Love seeing this ! There was a feature film done by Chapin Hall called “Every Day in Kaimukī “ which debuted at Sundance this year done with Orion Series and Sony FX9. If you use a 9:16 mode - native aspect with the 2x anamorphic becomes 18:16, not too far from 4:3. 9:17 becomes 18:17 - very nearly 1:1 for square format. I would forego the additional anamorphic adapter (although that’s wild) and you’ll still get stunning, unusual results. We call this 90 degree camera format “AtlasScope” and have a white paper on it if you want to check it out !
Holy shit I'm famous?!?!?! So glad to see you guys tested it! I've wanted to see what it looks like for so long, but don't quite have the money. I had the idea for this for a feature I was going to shoot that ended up not happening. I still want to make a movie with this look. Additionally, I wouldn't have had this idea were it not for all the knowledge Tito has provided through his TH-cam channel.
@@EpicLightMediaI’m almost reluctant to suggest this, but try using a focal reducer before the lens + the 2x Anamorphic + the 1.33x Anamorphic Adapter. I believe the Orion’s should cover full frame and you have a super 35 sensor so it’ll focal reduce just right then add the other 2 ingredients.
You may have just come up with this but the UK tv show ‘Landscapers’ was recently shot this way with a Sony Venice on its side and a 2x anamorphic to create 16x9. It looks great.
Did this on project a couple years ago so I could get a anamorphic look and be able to have vertical and horizontal crops for social media. Surprised it’s taken this long for someone to do it on TH-cam
It really does look so much like a large format image- especially the insanely shallow depth of field. I never thought achieving that kind of characteristic was possible in motion picture. So exciting!!
From a technical perspective this is the equivalent of the sensor being 40.5mm x 27mm, half way between Full Frame (large format) and 65mm film. From an artistic standpoint I think you’ve created the next ‘thing’. There’s going to be a lot of people chasing this look.
You can do it low budget. You need anamorphic adapter 1.55x, for example, for iphone, (almost every one rotating) and promovie app (it can shoot 4x3 opengate video). What to do next you will understand 😊
I think this is brilliant. You're preserving resolution and color quality by utilizing the full sensor. I think because of the extremely shallow DOF it gives you, you could also afford to stop the lens down a bit for a sharper, more professional image.
This is really awesome! I shoot social media content and clients always want stuff for Instagram. So this could work on different platforms. Well done guys!
I think you are up to something here!! AND a lot of people will be trying this... It's definitely something different in the Social Media space!! You have started a new revolution
I learn so much from your videos and appreciate all the effort you put into them! All of this is way beyond my capabilities, know-how, and gear but I still take something little out of every video.
I very much love the look. Well done. No doubt this setup will trend in some circles for a while. I’m prepping for a short film right now and would consider using this rig if I had more lead time to experiment. Also, it seems I’ve lost track of your equipment choices. Your initial review of the 12k two years ago, raised so many questions about image quality (moiré and such), that I figured you had moved on to a different system. Obviously you’ve had a chance to reconsider. I for one, love my Ursa 12k.
Did this before with the Moondog anamorphic adapter on my iPhone 11 Pro. Shot vertical 16:9, effectively ended up with a 4:3, 11MP video. Normal UHD is about 8.3MP. Also tried it in the ProMovie app where you get native 4:3 12MP video to begin with at 24fps. With the adapter placed correctly I got back to a 16:9 image at an effective 16MP.
I've been thinking about this ever since I got into anamorphic. 2x squeeze on a 16:9 makes a PERFECT social media aspect ratio. Great video, thanks for spending the money on the rental so I didn't have to myself...now I need to go buy an isco 2x...
11:00 YES and YES it should become a trend, and camera, monitors and accessories should support vertical anamorphic output!!! VERY INTERESTING and images are dope even with CA
Man, I procrastinated watching this video for days but holy COW does this look interesting. One of the most interesting images I've seen in a long while. It feels somehow even more elevated and artful than *traditional* anamorphic. Fascinating. I'd love to try this out.
It shines on medium/closeup still shots. It's great for aesthetic art shots (it hides microdetails and is more pleasing in a visual manner). I don't see if the focus pulling from inf to 3ft it stretches the bokeh (oval bokeh). Great video as usual!
The comment that it has something similar to large format photography is spot on. I wonder if Media Division will stumble on this and mess around with it?
This is an awesome look. We currently use a ZCam E2M4 with MFT sensor, which uses an aspect ratio of 4:3 in full 4K. So if I wanted to go for "Cinematic" with the least crop and the least loss of sensor real estate, doesn't that sensor when combined with a 2xAnamorphic lens or adapter give me an aspect ratio of 8:3 when de-squeezed, which equals 1:2.66 and therefore only slightly wider than widescreen cinema of 1:2.35 and requires only minimal crop And if I set it up vertically to follow your lead, the resulting image would be 4:6 (or 6:4, whatever), which actually perfectly reproduces the 4:3 aspect ratio of old.
Reminds me of the way IMAX cameras film their features; sideways. I'm totally on board with this idea, and want to try this out on 8mm or Super8 (just for fun).
Isn't this very similar to a FF sensor with FF anamorphic lenses and then cropped on the sides? Of course much cheaper and with lighter lenses. I would ditch the *1,33 adapter, though. It's easier and you use less glass, which is always a good thing. With the *2 anamorphic lens on a 17:9 sensor you already get an equivalent to a 1,05X1 sensor. You just need to crop 13% top and bottom to get a 4:3. The resulting FOV is a bit tighter, true, but resolution loss with the URSA 12K is negligible. In fact, you may lose more resolution with the 1,33 lens adapter.
I just shoot a project for a social media commercial 3 weeks ago on sony fx9 and cooke anamorphic super 35 sf version and installed the lens vertically . For the commercial there were shots side by side or square frame so i choose dci mode 4096 x 2160 resulting in 2048 x 2160 almost perfect square image and really nice organic aesthetics with vertical flare for a vertical world ,also i was really glad that i was using anamorphic for what they were first intended in the first place solving a format problem not a estetic choice(also not having to shoot with the camere rotated 90 degrees). For my taste fx6 is better than fx9 in color science terms but fx9 has that ff5k crop mode and when paired with cooke anamorphic super 35 sf i was getting almost no vignietting in the frame or easily corectable in post.When i was shooting depending on the shot needs i was switching between full frame and ff5k crop because in the side by side shot the vigniette didn’t bothered me. Also in my tests at the rental house i found that small hd is the only monitor that has vertical desqueese and for director and agency they had q take and with that you can make a lot of custom things so everything went smooth . The editor got a lil bit confused when he first saw the footage because none of the editing programs have a vertical desqueese option and it was his first time seeing this kind of footage but i gave notes to the dit guy so he figure it out in the end 😅. I am very curious to see this vertical anamorphic setup on a full frame camera with full frame anamorphic wide lens but used with another horizontal/normal mounted anamorphic adapter on top resulting in a inverted landscape ultra wide medium format alike mode …if that makes sense 😅, i am also very curios how flare will be..because usually flares are made in the first optical element (because of this video anamorphic lenses usually have the squeesed optical in front of the lens). I have a friend who ordered a kit of atlas mercury that have smaller front diameter so maybe i can make this test with a slr magic adapter because i don’t have access to an anamorphic adapter like the one in the video ,the only problem is that atlas mercury will take a couple of months to arrive so… can you make this test ?😁->> full frame landscape-> full frame wide vertically mounted anamophic lens->normal mounted anamorphic adapter 🤓 Damn this things are hard to be explained on the yt comment section!😬
Briliant idea. Though As an android app developer, I would solve the issue by using an android phone as a monitor. HDMI -> HDMI capture card -> USB OTG cable. And a custom app (having experience with webcam stuff, probably a 12 hour work) , that rotates and squeezes the image as you like.
Amazing. I just independently came up with this idea a few days ago after trying to figure out how to get around the limitations of Canon's DSLR and MILC cameras, which are all 3:2 ratio. Using a 2x anamorphic the usual way would have resulted in an image that's far too wide, so I'll be turning the camera on it's side and applying a 2x to the shorter side for a 4:3 result. Not sure about doing a double anamorphic though, since the quality of those adapters is just too dodgy.
I love the test, it would be nice to see it implemented into a project that would benefit from it. But all in all, I don't really feel its not going to change many peoples workflow. Have fun with it, but its not going to be a new fade I don't thin. But always a pleasure to see people thinking outside the box! :)
it just has a very unique look to it you cant pinpoint what is it about. it would have a special usecase i think, like if you want to make a high budget tv show in 4:3 endresult but looking very cinematic touched.
Zack Snyder has been real quiet since this video came out.... But seriously, this is amazing and wholly unique. I want to shoot a whole movie like this.
Loved the Concept.... I myself have made a setup using an ISCO UltraStar (Sideways ) on a GH5 with metabones speedbooster.... Gives me a full frame 3:2 look. I have a question.. How did you manage to rack focus at 8:54 ? BTW.. I am subscribed to your channel, in spite of your advice otherwise... :P
I wish there was a dynamic lens made from a gel or liquid or maybe some plastic that reacts to electricity or heat so we could change the shape of the lens for all sorts of effects. Would be good for phones and space stuff. I know that's sort of what the james webb telescope is doing right now by adjusting its giant sensor thing. Idk just hypothesizing! Love your channel bro been watching since the beginning!
If you did this with a 4:3 sensor, you'd have very close to 2:1 final footage. If you did it with a 3:2 sensor you would have very close to 16:9 final footage. *EDIT:* To answer the question you asked at the end, I'd say it's very interesting, but perhaps filmmakers should instead ping the industry for more varied anamorphic ratios, first. That and more consumer and prosumer cameras with 4:3 and 3:2 or even square sensors. As an example, if there were anamorphics greater than 2x without an extra adapter, it would make this whole idea on its own much more tenable. For instance a 3x or 4x anamorphic lens. I don't personally like the high-ratio anamorphs as much as the 1.4x-1.6x range, but 'eh... Some do.
3:08 Anamorphic lenses where in the tank. (yes that shooting driving metal thing) Anamorphic lenses where developed by the army to give tankoperators a wider vield of view on the battle field whilst in the tank.
Ok so this is wildddddd! I LOVE the look of It! lol...Is there any way to achieve this by using 2 adapters and rotating them instead?...I have an Aivascope 1.5x and a Great Joy 1.35x adapter on the way...
We used a very similar technique on my music video ‘Speak The Same’ last year. But instead of the camera, we spun the lens and achieved a very interesting 8:9 ratio. Not quite square, not quite portrait.
This is Very, VERY interesting!!!!! I love the idea and the beutiful images. Great job. I am genuinly interested in trying thois out. Only problem is that I have no Anamorphic lenses. Will I be abel to on a normal SLR like th GH5, how can you turn the lens and lock it into place if it is 90 degree tilted? Lenses for Photo cameras only have one way of ocking. Any ideas?
This is interesting in that it echoes what Oscar Barnack did to create the 35mm still format for the Leica 1. He cut down reels of 35mm cinema stock and fed it through his camera horizontally instead of vertically in order to maximise the exposable area while keeping the overall form factor small.
Love seeing this ! There was a feature film done by Chapin Hall called “Every Day in Kaimukī “ which debuted at Sundance this year done with Orion Series and Sony FX9. If you use a 9:16 mode - native aspect with the 2x anamorphic becomes 18:16, not too far from 4:3. 9:17 becomes 18:17 - very nearly 1:1 for square format. I would forego the additional anamorphic adapter (although that’s wild) and you’ll still get stunning, unusual results. We call this 90 degree camera format “AtlasScope” and have a white paper on it if you want to check it out !
Wow!! Thanks for the info!!! Cool you stopped by!
Where would one find this whitepaper?
This is wild looking! Definitely feels like a larger format for some reason. Almost like I'm watching something shot on IMAX! Super cool idea!
The width gets the height and the height gets stretched to the new width.
So the sensor simply was being enlarged.
That's my guess for this effect.
Additionally, it has a 1.41:1 aspect ratio, which is close to IMAX's 1.43:1
Holy shit I'm famous?!?!?! So glad to see you guys tested it! I've wanted to see what it looks like for so long, but don't quite have the money. I had the idea for this for a feature I was going to shoot that ended up not happening. I still want to make a movie with this look. Additionally, I wouldn't have had this idea were it not for all the knowledge Tito has provided through his TH-cam channel.
THIS WAS ALL YOU! Amazingly fun idea
Nice one man
👏🏾👏🏾👏🏾 congratulations man 👏🏾👏🏾👏🏾👏🏾and thank you 🙌🏾🙌🏾
@@EpicLightMediaI’m almost reluctant to suggest this, but try using a focal reducer before the lens + the 2x Anamorphic + the 1.33x Anamorphic Adapter.
I believe the Orion’s should cover full frame and you have a super 35 sensor so it’ll focal reduce just right then add the other 2 ingredients.
You may have just come up with this but the UK tv show ‘Landscapers’ was recently shot this way with a Sony Venice on its side and a 2x anamorphic to create 16x9. It looks great.
Where did you learn this? I can't find anything about it online.
@@wright96d it was in British Cinematographer magazine.
this looks like, SUPER cinematic. the sharpness with the softness and the abberations. BLISS. just bliss.
Did this on project a couple years ago so I could get a anamorphic look and be able to have vertical and horizontal crops for social media. Surprised it’s taken this long for someone to do it on TH-cam
*A24 has entered the chat.*
Great video! Love the quality of the final image.
Stylistically, this is a very A24 thing to do
It really does look so much like a large format image- especially the insanely shallow depth of field. I never thought achieving that kind of characteristic was possible in motion picture. So exciting!!
From a technical perspective this is the equivalent of the sensor being 40.5mm x 27mm, half way between Full Frame (large format) and 65mm film.
From an artistic standpoint I think you’ve created the next ‘thing’. There’s going to be a lot of people chasing this look.
Yea it's definitely a bigger sensor feel
Definitely gonna try this out on a shoot as well!! That's a really interesting idea. Love it. Funny intro btw!
This is one of the coolest combinations I've ever seen! Thanks so much for going the extra step to test these out just to see what happens.
You can do it low budget. You need anamorphic adapter 1.55x, for example, for iphone, (almost every one rotating) and promovie app (it can shoot 4x3 opengate video). What to do next you will understand 😊
WOW! So excited you did this! I have definitely lost sleep over thinking about doing vertical anamorphic shooting. I'm glad you guys tried it!
Im obsessed with how this looks. The footage has such a vintage feel.
Looks great. The 4:3 ratio anamorphic look and the colors were amazing.
I think this is brilliant. You're preserving resolution and color quality by utilizing the full sensor. I think because of the extremely shallow DOF it gives you, you could also afford to stop the lens down a bit for a sharper, more professional image.
no
That footage looks amazing! Also the color grade, very filmic. I like it!
you passionate freaks!! This setup was indeed bizarre but I'm hoping to see products in future to ease this output. Love it 👍
dude, it's got a very unique look, very good. It is for sure a taste thing, which is most of film making. Well done
This is really awesome! I shoot social media content and clients always want stuff for Instagram. So this could work on different platforms. Well done guys!
This is beautiful looking. You've now got me thinking of new ways to capture images. Thank you for expanding my perspective on filmmaking.
I would love to be able to shoot like this it’s different, can be used for a lot of cool image effects and I just love the look
So cool! Epic even. I would use this for sure
1:20 It's really cool how it also gives you film halation too on high contrast edges!
I think you are up to something here!! AND a lot of people will be trying this... It's definitely something different in the Social Media space!! You have started a new revolution
I think I'm going to end up coming back to this video multiple times just to see how amazing the footage looks.
I learn so much from your videos and appreciate all the effort you put into them! All of this is way beyond my capabilities, know-how, and gear but I still take something little out of every video.
I very much love the look. Well done. No doubt this setup will trend in some circles for a while. I’m prepping for a short film right now and would consider using this rig if I had more lead time to experiment. Also, it seems I’ve lost track of your equipment choices. Your initial review of the 12k two years ago, raised so many questions about image quality (moiré and such), that I figured you had moved on to a different system. Obviously you’ve had a chance to reconsider. I for one, love my Ursa 12k.
I’ve done this. Lotta fun! Great video.
This is great! This is how art is advanced. You are met with a problem, then you have to think outside the box for a solution.
Wow I didn’t think of that! Good point!
Did this before with the Moondog anamorphic adapter on my iPhone 11 Pro. Shot vertical 16:9, effectively ended up with a 4:3, 11MP video. Normal UHD is about 8.3MP.
Also tried it in the ProMovie app where you get native 4:3 12MP video to begin with at 24fps. With the adapter placed correctly I got back to a 16:9 image at an effective 16MP.
I just enjoy watching u guys taking about film stuff
That means you’re a nerd! Welcome!
I've been thinking about this ever since I got into anamorphic. 2x squeeze on a 16:9 makes a PERFECT social media aspect ratio. Great video, thanks for spending the money on the rental so I didn't have to myself...now I need to go buy an isco 2x...
The shots looks awesome, I really like the bokeh it gives
Love U Guys. All your videos are perfects !
This is so nerdy, and I love the fact that I love it so much!
You are a nerd! Hello!
@@EpicLightMedia ❤️❤️
I like the look of it. Some the shots do remind of large format photo camera with older lens.
I love the image. It looks both new and old at the same time
This is super sick, love it
11:00 YES and YES it should become a trend, and camera, monitors and accessories should support vertical anamorphic output!!! VERY INTERESTING and images are dope even with CA
Oh yes please. Definitely!
Man, I procrastinated watching this video for days but holy COW does this look interesting. One of the most interesting images I've seen in a long while. It feels somehow even more elevated and artful than *traditional* anamorphic. Fascinating. I'd love to try this out.
0:19 I drank from my cup at the EXACT same time while watching. Felt like a tea high five!
It shines on medium/closeup still shots. It's great for aesthetic art shots (it hides microdetails and is more pleasing in a visual manner). I don't see if the focus pulling from inf to 3ft it stretches the bokeh (oval bokeh). Great video as usual!
Absolutely ridiculous, and I for one love it!
Now Wes Anderson finally can mix 4:3 and the anamorphic format
I have not being as excited watching a camera gear video ever before!
Im sold on this look. Actually blown away. Now im gonna do some research and see if this is possible on a smaller scale
Let me know when you find out. I’m interested
Yess!! This is peak film nerd content right here🤣 Love the Tito feature btw. you guys rock
We are nerds it’s true
This is actually kinda revolutionary, I’d love to try this for a music video, it looks so dope! 🔥🔥🔥
blew mt mind, really wish this video isn't going to blew up so I can try this setup in the future
Yo this is dope, def gonna use this on a future project.
this looks soooo sick!
Looks awesome. It has that 65mm film look. Keep using this for sure. Ill be awesome if u guys make a short film like this to get the whole feel
The comment that it has something similar to large format photography is spot on. I wonder if Media Division will stumble on this and mess around with it?
This is an awesome look.
We currently use a ZCam E2M4 with MFT sensor, which uses an aspect ratio of 4:3 in full 4K.
So if I wanted to go for "Cinematic" with the least crop and the least loss of sensor real estate, doesn't that sensor when combined with a 2xAnamorphic lens or adapter give me an aspect ratio of 8:3 when de-squeezed, which equals 1:2.66 and therefore only slightly wider than widescreen cinema of 1:2.35 and requires only minimal crop
And if I set it up vertically to follow your lead, the resulting image would be 4:6 (or 6:4, whatever), which actually perfectly reproduces the 4:3 aspect ratio of old.
Such a cool idea. Very cool twist on basically everything we know about aspect ratios lol
Reminds me of the way IMAX cameras film their features; sideways. I'm totally on board with this idea, and want to try this out on 8mm or Super8 (just for fun).
Looks super cool
Definitely not ridiculous, amazing episode.
Isn't this very similar to a FF sensor with FF anamorphic lenses and then cropped on the sides? Of course much cheaper and with lighter lenses.
I would ditch the *1,33 adapter, though. It's easier and you use less glass, which is always a good thing.
With the *2 anamorphic lens on a 17:9 sensor you already get an equivalent to a 1,05X1 sensor. You just need to crop 13% top and bottom to get a 4:3. The resulting FOV is a bit tighter, true, but resolution loss with the URSA 12K is negligible. In fact, you may lose more resolution with the 1,33 lens adapter.
This looks amazing!!!
I just shoot a project for a social media commercial 3 weeks ago on sony fx9 and cooke anamorphic super 35 sf version and installed the lens vertically .
For the commercial there were shots side by side or square frame so i choose dci mode 4096 x 2160 resulting in 2048 x 2160 almost perfect square image and really nice organic aesthetics with vertical flare for a vertical world ,also i was really glad that i was using anamorphic for what they were first intended in the first place solving a format problem not a estetic choice(also not having to shoot with the camere rotated 90 degrees).
For my taste fx6 is better than fx9 in color science terms but fx9 has that ff5k crop mode and when paired with cooke anamorphic super 35 sf i was getting almost no vignietting in the frame or easily corectable in post.When i was shooting depending on the shot needs i was switching between full frame and ff5k crop because in the side by side shot the vigniette didn’t bothered me.
Also in my tests at the rental house i found that small hd is the only monitor that has vertical desqueese and for director and agency they had q take and with that you can make a lot of custom things so everything went smooth .
The editor got a lil bit confused when he first saw the footage because none of the editing programs have a vertical desqueese option and it was his first time seeing this kind of footage but i gave notes to the dit guy so he figure it out in the end 😅.
I am very curious to see this vertical anamorphic setup on a full frame camera with full frame anamorphic wide lens but used with another horizontal/normal mounted anamorphic adapter on top resulting in a inverted landscape ultra wide medium format alike mode …if that makes sense 😅, i am also very curios how flare will be..because usually flares are made in the first optical element (because of this video anamorphic lenses usually have the squeesed optical in front of the lens).
I have a friend who ordered a kit of atlas mercury that have smaller front diameter so maybe i can make this test with a slr magic adapter because i don’t have access to an anamorphic adapter like the one in the video ,the only problem is that atlas mercury will take a couple of months to arrive so… can you make this test ?😁->> full frame landscape-> full frame wide vertically mounted anamophic lens->normal mounted anamorphic adapter 🤓
Damn this things are hard to be explained on the yt comment section!😬
It‘s incredible!
This is a bit like IMAX but with anamorphic characteristics
That’s a good point!
This is brilliant!
You guys are awesome.
I love the look ! 😍
This was so sick dude!
I can’t help but think of Wes Anderson when I see this. Great vid!
That’s true!
I´ve always wondered about reverse anamorphic. A lens that turns 16:9 to 4:3. This seems like answer to my questions, in a way
Thank God, you guys cropped it...
I didn't want to see another Facebook/Instagram stories today! 😁😁😁🤭
They look gorgeous 😍.
It’s brilliant!
this is hardcore AMAZING
How is every video informative and entertaining. I love epic light media
Thanks so much!!!
Briliant idea. Though As an android app developer, I would solve the issue by using an android phone as a monitor. HDMI -> HDMI capture card -> USB OTG cable. And a custom app (having experience with webcam stuff, probably a 12 hour work) , that rotates and squeezes the image as you like.
Amazing. I just independently came up with this idea a few days ago after trying to figure out how to get around the limitations of Canon's DSLR and MILC cameras, which are all 3:2 ratio. Using a 2x anamorphic the usual way would have resulted in an image that's far too wide, so I'll be turning the camera on it's side and applying a 2x to the shorter side for a 4:3 result. Not sure about doing a double anamorphic though, since the quality of those adapters is just too dodgy.
This is awesome !
I love the test, it would be nice to see it implemented into a project that would benefit from it. But all in all, I don't really feel its not going to change many peoples workflow. Have fun with it, but its not going to be a new fade I don't thin. But always a pleasure to see people thinking outside the box! :)
This is brilliant
Favorite TH-cam channel
it just has a very unique look to it you cant pinpoint what is it about. it would have a special usecase i think, like if you want to make a high budget tv show in 4:3 endresult but looking very cinematic touched.
Zack Snyder has been real quiet since this video came out....
But seriously, this is amazing and wholly unique. I want to shoot a whole movie like this.
lol when I saw this image It reminded me so much of zsjl.
Another great video thanks!
Loved the Concept.... I myself have made a setup using an ISCO UltraStar (Sideways ) on a GH5 with metabones speedbooster.... Gives me a full frame 3:2 look.
I have a question.. How did you manage to rack focus at 8:54 ?
BTW.. I am subscribed to your channel, in spite of your advice otherwise... :P
Loved the surprise appearance of the Northern Irish accent!
I wish there was a dynamic lens made from a gel or liquid or maybe some plastic that reacts to electricity or heat so we could change the shape of the lens for all sorts of effects. Would be good for phones and space stuff. I know that's sort of what the james webb telescope is doing right now by adjusting its giant sensor thing. Idk just hypothesizing! Love your channel bro been watching since the beginning!
It should stay out of filmmaking and absolutely blow up in the vlogging sphere where it belongs. It will be supremely appreciated there.
I really like it! I tryed the same think with my adapter haha :D
If you did this with a 4:3 sensor, you'd have very close to 2:1 final footage. If you did it with a 3:2 sensor you would have very close to 16:9 final footage.
*EDIT:* To answer the question you asked at the end, I'd say it's very interesting, but perhaps filmmakers should instead ping the industry for more varied anamorphic ratios, first. That and more consumer and prosumer cameras with 4:3 and 3:2 or even square sensors.
As an example, if there were anamorphics greater than 2x without an extra adapter, it would make this whole idea on its own much more tenable. For instance a 3x or 4x anamorphic lens. I don't personally like the high-ratio anamorphs as much as the 1.4x-1.6x range, but 'eh... Some do.
3:08 Anamorphic lenses where in the tank. (yes that shooting driving metal thing) Anamorphic lenses where developed by the army to give tankoperators a wider vield of view on the battle field whilst in the tank.
Now that’s cool! I had no idea
This gave my Anaxiety. 😵💫
Ok so this is wildddddd! I LOVE the look of It! lol...Is there any way to achieve this by using 2 adapters and rotating them instead?...I have an Aivascope 1.5x and a Great Joy 1.35x adapter on the way...
loved that you have found vertical anamorphic filming. but you're late to the party :)
I would love a link to a TH-cam video where someone has done it before.
@@EpicLightMedia th-cam.com/video/HO43KqcUueE/w-d-xo.html
We used a very similar technique on my music video ‘Speak The Same’ last year. But instead of the camera, we spun the lens and achieved a very interesting 8:9 ratio. Not quite square, not quite portrait.
This is Very, VERY interesting!!!!! I love the idea and the beutiful images. Great job. I am genuinly interested in trying thois out. Only problem is that I have no Anamorphic lenses. Will I be abel to on a normal SLR like th GH5, how can you turn the lens and lock it into place if it is 90 degree tilted? Lenses for Photo cameras only have one way of ocking. Any ideas?
From the camera ... in the computer .... out of the computer ... in the monitor ... 🤯 #jeen-yuhs 👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾🙌🏾🙌🏾🥇🏆
Ok so we have motorized ND filters, I think cameras of the future may also have motorized rotatable sensors for vertical content.
This is interesting in that it echoes what Oscar Barnack did to create the 35mm still format for the Leica 1. He cut down reels of 35mm cinema stock and fed it through his camera horizontally instead of vertically in order to maximise the exposable area while keeping the overall form factor small.
Oh that’s cool