OMG!! These kids are GREAT! Fantastic energy and performance - as a father of a 25yr old son, I LOVED the guitarist's reaction to his sound/ feedback/ tones, etc. His joy and energy are infectious - and the drummer's playing was GREAT and solid - and the Hertas in the fills were slick AF. I'll be following this young group for sure - thx for another great video Phil/Warren!!
I gave this video a thumb down because they have no respect for the sounds of the original. Come together should be played pulled back. That tamed sound makes it so great. Ah whatever.
@@Madrrrrrrrrrrr I understand your POV - But this is a COVER - NOT an attempt at a "recreation" - when a trad Jazz quartet "takes out a song", ESPECIALLY from another genré, they NEVER set out to duplicate it - they INTERPRET, re-arrange, reimagine the song, while still paying homage to the musical inspiration the song gives them. Google: jazz version of Anthony Newman's "Pure Imagination" (a favorite of jazz musicians everywhere) - and what you are likely to find is some amazing takes on a beautiful melody and chord progressions - even without vocals. Perhaps you may not like heavy music, or even Jazz. Totally cool, but approaching a VERY creative cover such as this with an open mind can only help to expand one's appreciation of many musical styles. I definitely preferred this to Motley Crue's Helter Skelter - but bravo to them for putting their stamp on a killer classic 🤘🏻❤️
Agreed. Silverchair was my favorite band growing up and these guys do sound a lot like them. Also, this video fully confirms my desire to get myself one of these Tascam mini consoles, though I probably don't need the 24. Sounds great!
Wow, these guys are really talented! Awesome sounding, both the performance and the recording. And a perfect demonstration of the Tascam 24! So good value in that thing.
i like these kids - talented, loving music, and with good energy going - they give off good chemistry, enjoying each other and each other's performances, instead of a group of egos, each using each other for their own goals, like so many bands are. i hope they keep going. and the recording sounded great.
This was awesome. Picked up the M24 last year and love it. There's just something about hands-on tactile knob twisting and mixing that exponentially boosts the fun factor in recording.
I really like my Model 24. Nice you brought it up! I bought one when I realized that I wanted to go back to a more tactile felling when recording and also getting the itch to just make decisions and then live with them. One million possibilities in post just isn´t fun anymore. It is really versatile and will probably fit in a lot of different configurations and usages. For instance, I have found that it is a brilliant piece of gear for recording podcasts.
I've had the Tascam Model 24 on my cart for about two years and I was afraid of not being able to figure out how to use it. But after watching this video, it's made me more confident. I think I'm going to buy it and finally record the album I've been wanting to record for about 10 years. Great video.
I was exactly in your boat, Rene. I pulled the trigger on a 24 last spring, and my band and I have never looked back! The flow diagram at the end of the manual is particularly useful, graphically substitutes for a lot of explanation.
Warren! Oh my freaking days, you've managed to take me back to my band days. In the end, we recorded all of our practices to cakewalk. We rehearsed 3 times a week unless we had shows. I really miss recording live like that! Love this type of format too. Very nice look behind the scenes.
ugh so true. i was recording on those fostex straight to CD machines 15 years ago when i first started. lugged it around my university to each of the band members houses and dragged them out of bed for our first album. i found that as we made more money and travelled further for shows, everyone got moodier and moodier. i work solo now.
@@m.o.n.d.e.g.r.e.e.n you're cracking me up. I did the same with a PC running a hacked version of Win 9X/ME without the Explorer module (no internet browser). 21 years that machine has survived. Slow, heavy and replaced by a Macbook Pro in 2010. Once the flat screen monitors got cheap enough, dragging that tower around with a mouse and a keyboard wasn't so bad, for a young man that is.
This is what I want to see. I've owned a Tascam Neo 2488 for 13 years and I love it. I prefer using my ears than looking at a screen, would love the Tascam 24 it seems perfect. I'm not against music software but with my Tascam I get there sooner without dealing with plug-ins and constant tweeking.
What a great video! The recording sounds awesome - that Tascam Model 24 is a great piece of gear. But the best part was how you captured the fun and excitement of the recording process - sure it helps to be in a legendary studio, but the energy and thrill of the process wherever you're doing it is what captivates us all. Ahh to be young and in a rock'n'roll band!
i have mine to its just not functioning -- iva had it repaired over the years too .. but i am done putting money in it at this point in my life it was the tascam 6 channel porta II
Silverchair vibes. Sounds great. I own the model 24 but have never tracked live with it. Only use it to record all of my hardware synths. Great machine.
Having quite a few interviews with bigger groups on the horizon, a Tascam model, probably, 16 might be a great starting point to building out a dedicated sound case. Housing the board, the mics, the lavalier setups and the various tools going with that. And being able to just plug it in at home and make some music is a lovely bonus. Thanks for the video, there are so many options out there these days that it often is the accidental inspiration for a certain piece of gear that leads to the start of a new project.
I love the Tascam Model series. I bought the Model 12, because I prefer the digital mixer with all the advantages like using it as a DAW control. Although it looks like the 16 and 24, it is a bit different and fully digital. Despite the differences I prefer the Tascam to my more expensive interfaces, even to my analog SSL SiX. I love not having to use a computer and a mouse, just making music and pressing record. Use it at home everyday, used it as a small PA, used it for multitracking rehearsals. And one could still use a DAW later to finish a recording.
Very cool version! That Tascam board is pretty awesome. Snare wasn't cutting enough for me but it's all personal taste. Great group of young musicians.
That's pretty great to see them working with this mixer! I almost bought one of these but ended up going for the QSC Touchmix. You should cover some Todd Rundgren or Genesis with a Touchmix next. =D
I've been recording on Tascam 24 for a couple years now and I can say it's a very solid piece of equipment that does the job very well. It's no suprise to me that a major recording studio could use this product with a great outcome.
Hi Alex, I've got two questions for you as a user of the Tascam 24: 1) Can different fx's be used over the whole board - or even per channel - while simultaniously recording a band? 2) Is it posible in a live band situation to route all channels seperately into a DAW (instantly and/or later on) or just as a stereo recording?
@@meanmr.mustard hey I love the username lol. The effect you choose (typically a Reverb or delay) is across the board so it's not a per channel instance although the amount of the effect can be dialed per channel. As per your recording simultaneously within the unit and DAW itself is something that can be done. Just connect the USB, download their Tascam Driver, and you should be able to enable all 24 inputs for tracking a band. Tracks 1-12 are mono, 13-20 are stereo though channels 21,22 is a Bluetooth,rca or aux signal and channels 23,24 is the Mix output of the board. Just remember to press record on both the Computer for the DAW and on the Board for backup as I forgot to record both and lost a whole set for a band. Thank goodness it was only my band 😭
It’s good to expose how talented musicians, skilled technicians and a proper studio room, makes most of the difference rather than the DAW itself in these days of vast technological advancements in recording equipment.
Awesome video. I've been considering a Model 12 and this was a cool presentation of its big Daddy full throttle mode. Cool to see the Village Recorder here again and that giant reverb vault. I worked for a cartage company years ago and got to see all these amazing studios IRL and will never not feel completely grateful to experience being in these legendary rooms. Also killed so many slices of free pizza in that green room while waiting to strike gear too!
Effing brilliant version. A friend has a Tascam 8 track portastudio because he’s not interested in DAWs or much engineering. Surprised to hear how good his recordings sound given basic gear and a small room. My amateur ears hear the default EQ and compression at about right for the space.
I use a Tascam Pocketstudio 8 track to record and Audacity software for mixing. With proper planning and thought, you can go well beyond the 8 channels of the Pocketstudio.
You can record all of the channels individually as well as a stereo mix. You can switch to playback and bring tracks back directly to the mixer if you do outboard mixing. It is pretty versatile. You should be able to get the manual from the Tascam website. It works very well.
... very nice vid! It reminds me so much of us in the deep 80ies trying to record some decent band demos with just a tascam 4-track and some mics of not the best sort ... :)
The band built their own mics using old telephones! It was great because we had to discuss which lines needed the effect and which didn’t before we started recording. No “I’ll figure it out in the mix” attitude here!
That's one hell of a studio - would love to have a look around some of these places but there's a small bit of water called the Atlantic Ocean in the way :-)
I bought a Tascam Model 24 shortly after the had come out. They certainly have their place, but don't rush out and buy one as your interface without doing your research first. If you plan on using a bunch of outboard in mixing it's not really the unit for you. If you need a mixer, it's a mixer. If you need a bunch of preamps to get tracks into the computer, it does that well enough. If you want good I/O or low latency in and out of the PC, it's not for you.
@@JoeStopkaMusic I would have to go dig through my notes to give a thorough answer, but there were various circumstances where the latency proved to be an issue for us. Mapping the clicks when routing, comb filtering during monitoring on the output in combo with DAW output matrix, alignment issues when running I/O as hardware inserts, punching in and out. We were hopeful this unit could be an asset in our mobile rack units and in our affordable rooms. We found a lot of work arounds, but so much so that it wasn't viable for us. It certainly has it's place, though.
Damn that's a fine mixer. I'd have loved even the model 12 back when I was recording our band demos. Bass and guitar DI'd into a crap headphone mixer so the drummer could hear us. Then route the drum kit (6 mics) through our Peavey PA mixer and run the stereo out to a Boss BR. Tweaking the levels and eq on each mic before having the balls to print it to a stereo track, then going back to rob the 57 from the snare to mic the guitar cab, and rob the kick AKG to mic the bass cab. The drum overheads repositioned for an acoustic guitar and then record our parts over the drums one at a time. I learned so much but man it was so stressfull lol
This is a great video! I really enjoyed it.. I have the Model 12, it's so much fun. I use it as a multitrack interface for Ableton. But I also like to challenge my chops and have sessions with it as a standalone. It's makes me ask the question.. "Can I live with the mistake I just made or do a whole retake?" I mean.. Yes, you can punch in, but where's the adventure in that? I'd be interested to see how you handle a Model 24 session... BUT.... ONLY 57s ALLOWED!!!!! That would really be a masterclass!
Cool desk. We nearly went with this over the PreSonus, but for the weirdest reason it has no bus or master inserts so next to useless in the studio. Perfect for live recordings like this though.
It has inserts on channels one and two. Tascam should have added inserts on all input channels. For solo project tracking, two inserts are fine however. The routing is also very useable for outboard gear. Printed tracks are usually transferred to the DAW. The M16/24 is a solution to quickly work outside the box for tracking ideas.
@@ProbablyTooLoud Channel inserts on 2 channels is usable, but bus and master inserts are very problematic if you have any processing gear, which most people do who want an analog mixer. Your solution effectivly wipes out 7 return channels and is very clunky.
I wonder if there is phase control option on the Tascam Model 24? I have the Yamaha N12 - there is a dedicated switch to invert the phase (e.g. between the front (beater) and the rear mics on the kick drum. Most budget / semi-pro consoles seems to have dropped this option. I guess it can be inverted in the single track post processing, but how it works with the standalone multitrack recorders without the phase inverter switch? Thanks.
Hola, yo tengo esa misma mesa de grabación y no he conseguido sacarle ese fantástico sonido. Suena muy bien y con potencia en cuanto a la banda fantástica. Saludos desde España
What song should we cover next AND what should we record it with? Please let us know below!
Do a cover of Crazy Bus with a frying pan and a balalaika. 😂
@@Czyszy haha YES! Genius
Do a hybrid mixing on the same track but instead of your ssl console use the tascam model 24(or a soundcraft mtk 22)
@@RaftelStudios very cool idea!
A recording and mix with the Neve 8801 channel strip.
OMG!! These kids are GREAT! Fantastic energy and performance - as a father of a 25yr old son, I LOVED the guitarist's reaction to his sound/ feedback/ tones, etc. His joy and energy are infectious - and the drummer's playing was GREAT and solid - and the Hertas in the fills were slick AF. I'll be following this young group for sure - thx for another great video Phil/Warren!!
Thanks ever so much! I really appreciate your wonderful comment!
i know the drummer his name is lawson
Thank you so much!! Our guitarist does indeed love his feedback
I gave this video a thumb down because they have no respect for the sounds of the original. Come together should be played pulled back. That tamed sound makes it so great. Ah whatever.
@@Madrrrrrrrrrrr I understand your POV - But this is a COVER - NOT an attempt at a "recreation" - when a trad Jazz quartet "takes out a song", ESPECIALLY from another genré, they NEVER set out to duplicate it - they INTERPRET, re-arrange, reimagine the song, while still paying homage to the musical inspiration the song gives them. Google: jazz version of Anthony Newman's "Pure Imagination" (a favorite of jazz musicians everywhere) - and what you are likely to find is some amazing takes on a beautiful melody and chord progressions - even without vocals. Perhaps you may not like heavy music, or even Jazz. Totally cool, but approaching a VERY creative cover such as this with an open mind can only help to expand one's appreciation of many musical styles. I definitely preferred this to Motley Crue's Helter Skelter - but bravo to them for putting their stamp on a killer classic 🤘🏻❤️
Unsung is giving off strong early Silverchair vibes
Very true! Good comparison
Yeah, I thought the same! Both in sound and looks.
@@henrikpetersson3463 marvellous!
Agreed. Silverchair was my favorite band growing up and these guys do sound a lot like them. Also, this video fully confirms my desire to get myself one of these Tascam mini consoles, though I probably don't need the 24. Sounds great!
@@jasonsteadmanmusic thanks ever so much for sharing!
Wow, these guys are really talented! Awesome sounding, both the performance and the recording. And a perfect demonstration of the Tascam 24! So good value in that thing.
Thanks ever so much Henrik!
Thank you so much! We appreciate you!
Those kids are killing it! And the tascam sounds amazing
Thanks ever so much Dan!
Thank ya kindly!
It was amazing experience overall watching the entire recording process ❤
Thanks ever so much!
i like these kids - talented, loving music, and with good energy going - they give off good chemistry, enjoying each other and each other's performances, instead of a group of egos, each using each other for their own goals, like so many bands are. i hope they keep going. and the recording sounded great.
Thank you so much!!!! We appreciate the support!
Great version of a fantastic song. Awesome. Cannot wait to listen to the multitracks. This Tascam board seems to be an amazing tool.
Thanks ever so much Marc!
I use the the model 24 as the heart of my studio and also do live albums for people with it I freakin love it!
Thank you kindly!
This was awesome. Picked up the M24 last year and love it. There's just something about hands-on tactile knob twisting and mixing that exponentially boosts the fun factor in recording.
Thanks for sharing
I really like my Model 24. Nice you brought it up!
I bought one when I realized that I wanted to go back to a more tactile felling when recording and also getting the itch to just make decisions and then live with them. One million possibilities in post just isn´t fun anymore.
It is really versatile and will probably fit in a lot of different configurations and usages. For instance, I have found that it is a brilliant piece of gear for recording podcasts.
That snare sounds insane. Great job all!
Thanks ever so much
Thank you!
OK❗️I thought it was just me 😊🔥🔥
I've had the Tascam Model 24 on my cart for about two years and I was afraid of not being able to figure out how to use it. But after watching this video, it's made me more confident. I think I'm going to buy it and finally record the album I've been wanting to record for about 10 years. Great video.
I was exactly in your boat, Rene. I pulled the trigger on a 24 last spring, and my band and I have never looked back! The flow diagram at the end of the manual is particularly useful, graphically substitutes for a lot of explanation.
Warren! Oh my freaking days, you've managed to take me back to my band days. In the end, we recorded all of our practices to cakewalk. We rehearsed 3 times a week unless we had shows. I really miss recording live like that! Love this type of format too. Very nice look behind the scenes.
Thanks ever so much! God you enjoyed the video
ugh so true. i was recording on those fostex straight to CD machines 15 years ago when i first started. lugged it around my university to each of the band members houses and dragged them out of bed for our first album. i found that as we made more money and travelled further for shows, everyone got moodier and moodier. i work solo now.
@@m.o.n.d.e.g.r.e.e.n you're cracking me up. I did the same with a PC running a hacked version of Win 9X/ME without the Explorer module (no internet browser). 21 years that machine has survived. Slow, heavy and replaced by a Macbook Pro in 2010. Once the flat screen monitors got cheap enough, dragging that tower around with a mouse and a keyboard wasn't so bad, for a young man that is.
I’m a huge Beatles fan. A lot of the time hearing covers of their music is grating to my ears. But this is great. Great vibe great production.
Thanks ever so much
Thank you kindly!!!
who isnt - if you have a working ears your probably a Beatles fan they will be covered and studied in the same way Mozart is in the future
Wow! This sounds awesome 👏! Simply amazing!
Thanks ever so much!
Thank you!!!
Now THIS is what I like to hear and see - Young people rocking!
Thanks ever so much!
Thank you!!!!! We appreciate ya
This is what I want to see. I've owned a Tascam Neo 2488 for 13 years and I love it. I prefer using my ears than looking at a screen, would love the Tascam 24 it seems perfect. I'm not against music software but with my Tascam I get there sooner without dealing with plug-ins and constant tweeking.
What a great video! The recording sounds awesome - that Tascam Model 24 is a great piece of gear. But the best part was how you captured the fun and excitement of the recording process - sure it helps to be in a legendary studio, but the energy and thrill of the process wherever you're doing it is what captivates us all. Ahh to be young and in a rock'n'roll band!
Wow! Thanks ever so much for the amazing comment! I really appreciate it
Thank you kindly!
Love young bands playing the classics! Great arrangment and sound.
Thanks ever so much!
Thank you kindly!!!!
I still have my Tascam Portastudio from 1985 !!!!
i have mine to its just not functioning -- iva had it repaired over the years too .. but i am done putting money in it at this point in my life it was the tascam 6 channel porta II
So is it just me orTascam seems to have the special sauce✊🏾❓
Silverchair vibes. Sounds great. I own the model 24 but have never tracked live with it. Only use it to record all of my hardware synths. Great machine.
Thanks ever so much for sharing
For sure Silverchair vibes!
that sounded absolutely incredible
Thanks ever so much!
Thank you kindly!
Having quite a few interviews with bigger groups on the horizon, a Tascam model, probably, 16 might be a great starting point to building out a dedicated sound case. Housing the board, the mics, the lavalier setups and the various tools going with that. And being able to just plug it in at home and make some music is a lovely bonus. Thanks for the video, there are so many options out there these days that it often is the accidental inspiration for a certain piece of gear that leads to the start of a new project.
Amazing band! Guys are amazing musicians
Thanks ever so much
Thank you so much!!!!!
Just bought a Model 24, came today!! I have a live show next month I'm running sound for, can't wait to take it for a spin.
That's amazing! Thanks for sharing!
@@Producelikeapro 🤘🏻
Splendid result! Congratulations to everyone involved.
Thank you kindly!
Kick ass version of the tune -- those kids rock!
Thanks ever so much Billy!
Thank you so much!!!! We appreciate ya
Great band performance, vocals awsome..
Thanks ever so much
Thank you kindly!! We love our singer!!
Looking forward to mixing this! Thanks Warren and PLAP!
Marvellous! Thanks ever so much
Great stuff. Hasn't tech come a long way. Great band. Thanks ever so much for the video and big thanks to the PLAP team
That sounded superb, these guys are great
Thanks ever so much!
Thank you kindly!!!
I just started working for Tascam recently and am stoked to see this video covering the Tascam Model 24! Really cool! Thanks guys!
I love the Tascam Model series. I bought the Model 12, because I prefer the digital mixer with all the advantages like using it as a DAW control. Although it looks like the 16 and 24, it is a bit different and fully digital. Despite the differences I prefer the Tascam to my more expensive interfaces, even to my analog SSL SiX. I love not having to use a computer and a mouse, just making music and pressing record. Use it at home everyday, used it as a small PA, used it for multitracking rehearsals. And one could still use a DAW later to finish a recording.
Amazing sounding! Love it
Thanks ever so much!
Thank you so much!!!
More sessions!! Yes, more, from beginning to the end! Really exciting!
Thanks ever so much
Another high quality video with interesting content that prompts discussion, well done again....!
Glad you enjoyed it!
love the tascam already. great job, players.
Thanks ever so much
Thank you!
Wicked Beatles cover !!
Thanks ever so much!
Thank you!!
This was so much fun to watch! Amazing video!
Hi Valerie! Glad you enjoyed it! Thanks ever so much!
guys killing it!
Thanks ever so much!
Thank you kindly!
Awesome demo of the Tascam! Nice heavy version :) I like it.
Thanks ever so much Martin!
Thank you!
Very cool version! That Tascam board is pretty awesome. Snare wasn't cutting enough for me but it's all personal taste. Great group of young musicians.
Deserves more views
Thanks ever so much
Thank you kindly!
Sick version.... and what a great guitar sound!! 🤟🤟
Thanks ever so much
@@Producelikeapro you re the guy 😄🤟
@@johngiovanni Thanks ever so much!
Thank you!!! Our guitarist is blushing!
That's pretty great to see them working with this mixer! I almost bought one of these but ended up going for the QSC Touchmix. You should cover some Todd Rundgren or Genesis with a Touchmix next. =D
I've been recording on Tascam 24 for a couple years now and I can say it's a very solid piece of equipment that does the job very well. It's no suprise to me that a major recording studio could use this product with a great outcome.
Thanks ever so much for sharing Alex!
Hi Alex, I've got two questions for you as a user of the Tascam 24:
1) Can different fx's be used over the whole board - or even per channel - while simultaniously recording a band?
2) Is it posible in a live band situation to route all channels seperately into a DAW (instantly and/or later on) or just as a stereo recording?
purchased model 24 last year and unfortunately have not had a chance to use it due to family emergency , cant wait to get it in use ,
@@godthrae it's a workhorse. I'm sure you will love it. Blessings
@@meanmr.mustard hey I love the username lol. The effect you choose (typically a Reverb or delay) is across the board so it's not a per channel instance although the amount of the effect can be dialed per channel. As per your recording simultaneously within the unit and DAW itself is something that can be done. Just connect the USB, download their Tascam Driver, and you should be able to enable all 24 inputs for tracking a band. Tracks 1-12 are mono, 13-20 are stereo though channels 21,22 is a Bluetooth,rca or aux signal and channels 23,24 is the Mix output of the board. Just remember to press record on both the Computer for the DAW and on the Board for backup as I forgot to record both and lost a whole set for a band. Thank goodness it was only my band 😭
That's a sick version of come together
Thanks ever so much
Thank you so much!
Nice expressive bass and guitar bends all around!
Thanks ever so much
YOU KNOW IT! Thank you!
Whoa! That was an incredible performance!
Thank you so much!!
You guys should give the Zoom Livetrak L-20 a try! I think it’s the direct competitor of the Tascam.
Thanks for the tip!
cool band, great vid, thanks!
Thanks ever so much
Thank you kindly!
It’s good to expose how talented musicians, skilled technicians and a proper studio room, makes most of the difference rather than the DAW itself in these days of vast technological advancements in recording equipment.
Thank you so much!!!!
Really enjoyed the video. Loved the ‘Pub’.
Glad you enjoyed it
Thank you
Tascam was all ways amazing, when i star to engineering my firs recording devices was the Tascam MSR 24, 1 inc to 24 track recorder. 🤘🏽
That was marvelous
Thanks ever so much Jeremy!
Thank you kindly!
Never heard a drummer who tune his 2 floortoms to the same (ish) pitch. The Tascam sounds amazing
Glad to see love for Steely Dan! Aja is one of the best sounding records ever!
It certainly is!!
That was Sick! 👍
Thanks ever so much
Awesome video. I've been considering a Model 12 and this was a cool presentation of its big Daddy full throttle mode.
Cool to see the Village Recorder here again and that giant reverb vault. I worked for a cartage company years ago and got to see all these amazing studios IRL and will never not feel completely grateful to experience being in these legendary rooms. Also killed so many slices of free pizza in that green room while waiting to strike gear too!
Effing brilliant version.
A friend has a Tascam 8 track portastudio because he’s not interested in DAWs or much engineering. Surprised to hear how good his recordings sound given basic gear and a small room. My amateur ears hear the default EQ and compression at about right for the space.
Part of that I bet is that it forces you to get good sounds rather than relying and plugins after the fact. Just an idea!
I use a Tascam Pocketstudio 8 track to record and Audacity software for mixing. With proper planning and thought, you can go well beyond the 8 channels of the Pocketstudio.
I had the first tascam porta studio, the 244. A lot easier to use than some of the digital models coming out today, an oldie but a goodie.
the first was the 144 in 1979 or 1980 $1200 came with a 2 year warranty, dolby type "D" had one loved it
I was blown away by Stevie Knicks' bathroom... Xanadu!
Yes! Amazing! Thanks ever so much!
Fun fact our bassist had kidney stones during this recording and is most likely the first person to ever pass a kidney stone in Stevie nicks’ bathroom
I'm really curious about the DAW integration
You can record all of the channels individually as well as a stereo mix. You can switch to playback and bring tracks back directly to the mixer if you do outboard mixing. It is pretty versatile. You should be able to get the manual from the Tascam website. It works very well.
me too
It's interesting because the Model 24 retail price is almost exactly what I paid in 1980 for the Portastudio you showed.
Haha that’s amazing
i know lawson from unsung actually, he is in my miid comp class :)
Oh yeah sexy Lawson himself
I really Love this cover, what is the band's name?
Thanks! The band is called Unsung
UNSUNG!! Check out our music!
Nice cover of the Soundgarden version
Fun fact our bassist had kidney stones during this and is most likely the first person ever to pass a kidney stone in Stevie Nicks’s bathroom
boy that really is a fun fact LOL
oh shettttt the band!!!!!!!
Thank you kindly!
Sounds warm
Dope🔥
the drummer is solid hi name is lawson
... very nice vid! It reminds me so much of us in the deep 80ies trying to record some decent band demos with just a tascam 4-track and some mics of not the best sort ... :)
I remember that very well indeed!
Grungeapalooza!! Love it 🥰
Yeah buddy 🗣🗣🗣
Pretty good video!
Thanks!
Thank ya!
I'm sold. On the hardware and the band.
Nice to see OLLO headsets in such a big studio!!!
Best set I've ever used! I take them with me everywhere I go.
Love my model 24
Thanks ever so much for sharing!
Explain the “telephone thing” effect. How it’s done.
The band built their own mics using old telephones! It was great because we had to discuss which lines needed the effect and which didn’t before we started recording. No “I’ll figure it out in the mix” attitude here!
Thanks for chiming in Phil!
Tommy Schmaltz (our bassist) built them! They look awesome love too
That's one hell of a studio - would love to have a look around some of these places but there's a small bit of water called the Atlantic Ocean in the way :-)
Haha I hear you!
Anybody remember the Tascam and Fostex 4 tracks? Loved those things back in the day.
I remember them very well!
That's what I started on! Not forgiving, but forced you to make good decisions as an engineer, haha.
I still have mine! But I transferred all my tapes to digital and remixed them.
Cool! That's Model 24.
Yeah!
From Joe-san "Super Hero" kattobase!
I bought a Tascam Model 24 shortly after the had come out. They certainly have their place, but don't rush out and buy one as your interface without doing your research first. If you plan on using a bunch of outboard in mixing it's not really the unit for you. If you need a mixer, it's a mixer. If you need a bunch of preamps to get tracks into the computer, it does that well enough. If you want good I/O or low latency in and out of the PC, it's not for you.
When you say latency issues - were you overdubbing or monitoring from the DAW? Because we have not heard this from anyone else
@@JoeStopkaMusic I would have to go dig through my notes to give a thorough answer, but there were various circumstances where the latency proved to be an issue for us. Mapping the clicks when routing, comb filtering during monitoring on the output in combo with DAW output matrix, alignment issues when running I/O as hardware inserts, punching in and out.
We were hopeful this unit could be an asset in our mobile rack units and in our affordable rooms. We found a lot of work arounds, but so much so that it wasn't viable for us. It certainly has it's place, though.
Cool..!
Thanks ever so much
What monitors were you using! Loved this!
Wicked cool!
Thanks ever so much!
Thank you! 😎😎
I hoped it was going to be a tascam porta4. Now that would be a fun video. Bet you used one of those right?
Absolutely! I remember them very well indeed
@@Producelikeapro really you should do it Warren, the kids have no idea what we had to do
And still do!! I have one still .
@@Swine-O-Sonic great idea! I will, one day, I promise!
@@Swine-O-Sonic amazing
Damn that's a fine mixer. I'd have loved even the model 12 back when I was recording our band demos. Bass and guitar DI'd into a crap headphone mixer so the drummer could hear us. Then route the drum kit (6 mics) through our Peavey PA mixer and run the stereo out to a Boss BR. Tweaking the levels and eq on each mic before having the balls to print it to a stereo track, then going back to rob the 57 from the snare to mic the guitar cab, and rob the kick AKG to mic the bass cab. The drum overheads repositioned for an acoustic guitar and then record our parts over the drums one at a time. I learned so much but man it was so stressfull lol
Anything by tears for fears or Peter Gabriel on some as analog as possible 😁
Love this!
Thanks ever so much
Thank youuu!
I have established my analog studio around this console
Thanks ever so much for sharing!
This is a great video! I really enjoyed it.. I have the Model 12, it's so much fun. I use it as a multitrack interface for Ableton. But I also like to challenge my chops and have sessions with it as a standalone. It's makes me ask the question.. "Can I live with the mistake I just made or do a whole retake?" I mean.. Yes, you can punch in, but where's the adventure in that?
I'd be interested to see how you handle a Model 24 session... BUT.... ONLY 57s ALLOWED!!!!! That would really be a masterclass!
epic band
These devices remind me of the old Yamaha AW range of recorder/mixers from back in the day.
Cool desk. We nearly went with this over the PreSonus, but for the weirdest reason it has no bus or master inserts so next to useless in the studio. Perfect for live recordings like this though.
It has inserts on channels one and two. Tascam should have added inserts on all input channels. For solo project tracking, two inserts are fine however.
The routing is also very useable for outboard gear. Printed tracks are usually transferred to the DAW.
The M16/24 is a solution to quickly work outside the box for tracking ideas.
@@ProbablyTooLoud Channel inserts on 2 channels is usable, but bus and master inserts are very problematic if you have any processing gear, which most people do who want an analog mixer. Your solution effectivly wipes out 7 return channels and is very clunky.
@@ProbablyTooLoud Model 24 Pro? Maybe in the future????
I wonder if there is phase control option on the Tascam Model 24? I have the Yamaha N12 - there is a dedicated switch to invert the phase (e.g. between the front (beater) and the rear mics on the kick drum. Most budget / semi-pro consoles seems to have dropped this option. I guess it can be inverted in the single track post processing, but how it works with the standalone multitrack recorders without the phase inverter switch? Thanks.
DAMN!
Thanks ever so much!
That was FUN like HELL! And this is coming from a guy who usually does not like this type of music! 🙂
Thanks ever so much
Glad you enjoyed the video!!
Thank u!!
Very nice video! Was that Daniel Johns on guitar?😁
Hola, yo tengo esa misma mesa de grabación y no he conseguido sacarle ese fantástico sonido. Suena muy bien y con potencia en cuanto a la banda fantástica. Saludos desde España