L'enfance du Christ, Op 25: Trio des Jeunes Ismaëlites - Hector Berlioz

แชร์
ฝัง
  • เผยแพร่เมื่อ 14 พ.ย. 2024

ความคิดเห็น • 8

  • @polisticaluz4751
    @polisticaluz4751 11 หลายเดือนก่อน

    Thank you Mr. Pahud, Marie-Pierre and Matthew! So beautiful moment.

  • @lisacoddington6014
    @lisacoddington6014 2 ปีที่แล้ว +3

    They are among the very best flute players in the world and their abilities are
    extraordinary. Movements may or may not improve intonation, but they do contribute to the musicianship of the piece.

  • @johnskfung
    @johnskfung ปีที่แล้ว

    AMAZING!!!😍

  • @djuliescaff5939
    @djuliescaff5939 4 ปีที่แล้ว +2

    Flutes are the beeest!

  • @lukasmiller486
    @lukasmiller486 4 ปีที่แล้ว +1

    Beautiful performance. I would love to hear this with two violins as well.

  • @brschh184
    @brschh184 ปีที่แล้ว

    0:37

  • @voraciousreader3341
    @voraciousreader3341 2 ปีที่แล้ว +4

    The gymnastics of the flutists is so unnecessary, and the ones at the beginning actually made me laugh! I’m also a flutist and know I very well that twisting and bowing do not improve your sound, at all, nor does it assist in fingering, nor does it do anything for your musical abilities…in fact, all it does is detract your audience from the beauty of your playing.

    • @yishihara55527
      @yishihara55527 ปีที่แล้ว

      You are basically correct and that's the approach flutists should generally take. However, when you are world-class like Pahud, he already has a solid foundation and sometimes the physical manifestations of the emotions in the body and help reinforce what is being played. So 99.9999% you are correct, but there are a few outliers like Pahud to which that rule doesn't apply. He is super intelligent and everything he does has a meaning.