King of Denmark's Battle Galliard | John DOWLAND | Thomas Langlois

[@imaansharifi]

Absolute beauty; thank you for your wonderful taste and choice of song to play ❤

[@chrissandi9613]

Such precision and grace. You have perfect empathy with the composition. Nothing can be better than this, your music is so lovely. Actually, Thomas, only one thing could be better; a duo of you and the wonderful Marina Belova playing this galliard. Go on, do it!

[@oriraykai3610]

Nice interpretation. I've always loved that galliard.

[@cancionerodelpalacio]

Just remarkable. Thank you

[@SurV-od8xf]

Tellement plaisant ☺️

[@Vingul]

Excellent.

[@breizhaldrin5645]

So beautiful !

[@GodeCynningaz5386]

Thanks for providing us with proper music, full of dignity, pride and human spirit, not “modern” garbage.

[@ThomasLangloisLute]

Thank you!

[@aloysiusdevadanderabercrombie8]

ew an elitist

[@GodeCynningaz5386]

​@@aloysiusdevadanderabercrombie8 Exactly. You don't count.

[@aloysiusdevadanderabercrombie8]

@@GodeCynningaz5386 What is that even supposed to mean?

[@GodeCynningaz5386]

You’re the one that brought up class.

[@TheAlfonsovaldes]

Formidable. Je pose ma question suivante en anglais, parce-que je crois que votre nom veut dire "the Englishman." My question is, you appear to be mixing thumb-under p-i alternation for some fast tuns, but also m-i. I am struggling with thumb-under. What is your opinion?

[@ThomasLangloisLute]

Thanks! I tend to mix the technique indeed. I find it easier to play the fast runs with thumb under, p-i alteration; but when there is a bass line under the fast run, I tend to use m-i alteration instead. I think this is a good compromise for me...