Giuseppe di stefano 23years old
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- เผยแพร่เมื่อ 31 ธ.ค. 2021
- イタリアのテノール歌手、ジュゼッペ・ディ ステファノ （Giuseppe di stefano 1921～2008）をご存じでしょうか？
考えてみれば昨年が生誕100周年だったので、今更ですが音源をアップすることにしました。
恐らく録音が残っているテノール歌手の中でも、トップクラスの美声を持ったテノール歌手で、黄金時代と呼ばれた戦後間もなくに活躍した、デル・モナコ、コレッリと並んで人気のあったテノールですが、オペラファンの間では評価が分かれる歌手でもあります。
と言うのも、実は有名レコード会社から出ている録音のその殆どは全盛期の演奏ではなく、コントロールの効かない美声の垂れ流し的な歌唱や、音程がそもそも上がり切らないライヴ録音など酷い物が含まれているので、そのような部分が彼の評価を下げる要因となっているのだと思います。
しかし、若い頃の演奏は天才としか言いようがありません。
そんな彼が残した、恐らく一番若い1944年（23最）の録音を、実家に帰省して掘り出してきたので公開します。
彼の演奏は若ければ若い程良いです。
ただ、この音源アップするのは著作権的にアレなので、場合によってはすぐに削除することご了承ください。 - เพลง
![Giuseppe Di Stefano & Renata Scotto Live Concert in Amsterdam (1963) [Excellent Sound]](http://i.ytimg.com/vi/fBc3FCZn1lM/mqdefault.jpg)
ecco un grande in tutti i tempi. Voce solare una gioia ascoltarlo. Grazie Pippo
EL JUVENL GIUSEPPE DI STEFANO:Es la voz de tenor lirico mas bella,clara,nitida,hermosa,
emotiva,conmovedora(me faltan adjetivos calificativos)que ser humano ha poseio en epoca alguna conocida. Hay quienes le critican porque en la tesitura aguda abria las vocales o no disponia de perfecta escuela canora,etc,pero a pesar de ello(o quiza POR ELLO),nunca un ser humavobya poseido esa bellisima voz,es como manantial de cristalina agua que brota en el monte y y atravesando impolutos campos no necesita de filtros
para purificarla.Esta JUVENIL ETAPA le duro aproximadamente hasta sus
35 de vida,su voz fue luego deteriorandose por cantar repertorio dramatico inadecudo para el y creo yo que por fumar largos habanos,a partir de la susodicha edad,fue decayendo paulatinmente y no era lo que habia sido
pa
Unico, irripetibile e insuperabile .La sua voce da giovane era la perfezione fatta canto. Sentimento, sfumature di colori, padronanza tecnica sublime. Un balsamo per l' anima.
My favorite singer for all time
Just pure heaven🚩🚩🚩👍
When he was great he was really GREAT
A voice straight from GOD
Simply Sublime some of the most beautiful singing I’ve ever heard.
Some of this is definitely not Di Stefano two selections before the aria from the Pearl Fishers
Pippo Di Stefano con l'impeccabile colore che diventa canto solare, il fraseggio unico, la passione di un cuore audace e di un diaframma controllatissimo. Il suo canto parte dall'anima e arriva alle nostre anime !!!!!
There is no artifice separating singer from audience here. This is the first singer to accomplish this feat. It's too hard to listen to this distilled beauty. The closest is Placido in his prime. I could die happy now.
I can feel the heavy dark red velvet cloak of opera, with its fine gold embroidery, wrap its luxuriousess around my freezing form, protecting me from the plebian cacophony of what passes for public life these days.
Che VOCE!!! Paradisiaca... SEMPRE Pippo di Stefano.
Дякую за неймовірну насолоду
Young Di Stefano was amazing
0:00 - Chiudo gli occhi (from the opera Manon, by Massenet)
3:57 - Ideale (song by Tosti)
6:48 - Pourquoi me reveiller (from the opera Werther, by Massenet)
9:35 - L' ultima canzone (song by Tosti)
13:48 - Elegie (by Massenet)
16:41 - Serenata (by Pietro Mascagni)
19:53 - E lucevan le stelle (from the opera Tosca, by Puccini)
22:45 - Mamma (by Bixio-Cherubini)
25:45 - Se vuoi goder la vita (Bixio-Cherubini)
28:43 - In deinen Augen lese ich (Paganini)
33:09 - Mi par d'udire ancora (from the opera I Pescatori di Perle, by Bizet)
37:17 - Si vous l'aviez compris (by Denza)
40:55 - Au fond du temple saint, also known as Pearl Fishers duet, in Italian (from opera I pescatori di perle, by Bizet)
45:58 - Torna a Surriento
49:10 - Musica proibita
52:44 - Santa Lucia luntana
56:06 - Ninna nanna della vita
59:10 - Santa Lucia
1:02:27 - Fenesta ca lucive (by Bellini)
37:17 - Si vous l'aviez compris (by Denza)
Thank you @@Minnie_1910
The greatest lyric tenor ever.
I agree.♫♪ ॐ¸¸.•*¨*•♫
Wannabebarone.
But Pippo was a tenor with a short career.
I was together with my teacher Francesco Carrino in his studio in Düsseldorf, when Carrino sent him a high C through the telephone.
In Pippo`s concert in the Rheinhalle a few days later he sung everything deeper than original.
This concert was over 50 years ago.
Carrino was the tenor who made Carlo Bergonzi from a baritone to a tenor in Trieste.
I adore him.Thank you for posting.🤎
What a sweet voice!!
アップしていただきましてありがとうございます。きれいな歌声を聞くことができてうれしいです。
Uno spettacolo per le orecchie.
Il più grande ❤️
何十年前、何かの日本のコンサートでステファノが舞台に上がって一曲歌ってくれました。ご高齢でした。記憶がさだかではありませんが、本番前礼服を忘れ、車ごと突っ込んでなんとか洋服やからゲットした？そんなような話をしていた記憶がありますが、さだかではありません。やはり青年の声は違うのですね。イメージではヘビースモーカーと思っていましたが、いろいろあったのでしょう。でもこの後音源聞けてラッキーです。ありがとうございます😊
Absolutely wonderful as always!
Maravillosa su voz joven.
Спасибо, это прекрасно!
Love this man
Although at 23 in 1944 Di Stefano was still a relatively inexperienced singer there can be no question regarding the natural beauty & amazing potential of his instrument. Especially the Italian songs heard here are, IMO, the most beautifully sung I have yet to hear from a pure Italian LYRIC tenor. He soon developed a bit more technical assurance in his opera roles (although even in the late 1940s he could be inconsistent in his musicianship & even some singing of the wide open vowels in his upper range was sometimes apparent but not of any great concern until the mid to late 1950s. Perhaps this tendency increased as he took on repertoire not (then anyway) appropriate for his basically lyric voice. It is hard to say whether, if he had waited longer in taking on spinto roles, his voice would have darkened & grown suitable for more dramatic repertoire. Some felt that his basic vocal technique was also at fault & that any change to more heavier roles in the future would still have not been successful. We will never know. What is clear is that in the beginning of his career Di Stefano‘s natural vocal endowment showed him to be unique among tenor voices of his type. Apparently Bjorling on hearing Di Stefano‘s voice stated that this tenor could be ˋgreater than any of us if he got his act together.‘ Quite an endorsement as unrealized as it proved to be.
お見事！！
パヴァロッティは一日にして成らず…
イタリアンテノールには系譜がありますね…
なんと輝かしい！！
それをあたかも軽く自然に歌う妙技！！
Bravissimo！！
イタリアの中でも、シチリア島の血が入ったテノールの声は格別ですね。
マルチェッロ・ジョルダーニ、ロベルト・アラーニャが最近では有名で、今全盛期の歌手としてはエネア・スカラ（Enea Scala）という人もステファノを思わせる素晴らしい声をしています。
しかし若い頃のステファノは高音のピアノの表現を多用するなどとても理知的で、彼を美声の垂れ流しにしたのは、そのような表現に喝采を送ったスカラ座の天井桟敷の聴衆である。と喝破した著書もある程でした。
ステファノの歌唱の遍歴を見ると、優れた歌手を育てるのも、潰すのも最後は聴衆なんじゃないかと考えさせられます。
@@narisusama Спасибо за весьма квалифицированное суждение.
this is 'Bel canto'
Very rare ! Very valuable ! (Taiwan R.O.C)
45:58 - Torna a Surriento
49:15 - Musica proibita
52:40 - Santa Lucia luntana
59:10 - Santa Lucia
I can’t read the Japanese in the description - - what is this wonderful recording? From where?
Guys,Can you write down all the names of these pieces?Thank you guys so much!
貴重な音源をありがとうございます。
56分からの曲名を教えていただけますでしょうか。
ninna nanna della vita
16:40???
Serenata by mascagni