Great pickin Buddy!!!! Its a 2nd electric guitar doin the ”baslines” Quinton Claunch most likely! Quinton and Mr, Cantrell produced thoose early raw stuff (Feathers, Miller sisters etc, they have the same electric guitar ”baslines”) na zdorovje
Thanks!!! Now that's interesting. I've never thought about two guitars in Carl's songs to be honest. But now I see we might have a bigger mystery than the Paul Burlison vs. Grady Martin one! Would you accept my wild guess that it was maybe Claunch alone on Gone Gone Gone?
@@kpnash Its fun stuff for sure brother 🤩🤣 Its absolute Carl playin the lead but if you listen carefully you here a second guitar doin what i call ”Luther perkins git” 😬😅 listen to ”Dixie Bop” same style there Carl doin lead and someone (Claunch??) pickin the ”L-P rythm” in one of the takes ive heard a fiddle far away also, CRAZY GUYS 😅😅
@@Flipsville_Records I wanted to mention exactly the same about Dixie Fried. There's clearly one guitar doing that 'oom-pah' bass (Claunch...?) and another guitar playing solos with typical Perkins' licks and sound. And that sound differs from Claunch's. In Gone Gone, the sound seems to be consistent between low/mid/high notes. You can hardly play Dixie Fried with one guitar, it's just too many notes simultaneously. But I can't imagine either playing Gone Gone with two guitars, with the cohesion we hear on the recording, feel and timing wise! Then there are several alt takes of Gone Gone... Then for many Perkins' songs, where it sounds like one electric guitar, both Claunch and Perkins are mentioned in the credits... Blue Suede Shoes, Honey Don't, Boppin' the Blues... My thought. Claunch participated in those sessions indeed. Hence the credits. But within a session, it could be either Claunch or Perkins or both in each particular song. Depending on whatever musicians and Sam Phillips had in their heads. I know we might disagree here, which is fine. In any case, thanks a lot for opening my eyes on yet one more cool rockabilly guitar mystery!
@@Flipsville_Records ah and by the way the fiddle in Gone Gone... :-) Now I think I know which instrument was producing that strange high pitched sound we hear all the way through the 'official' take of the song! Or... Was it the 2nd electric guitar?
Thanks very much, great song, great guitar work
Toujours des superbes leçons . MERCI
Great lesson, as always !!
❤
cheers. v good
This is very valuable material. Thank you very much for sharing your knowledge
Great pickin Buddy!!!! Its a 2nd electric guitar doin the ”baslines” Quinton Claunch most likely! Quinton and Mr, Cantrell produced thoose early raw stuff (Feathers, Miller sisters etc, they have the same electric guitar ”baslines”)
na zdorovje
Thanks!!!
Now that's interesting. I've never thought about two guitars in Carl's songs to be honest. But now I see we might have a bigger mystery than the Paul Burlison vs. Grady Martin one!
Would you accept my wild guess that it was maybe Claunch alone on Gone Gone Gone?
@@kpnash Its fun stuff for sure brother 🤩🤣 Its absolute Carl playin the lead but if you listen carefully you here a second guitar doin what i call ”Luther perkins git” 😬😅 listen to ”Dixie Bop” same style there Carl doin lead and someone (Claunch??) pickin the ”L-P rythm” in one of the takes ive heard a fiddle far away also, CRAZY GUYS 😅😅
@@Flipsville_Records I wanted to mention exactly the same about Dixie Fried. There's clearly one guitar doing that 'oom-pah' bass (Claunch...?) and another guitar playing solos with typical Perkins' licks and sound. And that sound differs from Claunch's. In Gone Gone, the sound seems to be consistent between low/mid/high notes. You can hardly play Dixie Fried with one guitar, it's just too many notes simultaneously. But I can't imagine either playing Gone Gone with two guitars, with the cohesion we hear on the recording, feel and timing wise! Then there are several alt takes of Gone Gone... Then for many Perkins' songs, where it sounds like one electric guitar, both Claunch and Perkins are mentioned in the credits... Blue Suede Shoes, Honey Don't, Boppin' the Blues... My thought. Claunch participated in those sessions indeed. Hence the credits. But within a session, it could be either Claunch or Perkins or both in each particular song. Depending on whatever musicians and Sam Phillips had in their heads.
I know we might disagree here, which is fine. In any case, thanks a lot for opening my eyes on yet one more cool rockabilly guitar mystery!
@@Flipsville_Records ah and by the way the fiddle in Gone Gone... :-) Now I think I know which instrument was producing that strange high pitched sound we hear all the way through the 'official' take of the song! Or... Was it the 2nd electric guitar?