Concertgebouworkest - Ammodo Conducting Masterclass - Session 4
ฝัง
- เผยแพร่เมื่อ 29 มิ.ย. 2020
- The complete registration of the fourth and final session of the Ammodo Conducting Masterclass with Iván Fischer.
00:13 Interview with Corinna Niemeyer
10:12 Corinna Niemeyer - Symphony No. 4, Mahler
46:55 Martijn Dendievel - Symphony No. 4, Brahms
1:20:55 Katharina Wincor - Symphony No. 5, Beethoven
1:40:00 Jaume Santonja - Symphony No. 41 (Jupiter), Mozart
2:10:40 Interview with Iván Fischer - เพลง
The best thing the RCO can do for a bright future is to make sure Ivan Fischer becomes their next chief conductor.
My favorite session of this seeies. The real conductor/mentor has the power to transform. I am so touched and very grateful for these lessons!
Thank you, orchestra, conductors, and maestro Fischer! Such rich insight from a wise master musician. A wonderful learning opportunity in REAL LIFE time. This is moment by moment captivating in wondering what will happen next! Love this!
Mahler 13:50
Brahms 46:50
Beethoven 1:21:00
Mozart 1:40:20
For those who are interested. The idea of modern instruments in an symphony orchestra Ivan Fischer is talking about. An example would be The Black Mages, lead by Japanese composer Nobuo Uematsu.
super!! great orchestra and nice teaching from Maestro Fischer!! :)
What a magnificent and responsive ensemble that is. I love their sound !!!
Mijn zoon (2,5 jr) en ik hebben echt genoten van deze sessies! Hij is groot fan van de 5e van Beethoven, het is zo bijzonder om te zien hoe hij reageert op de verschillende interpretaties van de verschillende dirigenten. De interpretatie van Iván Fischer is nog steeds favoriet bij hem. Dank voor alle video’s in de afgelopen maanden!
I have just reconsidered everything after this Mozart performance!
Apply to participate in the Ammodo conducting masterclass with Fabio Luisi and the Concertgebouworkest, taking place from 27 to 29 June 2022 at The Concertgebouw in Amsterdam. Apply through Muvac: bit.ly/3rjhyLJ. Deadline: 16 December 2021.
The sheer amount of arm and body movement of these student conductors is almost surreal. It feels extraordinarily distracting and exhausting. Why so much flailing? Movement in conducting to me, anyway, falls in line with "less is more." Thanks so much to Maestro Fischer & the Royal Concertgebouw Orchestra.
18:40 what a sound
When every beat has more emotion than God, what is left? Even the bugs are weeping
All the other sessions of this series were uploaded in HD. :(
This one is in HD as well. I think TH-cam hadn't processed the video yet when you watched it yesterday. Can you try again?
@@Concertgebouworkest Thank you so much for responding! Yes, it is now appearing in HD - thanks. I know it can take some time for TH-cam to do its thing , so I deliberately waited several hours to comment. Guess I didn't wait long enough. Again, thanks for responding!
1:27:23 veri moist
Seriously? Omg
Join ballet if you want to dance. But for now, conduct
I like Mariss Jansons masterclass and even Gattis more. He interupt all the time, talk so much, ...
Fisher interrupts all the time ?! Really? On the contrary, he has been so lenient !!! I would have stopped them every measure ! Or give up... The conductor of the Brahms Symphony, in particular, is a good example of an individual who was unable to connect with the players. His whole approach to music-making is unbearable to me. No need to elaborate... Unfortunate....