That’s only one type of voiceleading, and it ignores the other tones that need to be voicelead (1+5 or 9+13) It happens to be effective when the roots move through the circle of fifths, but that is only one of six possible root cycles. Time to break out of that jail!
@@bobcosmic So what do you do with triads (no 7th present)? God left a clue within the overtone series. It contains all that you need to know about horizontal voiceleading
@@jonasaras I said what I said I didn’t disagree with you but it’s obvious that you want to continue the discussion so knock yourself out, but don’t be looking for me to reply to you again. The space is left for you to have the last word.
![The Wall Song ร้องข้ามกำแพง | EP.215 | พาเวล นเรศ - พูห์ กฤติน | 17 ต.ค. 67 [1/5]](http://i.ytimg.com/vi/IUzrjuf60P4/mqdefault.jpg)
Love it, Shawn - such a simple and useful approach.
That casual high Db @ 6:11 was impressive, but trying to emulate it makes me argue with my instrument. Bad trombone, behave! 😄
😅
3rds & 7th the key to voice leading... If you want to sound like everyone else. :)
Sheet music at
2:58 Bb triad with a little extra
3:40 Blues example with the triad idea
4:32 ii-V-I in E
5:51 Blues in Bb
7:34 "Beatrice" example
😅😅 please make more tutorial about jazz bebop
😅😅😅 thanks a lot
3rds & 7th the key to voice leading
That’s only one type of voiceleading, and it ignores the other tones that need to be voicelead (1+5 or 9+13) It happens to be effective when the roots move through the circle of fifths, but that is only one of six possible root cycles. Time to break out of that jail!
@@jonasaras I said the key as in the door opener I didn’t by no means say it was the be all & end all did I?
@@bobcosmic So what do you do with triads (no 7th present)?
God left a clue within the overtone series. It contains all that you need to know about horizontal voiceleading
@@jonasaras I said what I said I didn’t disagree with you but it’s obvious that you want to continue the discussion so knock yourself out, but don’t be looking for me to reply to you again. The space is left for you to have the last word.