play minor on EVERY chord

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  • เผยแพร่เมื่อ 25 มิ.ย. 2024
  • handout available HERE (with etudes)
    ko-fi.com/s/5aade3b594
    NEW ALBUM OUT!
    christianmillerguitar.bandcam...
    If you want to chuck me a little donation you can do so here:
    ko-fi.com/jazzguitarscrapbook
    My website:
    www.christianmillerguitar.com
    / christianmguitar
    Chapters
    0:00 Intro
    1:11 Chord Qualities
    1:56 Minor Vocabulary
    3:07 Transposing
    3:56 Minor on Dominant (II-V)
    6:49 Muh Key Centre!!!!
    8:07 Minor on Ø
    9:40 Minor on 7Alt
    12:02 Minor on Major
    13:50 Conclusion
    #jazz #jazzguitar #bebop #patmartino #musictheory #improvisation #charliechristian #barryharris ‪@DenisChangMusic‬
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ความคิดเห็น • 26

  • @JazzGuitarScrapbook
    @JazzGuitarScrapbook  หลายเดือนก่อน +2

    Apologies about the slightly glitchy video. It is in fact my camera doing weird stuff - you do not need to contact a medical professional.

  • @mbatampangumadimbadien8260
    @mbatampangumadimbadien8260 29 วันที่ผ่านมา +2

    Greetings from France , very great and useful lesson,this is what students need to progress ... A simple and clear way to make jazz improvisation easy understandable and drinkable...Sorry for my english!Have a good day...

  • @frankvaleron
    @frankvaleron หลายเดือนก่อน +2

    Thank you sir. You make wonderful videos

  • @cat3rpill3r
    @cat3rpill3r หลายเดือนก่อน

    Love the boom!

  • @brucesstreet8204
    @brucesstreet8204 หลายเดือนก่อน +1

    Yes - anything to excape the diatonic trap. Very interesting.

  • @ccat9354
    @ccat9354 18 วันที่ผ่านมา

    Rewatched and grabbed the Kofi file. This captures something that seems to get missed with a lot of the consumers of the Linear Expressions DVD/booklet (self included). Pat's taking his minor language and doing the various transpositions and conversions, and they sound so damn good. Minor or no modifications and they work so well in all the other contexts...
    But that's a far sight from declaring every major ii V in sight "ii dorian" and every minor ii V ii "locrian #2" and claiming to understand Pat's minor conversion... I was definitely that bum for too long. 😅Your resources are awesome, thanks for making the various PDFs/PPTs available!

    • @JazzGuitarScrapbook
      @JazzGuitarScrapbook  18 วันที่ผ่านมา

      Thanks! Yes that sort of thing is to me missing the point. The point is not harmony, the point is lines and language! But so often discussions of improvisation in jazz become discussions purely about harmony, which is important, but only one part of what we do.

  • @patrickcaron5929
    @patrickcaron5929 หลายเดือนก่อน

    Hi Christian . I discovered your channel and it's a Gold mine . Thanks a lot for all you make

  • @MarcoRaaphorst
    @MarcoRaaphorst หลายเดือนก่อน

    Those minor licks seems to be a movement to either the 3rd in dominants 7th chords or runs to the flat 7 of that chord in a kinda altered way. Nice. Thanks!

  • @MrDaneBrammage
    @MrDaneBrammage หลายเดือนก่อน

    Cool idea!
    Experimenting with the 'minor on dominant' example, it seems to work equally well with any transposition that ends the lick on a chord tone. Your lick in Fm over Bb7 ends with walking down to the 3rd of Bb7, which sounds great, but equally so does playing it in Abm and ending on the 5, or Dbm ending on the root, etc.
    Sometimes it feels like we can get away with anything as long as it ends on a chord tone.

  • @rickjensen2717
    @rickjensen2717 หลายเดือนก่อน +1

    Great stuff 👍! I think Pat Azzara (Martino) used to call this 'minorising' chords.

  • @nilkilnilkil
    @nilkilnilkil 28 วันที่ผ่านมา

    More musical room setup ... Good !!!

    • @JazzGuitarScrapbook
      @JazzGuitarScrapbook  28 วันที่ผ่านมา

      I’ll get some Marshall stacks back in there…

  • @alexwirtz9497
    @alexwirtz9497 หลายเดือนก่อน

    Great video! Django was already doing a simplified version of a couple of these (vim or iiim over I, v6m over V7) by the late 30s. No question, though, that the boppers took it to a different level.

    • @JazzGuitarScrapbook
      @JazzGuitarScrapbook  หลายเดือนก่อน +1

      For sure! Actually I could have swapped the Django examples for CC, he does all the same tricks with the m6. Also Lester Young. Probably goes back earlier.

  • @gmitter-sl3qq
    @gmitter-sl3qq 19 วันที่ผ่านมา

    Hi! Thanks for the useful lesson! I guess in the section on the half dim, where you talk about the minor one step down the dominant, over the Eb7 in Charlie Christian's solo you probably mean Db min, not D min? Db min maj7 would give the 13 b9 sus sound over Eb7 I think.

  • @DEA_Informant
    @DEA_Informant หลายเดือนก่อน

    Was that Charlie Christian bit from his solo on Rose Room?

  • @mattwallis1893
    @mattwallis1893 28 วันที่ผ่านมา

    Wes did this too

  • @wrtoomes600
    @wrtoomes600 หลายเดือนก่อน

    Can you play a dom 7 over a minor 7?

    • @MarcoRaaphorst
      @MarcoRaaphorst หลายเดือนก่อน +1

      You can. Like you can play any note over any chord. But Playing dom 7 over minor needs resolvement to flat 3rd imo

    • @JazzGuitarScrapbook
      @JazzGuitarScrapbook  หลายเดือนก่อน +1

      Absolutely. G7 on Dm for instance