traditional jazz musicians have no real idea how deeply you need to know tunes in order to deconstruct them like this! This group's catalogue on JMT and later on Winter&Winter is just so exceptional, some of the greatest jazz music ever played!
Após quase quarenta anos de gravações como essas , mesmo no ambiente acadêmico ainda existem muito poucas análises sobre esse processo de criação coletiva que as vezes é chamado genericamente de free jazz , mas que não obstante a ligação de Motian c Coleman, aqui aparece com a adição de substratos outros, até um tanto secretos para alguns, inclusive músicos mais ligados ao contexto mais tradicional do jazz...
Three great artists-it is hard for me to imagine Joe and Bill tackling these songs with any other drummer because Paul created musical magic that is beyond words every time he played. A terrific upload-thank you so much.
EDIT: The timestamps below from another commenter are formatted correctly below, but I don't think they are actually accurate. At least you can see the set list. I don't have time to fix the timestamps. 00:00 In the year of the Dragon 05:46 Once Around the Park 11:42 Yahllah 21:45 TTTT - Twelve Tone tune two (Bill Evans) 27:31 Pannonica (Thelonious Monk) 33:20 Folk song for Rosie
Um som que mostra o quanto a música pode evoluir se o músico consegue se livrar das amarras da pseudo lógica do mercado. Em tempos como esse , em que tudo parece ruir, o que fica é isso, a essência transformadora da arte !
brilliant interplay and craftsmanship,,i actually got to see these guys at the old knitting factory and they were just spellbinding, deep and intuitive and there was a sense of humor at points also,just made ya lol.miss paul motians thing,gratitude for this post,,love to see more from this time frame,thank u
Yo vi ese concierto en Barcelona. Me encantó. He de apuntar que la guitarra no és sintetizada. Es una Gibson SG con efectos clásicos de distorsión, diley, reverberación...
I saw this group at the Village Vanguard sometime in the Fall 1996, I guess after this gig. I don't remember much of it because my fucking eyeballs went to back of my head and stayed there through most of the set. I woke up just in time to see Lovano doing the same thing after his solo. He had this look like 'whoa...what the fuck just happened? where am I? ' he went DEEP. it blew my mind. it sort of justified the $2 mini coca cola cans they sold at the time to cover the 2 drink minimum.
At that time he said he was using pretty heavy compression (Boss CS3), ProCoRat distorsion, delay (Boss DD3), reverb and volume pedal. He was also using a 16 Second EHX delay for his reverse or double speed loops.
What mouthpiece is Lovano playing here, is it an early FL custom wood piece, it looks plastic, but there is a metal ring on the shank so it could be wood, it sounds beautiful, it sounds awesome on his BA tenor. 1986 is the earliest I have heard him with his new voice, he changed his gear and refined his sound from the 10* Link STM he played with Woody Herman and the Vanguard orchestra in the 70s and early 80s. This is great!
Thats the first FL wooden mouthpiece Joe played, i want to say it was made of boxwood. He used it for a few years until it started to move, thats when he went to a black FL mouthpiece made of grenadilla wood
it sort of sounds like he uses a tremolo, but it looks like the guitar is a regular stopbar-tuneomatic bridge equipped guitar. i understand he bends the neck a lot, but sometimes it does really sounds and looks like he's using a tremolo. craazy
It's so nuts how long he has had such deep control over his note! I think there's an element of classical push-pull going on, as well as a surgeon's precision with in-fret bending, i.e. pushing too hard, in general he's kind of always ding little circular motions with his hands. it's so fluid!
Finally got enough of that damn bass player. Ditched his ass at the last gas stop. But seriously, how much fun is this if you imagine that you're watching music played by Special Olympians. Come on, don't you think they look just a little, you know, like that. LOL! Love it guys. Keep it up, you ARE special.
This video is the reason I bought a Gibson SG
traditional jazz musicians have no real idea how deeply you need to know tunes in order to deconstruct them like this! This group's catalogue on JMT and later on Winter&Winter is just so exceptional, some of the greatest jazz music ever played!
Great observation!
Amen to that!
You're so right brò
Após quase quarenta anos de gravações como essas , mesmo no ambiente acadêmico ainda existem muito poucas análises sobre esse processo de criação coletiva que as vezes é chamado genericamente de free jazz , mas que não obstante a ligação de Motian c Coleman, aqui aparece com a adição de substratos outros, até um tanto secretos para alguns, inclusive músicos mais ligados ao contexto mais tradicional do jazz...
Folk Song for Rosie. That song changed how I see the world. Live at the Village Vanguard album. Stunning.
Bill Frisell is my hero! I play guitar because of him. Joe and Paul are amazing as well.
In the third song they entered a whole new dimension… breathtaking
Three great artists-it is hard for me to imagine Joe and Bill tackling these songs with any other drummer because Paul created musical magic that is beyond words every time he played. A terrific upload-thank you so much.
All three are genius, but Paul Motian brought out the very best in Lovano and Frisell.
Saw and Heard in the neighbors of my town this wonderful trio✨
EDIT: The timestamps below from another commenter are formatted correctly below, but I don't think they are actually accurate. At least you can see the set list. I don't have time to fix the timestamps.
00:00 In the year of the Dragon
05:46 Once Around the Park
11:42 Yahllah
21:45 TTTT - Twelve Tone tune two (Bill Evans)
27:31 Pannonica (Thelonious Monk)
33:20 Folk song for Rosie
Um som que mostra o quanto a música pode evoluir se o músico consegue se livrar das amarras da pseudo lógica do mercado. Em tempos como esse , em que tudo parece ruir, o que fica é isso, a essência transformadora da arte !
Really felling the frequency of these Jams!
brilliant interplay and craftsmanship,,i actually got to see these guys at the old knitting factory and they were just spellbinding, deep and intuitive and there was a sense of humor at points also,just made ya lol.miss paul motians thing,gratitude for this post,,love to see more from this time frame,thank u
Definitely having a spiritual experience watching and listening
Thank you a thousand times for this upload 🙏🏾🙏🏾🙏🏾🙏🏾🙏🏾🙏🏾
Thanks for posting. Really incredible! Must be one of the earliest videos by the trio that I have seen. Amazing the interplay between these musicians!
Obrigado pelo video! Há anos que o procurava. Vi-o quando passou na RTP nos anos 80 e marcou-me profundamente.
Grandi artisti rip Motian
Some of my personal all time favorite music!! So unbelievably alive!! 😲
luv a million times
Fantastic Video- I really enjoyed watching!
Best wishes and keep up the great work, Max
Wow, you just made my day! Motian footage is so rare, and this one is definitely the best of the trio
So happy to find this. Thank you!
bill frisell hero!
thanks for uploading this !
this video makes me feel better than just about anything else ... this and steve reich's music for a large ensemble
Yo vi ese concierto en Barcelona. Me encantó. He de apuntar que la guitarra no és sintetizada. Es una Gibson SG con efectos clásicos de distorsión, diley, reverberación...
Paul's snare drum rimshots are popping like Bill Bruford's
this is just breathtaking ::: THANK YOU!!
Amazing
Fantastic.
AWESOME!!!!!!!!!!!!!!!!!!!!!
Who needs bass? So much space!
Fantastic!
still love it!!
we are lucky that Frisell changed the frame of his glasses... jokes apart; amazing stuff.
happy birthday bill frisell
so great!!!
Oh Wow!!!! Thank you so much! This is absolutely amazing!
frissel is really great guitarist.
mysterious tenor ,sure drums too
Amazing! Thank you so much for uploading this!
I think this is this first time I have seen a SG used in a jazz setting. I've mostly heard Mr Frisell with a Tele
I take that back. Early fusiony Santana
He used to play this guitar in this years. I saw him playing it with Marc Johnson's "Bass Desires too.
I saw this group at the Village Vanguard sometime in the Fall 1996, I guess after this gig. I don't remember much of it because my fucking eyeballs went to back of my head and stayed there through most of the set. I woke up just in time to see Lovano doing the same thing after his solo. He had this look like 'whoa...what the fuck just happened? where am I? ' he went DEEP. it blew my mind. it sort of justified the $2 mini coca cola cans they sold at the time to cover the 2 drink minimum.
Loved the story ;.-) take care
❤❤❤❤❤❤❤
i keep returning to this video-- Frisell is such an inspiration, his tone during this set is unreal. does anyone know what pedals he could be using?
At that time he said he was using pretty heavy compression (Boss CS3), ProCoRat distorsion, delay (Boss DD3), reverb and volume pedal. He was also using a 16 Second EHX delay for his reverse or double speed loops.
What mouthpiece is Lovano playing here, is it an early FL custom wood piece, it looks plastic, but there is a metal ring on the shank so it could be wood, it sounds beautiful, it sounds awesome on his BA tenor.
1986 is the earliest I have heard him with his new voice, he changed his gear and refined his sound from the 10* Link STM he played with Woody Herman and the Vanguard orchestra in the 70s and early 80s. This is great!
Thats the first FL wooden mouthpiece Joe played, i want to say it was made of boxwood. He used it for a few years until it started to move, thats when he went to a black FL mouthpiece made of grenadilla wood
@@ytinf1090 th-cam.com/video/yBSIb9lHVdA/w-d-xo.htmlsi=SFYm1kQtJIx7cKmh
@@ytinf1090 th-cam.com/video/yBSIb9lHVdA/w-d-xo.html
凄い
💛
it sort of sounds like he uses a tremolo, but it looks like the guitar is a regular stopbar-tuneomatic bridge equipped guitar. i understand he bends the neck a lot, but sometimes it does really sounds and looks like he's using a tremolo. craazy
It's so nuts how long he has had such deep control over his note! I think there's an element of classical push-pull going on, as well as a surgeon's precision with in-fret bending, i.e. pushing too hard, in general he's kind of always ding little circular motions with his hands. it's so fluid!
+Lane arndt yeah you're right about in-string bendings, but wow, it's either you use light strings or you have a non-human strength in your fingers
Looks like he has like a steel guitarists volume pedal
Is there a live recording of the song "In remembrance of past things" played by Paul Motian, Joe Lovano and Bill Frisell
Holy shit!
interplay!
I ment the song "In remembrance of things past"
can someone tell me the name of the first tune
"In the year of the Dragon"
thanks a lot!
Finally got enough of that damn bass player. Ditched his ass at the last gas stop.
But seriously, how much fun is this if you imagine that you're watching music played by Special Olympians. Come on, don't you think they look just a little, you know, like that. LOL!
Love it guys. Keep it up, you ARE special.
That s why I still wants to be a jazz guitar player, to not be a jazz guitar player
ach is it wrong say i just far preferred the way bill played back then
Frisell’s a dead ringer for Charlie Haden.
tre forze della natura!!!
sasha king crimson ₪₪₪₪
This makes up for the trillions of hours of russian fail videos that the internet is most widely known to be used for!!