1. Introduction 00:00 2. Thème 2:45 3. Variation I 4:41 4. Variation II 6:19 5. Variation III 8:02 6. Variation IV 10:18 7. Variation V 11:57 8. Variation VI 13:56 9. Variation VII 16:58
Y'a rien à faire ! Emmanuel est le meilleur flûtiste depuis + de 20 ans, tout pays confondu. Et pour avoir eu la chance de l'écouter en direct au Conservatoire de Strasbourg, je ne peux que confirmer : Richesse des registres de nuances, de la palette sonore, précision digitale exceptionnelle même dans les passages les plus périlleux, compréhension profonde de l'ensemble d'une oeuvre et de ses parties, couleur sonore unique reconnaissable entre toutes et surtout jamais marquées par "le gros son" qui sévit depuis les années 80... Ici dans cette partition de Schubert particulièrement difficile, Emmanuel est toujours à propos, au cœur de l’œuvre tant et si bien que j'ai l'impression d'avoir Schubert devant moi. Une interprétation d'Emmanuel Pahud et Eric Le Sage, son vieux complice, exceptionnelle
É otimo mas não é o melhor do mundo Bouriakov e tantos outros no PÁREO ou até melhores, inclusive há varias mulheres flautistas que não tem tanta fama mundial mas estão no PÁREO as vezes são até melhores flautistas o Rei da flauta e que fez a flauta ser reconhecida no mundo é O RAMPAL, sem ele a flauta não teria a importancia e respeito reconhecido
@@antenorflautistaccb8962 Bonjour Anteneor, Rampal ?! Non, définitivement non. Certes il a popularisé l'instrument et en a fait un instrument véritablement soliste. Certes il jouait merveilleusement mais tout de même pas toujours dans le style et... très souvent comme une mécanique un peu dénuée d'âme. À Rampal, je préfère nettement James Galway ou Maxence Larrieu. Bonne journée. Cordialement,
So viele Daumen nach oben drücken, wie ich möchte, gibt es leider nicht! Es ist die beste Interpretation dieses Stück. Wunderbar und vollendet gespielt😍
This piece has never been one of my favorites. With that being said, I have now changed my mind. Emmanuel brought to life a piece that I thought was drab & boring. This is how a variations piece should be played. Loved all his "moods".
One of my most favorite pieces. And as a flutist, I greatly admire the talent of Pahud. I played this for my senior recital. Not as grand as him, of course, but I love it.
Spirituelle, sensorielle et rebelle, la musique de ce compositeur reflète des impostures secrètes, explore des plaisirs sereins, un monde de rêves renaissants🌺🕊
A lovely performance by one of the greatest Romantic Era composers who ever lived. His early death certainly deprived the world of Romantic music of what would have been hundreds of gorgeous compositions. Letizia, thanks for this lovely upload. It's hard to believe that there aren't more positive comments here. Out of what right now are 113,028 views, somebody else should have written something.
I performed this piece for my sophomore jury, then general recital. Saw this beautiful person in concert some years ago. God I wish I still played. I definitely need to get another flute. 😢❤❤❤
Played this for jury my sophomore year in college. Not an easy piece by any means, but what a feeling of accomplishment to have mastered it. BRILLIANT Emmanuel. Hope you come back to Boston.
Super. Damn they are good! I played that my senior year as a piano major and it proved so difficult that it was necessary to delay the graduation recital till the year after.
I'm able to play this piece at a masterclass. So excited! Pahud's a great inspiration! (Although this is the fastest version of variation 5 I've ever heard. 😂)
Thank you very much for the clarification, I must say rather diplomatic, what I wanted to emphasize was that in this version, I would greatly appreciate the technical skill of the performers and much less the ability to understand the emotional and musical sense of the passage, what fortunately in other executions, also present on you tube, it captures more. Thank you, hello
Bravura controls the deep lyric expression of the theme and the first variation . such a pity . shouldn't the tempo and performance grow g r a d u a l l y along the variations ? at any rate , I will keep the poetic representation at the beginning performed convincingly by the flutist .
beautiful demonstration of instrumental technique .... one day someone will even teach these talented instrumentalists that Schubert is not Stravinsky and that this theme is taken from a Song that has a text ....but today this is perhaps the most that can be expected. vive la technique!!!!
I can't agree with you. Have you ever play this ? This is not just technique. Maybe I would color it differently (in fact I do), but Pahud and Le Sage offered us music and emotions, not just a astonishingly fast bunch of notes.
can anyone explain to me why he plays twice the 21st bar on the 2nd variation? the pdfs i found online (both on imslp and elsewhere) show mi - sol# - mi - do# to be played only once... no that i don't like it of course, but why would lesage and pahud intentionally change the otherwise unchanged piece? thanks in advance p.s.: i don't judge nobody of course, and i loooove pahud's interpretation. i'm just asking if that's a matter of taste or something else happens here :)
I saw him in masterclass and he explained that in schubert's manuscript, the bar appears two times, but that dumb editors cut off the second time. Pahud always plays as Ürtext as he can.
I honestly admire Pahud, he has such a great tone. But the tempo of this piece is way too fast. I can barely enjoy it. It's an astonishing performance though.
This Flutist should have better vibrato- too wide. Also needs to play on Powell Pre-Cooper Flute. Needs to learn how to phrase better and support the Sound properly. Bob Kendel
![[LIVE] : ONE ลุมพินี 88 | คู่เอก "ป้อมเพชร vs อัสลามจอน"](http://i.ytimg.com/vi/1ZqTVVbMgbo/mqdefault.jpg)
1. Introduction 00:00
2. Thème 2:45
3. Variation I 4:41
4. Variation II 6:19
5. Variation III 8:02
6. Variation IV 10:18
7. Variation V 11:57
8. Variation VI 13:56
9. Variation VII 16:58
고마워요-
Thank you ❤️
A
Thank you so much!
Favorite composer, favorite flute player, and an amazing interpretation of this piece. This is a great recording!
You're funny....Saxawhatsit?
I love his interpretation of this piece... I have looked up to him since I was 17 and he inspires me to be a better musician!
Y'a rien à faire ! Emmanuel est le meilleur flûtiste depuis + de 20 ans, tout pays confondu. Et pour avoir eu la chance de l'écouter en direct au Conservatoire de Strasbourg, je ne peux que confirmer : Richesse des registres de nuances, de la palette sonore, précision digitale exceptionnelle même dans les passages les plus périlleux, compréhension profonde de l'ensemble d'une oeuvre et de ses parties, couleur sonore unique reconnaissable entre toutes et surtout jamais marquées par "le gros son" qui sévit depuis les années 80... Ici dans cette partition de Schubert particulièrement difficile, Emmanuel est toujours à propos, au cœur de l’œuvre tant et si bien que j'ai l'impression d'avoir Schubert devant moi. Une interprétation d'Emmanuel Pahud et Eric Le Sage, son vieux complice, exceptionnelle
Не заборавите Ј-L Beaumadier
@@rayaenelmar4283 Thank you, I didn't know him... Incredible !
É otimo mas não é o melhor do mundo Bouriakov e tantos outros no PÁREO ou até melhores, inclusive há varias mulheres flautistas que não tem tanta fama mundial mas estão no PÁREO as vezes são até melhores flautistas o Rei da flauta e que fez a flauta ser reconhecida no mundo é O RAMPAL, sem ele a flauta não teria a importancia e respeito reconhecido
@@antenorflautistaccb8962 Bonjour Anteneor,
Rampal ?! Non, définitivement non. Certes il a popularisé l'instrument et en a fait un instrument véritablement soliste. Certes il jouait merveilleusement mais tout de même pas toujours dans le style et... très souvent comme une mécanique un peu dénuée d'âme. À Rampal, je préfère nettement James Galway ou Maxence Larrieu.
Bonne journée.
Cordialement,
So viele Daumen nach oben drücken, wie ich möchte, gibt es leider nicht! Es ist die beste Interpretation dieses Stück. Wunderbar und vollendet gespielt😍
This piece has never been one of my favorites. With that being said, I have now changed my mind. Emmanuel brought to life a piece that I thought was drab & boring. This is how a variations piece should be played. Loved all his "moods".
Have you ever been able to learn it and perform it? It's a flutist's staple to learn. Do you actually even play?
Yes. I studied this piece while studying with Houston Symphony Principal Byron Hester in 1979.
Quel talent !!! Merci pour cette nourriture de l'ame, du coeur et de l'esprit !!!!!
One of my most favorite pieces. And as a flutist, I greatly admire the talent of Pahud. I played this for my senior recital. Not as grand as him, of course, but I love it.
I love this piece! The best piece of the flute repertoire in my opinion...
I couldn't agree more, all time favorite of mine, mindblowingly perfect!
Spirituelle, sensorielle et rebelle, la musique de ce compositeur reflète des impostures secrètes, explore des plaisirs sereins, un monde de rêves renaissants🌺🕊
one of the best music has been written and played for flute!
THIS (sc. variations) have not been arranged for flute and piano, it was only the theme, and it was not even the lied but only the music of it.
Quel duo extraordinaire !
One of the best songs for flute performed by the best flutist.
A lovely performance by one of the greatest Romantic Era composers who ever lived. His early death certainly deprived the world of Romantic music of what would have been hundreds of gorgeous compositions.
Letizia, thanks for this lovely upload. It's hard to believe that there aren't more positive comments here. Out of what right now are 113,028 views, somebody else should have written something.
I don't think we have words to describe this composition justly.
I performed this piece for my sophomore jury, then general recital. Saw this beautiful person in concert some years ago. God I wish I still played. I definitely need to get another flute. 😢❤❤❤
You should! Obviously you were very accomplice you played this piece. The world always needs more flutists.🥰
There is no other than musicians out there, no one else appreciate this
bocherini wrote a piece for flute and harp that made me feel the same way
@@patrickderp1044 Thanks for the tip!
Beauty in 20 minutes and 5 seconds.
Played this for jury my sophomore year in college. Not an easy piece by any means, but what a feeling of accomplishment to have mastered it.
BRILLIANT Emmanuel. Hope you come back to Boston.
Deliciously deep Schubert and an arresting interpretation from a great favorite flautist.
Great music, awesome performance! Thanks for sharing!
One of my favourite Pahud interpretaions!
Super. Damn they are good! I played that my senior year as a piano major and it proved so difficult that it was necessary to delay the graduation recital till the year after.
Solo ora che ho ascoltato questa interpretazione amerò questo brano
I'm able to play this piece at a masterclass. So excited! Pahud's a great inspiration! (Although this is the fastest version of variation 5 I've ever heard. 😂)
my absolute favorite piece for flute & piano!
What a great find on youtube! Extraordinary!
Fascinating! Excellent performance! Thanks
unbelievable performance!
BEAUTIFUL ! ! ! Thanks for posting :)
Maravillosa pieza! maravillosa interpretación!!!!
C'est parfait!
Emmanuel est aussi grand que Jean-Pierre Rampal!
Thanks for posting!
So beautiful
Bravo!!!
Absolutely BRILLIANT!!!
From #Brasil Maravilhoso!
"Não morre aquele que deixou na terra a melodia de seu cântico na música de seus versos."
Cora Coralina
Do Brasil também
Schubert era gênio
Bravissimo !!!
Unusually aggressive and flashy piano writing for Schubert.
It's a little-documented secret that Schubert often was frustrated by not being able to play his own music...
@@tubastuff Only the Wanderer Fantasie no?
Música celestial para el Alma. Gracias
Braviiiii!!!!!!
C'est tellement beau
Thank you very much for the clarification, I must say rather diplomatic, what I wanted to emphasize was that in this version, I would greatly appreciate the technical skill of the performers and much less the ability to understand the emotional and musical sense of the passage, what fortunately in other executions, also present on you tube, it captures more. Thank you, hello
Bravura controls the deep lyric expression of the theme and the first variation . such a pity . shouldn't the tempo and performance grow g r a d u a l l y along the variations ? at any rate , I will keep the poetic representation at the beginning performed convincingly by the flutist .
Excellent playing from both musicians. But the experience is completely ruined by too many commercials. Shame on you TH-cam!
Tremendous!!!
Es una maravilla esta obra, tan bien escrita, cada variación dice tanto, inclusive la última, en la que parece reirse de su propio dolor, maravilloso
Intro: 0:00 to 0:47
Theme: 2:46 to 3:08
Var 1: 5:38 to 5:58
Var 5: 13:31 to 13:55
Var 7: 17:13 to 17:43
браво очень круто !!!
That var V is so fast wow!
Too bad he never wrote another piece for flute
Rohith Ram This piece is a masterpiece on the flute
Kiara Eijo Yeah, but Rohit Ram wrote the same! :D
Well his arpeggione sonata has been arranged for flute. If you want I can send it to you.
There is another one, with a hellish piano part. Here it is th-cam.com/video/XLwt0ZpBII4/w-d-xo.html
That is a part of the same piece.
This is PERFECT!!!!!!!!!!
The Variations and the theme are "Trockene Blumen" (Dry flowers) of the "Winterreise" (Winter journey)
Relajante.
Excelente!
wooooooooooooooooooooooooooooooooooooooooowww!!!!!!!!!!!!!!!!!!!!!!!!!
Dora Chiodini 가요무대
가 요 무 대
가 요 무 대
가 요 무 대 가 요 무 대
Grazie Letizia.
dayı harbiden güzel çalıyor,tebrikler
6:20 sounds very much like a variation from the Huttenbrenner variations.
beautiful demonstration of instrumental technique .... one day someone will even teach these talented instrumentalists that Schubert is not Stravinsky and that this theme is taken from a Song that has a text ....but today this is perhaps the most that can be expected.
vive la technique!!!!
I can't agree with you. Have you ever play this ?
This is not just technique.
Maybe I would color it differently (in fact I do), but Pahud and Le Sage offered us music and emotions, not just a astonishingly fast bunch of notes.
@@0miyage Yes of course, I played it often, everyone has their tastes obviously ...... dear greetings and thanks for your comment
@@mattiasorge4136 😊❤
@@claudiacaerulea1517 ....better this .....th-cam.com/video/BY0_F7mbet0/w-d-xo.html...👋
Beautiful rendition
The BEST performance!
That VAR 5 it’s like on almost 1.5 XP😱
I performed this for my jury sophomore year of college
Gran interpretacio'n !!.-
Pefect bedtime music for Sunday evening, 21 February 2016
can anyone explain to me why he plays twice the 21st bar on the 2nd variation?
the pdfs i found online (both on imslp and elsewhere) show mi - sol# - mi - do# to be played only once...
no that i don't like it of course, but why would lesage and pahud intentionally change the otherwise unchanged piece?
thanks in advance
p.s.: i don't judge nobody of course, and i loooove pahud's interpretation. i'm just asking if that's a matter of taste or something else happens here :)
I saw him in masterclass and he explained that in schubert's manuscript, the bar appears two times, but that dumb editors cut off the second time. Pahud always plays as Ürtext as he can.
imslp is rarely a place to find good, reliable editions.
For an object lesson on how to perform this piece, one need look no further than this rendition
Goooood
The piano part reminds me of some other piano concerto at 12:00
Uploading a video from an artist and monetizing it is very disrespectfull, I hope at least you are using the money from the ads wisely...
8:02 третья вариация
11:57 пятая
Amazing!
why pahud tryna backsquat his flute
Perfect!!!
Another way to play this sonata
Duo stellato, La belle meunière de Franz Schubert, 1
4:42 uy! genial
Please, ear Edson Beltrame playing this piece.
Amazing
poesia.
💙💛🥀☺️
Te amo Monica papus
4:41 : Le Ruban blanc
I honestly admire Pahud, he has such a great tone. But the tempo of this piece is way too fast. I can barely enjoy it. It's an astonishing performance though.
I can get lost in this and wouldn't care about it at all.
6:19
c'est triste
C'est toi qui est triste
The i n t r o d u c t i o n should be played with richer nouances according to the Harmony . I do not hear them with Pahud .
ii
2:47
20:04
This Flutist should have better vibrato- too wide. Also needs to play on Powell Pre-Cooper Flute.
Needs to learn how to phrase better and support the Sound properly. Bob Kendel
0:06