I am happy to collaborate as much as possible. Although I am a little worried because I received a notification from You Tube for breach of copyright (not for this work of Ferdinand Ries). Something that I consider absurd, because I have no way of knowing which works are protected and which are not. Also, I do not earn money with this. I hope my account is not at risk.
@@RobertoPintos It's not copyright of Ferdinand Ries that is in breach but the copyright of the musicians and label performing. If we rip CDs and share them in this way it's less likely that labels will continue to produce such discs and then we all loose out.
@@AnnekeScott: Dear Anneke: I know, because I am a musician and composer. But there are interpreter rights, and musicians can charge that for internet broadcasting. After all, at present, the CD is not a sale item that generates a lot of money. Today, the CD has become the promotion of the work of a group, a musician, or a composer, not a product capable of generating money. How many CDs does a recording company publish in a publication of academic works? 1000? 3000? 5000? 10.000? Does anyone earn a lot of money with that? I think not. However, charging fees for reproduction on the internet may be a valid option. After all, many online reproductions are more likely to generate more money than selling CDs. Especially because it is impossible to stop illegal copies. Does anyone think that the solution is to block a person who makes a publication like the ones I do? And what are the real rights of the work itself? Who has the right to block the work of a composer (especially if he died centuries ago) just to protect his own rights in an inefficient way? The only result I know is that the CD is not sold, the work is not played, and the composer is unknown and forgotten. I am not asking you this in anger. I just try to explain myself and achieve a solution to this problem. After all, after several decades, art is universal, and no one should have rights over universal works. I charge copyright for reproduction of my works on the internet. I think it is better than the sale of CDs, because reproductions continue and always occur, the sale of CDs does not. Thank you very much for your participation in my channel.
Great performance! Thanks for sharing. As a horn player, I love this, but to be honest, Ries' work although soundly crafted and instantly forgettable. I'm still hoping for a memorable melody, competently developed. BTW. Ries father taught the young LvB counterpoint and as time moved on, the famous Beethoven took Ries as his pupil. The technique rubbed off, but the genius remained firmly with LvB.
Thank you very much for your comment, kjh789z!!! You say the truth. When comparing the work of great composers with lesser known ones, it is often possible to perceive this transcendental difference. A proof in favor of the fact that talent does not consist only in just a good formal construction.
![[CCCO] J.S. Bach: Keyboard Concerto in D minor, BWV 1052 | Ana Glig, piano](/img/n.gif)
I have learned more forgotten horn repertoire due to TH-cam than ever before...who knew?
Beautiful ! Thank you for posting :)
Thank you friend!!!
Sorry for the slowness in my response. I had not seen your message.
Enjoy it, MrGer2295!!!
2:40 HORN SOLIST START
Those low notes in the second horn part are spectacular. Credits to Erwin Wieringa. (and no need to mention Van der Zwart)
Thanks for your comment, Ludovico Maletti!!!
Thank you for uploading (I might be playing this in a while and a recording helps).
I am happy to collaborate as much as possible. Although I am a little worried because I received a notification from You Tube for breach of copyright (not for this work of Ferdinand Ries). Something that I consider absurd, because I have no way of knowing which works are protected and which are not. Also, I do not earn money with this. I hope my account is not at risk.
@@RobertoPintos It's not copyright of Ferdinand Ries that is in breach but the copyright of the musicians and label performing. If we rip CDs and share them in this way it's less likely that labels will continue to produce such discs and then we all loose out.
@@AnnekeScott:
Dear Anneke:
I know, because I am a musician and composer. But there are interpreter rights, and musicians can charge that for internet broadcasting. After all, at present, the CD is not a sale item that generates a lot of money. Today, the CD has become the promotion of the work of a group, a musician, or a composer, not a product capable of generating money.
How many CDs does a recording company publish in a publication of academic works?
1000?
3000?
5000?
10.000?
Does anyone earn a lot of money with that?
I think not.
However, charging fees for reproduction on the internet may be a valid option. After all, many online reproductions are more likely to generate more money than selling CDs. Especially because it is impossible to stop illegal copies.
Does anyone think that the solution is to block a person who makes a publication like the ones I do?
And what are the real rights of the work itself?
Who has the right to block the work of a composer (especially if he died centuries ago) just to protect his own rights in an inefficient way?
The only result I know is that the CD is not sold, the work is not played, and the composer is unknown and forgotten.
I am not asking you this in anger. I just try to explain myself and achieve a solution to this problem. After all, after several decades, art is universal, and no one should have rights over universal works.
I charge copyright for reproduction of my works on the internet. I think it is better than the sale of CDs, because reproductions continue and always occur, the sale of CDs does not.
Thank you very much for your participation in my channel.
Great performance! Thanks for sharing. As a horn player, I love this, but to be honest, Ries' work although soundly crafted and instantly forgettable. I'm still hoping for a memorable melody, competently developed. BTW. Ries father taught the young LvB counterpoint and as time moved on, the famous Beethoven took Ries as his pupil. The technique rubbed off, but the genius remained firmly with LvB.
Thank you very much for your comment, kjh789z!!!
You say the truth. When comparing the work of great composers with lesser known ones, it is often possible to perceive this transcendental difference. A proof in favor of the fact that talent does not consist only in just a good formal construction.