Hello! Great video by the way, I got a question, I do use a BlackMagic 6K Gen 5 camera and I would like to know what would be the perfect CST in Davinci to make it look fully prepared for a cinematic look with Dehancer, thanks in advance.
If there is a dedicated profile in Dehancer, we suggest you use it first. If for some reason it doesn’t work, you can use any available means (CST, IDT, factory Luts, manual de-Log) for interpreting your source material in Rec.709 for further processing with Dehancer.
Sorry i have a question, what is the right way to use the WB on the original shot, for example if i want to use the kodak 500t that is originally a 3200 film, does my clip need to be 3200? Or it need to be neutral with the right wb and then the lut will make te look?
Film color temperature and source white balance When creating film profiles, we illuminate the color target using the light source with the color temperature for which a particular film is intended by the manufacturer. Thus, Daylight films are shot under the reference light source with a temperature of about 5300K, while Tungsten emulsions require 3200K incandescent bulbs. Therefore, we get the neutral color reproduction with minimal deviations in white balance at the shooting stage. When printing the negative optically, we additionally correct the white balance using color filters in the enlarger, bringing the neutrals to the reference value with great accuracy. This means that technically any film profile is designed for source material with neutral white balance. Remember that you can use the Temperature Comp. and Tint Comp. settings in the Input section to additionally compensate for the source white balance.
Hey. Here's the list of all camera profiles: www.dehancer.com/profiles. We are constantly working on new camera support, stay tuned for announcements. Meanwhile, you can use any available means (CST, IDT, factory Luts, manual de-Log) for interpreting your source material in Rec.709 for further processing with Dehancer.
Hi! I already sent a message to your email about a problem that Windows users have, the program does not work for Lightroom and I only received a response that I had to wait for it to be solved, I have been waiting for more than 2 weeks for it to work, they will have an update soon or answer to the problem?
Excellent work, Dehancer just keep on advancing. Love it
We are very pleased to receive this kind of feedback! thank you.
Great! Can't wait to testt it in FCP!👍
Awesome! I am looking forward to it!
Hope you like it!
Wow, Amazing job! Thanks, guys. Can't wait to try it
You can try it just now! Please follow the link in the description of this video.
Oh wow, this is cool!
Нюансы высокой любви к плёнке. Спасибо
Amazing!
너무 멋지다! 가지고 싶은 제품입니다👍🏻
좋게 평가해주셔서 감사합니다 ^^
인스타그램으로 연락드렸습니다
Amazing work I love it 😍
Thanks 😄
Will it come to the photo version as well? Would be great to add overscan there as well 👌🏻
In a while, yes!
great, i hope one day i can work with Dehancer for my TH-camvideos
You can always DM us on Instagram if you have a collaboration proposal! :)
Would love to see u do a tutorial grading Mavic 3 Pro Dlog or Dlog M with dehancer folks
will pass it on to our team! :)
Great stuff! Are we able to move the scans as if we were playing back a film?
Hi. Thanks! Could you please explain you question?
@@Dehancer Looking for a flim playback effect. As if the reel is moving through.
@@bradleyc6564 We have the Film Breath and Gate Weave tools:
blog.dehancer.com/articles/film-breath-and-gate-weave/
I do see that. However, I don't see any of the film strip itself. Looking to see the pysical media@@Dehancer
Hello! Great video by the way, I got a question, I do use a BlackMagic 6K Gen 5 camera and I would like to know what would be the perfect CST in Davinci to make it look fully prepared for a cinematic look with Dehancer, thanks in advance.
If there is a dedicated profile in Dehancer, we suggest you use it first.
If for some reason it doesn’t work, you can use any available means (CST, IDT, factory Luts, manual de-Log) for interpreting your source material in Rec.709 for further processing with Dehancer.
Sorry i have a question, what is the right way to use the WB on the original shot, for example if i want to use the kodak 500t that is originally a 3200 film, does my clip need to be 3200? Or it need to be neutral with the right wb and then the lut will make te look?
Film color temperature and source white balance
When creating film profiles, we illuminate the color target using the light source with the color temperature for which a particular film is intended by the manufacturer. Thus, Daylight films are shot under the reference light source with a temperature of about 5300K, while Tungsten emulsions require 3200K incandescent bulbs. Therefore, we get the neutral color reproduction with minimal deviations in white balance at the shooting stage.
When printing the negative optically, we additionally correct the white balance using color filters in the enlarger, bringing the neutrals to the reference value with great accuracy.
This means that technically any film profile is designed for source material with neutral white balance.
Remember that you can use the Temperature Comp. and Tint Comp. settings in the Input section to additionally compensate for the source white balance.
프리미어프로용은 최근 출시된건가요?
예전엔 없엇던거 같은데, 맞아영?
Currently, the Overscan tool is only available in beta for DaVinci Resolve. Step by step we will add it to plugins for other hosts. Stay tuned!
Wooow
Are you planning on bringing this functionality to the iOS version?
Currently we are testing this feature on iOS and will introduce it in the future updates.
I have a question.
Is osmo pocket3 D-Log M supported?
Hey. Here's the list of all camera profiles: www.dehancer.com/profiles. We are constantly working on new camera support, stay tuned for announcements. Meanwhile, you can use any available means (CST, IDT, factory Luts, manual de-Log) for interpreting your source material in Rec.709 for further processing with Dehancer.
When the Overscan Tool will be available for FCP?
In a while, yes.
The mobile version makes my footage blurry, is there a way around this ?
Hi. Try adjusting the Film Resolution in Grain.
I've installed the beta for Mac! However the overscan tool is not showing up in FCPX.
hello. this tool is not available for the FCPX plugin yet.
I cannot get this to work on mac
Please, reach out to our support team as soon as possible.
when it will work in premiere?
We’re working on it, but at the moment we cannot announce the exact dates of the feature release.
Здравствуйте! Как приобрести плагин в России?
Добрый день! Только официально на сайте и только иностранными картами. Оплата российскими картами недоступна.
Hi!
I already sent a message to your email about a problem that Windows users have, the program does not work for Lightroom and I only received a response that I had to wait for it to be solved, I have been waiting for more than 2 weeks for it to work, they will have an update soon or answer to the problem?
hi. will reach out to the team and get back to you. what is your email address?
hey, following up on this.
Ahhh, do I get this? I don't see it on mine, I even re-downloaded it! Still didn't see it pop up! Damn....
Hi! Which host are you on?
@@Dehancer fixed it ahaha
When I enable Halation I get weird artifacts.
Please send us details to support@dehancer.com, thank you.
Did you get a chance to contact support on this?
@@Dehancer I sent an email.
@@berlinbluestar great, thanks!
Will this feature be available on iOS?
Eventually, sure!
My Davinci crashed whit this new update :(
Please send details to support@dehancer.com, thank you.
Perhaps you were using 7.1.0 Beta 8? Please update your plugin to 7.1.0 Beta 9.
Hey! did you email our support team?
Is there for IOS this new tool?
Not yet! But we have added 'Film damage' tool to our iOS app in the latest update.
@@Dehancer ok
@@Dehancer Can you make it soon the overscan?
@@capestranosfilm3047 we are hoping to come out with it in 1 to 2 months.
@@Dehancer ok