work ;")
Yes! Halation uses a linear method rather than Davinci resolves Halation fx, therefore you can use it with the free version of Davinci resolve and it’s easier for your computer to process too. Hope that answers your questions! We have a link to everything in our description:
meliorstudios.com/store/p/cineprint-16
Thanks For The tutorial brother !
No problem Yellil, appreciate you taking the time to watch the video
beautiful image! thank you for sharing!
Thanks for watching!
Just got this emulator. Cannot wait to try it out and see what happens. Thanks!
Stoked to see what you create, it’s a great tool
Where do i get the cineprint16 power grades pleaseee 🙏🙏🙏
Hey! Here’s a link: meliorstudios.com/store/p/cineprint-16
@@meliorstudios thank you so much ....i hope it's free
can someone explain how to do this in resolve if you recorded without any log settings? i recorded a video on my sony a7sii with the color baked in (so rec 709), and when i add cineprint it just looks terrible. im trying to learn!
You need to change the cst input gamma and input color space to rec.709 if it’s been baked in
Can i make that vibe without log? I’m using canon R10 which doesn’t have log. How can i work ? Can you give me some advice plz?
Yes you can! You just have to put Rec.709 as your input color space and input gamma
Great voice quality :D what is your mic? or it's just voice enhancements?
I use the Deity D3 V mic Pro, and no enhancements in post!
Hi, i imported V2 and applied power grade but no nodes appear, nothing its empty? Standard one working, any ideas what the problem is?
Hey Leon, this problem will occur because you’re using an older version of Davinci Resolve. Once you update Davinci, the v2 node tree will appear
FIanlly its here,thansk a tonne for making this,will watcha and comment later
Thanks a lot Dev, we appreciate you taking the time to watch the video
Do you have to have the studio version?
No you don’t need the studio version. All you have to do for it to work on the free version is turn off the film grain node and you’re set
Not showing up when I open power grade but I have it installed
Send us an email with a screenshot, we’ll try and help
Thanks!! Really helpful ❤
We’re really happy to hear you found it useful!!
Thank you so much for this
Thanks for taking the time to watch!
Can we do this with iPhone as well?
Yes!
looks nice, but no lut for this? only use AE CC
Unfortunately no LUT. Only Davinci Resolve Powergrades. Sorry about that:(
Such a cool video! But I do have one question I have a canon t8i so what would I put my input color space to And my input gamma?
Hey! And yes of course. For both the input colour space and input gamma put in Rec.709 and you should be good to go
Thanks so much!
@@dominicmerrell4826 we hope it goes well!
would this work for DJI osmo pocket 3 D-log footage? if so, which camera preset would be closest and you'd recommend using
Well done! really inspirational video! I have a question, when you shoot the video you do the white balance in camera or you leave the automatic balance?
Often we leave it on AWB, however when shooting indoors we find the AWB isn’t great and often dial in the preferred Kelvin value in camera
Why do I get this huge water mark on my clips when i apply the grade to my clips? the water mark says " Divinchi Resolve"
This is because you’re using the free version of Davinci, to remove the watermark, turn off the film grain node and it should disappear. To get around adding grain we have free film grain assets on our website store
@@meliorstudiosone more thing, how come my footage gets choppy/ turns into slow motion when I use cineprint
great guys. keep it up.
Thanks man! We appreciate it
does Film Emulation only works on DaVinci Resolve studio?
This particular one does but there are other film emulations that work as plugins that work on most major video editors
thanks for the idea :)
Hope you found it helpful!
Nice work!
Thanks a lot Chris!
You guys are simply so awesome!😌Quick question tho.....do you think itu709 matrix is better than s gamut?
For the A7iii yes, as the magenta tint is less harsh and so with ITU.709 it's easier to work with in post. But for cameras like the A7siii or Fx3 or better S-gammut is perfectly fine!
Can you use cineprint on free version of davinci?
Yes but you can’t use the film grain node or the Denoise node. You just have to turn them off and you’re good to go. We have free film overlays on our website to get around thso
@@meliorstudios I wont be able to use halation or dust either huh?
If not, do you have anything for halation and dust?
@@meliorstudios thanks for replying! 👍🏽
@gettriggered8404 you will be able to use halation! It uses a different method that doesn’t require the studio version. I’m not sure about dust however
@@meliorstudios ah okay last question, do you think its worth it? buying the studio davinci? im aiming for film like on my videos. and pictures.
does it “open a new world” when you buy the studio? or am i okay with the free version.
- also do you have a account or something where we ask questions like q&a?
thanks!
Dont know much about what log is, but Ihave a canon 77d, and davinci resolve, Will this work for me or will these look horrible when I apply them?
Hey! Yes this will work on you canon 77d footage completely fine. All you have to do is on the color space transform, set the input color space and input gamma to Rec.709 and you should be good to go
Hey quick follow up is there a way to change the CST to the correct input for every single clip so i dont have to go in manually selecting each clip and changing my input color space along with input gamma. This would save me a ton of time and still my first day using davinci, thanks so much!
Hey Jake, yes there is! If all the clips require the same CST you can save the node tree you’ve created with the CST settings you’ve chosen then save that as a powergrade in itself by using the powergrades tab in the Colour page. We’ve made a tutorial on how to do this: th-cam.com/video/j-qRovmIDrU/w-d-xo.html
one question i always had was why you are shooting in ITU709 and not S-Gamut? I also heard from other people that the color are better on ITU709... I am shooting with S-Gamut and the only Problem is that i have a lot of Magenta Shift (idk how its called)
That’s exactly the reason why! On the Sony A7iii, sgamut gives incredibly strong magenta tones which is hard to adjust in post. Using ITU.709, gives a much cleaner image to work with, this is only a problem with the Sony A7iii and older Sony cameras.
amazing video - I'm thinking about what would be the best camera as a base knowing I can't afford a gh5 - I was thinking if any camera that record would do the job such as the canon eos m ? or it must be like a gh5 or a blackmagic ? thanks.
Hey Ryan! Cineprint 16 can work with any camera, Tom used GH5 as an example as that’s the camera he used. But for this tutorial we used clips from our Sony A7iii. You can even use cineprint16 on iPhone footage if you wanted too. The eos m is a great camera, especially for filming everyday things
do you need the full version for this? im currently using davinci resolve 16 and there's no cineprint 16 on the powergrade :(
You don’t need it! You just have to turn the film grain node off and it should work
where can i see that, im new to Davinci and using mac :(@@meliorstudios
I think i have to buy the cineprint 16 emulation :(
Why does DAVINCI RESOLVE appear large when I apply the effect? how can i remove it? :(
As in theres a watermark that appears above the footage?
Man u just gain a sub this is what I need. Can you show how to export it as a lut 🥺
stoked to hear that man! And you can export it as powergrade, is that what you mean? Unfortunately this type of grading wouldn't work as a lut
Can we use it for free versions of Davinci Resolve??
Yes! But you’ll have to turn the film grain node off. We have free film grain in the bio as an alternative that you can overlay on top of your clip in your timeline. You’ll get a similar effect!
Are there any work arounds or just suggestions for getting a similar look if grading in Premiere?
Unfortunately we don’t know enough about grading in premiere to answer that. But I know Danny Gervitz did a really cool video showing how to create a film look in premiere Pro. If we find the link we’ll put it here
Dont forget us some fcpx users
Hello! Nice work! I am soo thinking of buying the power grade. I already bought Juan Maleras Kodak Power grade and Film convert and I am still not achieving the look I am looking for. Maybe I am just bad 😂
I got a question: how did you change the magenta colour in the lips 😅?
Hey Yasemin, This is the only film emulation powergrade we've used and it's worked a treat for us in enabling us to create the look we wanted. And with lips usually being more saturated than the rest of the skin you can use the the qualifer to create a mask on the lips, selecting the magenta areas, then simply shift the hue towards the oranges. You can do this all when selecting the entire skin to shift the colours away from magenta. Another way is to use the colour warper and shift the red points towards the yellow
Awesome work, thank you for this video! Will you be making a tutorial on how you grade for digital (without Cineprint16)?
Hey! And yup that should be the next tutorial that we upload! Creating a digital look from scratch in Resolve
SUPERB!
Thanks a lot!
do you have also LUTs?
Unfortunately we don’t
@@meliorstudios would you create some? :/
beautiful !!!!!!
Thank you!
How it will work with hlg 3 for example?
We made a tutorial on HLG3 CST settings here: th-cam.com/video/2EC8PFkiLyI/w-d-xo.html
@@meliorstudios Thank you!
No he podido sentarme a intentarlo, pero muchas grancias.
Let us know how it goes when you give it a go!
I use Premiere Pro. Is there a decent way to do all of my editing in there and then just do this color grade in the free version of Resolve?
Thanks! Love the content!
Yes! Al you have to is export the timeline as an .xml file from premiere and then you can import this into Davinci and color followed by exporting
@@meliorstudios Thank you so much! i appreciate it! I originally found Cineprint through you guys and fell in love. Since then I've seen it do often and now I'm gonna pull the trigger!
That’s sick! There’s a link in our bio if you wanted to access it! Let us know how you get on and if you need any help
@@meliorstudios Hey melior, I bought this from your website and at 4:10 you talk abour NS Matrix but that node doesnt show for me
@@beaugotdrums7821 hey Beau, I think you may have bought a different Powergrade form our website. But if you send us an email at: Hello@meliorstudios.com we can send you the correct one
Do you think this will work on davinci on ipad?
I have used it on iPad and it works, but depending on which iPad you use it may run a little slown
Love the work but I need some help Whats The differences between CINEPRINT16 and DIGIFILM?
Love the tutorial! Which colour profile was this shot? S-log2?
Correct the clip was shot on
S-log2
When I click galler>powergrade1> none of the powergrades pop up, do I have to install cineprint or does it come with davinci?
Ah yes, Cineprint is a powergrade that you need to purchase and install and then it'll show up. But we've just released an updated 16mm film emulation called Digifilm that you can check out here: th-cam.com/video/IELnqxdjQ34/w-d-xo.html
@@meliorstudios awsome thank you, will this work with bmpcc 6k braw? r there any camera settings i should keep in account before recording?
Yes it will! We used to shoot on the Ursa 12K with Braw and it worked fine. If you scroll down on the CST just select which film gen you’re using, (most like 5 of on the pocket 6) and you should be good
@@meliorstudios thank you so much!
@@meliorstudios Hi sorry, i'm a beginner. I was wondering, how do I identify (on my bmpcc 6k) what color space information I am using.
My footage looks really flat and bad after selecting the right input color space and input gamma in the CST node. Am I doing something wrong? It's just S-Log2 footage of my Sony A7iii (S-Gamut)
Hey Joran, we’re sorry to hear that, the footage when CST is completed will be a little bit flat especially with cineon but shouldn’t be super flat like a log profile. If that’s the cast it’s probably your CST settings. Make sure you double check your camera settings, I.e. colour space and colour gamma. If you’re using S-gamut make sure you’ve selected s-Gammut in the correct field of the CST. If you’ve used something other than s-gamut such as ITU.709, make sure you’re selecting rec.709. Let us know if you’re able to resolve this
@@meliorstudios I’ve made sure my settings are correct and match the settings of my camera. The footage still looks really flat. If you want, I can send you an email with some screenshots and more details
For sure go for it, we’d love to help
what are your reasons for shooting slog2 over slog3?
On the A7iii slog3 had no greater effect than Slog2 due to its sensor. But slog3 is much flatter than Slog2 which makes it harder to grade as well well the image falls apart more easily compared to Slog2 on the A7iii. On the A7siii slog3 can be used no doubt but for what we found Slog2 give a much cleaner image
@@meliorstudios awesome! thank you. i seem to never be able to get good colors out of slog2, but seem to be able to get what i want when i shoot with slog3. i'll have to shoot more slog2 because i love the stuff you guys can get out of this camera
Hey man! We recommend everyone shoots on what works for them! We’ve just found Slog2 works better for us than slog3 tho that doesn’t mean it’s the correct way to do it. At the end of the day as long as you’re getting an image you’re happy with Thats all that matters! Stoked to see what you create!
@@meliorstudios very true! thanks again :)
Happy to help!
Hi, I can get to all the settings the tutorial does with the non-payed version of resolve? Thanks
Hey! Yes you can apart from Noise reduction and film grain, all you have to do is turn those nodes off and you can still use the emulation! You can always add film grain overlays on your timeline instead using a film overlay
Why does cineprint 16 make my skin really pink? How can I fix that
Use the NS matrix or Den and sub. This should help with your skin tones. Alternatively make a new node and select the skin using the qualifier and adjust the skin tones that way via the saturation and hue
@@meliorstudios thank u🙏🏽🙏🏽