Thanks for watching! My Dad took me to Elvin’s live performance, when I was 10. Since then, especially the 90’s, I watched Elvin’s performance so many times. I also did interpreter for his drum clinic in Japan. I got huge influence from his playing.
Thanks! First time I saw Elvin’s playing was more than 40years ago. He often came to Japan 70s to 90s. I once did a translator for his clinic. I spent 3days with him. That was a quite experience.
Elvin's most impressive features where his press roll and his way of playing 6 against 4. He once told me his concept of rhythm is circular like the figure "8"♾. His style of jazz drumming was very controversial but fit amazingly well with John Coltrane! Nice work Masahiko!
For myself and other drummers We can play sweeping smooth Triplet fills. But Elvins style doesn't Really call for this approach. He mixes up short lightening fast rudimental based fills with sudden Changes!! He is amazing.
Elvin たまんないですね！昔swing journalにインタビューが載っていて、「努力をしていれば、歯車が突然回りだす時があるんだ。」という言葉を信じて、日々精進しています。
エルヴィンはキャリアの当初はかなり酷評されたそうです。
コルトレーンとやり始めてから歯車に加速がついたんでしょうね。
You know this is an excellent teacher when you cannot understand a word of Japanese but you still learn a great deal! Thank you, maestro!
Thanks for watching!
My Dad took me to Elvin’s live performance, when I was 10. Since then, especially the 90’s, I watched Elvin’s performance so many times. I also did interpreter for his drum clinic in Japan. I got huge influence from his playing.
@@masahiko.osaka1966 wow! That’s fantastic! Thank you again for such excellent lessons 🙏
You really capture Elvin’s style. Great lesson!
Thanks!
First time I saw Elvin’s playing was more than 40years ago.
He often came to Japan 70s to 90s.
I once did a translator for his clinic.
I spent 3days with him. That was a quite experience.
Elvin's most impressive features where his press roll and his way of playing 6 against 4.
He once told me his concept of rhythm is circular like the figure "8"♾.
His style of jazz drumming was very controversial but fit amazingly well with John Coltrane!
Nice work Masahiko!
Thanks for the great comment.
I heard about his concept, too. His arms moved almost like drawing the circles.
What a different drummer he was.
@@masahiko.osaka1966 👍👍👍
ありがとう😺
Great job fantastic !
Thank you for watching !!
Great job! Thank you
Thank you for watching!!
Amazing lesson master Masahiko! 🙏
Thanks for watching. I saw Elvin’s playing when I was 11. Since then, I fascinated by him and Jazz.
@@masahiko.osaka1966 I saw him and photographed him at 3 meters while I could hear his singing between his teeth! A King
エルビン大好きですから、この企画は嬉しかったです❗
ありがとうございます！
センセイだ❣️田原町のクリニックで二十年ほど前に習いに行ってました。今もカッコ良すぎる。嬉しい。
ありがとうございます！
これからも宜しくお願い致します！
Brilliant lesson Masahiko. Could I have the PDF as well?
Thanks for watching!
Could I have your email address?
Then, I will send it.
@@masahiko.osaka1966 Arigato! michael_krasser@hotmail.co.uk
Amazing job! Can I download the transcriptions anywhere?
音聞きやすくなってますね！
まだまだ、編集は素人ですみません。
Pdf transcriptions available?? Nice vidio!!
Thanks for watching!
I can send it to you if you want.
Could you send me the pdf as well?
Hello, I will appreciate aswer me as follows . Why did Elvin sometimes hold the drumstick backwards on left hand?
Thanks in advanced !
二つ目のリックで「あー！Elvinのなまりだ！」って思いました^_^
こうなっていたのですね。
ありがとうございました。
まだまだ研究したいと思います。
カッコ良過ぎます！( ；∀；)
ありがとうございます。
トニーにも思うのですが、エルヴィンのドラミングは、先人のドラムのどこをどうしたらああなったのかわかりません。突然変異なのでしょうか？
エルヴィンは特に突然変異的ですね。しかしながら、初期はそれなりに伝統的アプローチだったり、最晩年もそこに回帰していた様に思います。本人と話をしましたが、基本的には独学で、とにかく先人たちとは違う演奏をしたかった様です。アフリカに根差したアプローチを強調してましたよ。
For myself and other drummers
We can play sweeping smooth
Triplet fills. But Elvins style doesn't
Really call for this approach. He mixes up short lightening fast rudimental based fills with sudden
Changes!! He is amazing.
Thank you Masahiko
黒田先生と写ってる時はひょうきんでしたが少し違います😀