Una excelente interpretación, la mejor! Así se transmite el inmenso universo sonoro de Papá Haydn de manera directa, fluida y magistral y se nos deleita con su finísimo sentido del humor. Música sin fisuras. Gracias
This can be topped alright- listen to the Tokyo Qt. Haydn was a dissident subversive- it's there in that utterly grotesque 3rd movement. But in the middle of that 3rd movement was Haydns reality- pure eastern european folk music, then back to the grotesque "Jump to the tune I call". The 4th movement is also pure eastern european folk music, it just needs interpreting. (Tokyo quartet). All that stuff and nonsense about a "Witches minuet" etc- balderdash!!! Haydn was a rebel who tried to put it into his music subversively- when he could. He was jealous of Beethovens autonomy. The bigwigs, "Academia", want you to think otherwise as they want their man to be deemed to be a "Nice, conservative" bloke!! Academics in classical music circles are VERY conservative- don't rock the boat!
@@robertfrankgill5962 Are "Earthier" or "East European" meant to indicate superiority or just difference? I genuinely have no idea what the East European sound is when playing Haydn, therefore keen to be educated.
@@schubertuk Slavic, Hungarian, and the much less well-known "flavors" of Europe. Mazurkas, Polonaises, etc for the Polish. Chopin was a mixed fella of French and Polish.
Attending concerts by the Amadeus at the Edinburgh Festival were some of my life defining moments in my youth. Magic.
This is a reference recording. one of the best recordings ever.
아름답습니다 🎉🎉🎉
Lightening my whole day
Una excelente interpretación, la mejor! Así se transmite el inmenso universo sonoro de Papá Haydn de manera directa, fluida y magistral y se nos deleita con su finísimo sentido del humor. Música sin fisuras.
Gracias
The gentelemen from the Amadeus-Quartet come from Vienna - their interpretation of Haydn could not be topped!
+karl bachfan - well 3 of them did - but the 'cellist (Martin Lovett) was (is) English
FANTASTIC
Favorite fifths.
Hoboken Number III:76
This can be topped alright- listen to the Tokyo Qt. Haydn was a dissident subversive- it's there in that utterly grotesque 3rd movement. But in the middle of that 3rd movement was Haydns reality- pure eastern european folk music, then back to the grotesque "Jump to the tune I call". The 4th movement is also pure eastern european folk music, it just needs interpreting. (Tokyo quartet). All that stuff and nonsense about a "Witches minuet" etc- balderdash!!! Haydn was a rebel who tried to put it into his music subversively- when he could. He was jealous of Beethovens autonomy. The bigwigs, "Academia", want you to think otherwise as they want their man to be deemed to be a "Nice, conservative" bloke!! Academics in classical music circles are VERY conservative- don't rock the boat!
Adrian Cheale I think the Amadeus Quartet sound far earthier and East European than the Tokyo Quartet. Hardly surprising really...
@@robertfrankgill5962 Are "Earthier" or "East European" meant to indicate superiority or just difference? I genuinely have no idea what the East European sound is when playing Haydn, therefore keen to be educated.
@@schubertuk Slavic, Hungarian, and the much less well-known "flavors" of Europe. Mazurkas, Polonaises, etc for the Polish. Chopin was a mixed fella of French and Polish.