Everything you say and what people write in the comments is great. This is important. For me, Diana's singing is sent straight from the cosmos and goes through her soul, then technical matters come at the end. Diana is a wonderful artist with tremendous sensitivity and incredible stage presence. And that's what's most important to me in her music, and that's what I value her the most...
I think that injuriies sustained from a broken clavicle at three and injury to the pharynx area that remodeled tissue growth patterns as the body matured. any contusions or internal reshaping affects her voice. She also hits polyphonics during speaking too, especially words ending in, ed, en, an, ing and thhe like. Theres no attempt at impressing polyphonics i think its built in. Thats what makes so so,id and warm even in scoops and creshendos where that would be very difficult
@@Neceros thats just a likely response based on pediatric history. The body over compensates to protect itself. The response can be a difference in shape size volume but looks totally normal. No grotesque abnormalities. The perspective difference is discovered during singing and talking ,since it’s an effect on soundwaves. Her speaking voice has or had a nasal drop muffling in words ending in Ing,End, An, etc she may have addressed that.
Sorry for bad English! She definitely uses her layrinx to create the space like an operatic base. Also uses her tongue, the back of it separately from the front (raising it not swallowing it). She also uses that thingy that decides if something goes into your stomach or lungs. If you swallow then make sound as its partially open/closed it also affects sound. She also widens her layrinx, throat sometimes. Add this to her timbre, yodel, thick vocal cords, her huge mouth, proment bigger than usual layrinx, etc etc.... Not all of these always but all above i heard from vocal coaches.
Диана, которая освоила курс уникального вокального преподавателя - Ольги Донской (увы, умершей от Ковида в 2020г.), предупреждала об опасности некоторых вокальных упражнений. По её утверждению, именно курсы О.Донской дали ей технологию и практику БЕЗОПАСНОГО освоения и развития вокала. Диана также заявляла, что полученные ею знания от Ольги Донской *позволяют ей учить ЛЮБЫХ учеников, пусть не быстро, но АБСОЛЮТНО БЕЗОПАСНО для их здоровья!* Ограничением для себя Диана видит только свой *возраст,* т.к. считает, что преподаватель - это прежде всего НАСТАВНИК, т.е человек умудренный годами и жизненным опытом. Диана считает, что она ещё слишком молода для преподавательской деятельности. Ну и правильно, пусть она пока радует нас своим пением!
I think there is a lot of misinformation regarding Diana's singing style. Perhaps you will be interested in the video analysis of a sound engineer and vocalist about this song. The name of the channel is FTY, he analyzes it with a spectrogram. Basically, Diana sings by lowering her tongue which causes the larynx and epiglottis to drop equally, this makes the low harmonics stand out more than the high harmonics. It´s a common vocal manipulation technique and has nothing to do with any kind of polyphonic singing. Anyone can try it: try speaking like you're going to yawn, you'll get a sound similar to hers. Or practice with the word "memory" as someone already told you.
What you just described IS a form of polyphonic overtone singing! It can be done in the higher register but ALSO in the lower one. Buddhist monks for example tap into the lower register. Diana isn’t in that extreme but she is for sure making the sound resonate to emphasize on the lower harmonics. Aiming to control a specific harmonic within a sound to make it resonate more is actually what polyphonic overtone singing is all about. In other words, polyphonic overtone singing isn’t really really about singing two notes at once, its making one note ring plus emphasizing on one of the harmonic notes within that same sound or spectrum to make it sound like there is two. Each sound, if not produced synthetically, comes packed with overtones. We don’t notice it because most of the time people don’t really move around within the spectrum. When a singer does it, surprising effects can happen like for Diana’s voice. It is micro movements of the tongue and inner mouth that permits to explore the harmonic spectrum. I studied both in music and sound engineering with a specialization in sound synthesis. ☺️
@@artandalchemyparfum She experiments with her sound through her resonators for sure, but I understand that to be called polyphonic overtone singing, technically one must manipulate the tongue, lips and the entire upper cavity in a VERY specific way (and that it has a specific representation in the spectrogram), and since Diana always sings with a "normal" tongue and lips placement, and just lowering her larynx, rather than polyphonic overtone singing it would be an "equalization" or "coloring" of the voice, just as many other singers do it to darken their sound, and I had never heard anyone call this technique polyphonic overtone singing. I think the simplest thing would be to check it by comparing the sound representation in the spectrogram of the singing of the Buddhist monks (or of any known form of polyphonic overtone singing) with that of Diana and with that of any other singers who lowers their larynx to make their sound deeper.
@@nsnz I think what most people understand of polyphonic overtone singing is when people move around alot within the harmonic spectrum which is not really what Diana is doing. So you are right in the sense that Diana really focuses on one particular colour to get that sound. But it's not always present. She does play around with alot of different colours. It's quite fascinating. Its at distinct moments that she leans into it. I saw her doing vocal exercises where she would transition from her 'normal' voice to the cavernous deep effect. Really cool to hear because she does it so easily almost seamlessly. I think she might also be lifting the soft palette up squit a bit to create a dome inside. That would push the sound back quite a bit and make the sound vibrate through her skeleton even more. In any event, it's really cool hear and a fun conversation.
I heard the opposite ;) You can see her tongue sits at her teeth. She doesn't swallows her tongue, this was the conclusion of the voice coach, who suspected this. She only raises the back of her tongue, sometimes, among other technics i wrote below.
Everything you say and what people write in the comments is great. This is important. For me, Diana's singing is sent straight from the cosmos and goes through her soul, then technical matters come at the end. Diana is a wonderful artist with tremendous sensitivity and incredible stage presence. And that's what's most important to me in her music, and that's what I value her the most...
❤❤❤❤❤
"...cavernous effect" sums her voice up perfectly.
❤DianAngel❤
This creates her sound:
She can sing, is hard working, is a very nice and smart and friendly woman.
You are on the right way!
Diana's favorite vocal exercise is singing with the word MEMORY with a concentration on the Moran's point (точка Морана ).
Sweet! I didn't know that! :)
@@artandalchemyparfum corrected typos due to which the auto-translator did not quite accurately convey the meaning
@@artandalchemyparfum
Type in the search - Ankudinova Muzloft
Next, on the video in the description, select the timestamp: 01:11:55
I think that injuriies sustained from a broken clavicle at three and injury to the pharynx area that remodeled tissue growth patterns as the body matured. any contusions or internal reshaping affects her voice. She also hits polyphonics during speaking too, especially words ending in, ed, en, an, ing and thhe like. Theres no attempt at impressing polyphonics i think its built in. Thats what makes so so,id and warm even in scoops and creshendos where that would be very difficult
Do you have a source on her pharynx being altered? Another comment said a doctor checked her out and found no abnormalities
@@Neceros thats just a likely response based on pediatric history. The body over compensates to protect itself. The response can be a difference in shape size volume but looks totally normal. No grotesque abnormalities. The perspective difference is discovered during singing and talking ,since it’s an effect on soundwaves. Her speaking voice has or had a nasal drop muffling in words ending in Ing,End, An, etc she may have addressed that.
Sorry for bad English! She definitely uses her layrinx to create the space like an operatic base.
Also uses her tongue, the back of it separately from the front (raising it not swallowing it). She also uses that thingy that decides if something goes into your stomach or lungs. If you swallow then make sound as its partially open/closed it also affects sound. She also widens her layrinx, throat sometimes. Add this to her timbre, yodel, thick vocal cords, her huge mouth, proment bigger than usual layrinx, etc etc....
Not all of these always but all above i heard from vocal coaches.
Диана!💋💋
sad that envy makes some people want to minimize great and natural talent.
Диана, которая освоила курс уникального вокального преподавателя - Ольги Донской (увы, умершей от Ковида в 2020г.), предупреждала об опасности некоторых вокальных упражнений. По её утверждению, именно курсы О.Донской дали ей технологию и практику БЕЗОПАСНОГО освоения и развития вокала. Диана также заявляла, что полученные ею знания от Ольги Донской *позволяют ей учить ЛЮБЫХ учеников, пусть не быстро, но АБСОЛЮТНО БЕЗОПАСНО для их здоровья!* Ограничением для себя Диана видит только свой *возраст,* т.к. считает, что преподаватель - это прежде всего НАСТАВНИК, т.е человек умудренный годами и жизненным опытом. Диана считает, что она ещё слишком молода для преподавательской деятельности. Ну и правильно, пусть она пока радует нас своим пением!
I think there is a lot of misinformation regarding Diana's singing style. Perhaps you will be interested in the video analysis of a sound engineer and vocalist about this song. The name of the channel is FTY, he analyzes it with a spectrogram.
Basically, Diana sings by lowering her tongue which causes the larynx and epiglottis to drop equally, this makes the low harmonics stand out more than the high harmonics. It´s a common vocal manipulation technique and has nothing to do with any kind of polyphonic singing.
Anyone can try it: try speaking like you're going to yawn, you'll get a sound similar to hers. Or practice with the word "memory" as someone already told you.
What you just described IS a form of polyphonic overtone singing! It can be done in the higher register but ALSO in the lower one. Buddhist monks for example tap into the lower register. Diana isn’t in that extreme but she is for sure making the sound resonate to emphasize on the lower harmonics. Aiming to control a specific harmonic within a sound to make it resonate more is actually what polyphonic overtone singing is all about. In other words, polyphonic overtone singing isn’t really really about singing two notes at once, its making one note ring plus emphasizing on one of the harmonic notes within that same sound or spectrum to make it sound like there is two. Each sound, if not produced synthetically, comes packed with overtones. We don’t notice it because most of the time people don’t really move around within the spectrum. When a singer does it, surprising effects can happen like for Diana’s voice. It is micro movements of the tongue and inner mouth that permits to explore the harmonic spectrum. I studied both in music and sound engineering with a specialization in sound synthesis. ☺️
@@artandalchemyparfum She experiments with her sound through her resonators for sure, but I understand that to be called polyphonic overtone singing, technically one must manipulate the tongue, lips and the entire upper cavity in a VERY specific way (and that it has a specific representation in the spectrogram), and since Diana always sings with a "normal" tongue and lips placement, and just lowering her larynx, rather than polyphonic overtone singing it would be an "equalization" or "coloring" of the voice, just as many other singers do it to darken their sound, and I had never heard anyone call this technique polyphonic overtone singing.
I think the simplest thing would be to check it by comparing the sound representation in the spectrogram of the singing of the Buddhist monks (or of any known form of polyphonic overtone singing) with that of Diana and with that of any other singers who lowers their larynx to make their sound deeper.
@@nsnz I think what most people understand of polyphonic overtone singing is when people move around alot within the harmonic spectrum which is not really what Diana is doing. So you are right in the sense that Diana really focuses on one particular colour to get that sound. But it's not always present. She does play around with alot of different colours. It's quite fascinating. Its at distinct moments that she leans into it. I saw her doing vocal exercises where she would transition from her 'normal' voice to the cavernous deep effect. Really cool to hear because she does it so easily almost seamlessly. I think she might also be lifting the soft palette up squit a bit to create a dome inside. That would push the sound back quite a bit and make the sound vibrate through her skeleton even more. In any event, it's really cool hear and a fun conversation.
I heard the opposite ;) You can see her tongue sits at her teeth. She doesn't swallows her tongue, this was the conclusion of the voice coach, who suspected this. She only raises the back of her tongue, sometimes, among other technics i wrote below.
Peter Barber (an opera singer on youtube) is more accurate about his assessment.
Субтитры?
Есть автоперевод.
@@МихаилПетров-ь2эавтоперевод не работает... Не смотря на то, что я выбрал русский.
@@evgenzam9 На компе работает , всё норм. В телефоне наверное нет. Но смотреть в телефоне , такое себе занятие.
У нее было много мужчин прежде, чем появился эффект пещеры в голосе.