Jan Lisiecki - Ravel: Gaspard de la nuit, M. 55: III. Scarbo (Live from Würzburg, 2018)

แชร์
ฝัง
  • เผยแพร่เมื่อ 5 ก.พ. 2022
  • “These remarkable pieces invite you to think and feel whatever you want", says Lisiecki, "There’s no ‘right’ response to them, other than the one you’re having.”
    For his latest Deutsche Grammophon album, the pianist has chosen to return to the music of Frédéric Chopin with a brand new double album featuring the complete Nocturnes. His new recording captures the spirit of Chopin’s pianism, featuring profoundly personal interpretations of some of the most beautiful and best-loved pieces ever written for solo piano.
    Enjoy Jan Lisiecki's performance of Chopin's Nocturne in E Minor, Op. posth. 72/1 live from the historic setting of the stunning Imperial Hall of the Würzburg Residence Palace.
    Jan Lisiecki - Ravel: Gaspard de la nuit, M. 55: III. Scarbo (Live from Würzburg, 2018)
    Listen to 'Chopin: Nocturnes': dgt.link/lisiecki-nightmusic
    Subscribe here for more classical video clips - The Best Of Classical Music: bit.ly/Subscribe-DG
    Discover full concert performances on DG Premium - registration and basic library are free: www.dg-premium.com
    Get your front row ticket here for exclusive streams and world premieres with leading artists: www.dg-stage.com
    _______________
    Find Deutsche Grammophon Online
    Homepage: deutschegrammophon.com
    Facebook: deutschegrammophon
    Twitter: / dgclassics
    Instagram: / dgclassics
    Newsletter: deutschegrammophon.com/newsle...
    _______________
    最优质古典音乐 - 此处订阅: bit.ly/Subscribe-DG
    Le meilleur de la musique classique. Pour vous abonner cliquez ici: bit.ly/Subscribe-DG
    最高のクラシック音楽―登録はこちら: bit.ly/Subscribe-DG
    최고의 클래식음악을 구독하세요: bit.ly/Subscribe-DG
    Подписаться на лучшую классическую музыку:: bit.ly/Subscribe-DG
    La mejor música clásica - Suscríbase aquí: bit.ly/Subscribe-DG
    #JanLisiecki #Chopin #Piano
  • เพลง

ความคิดเห็น • 67

  • @deutschegrammophon
    @deutschegrammophon  2 ปีที่แล้ว +13

    What is your favourite composition by Ravel?

  • @momokohoffman2470
    @momokohoffman2470 13 วันที่ผ่านมา +1

    AMAZING! I saw him play with the DSO, his playing is very beautiful

  • @KrwawyFeliks
    @KrwawyFeliks 2 ปีที่แล้ว +17

    Lisiecki has an inexplicable brilliance! ❤

  • @laurence2824
    @laurence2824 ปีที่แล้ว +8

    Apart from its monumental technical difficulty, one of the most challenging elements of "Scarbo" is giving it a sense of unifying coherence. Ravel is uncharacteristically fragmentary in his approach (perhaps a nod to "Islamey"?). Lisiecki rather brilliantly identifies the motivic signposts in the work and draws our attention to them with consummate good taste. Nothing is "on-the-nose" or overdone. I especially enjoy this feature of Angela Hewitt's playing too. I'd love to hear Lisiecki play Book II of the Debussy Preludes or the Waldstein Sonata in which Lisiecki's wonderfully well-developed sense of musical geography would be absolutely thrilling.

    • @psyWAR1988
      @psyWAR1988 2 หลายเดือนก่อน

      He took inspiration from and wrote it with the intention to be harder than Balakirev's Islamay yes.

  • @jorgeluisromero8741
    @jorgeluisromero8741 ปีที่แล้ว +6

    Excelente interpretación. Lisiecki es uno de los mejores pianistas del momento.

  • @user-lf8lf3ft3x
    @user-lf8lf3ft3x ปีที่แล้ว +7

    Bravo Jan¨!!!!!!!

  • @willettej7988
    @willettej7988 2 ปีที่แล้ว +5

    To be able to play this piece is a gift. I could never master and memorize it.

  • @catherinebeduer3838
    @catherinebeduer3838 2 ปีที่แล้ว +9

    I love Ravel so much. ❤ Jan Lisiecki is a wonderful and talented pianist. I admire the speed of his fingers running on his piano. 🙏❤🎶🎹🎶❤👌😌🤗 Congratulations and thank you so much, Jan and Deutsche Grammophon. 💕💕🌹💐🌹💐🌹💐🌹💐🌹💐🌹💐🌹💐😊🌹❤🤩🇨🇵😍🫂🫂

  • @marycavender7136
    @marycavender7136 2 ปีที่แล้ว +4

    Never heard this before! However the piece is obviously extremely complecaticted! The technical musical ability to nail something of this caliber stands out as rare and phenomenal! I'm glad I stopped to listen and see his fingers and hands flying so gracefully over the keys making it thrill to watch as well! 💪🎭🥇🏆⭐⭐⭐⭐⭐🤔❤️👍‼️

  • @swan9389
    @swan9389 2 ปีที่แล้ว +5

    Wonderful, Amazing! Incredible fingerwork.🌹
    Noble and sublime scarbo.
    Bravo!!👏🏻👏🏻👏🏻👏🏻👏🏻

  • @mstalcup
    @mstalcup 2 ปีที่แล้ว +5

    This is truly exceptional, phenomenal.

  • @RobertOrgRobert
    @RobertOrgRobert 2 ปีที่แล้ว +9

    His technique is brilliantly controlled ! Bravo !

  • @jorgecunha3288
    @jorgecunha3288 ปีที่แล้ว +3

    Amazing!

  • @ectoplasma5
    @ectoplasma5 2 ปีที่แล้ว +6

    What a nice location !

  • @user-zc5mw8bz6m
    @user-zc5mw8bz6m 2 ปีที่แล้ว +5

    Браво! Это дорого стоит и многие ли смогут повторить это.

  • @derisleybrittain
    @derisleybrittain 2 ปีที่แล้ว +3

    Excellent 🍷🍷🍷🍷🍾🍾🍾🍾🥂🥂🥂🥂

  • @alblahblah
    @alblahblah 2 ปีที่แล้ว +5

    I used to have your masterful version by Ivo Pogorelich. Hard to beat.

  • @marplepoirot9370
    @marplepoirot9370 2 ปีที่แล้ว +4

    I‘m always listening Samson Francois‘. But I love this young Jan Lisiecki’s performance too.

  • @litoboy5
    @litoboy5 2 ปีที่แล้ว +1

    COOL

  • @nicoleasdorion4437
    @nicoleasdorion4437 2 ปีที่แล้ว +5

    💌 IMPLICITE EXPOSITION DE CE MORCEAU TOUT PARTICULIER DU *MAESTRO RAVEL* ... ICI INTERPRÉTÉ AVEC L’INTENSE BRIO, DU JEUNE PIANISTE *MR LISIECKI.*
    M E R C I ❤ À VOUS *GRAMMOPHON* POUR CE COURS MOMENT DE RÊVE, HORS DES GAMMES ET DES TEMPS PRÉSENTS.
    🌈 🌬☝🕊 🔥

  • @camaycama7479
    @camaycama7479 ปีที่แล้ว

    ?
    great stuff and so much interesting/questioning tempi and rubatto. Amazing virtuozity !
    Might worth a consideration about economy of means in terms of musical intensity, what do you think?

  • @scharnhorstkaisarbeethoven
    @scharnhorstkaisarbeethoven 2 ปีที่แล้ว +7

    No wonder its the hardest piece on piano

  • @salvadornascimentosalvador5689
    @salvadornascimentosalvador5689 2 ปีที่แล้ว +1

    Uma excelente semana com a família e a trava de 3💯

  • @sleuthed4529
    @sleuthed4529 ปีที่แล้ว +1

    Unbelievable

  • @lmacosta6122
    @lmacosta6122 2 ปีที่แล้ว +4

    Perhaps Ravel's best performance.

  • @globalc3849
    @globalc3849 2 ปีที่แล้ว +12

    Masterful playing. He's shockingly skilled. Not many words can describe playing at this level. But what's up with this typical ridiculous editing where they dont show his hands??? For the love of all things holy ALL WE CARE ABOUT IS HIS HANDS! We don't want to see anything else. The editors and producers are obviously not pianists!! Please fix you're editing. Only show his hands. Nothing else else matters. Do you get this??

  • @J.R.Swish1
    @J.R.Swish1 2 ปีที่แล้ว +1

    I find it hard to balance the appreciation that I have for the obvious abundance of skill, with the fact that this music simply does not sound pleasing to my ears ahah. No offense to Ravel but if I remember correctly, this piece was made with the intent of being difficult to play. Not sure what was going through his mind at the time

    • @88KeysPiano
      @88KeysPiano 2 ปีที่แล้ว +2

      This last movement is hard to listen to for new people that are getting in Ravel's music. I suggest you to start with the first two movements of the suite and some other of his small pieces and then come back to this one. Try Pogorelich's version, it's among the best you can find about this suite.

    • @hanson1710
      @hanson1710 4 หลายเดือนก่อน +2

      It's because the pianist can't produce an appropriate-sounding tone to save his life.

  • @DavidFernandez-oi6ku
    @DavidFernandez-oi6ku 21 วันที่ผ่านมา

    This just makes me wanna go listen to Yuja play it

  • @eugenetrollip751
    @eugenetrollip751 2 ปีที่แล้ว +12

    Wow! It seems Ravel composed the piece to demonstrate the pianist's technical skills, which Jan has passed with distinction. Other than that there is not much of a melody.

    • @FelOld
      @FelOld 2 ปีที่แล้ว +3

      Exactly what I was thinking.

    • @soundwiz4rd815
      @soundwiz4rd815 2 ปีที่แล้ว +2

      @@kju666 ravel himself said that with scarbo he wanted to create a caricature of romanticism

    • @brucekuehn4031
      @brucekuehn4031 2 ปีที่แล้ว +3

      I always compare with the painters of Impressionism - it’s not a sunset, but the impression of a sunset. So, about this same time, some composers and painters in France were more interested in conveying a mood or a feeling.

    • @RoboticsBay
      @RoboticsBay 2 ปีที่แล้ว +1

      Lmao

    • @alex7633
      @alex7633 2 ปีที่แล้ว

      Not much of a melody is an exaggeration.

  • @djmotise
    @djmotise ปีที่แล้ว +3

    Just another pianist playing it as fast as possible and ignoring all of Ravel"s pp and ppp markings. I stopped after 90 seconds. This kind of playing is not what we need more of today.

    • @daniele8716
      @daniele8716 2 หลายเดือนก่อน

      Indeed, but he's not so bad. Too demonstrative, though. It's not a little and playful demon but a flood of satanism

  • @muslit
    @muslit 2 ปีที่แล้ว +4

    The pianist does nothing with the important first three notes of the movement. A part from this, I find the particular interpretation wanting in many respects (especially in the timing and delineation of the form of the piece). There's a lot of mystery in Scarbo, and I'm not getting it. Lisiecki has made Scarbo boring.

  • @magicf7076
    @magicf7076 2 ปีที่แล้ว +6

    Don’t like this interpretation. I do prefer the one from Ivo Pogorelich (also DG) from the 90’s.

    • @88KeysPiano
      @88KeysPiano 2 ปีที่แล้ว +3

      That's what I was thinking. Pogo's interpretation is probably the best one

    • @smellycat60
      @smellycat60 2 ปีที่แล้ว +1

      @@88KeysPiano listen to debargue’s at the Tippett art centre! It’s unbelievable

    • @marcusanthonyPOV
      @marcusanthonyPOV 2 ปีที่แล้ว

      My thoughts exactly.

  • @88KeysPiano
    @88KeysPiano 2 ปีที่แล้ว +2

    Changing register at 3:53 has probably been the worst change that could be made to this piece. In this piece what could have been played faster has been brought to a slow and boring section and what had to be slow and creepy has been rushed. It'd be better if Lisiecki stays with his Chopin which he did way better.