Arthur Conley - Sweet Soul Music (1967) | LIVE REACTION
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I’m a 70 year old white woman; I remember this song and all the musicians he references. And that was thanks to AM radio. Very different times.
Always loved this song.
Love this song. I am a young 78-year-old and I can still rock to this song. Pleasant memories. Where did this type of music go; music that rocks your soul❤
Yes! One of my favorites. This song reminds me of my Mom who passed away in 2016. My Mom was from Detroit, Michigan and my Dad from Louisiana. She was married to my dad 63 years before she passed living in Louisiana. She played Soul music all the time and I miss her so much. If you could react to "I've Been Loving You Too Long " by Otis Redding that would be great.
Both Arthur Conley and Wilson Pickett recorded at FAME Studios in Muscle Shoals, Alabama. The rhythm section (known as the "Swampers") was a bunch of white guys who looked like they worked in the local supermarket. They became the rhythm section for everyone from Aretha Franklin to the Rolling Stones. You want to see how people worked together (in the South no less) watch the documentary "Muscle Shoals" It will blow your mind.
Imma watch this, thanks for the recommendation
Just heard this on the radio the other day. I remember from way back
Found you from Cta .Try "Yuna, mountains live. Well wealth it.
Pretty sure that Televised audience was told to stay in the seats. But I've also read that European audiences could be very respectful during the performance
You should checkout all the musicians hé references in that song!
I will lemme do some research
There.s a video of Sly and the Family Stone on EdSullivan Show that captures, I think, what you mean about cultural divides.
Is that one where he goes into the crowd?
@@jeffperdue2804 Yes!
@@barbarabweaver1 There are actually some hip old people in that crowd, but it shows what your saying. And I love that Sly was bridging that culture gap so unabashedly
It isn't that black artists weren't playing to their peers; it's that TV shows were mostly filmed in front of predominantly white audiences. This was probably filmed in '67 or '68; the cultural contexts were extremely different from today. The civil rights and black power movements were going full on, still facing a lot of overt racist resistance; the Vietnam war and the resistance to that was surging; the kids were getting exposed to so much music, more diverse than ever before, and digging it, but with their own cultural baggage, through the filters of their own cultures, without much experience of the other contexts the music and ideas came from. There were no cell phones, or internet, there was no real at-home media creation: no drum machines, video cams or loopers. White kids learned about soul and blues through records, radio, friends, dances and concerts, the same way black kids learned about psychedelic rock. And it was rare to see more than 3 minutes of rock or soul or any young peoples music on TV. It was all records and radio and live bands playing in shows in bars and theaters you had to feel okay about walking, driving and taking the bus to and from. A different world; and it was going to a different world sometimes to see a band or performer.
I agree with that all the way!
White audiences back in the day (and even now) didn't typically respond to live performances -- black or white -- with more than hand clapping (sometimes) and maybe an occasional head bob. Girls in the audience might scream and jump for Elvis and the Beatles but they stayed in their seats. I went to a Patty LaBelle concert in Minneapolis in the early 1990's and, besides me and my Latina friend and a group of gay guys dancing in the aisles, the audience just sat there clapping their hands and bobbing their heads -- and applauding after each song. We didn't care if they thought we were acting like fools; it was Pattay and we'd come to party!
From the beginning, black artists did perform in front of black audiences on theater stages. The most famous was the Apollo in New York but there were others across the country. I saw the younger Stevie Wonder, Jackson 5, and other musicians and comedians of the day at the Regal Theater while growing up in Chicago . Those performances were seldom or never recorded on camera where we can see them today -- until we had "Soul Train" (in the early 1970's) on our TVs each week. You can probably find some of those performances -- "Soul Train" and the Apollo, for sure -- on video for reaction. You might also want to catch "Summer of Soul," a 2021 documentary about the 1969 Harlem Cultural Festival, and witness established and upcoming musicians performing over several days at a free outdoor concert with a predominantly black audience.
If you can find that give me a link please!
@@MugnifyRTS
Preview for Summer of Soul (or When the Revolution Could Not be Televised): th-cam.com/video/gT7iU-_U7Q0/w-d-xo.html
Jackson 5 on Soul Train: th-cam.com/video/LWGdJZqHUFc/w-d-xo.html
That dont sounds to good its best to play the songs thats not live😊thinks for playing his music