“Titan,” A Tone Poem in Symphonic Form (Hamburg) / a title likely inspired by the 1803 novel by Jean Paul (later removed) Part 1 (“From the Days of Youth - Music of Flowers, Fruit, and Thorn” in Hamburg program) 🟦1st Movement (“Spring and No End” in Hamburg program) ◾Introduction - “The awakening of nature from a long winter’s sleep” (Hamburg) 0:07 Slowly, dragging, like nature sounds; Nature Theme of fourths @ 0:37 0:50 Più mosso: Clarinet fanfare (awakening call) 1:11 Tempo I: Theme of fourths 1:38 Più mosso: Trumpet fanfare (awakening call) 1:54 Tempo I: Theme of fourths 2:05 Più mosso: Cuckoo calls (awakening call) 2:12 Tempo I: Very mellow horn melody 2:30 Più mosso: Trumpet fanfare 2:38 Tempo I: Mellow horn melody 2:59 Più mosso: Trumpet fanfare and cuckoo calls 3:06 Tempo I: Chromatic bass motif and theme of fourths ◾Exposition 3:54 & 6:04 Song theme derived from “Ging heut morgen uber’s Feld” from Lieder eines fahrenden Gesellen (1884) th-cam.com/video/6VCpbMPhmWY/w-d-xo.html 4:12 & 6:22 Music of the Song’s third verse 4:58 & 7:07 Music of the Song’s first verse 5:34 & 7:41 Final group (taken from the Tirili motif) ◾Development 8:13 Part I: New form of the introduction (now with a gradual retard) without the use of clarinet and trumpet fanfares and including the Tirili motif; preparation of the cello theme 11:04 Part II: 11:07 Fanfare theme of the horns 11:31 Cantabile cello theme (functioning as a secondary theme) 11:38 Renewed statement and development of the song motif in changing colors, including the cantabile cello theme 13:34 Part III: A foreshadowing of the inferno in anticipation of a section from the Finale @54:15 14:52 “Breakthrough”: Trumpet fanfares and woodwind and horn signals 15:03 Recapitulation 16:36 Coda “my hero breaks out in laughter and runs away” “Blumine”, cut from symphony in 1896. th-cam.com/video/ueIOa_R3UEE/w-d-xo.html One of seven pieces of incidental music composed in 1884 for the epic Der Trompeter von Sakkingen by Joseph Victor von Scheffel. 🟦2nd Movement (“Under Full Sail” in Hamburg program) A mixture of landler and waltz, a peasant dance at the pub! Thematic material from earlier lied Hans und Grete (1880) th-cam.com/video/3lrwX7pV0Lw/w-d-xo.html 17:02 Kraftig bwegt [strongly moving!] 17:46 Repeat 18:29 Ostinato motif 18:53 Wild! 20:48 Trio 22:26 Etwas frischer [a little more brisk] 24:03 Tempo primo Part 2: “Commedia humana” (Hamburg) 🟦3rd Movement: Todtenmarsch in Callots Manier 25:38 Gloomy cannon death march round in D minor, derived from the well-known melody “Brother Martin, Are You Sleeping” 28:02 Sentimental transition 28:32 Trivial, “happy tune” marked “with parody” 29:46 Expressive and elegiac, “the terribly painful lament of the hero” 30:18 Canon returns 31:09 Lyric middle section, derived from last stanza of the lied “Die zwei blauen Augen von meinem Schatz” [The Two Blue Eyes of My Beloved] from Lieder eines fahrenden Gesellen th-cam.com/video/fsZXTJjJqqo/w-d-xo.html @2:43 about the tranquility and forgetfulness the traveler found under the linden tree (gravesite?) 33:18 Recapitulation in E-flat minor, varied and intensified 33:56 Two-voice trumpet melody counterpoint to the round 34:47 Two-voice trumpet melody returns in D minor in contrapuntal weaving with the round melody 34:52 plotzlich viel schneller [suddenly must faster], like a Czardas (Hungarian Dance), very rhythmically A close proximity of the tragic and the trite! 🟦4th Movement: (“Dall’ Inferno al Paradiso” in Hamburg program) Some motifs inspired by Liszt’s Dante Symphony (1856) th-cam.com/video/A7x-la2AbjE/w-d-xo.html ◾Exposition Introduction in F minor [Stormily moving]: Inferno 37:01 Dissonance, interpreted by Mahler as the ‘outcry of a deeply wounded heart’ 37:10 Liszt’s Cross motif in minor 37:13 Concise chromatic “Inferno” triplets 37:28 Anticipation of a motif from the main theme @38:16 37:31 inferno triplets 37:36 Wail (cf. Das klagende Lied, No. 81) 37:45 Inferno triplets 37:55 Cross motif in minor x4 38:13 First complex of themes in F minor: Inferno 40:04 Sequences of swelling brass sounds [with great ferocity]: Inferno 40:51 Transition 41:22 Secondary section in D-flat major [very songlike] 44:13 Epilogue in D-flat major [Slowly]: Recall of the slow introduction of the main section and inferno motif ◾Development 44:45 First part in G minor (As at the beginning) 45:28 First statement of the ‘victorious’ motif in C major, pianissimo [Liszt’s cross in MAJOR @45:35 and the 'Dresden Amen', together form the ‘Grail theme' from Wagner’s Parsifal (1882) (see th-cam.com/video/W4Xslpp6874/w-d-xo.html @5:31) which Mahler rhythmically varies here 46:04 Second part in C minor 47:15 Second entrance of the ‘victorious’ motif in C major and ‘breakthrough’ Chorale theme (47:48 - similarities to 0:37) in D major [a bold modulation signalling the sphere of the paradiso has been reached] 48:47 Recall of the motifs of the main section (very slow); ‘a remembrance of the hero’s youth’ ◾Recapitulation 51:00 Secondary section with transition in F major 53:28 Main theme in F minor (Tempo I): the Inferno image now has been moved to the distance (ppp) 54:15 Intensification of material from the main section 55:27 [Utmost strength]: breakthrough, third occurrence of the ‘victorious’ motif and Chorale theme in D major (Paradiso) 57:26 Coda Composed Jan-Mar 1888 Originally “A Symphonic Poem in Two Sections” (movements 1-3 / 4-5) Premiered in Budapest Nov 1889 to mixed reception Significant revisions for second performance in Hamburg, 1893, including programme noted below. Program elements and ‘Blumine’ (2nd movement) later removed ◾Notes based on Constantin Floros : Gustav Mahler The Symphonies, Amadeus Press (1985)
Lorin Maazel dirigiert wunderbar, das Tempo ist meines Erachtens angemessen. Das Orchester ist großartig. Danke, daß wir diese schöne Interpretation kennenlernen durften.
This is the type of orchestra Gustav Mahler must have envisioned when he wrote this Symphony. They give everything, no holds barred, big hearted and full throttle. I love this orchestra!
Primera vez que oigo la1 de Mahler y ha sido impresionante. Después oír la versión "Del Nuevo Mundo" me suscribí a la la Orquesta de Galicia, porque me gustó esa versión. El algoritmo la puso a continuación de esa, por lo que el contraste es grande, como podrán imaginar. Cosas del duende del algoritmo. He visto dos películas acerca de Mahler, por lo que la curiosidad acerca de su obra es grande. Gracias por subir sus presentaciones. Son impecables. Valparaíso. 10-12-2022
Goooooooooooooooodness! That is the single best double bass solo I have ever heard in the opening of the third movement. Bravo! And, generally, a superb performance.
Excellent microphone placement/balance by the recording engineers that captures a panoramic vista of stereophonic sound allowing the listener to hear with great clarity all of the different orchestral instruments and their sections.
Reminds me of the late 1960s stereo recordings where engineers wanted to display their advances in vinyl record stereo separation. This is all very well to my liking as Charles Buxton pointed out.
Detaillierte Aufführung dieses spätromantischen Meisterwerks voller wunderschönen und unvergesslichen Melodien. Der erfahrene Maestro dirigiert das perfekt trainierte Orchester im angemessenen Tempo mit sorgfältig kontrollierter Dynamik. Ruhe in Frieden, Herr Maazel!
Si te lo he pillado y no he tenido un buen patrón y ya te has llamado y me dices que tal tu como te recojo y me has mandado la otra cosa para ver cómo está tu correo porque si tienes que ir yo no tengo la ropa y si te lo pasas por el antibiótico que tal va tu tienes que hacer lo de las cosas que yo tengo en casa porque si yo tengo la reunión para
Poco a poco la Sinfónica de Galicia se ha ido convirtiendo en una gran orquesta. La he escuchado en varias interpretaciones y cada vez me gusta más. Esta interpretación de la N. 1 de Mahler es colosal, como su nombre, Titán
No matter how many times I listen to this masterpiece it never fails to delight. How miraculous is the musical narrative it weaves from beginning to end. It is as much a delight for the performers as the audience. This is the eternal gift of music.
The first movement of this symphony is absolutely majestic, it makes me think about the awesomeness of the creation and gives me some kind of nostalgic feeling... Thank you!! ♥️
O Mestre Lorin Maazel non nos puido deixar un maior legado que a dirección desta sinfonía de abrumadora beleza. Que descanse en paz! Orquestra Sinfónica de Galicia sodes uns maravillosos músicos incribles !!! A interpretación sonora non estaría neste nivel se non fose pola excelente dirección técnica. De verdade grazas!
I've listened to over ten symphony orchestras playing this piece and this is by far the best and most bombastic (to Mahler's liking) I have heard. Maazel is just a master and this is quite the talented orchestral group performing this piece.
Vaya con la Orquesta S. de Galicia! por Dios!...los metales suenan bellísimos! es una de las mejores interpretaciones que he visto, pero sin dudar de la calidad de la orquesta, el Dtor. hace mucho! brillante!
Magnificent!!!! Maazel and orchestra. G. Mahler: Symphony No. 1, "Titan" Definitely the best performance of this piece I have ever heard. 👏 👏 👏 👏, Bravo ❤️
It’s always a thrill to see the brass standing at the finale. I know they’re not leaving anything behind; they’re giving their maximum. I don’t feel cheated.
Esecuzioe stupenda! L' ennesimo esempio di come un magnifico interprete possa far suonare meravigliosamente anche un'orchestra considerata (infondatamente) di secondo rango....Ma la Sinfonica de Galicia dimostra di essere un'orchestra di primissimo rango, con prime parti - vedasi, ad esempio, le trombe - degne dei massimi riconoscimenti. Maazel aveva sprazzi di autentica genialità..........
Maazel's handling of the TRIO in the Scherzo (the schmaltzy stuff) and the entire Third Movement was SUPERB in his Vienna (Sony) recording from the '80's; HERE, he gets the orchestra to play with the same expression, color, and idiomatic feel, quite an astounding feat. Bravo to everyone involved. LR
BRAVO ORQUESTA SINFÓNICA DE GALICIA !! CON ESTOS PROFESORES Y CON LA DIRECCIÓN DEL MAESTRO HERR MAAZEL. GALICIA ES MUCHO MÁS GRANDE...FELICIDADES ! MAGNIFICA SINFONÍA DE GRAN MALHER ,Y POR SUS COMPOSICIONES CORALES.GRACIAS.AndonY
One of the best live recordings of Mahler's 1st ever. But I have to say it's the concert master is the most passionate orchestral violinist I've ever seen. Either that or he's a huge Mahler fan, to say the least.
Hay unos matices y fraseos maravillosos. Una orquesta en estado de gracia....no, siempre en estado INMENSO. Una orquesta para competir en todo el mundo. Todas las secciones son de lujo. Gran versión con un gran director y una gran orquesta. Por ciert, en el minuto 2'' se puede ver al gran cellista David Ethève recién fallecido el 10 de diciembre de 2016 (D.E.P.)
I think this is a great performance of Titan, made me feel like I was back in Poland walking in the forest and listening to cuckoos, folk melodies in a little village and coming home to my Cantor grandfather's Jewish songs and dancing with my friends at the Jewish gathering 🙂 And when bad times make me restless, back at the forest all troubles seem to go away. Life is full of conflicts we struggle with as Mahler did but memories of childhood, music we grew up with and nature make it easier to cope. And triumph prevails
Strength, melody, beauty and what an ending, almost like a pre-echo of the “Hammer blows of Destiny” I’ve known and loved this symphony since I was about 16 but this incredible version is almost like hearing it for the first time. And bravo to the orchestra who were equal to every demand put on them!
01:37 Dios Mio! Es magnifica la interpretación por el hecho de ser balanceada sin excesos en los tiempos (o muy rápido o muy lento sobretodo en el Finale) es un gran virtud de los directores mantener ese equilibrio, Grande "Big Mazzel"
Excelente interpretación, excelente orquesta sinfónica y por supuesto excelente director de orquesta. Los tempos o velocidades de los movimientos son muy bien llevados por este director, no por nada fue unos de los mejores directores de orquesta del siglo XX y un parte de este.
Um belo dia, em meados dos anos 70, manuseando a coleção de discos LP de meu querido pai, tive o prazer de conhecer o senhor Maazel: a gravação era da 1ª Sinfonia de Tchaikovsky, com a London Symphony Orchestra. Em seguida fui presenteado com um disco de obras de Rimsky-Korsakov (Capriccio espagnol e The Golden Cockerel), com The Cleveland Orchestra. Desde então coloquei o Sr. Maazel na minha galeria dos melhores regentes.
47'27''': I was 'shocked' when the whole orchestra paused, when I was doing homework, listening to this. This made me pause on my homework and watch exactly what happened right at the moment. Really surprising, but pretty reasonable - I don't think a lot of orchestras are doing this. This is definitely new to me.
I have to laugh because so many composers in the 20th century eschewed melody because they could not match Mahler. This is a piece that sings from beginning to end. What a joy!
Absolutely well balanced play!!! Mahler mounted lots of disparted notes from Oriental motives in his symphonies. So some great conductors complained it and did not play Mahler often. Maazel has made this Giant music in Order - that was the love of Maszel's interpretation. New rising conductor, Klaus Makela, has shown somewhat disorders forward and interpreted Mahler's notes in new details that was also unique and interesting too.
I have to say very, very good ... love the tempos. Far too many conductors rush Mahler's 1st. (Although maybe a bit ponderous in the last French horn refrain).
Tô fazendo um trabalho pra escola e q coisinha chata viu... A Professora pergunta um monte de coisa, e eu n sei como eu vou descobri sasporra as legenda tudo em inglês, espanhol sla... "Quais são os principais componentes" aí a professora vem me perguntar isso... uai são um monte de véio pronto aaaaaaa
“Titan,” A Tone Poem in Symphonic Form (Hamburg) / a title likely inspired by the 1803 novel by Jean Paul (later removed)
Part 1 (“From the Days of Youth - Music of Flowers, Fruit, and Thorn” in Hamburg program)
🟦1st Movement (“Spring and No End” in Hamburg program)
◾Introduction - “The awakening of nature from a long winter’s sleep” (Hamburg)
0:07 Slowly, dragging, like nature sounds; Nature Theme of fourths @ 0:37
0:50 Più mosso: Clarinet fanfare (awakening call)
1:11 Tempo I: Theme of fourths
1:38 Più mosso: Trumpet fanfare (awakening call)
1:54 Tempo I: Theme of fourths
2:05 Più mosso: Cuckoo calls (awakening call)
2:12 Tempo I: Very mellow horn melody
2:30 Più mosso: Trumpet fanfare
2:38 Tempo I: Mellow horn melody
2:59 Più mosso: Trumpet fanfare and cuckoo calls
3:06 Tempo I: Chromatic bass motif and theme of fourths
◾Exposition
3:54 & 6:04 Song theme derived from “Ging heut morgen uber’s Feld” from Lieder eines fahrenden Gesellen (1884) th-cam.com/video/6VCpbMPhmWY/w-d-xo.html
4:12 & 6:22 Music of the Song’s third verse
4:58 & 7:07 Music of the Song’s first verse
5:34 & 7:41 Final group (taken from the Tirili motif)
◾Development
8:13 Part I: New form of the introduction (now with a gradual retard) without the use of clarinet and trumpet fanfares and including the Tirili motif; preparation of the cello theme
11:04 Part II:
11:07 Fanfare theme of the horns
11:31 Cantabile cello theme (functioning as a secondary theme)
11:38 Renewed statement and development of the song motif in changing colors, including the cantabile cello theme
13:34 Part III: A foreshadowing of the inferno in anticipation of a section from the Finale @54:15
14:52 “Breakthrough”: Trumpet fanfares and woodwind and horn signals
15:03 Recapitulation
16:36 Coda “my hero breaks out in laughter and runs away”
“Blumine”, cut from symphony in 1896. th-cam.com/video/ueIOa_R3UEE/w-d-xo.html
One of seven pieces of incidental music composed in 1884 for the epic Der Trompeter von Sakkingen by Joseph Victor von Scheffel.
🟦2nd Movement (“Under Full Sail” in Hamburg program)
A mixture of landler and waltz, a peasant dance at the pub!
Thematic material from earlier lied Hans und Grete (1880) th-cam.com/video/3lrwX7pV0Lw/w-d-xo.html
17:02 Kraftig bwegt [strongly moving!]
17:46 Repeat
18:29 Ostinato motif
18:53 Wild!
20:48 Trio
22:26 Etwas frischer [a little more brisk]
24:03 Tempo primo
Part 2: “Commedia humana” (Hamburg)
🟦3rd Movement: Todtenmarsch in Callots Manier
25:38 Gloomy cannon death march round in D minor, derived from the well-known melody “Brother Martin, Are You Sleeping”
28:02 Sentimental transition
28:32 Trivial, “happy tune” marked “with parody”
29:46 Expressive and elegiac, “the terribly painful lament of the hero”
30:18 Canon returns
31:09 Lyric middle section, derived from last stanza of the lied “Die zwei blauen Augen von meinem Schatz” [The Two Blue Eyes of My Beloved] from Lieder eines fahrenden Gesellen th-cam.com/video/fsZXTJjJqqo/w-d-xo.html @2:43 about the tranquility and forgetfulness the traveler found under the linden tree (gravesite?)
33:18 Recapitulation in E-flat minor, varied and intensified
33:56 Two-voice trumpet melody counterpoint to the round
34:47 Two-voice trumpet melody returns in D minor in contrapuntal weaving with the round melody
34:52 plotzlich viel schneller [suddenly must faster], like a Czardas (Hungarian Dance), very rhythmically
A close proximity of the tragic and the trite!
🟦4th Movement: (“Dall’ Inferno al Paradiso” in Hamburg program)
Some motifs inspired by Liszt’s Dante Symphony (1856) th-cam.com/video/A7x-la2AbjE/w-d-xo.html
◾Exposition
Introduction in F minor [Stormily moving]: Inferno
37:01 Dissonance, interpreted by Mahler as the ‘outcry of a deeply wounded heart’
37:10 Liszt’s Cross motif in minor
37:13 Concise chromatic “Inferno” triplets
37:28 Anticipation of a motif from the main theme @38:16
37:31 inferno triplets
37:36 Wail (cf. Das klagende Lied, No. 81)
37:45 Inferno triplets
37:55 Cross motif in minor x4
38:13 First complex of themes in F minor: Inferno
40:04 Sequences of swelling brass sounds [with great ferocity]: Inferno
40:51 Transition
41:22 Secondary section in D-flat major [very songlike]
44:13 Epilogue in D-flat major [Slowly]: Recall of the slow introduction of the main section and inferno motif
◾Development
44:45 First part in G minor (As at the beginning)
45:28 First statement of the ‘victorious’ motif in C major, pianissimo [Liszt’s cross in MAJOR @45:35 and the 'Dresden Amen', together form the ‘Grail theme' from Wagner’s Parsifal (1882) (see th-cam.com/video/W4Xslpp6874/w-d-xo.html @5:31) which Mahler rhythmically varies here
46:04 Second part in C minor
47:15 Second entrance of the ‘victorious’ motif in C major and ‘breakthrough’ Chorale theme (47:48 - similarities to 0:37) in D major [a bold modulation signalling the sphere of the paradiso has been reached]
48:47 Recall of the motifs of the main section (very slow); ‘a remembrance of the hero’s youth’
◾Recapitulation
51:00 Secondary section with transition in F major
53:28 Main theme in F minor (Tempo I): the Inferno image now has been moved to the distance (ppp)
54:15 Intensification of material from the main section
55:27 [Utmost strength]: breakthrough, third occurrence of the ‘victorious’ motif and Chorale theme in D major (Paradiso)
57:26 Coda
Composed Jan-Mar 1888
Originally “A Symphonic Poem in Two Sections” (movements 1-3 / 4-5)
Premiered in Budapest Nov 1889 to mixed reception
Significant revisions for second performance in Hamburg, 1893, including programme noted below.
Program elements and ‘Blumine’ (2nd movement) later removed
◾Notes based on Constantin Floros : Gustav Mahler The Symphonies, Amadeus Press (1985)
解説ありがとうございます❤
Lorin Maazel dirigiert wunderbar, das Tempo ist meines Erachtens angemessen. Das Orchester ist großartig. Danke, daß wir diese schöne Interpretation kennenlernen durften.
A powerful rendition by a legendary conductor
A magnificent performance. Mahler is now saying, “here I am, this is the first of many.”
Best version of Mahler no.1. Bravo Maazel, the true master of conducting.
This is the type of orchestra Gustav Mahler must have envisioned when he wrote this Symphony. They give everything, no holds barred, big hearted and full throttle. I love this orchestra!
Primera vez que oigo la1 de Mahler y ha sido impresionante. Después oír la versión "Del Nuevo Mundo" me suscribí a la la Orquesta de Galicia, porque me gustó esa versión. El algoritmo la puso a continuación de esa, por lo que el contraste es grande, como podrán imaginar. Cosas del duende del algoritmo. He visto dos películas acerca de Mahler, por lo que la curiosidad acerca de su obra es grande. Gracias por subir sus presentaciones. Son impecables. Valparaíso. 10-12-2022
*
😅😊😊😊😊😊😊😊😊😊😊😊😊
Thank you very much Maestro Maazel for bringing us this beauty. And my thanks also to the Sinfonica de Galicia that always is good.
If I could... I'd give a thousand of likes !!! Lorin Maazel R.I.P.
The famous memory on display.❤
Maazel u grandisimo director y esta orquesta nunca decepciona. Magnifica
I hope the people living in this part of Spain appreciate that they have a world class orchestra.
25:40 That has to be the "cleanest" bass solo I've ever heard. Perfection, and the guy doesn't look like he's struggling or tense, beautiful...!!
Goooooooooooooooodness! That is the single best double bass solo I have ever heard in the opening of the third movement. Bravo! And, generally, a superb performance.
Excellent microphone placement/balance by the recording engineers that captures a panoramic vista of stereophonic sound allowing the listener to hear with great clarity all of the different orchestral instruments and their sections.
Reminds me of the late 1960s stereo recordings where engineers wanted to display their advances in vinyl record stereo separation. This is all very well to my liking as Charles Buxton pointed out.
One of the things I most enjoy is seeing the conductor in action and I simply LOVE watching Maazel's effort and energy towards the very last minutes!
NO SABÍA QUE GALICIA TENÍA UNA ORQUESTA ASI DE EXCELENTE. MAAZEL GRAN DIRECTOR Y GRANDIOSA LA MÚSICA DE MAHLER. SALUDOS DESDE BUENOS AIRES ARGENTINA!
L A M B O N O S K Y
The best performance ever!
Estupenda versión. Lorin Maazel genial. Y la Sinfónica de Galicia, primerisimo nivel.
Detaillierte Aufführung dieses spätromantischen Meisterwerks voller wunderschönen und unvergesslichen Melodien. Der erfahrene Maestro dirigiert das perfekt trainierte Orchester im angemessenen Tempo mit sorgfältig kontrollierter Dynamik. Ruhe in Frieden, Herr Maazel!
Si te lo he pillado y no he tenido un buen patrón y ya te has llamado y me dices que tal tu como te recojo y me has mandado la otra cosa para ver cómo está tu correo porque si tienes que ir yo no tengo la ropa y si te lo pasas por el antibiótico que tal va tu tienes que hacer lo de las cosas que yo tengo en casa porque si yo tengo la reunión para
@@paolaoliva3439 piola Paola el violinista pelon al lado isquierdo primers Fila
@@paolaoliva3439 bos k opinas?
Poco a poco la Sinfónica de Galicia se ha ido convirtiendo en una gran orquesta.
La he escuchado en varias interpretaciones y cada vez me gusta más.
Esta interpretación de la N. 1 de Mahler es colosal, como su nombre, Titán
Muy cierto, como los buenos vinos pasa el tiempo.... MAS RICO , SABROSO. 🎼🎶🎵🙏👍
No matter how many times I listen to this masterpiece it never fails to delight. How miraculous is the musical narrative it weaves from beginning to end. It is as much a delight for the performers as the audience. This is the eternal gift of music.
Que gran orquesta y que gran director.Era muy saltarín cuando lo vi en un ensayo con la Orquesta Nacional.
The first movement of this symphony is absolutely majestic, it makes me think about the awesomeness of the creation and gives me some kind of nostalgic feeling...
Thank you!! ♥️
Nostalgia, that’s it!!!! Indeed
Magnifico!! Maestro Mahler would be PROUD!!! BRAVO!! BRAVO!!
Maazel is perfectly tuned with Mahler and the appropriate conductor for the austrian composer
Truly a titan in every aspect. Great performance.
O Mestre Lorin Maazel non nos puido deixar un maior legado que a dirección desta sinfonía de abrumadora beleza. Que descanse en paz! Orquestra Sinfónica de Galicia sodes uns maravillosos músicos incribles !!! A interpretación sonora non estaría neste nivel se non fose pola excelente dirección técnica. De verdade grazas!
I've listened to over ten symphony orchestras playing this piece and this is by far the best and most bombastic (to Mahler's liking) I have heard. Maazel is just a master and this is quite the talented orchestral group performing this piece.
Eric, I totally agree. Mahler was sent from God to write music!!! Salute!! xo Juancito....
@@Taoseno2007 It's glorious...brings tears to the eyes.
I don't know why this reminds me of symphonie fantastique. Great sound and great camera work.
Qué enorme y gran orquesta es la Sinfónica de Galicia!!! No me canso de disfrutarla!!!
Vaya con la Orquesta S. de Galicia! por Dios!...los metales suenan bellísimos! es una de las mejores interpretaciones que he visto, pero sin dudar de la calidad de la orquesta, el Dtor. hace mucho! brillante!
extraordinario!, una orquesta con gran sonido
Magnificent!!!! Maazel and orchestra. G. Mahler: Symphony No. 1, "Titan" Definitely the best performance of this piece I have ever heard. 👏 👏 👏 👏, Bravo ❤️
The Full Monty⚠
Beautiful. The ending had that powerful slow tempo that I always wish would happen. Mahler sure spoke well.
It’s always a thrill to see the brass standing at the finale. I know they’re not leaving anything behind; they’re giving their maximum. I don’t feel cheated.
¡Qué elegancia!!!!Maravilloso, sublime.Te levanta el espíritu
I loved the slow pace of the Finale. Very rare.
＃ライブ会場映像の魅力、＃オーケストラ、＃楽曲の演奏速度最高です。＃臨場感、＃スイッチャーカメラ割り、
第1楽章0:07秒、指揮者は楽譜の音部記号や変化記号や強弱記号、速度記号、1つの音符のみを強調する記号、特定の音符のみを強くしたり弱くしたりする記号を含むニュアンスのアーティキュレーションが素晴らしいですね感動しました。スイッチャーカメラ割り映像0:10秒、0:16秒、0:22秒を含む数箇所、第2楽章17:01秒、またオーケストラの皆さんの指揮者に対する理解力の演奏はニュアンスのアーティキュレーションが素晴らしく感動しました。また複数のTVカメラ映像の切り替えスイッチャーの映像が素晴らしいですね感動しました。また複数のTVカメラ映像切り替えスイッチャーの譜面や楽譜が読めるスイッチャーの楽器奏者のカメラ割り映像が素晴らしいですね感動しました。🙌👍❤️ありがとうございました。😊第1楽章でトライアングルのカメラ割り映像がなかつたですね。？コメント中です。
Esecuzioe stupenda! L' ennesimo esempio di come un magnifico interprete possa far suonare meravigliosamente anche un'orchestra considerata (infondatamente) di secondo rango....Ma la Sinfonica de Galicia dimostra di essere un'orchestra di primissimo rango, con prime parti - vedasi, ad esempio, le trombe - degne dei massimi riconoscimenti. Maazel aveva sprazzi di autentica genialità..........
O
🙌🇮🇹🇪🇸🇦🇹🇩🇴🎼
Beautifully conducted, beautifully performed.
Que sobriedad y magnificencia felicitaciones al maestro y la Orquesta. Sublime. Gracias
Still love this performance--and great camera work, too!
Extraordinario Gracias Maestro Maazel y también a la Orquesta de Galicia me fascinó 👏👏👏🌹
Incredible le tempo finale.,amazing!!!!!
This is magnificent. I had no idea this piece could sound rich and lush and clear and sparkling all at the same time.
Maazel's handling of the TRIO in the Scherzo (the schmaltzy stuff) and the entire Third Movement was SUPERB in his Vienna (Sony) recording from the '80's; HERE, he gets the orchestra to play with the same expression, color, and idiomatic feel, quite an astounding feat. Bravo to everyone involved. LR
BRAVO ORQUESTA SINFÓNICA DE GALICIA !! CON ESTOS PROFESORES Y CON LA DIRECCIÓN DEL MAESTRO HERR MAAZEL. GALICIA ES MUCHO MÁS GRANDE...FELICIDADES !
MAGNIFICA SINFONÍA DE GRAN MALHER ,Y POR SUS COMPOSICIONES CORALES.GRACIAS.AndonY
En memoria del gran maestro John Aigi, inmenso como primera trompeta
Muchas Felicidades por tan emotiva interpretación al lado del Maestro Lorin !!!!
One of the best live recordings of Mahler's 1st ever. But I have to say it's the concert master is the most passionate orchestral violinist I've ever seen. Either that or he's a huge Mahler fan, to say the least.
Paolo
He is always like that...
I was afraid he might poke someone in the ear!!!
Hay unos matices y fraseos maravillosos. Una orquesta en estado de gracia....no, siempre en estado INMENSO. Una orquesta para competir en todo el mundo. Todas las secciones son de lujo. Gran versión con un gran director y una gran orquesta.
Por ciert, en el minuto 2'' se puede ver al gran cellista David Ethève recién fallecido el 10 de diciembre de 2016 (D.E.P.)
I like how long the beginning remains a delicate opening. I usually get right to the madness in my compositions so this is a good change of energy.
25:45 dieser bassist ist genial! ich habe das noch nie so musikalisch gespielt gehört!
Brillante! Magnifico! Bravooo!!!
I think this is a great performance of Titan, made me feel like I was back in Poland walking in the forest and listening to cuckoos, folk melodies in a little village and coming home to my Cantor grandfather's Jewish songs and dancing with my friends at the Jewish gathering 🙂 And when bad times make me restless, back at the forest all troubles seem to go away. Life is full of conflicts we struggle with as Mahler did but memories of childhood, music we grew up with and nature make it easier to cope. And triumph prevails
Preety and it's mastered so greatly. BRAVO. BRAVO
Don’t you just love Mahler!!!
L. Kemp Hopefully, Rita is educated📯
YES! Especially with this orchestra!
All my life....
Gustav created the music of my life. It is the music of my life
Love love love the timpani roll in the 4th movement .... barrrrump, barrrump, barrrump - let me hear every note like Mahler wanted me to!
This is the soundtrack when heaven meets earth !!👏👏👏😍
25:46 amazing doublebass solo
Strength, melody, beauty and what an ending, almost like a pre-echo of the “Hammer blows of Destiny” I’ve known and loved this symphony since I was about 16 but this incredible version is almost like hearing it for the first time. And bravo to the orchestra who were equal to every demand put on them!
01:37 Dios Mio! Es magnifica la interpretación por el hecho de ser balanceada sin excesos en los tiempos (o muy rápido o muy lento sobretodo en el Finale) es un gran virtud de los directores mantener ese equilibrio, Grande "Big Mazzel"
Grandiosa obra de principio s fin, llevada de la mano magistralmente con la sensibilidad del Gran Maestro
una de mis orquestas favoritas 💕
Fantástica obra!!!!
Y excelente ejecución, la mejor que he visto!!!!
You got that right first row 👏 chair 1
Wonderful to find your orchestra here on You Tube.
Anne Marie Boile Good to see you too!
anna maria boile i agree this is supreme joy xx
Fantástica perfomance!
one of the best, really masterpiece, bravo!
magnificent performance of a magnificent piece
Simply brilliant!
Sublime ejecución.
このオケは私がユーチューブで知り得たオーケストラです！
彼らは音楽が何をすべきものか、表現力、パワー、楽器の操作はもちろん、
すべてにおいて世界トップレベルに間違いない!このオケの人は一体何者?スーパー集団!です！ウイーン．ベルリン・フィルにも匹敵しています。
日本にくてくれる事が望みです！
もっとたくさん聞いてみたい!
MARAVILLOSO
Me ha encantado. Bravo 👌💪
Excelente interpretación, excelente orquesta sinfónica y por supuesto excelente director de orquesta. Los tempos o velocidades de los movimientos son muy bien llevados por este director, no por nada fue unos de los mejores directores de orquesta del siglo XX y un parte de este.
Bravo e tres bien ca me fait plaisir decouter cette musique... jespere vous serez toujours succeees ... chapeux shaina camous
A truly great performance and recording of a great symphony !
Lorin Maazel in memoriam (1930-2014)
Maazel has left us too soon. May he rest in peace. Amen.
Um belo dia, em meados dos anos 70, manuseando a coleção de discos LP de meu querido pai, tive o prazer de conhecer o senhor Maazel: a gravação era da 1ª Sinfonia de Tchaikovsky, com a London Symphony Orchestra. Em seguida fui presenteado com um disco de obras de Rimsky-Korsakov (Capriccio espagnol e The Golden Cockerel), com The Cleveland Orchestra. Desde então coloquei o Sr. Maazel na minha galeria dos melhores regentes.
En un hipotetico cuelo, estará dirigiendo la orquesta de los angeles!
cielo
Lorin Maazel was a big man
RIP Lorin Maazel. How different from when we saw him conducting the NY Philharmonic as a guest in early 1970's.
galicius
He was the resident conductor of the Cleveland Symphony Orchestra. I have heard his conducting many times.
47'27''': I was 'shocked' when the whole orchestra paused, when I was doing homework, listening to this. This made me pause on my homework and watch exactly what happened right at the moment. Really surprising, but pretty reasonable - I don't think a lot of orchestras are doing this. This is definitely new to me.
Comme vous j'ai été très surpris de cette pause à 47'27", c'est très déroutant surtout que l'interprétation est spectaculaire !
R.I.P. Lorin 😪😪😪😪
He was so naughty at 4727.
I have to laugh because so many composers in the 20th century eschewed melody because they could not match Mahler. This is a piece that sings from beginning to end. What a joy!
Love it so much when the French horns stood up... I cried.
the tempo at the last movement was very well designed and impressive. so moving.
Magnifique.
Magnifica interpretación!!
Absolutely well balanced play!!! Mahler mounted lots of disparted notes from Oriental motives in his symphonies. So some great conductors complained it and did not play Mahler often. Maazel has made this Giant music in Order - that was the love of Maszel's interpretation. New rising conductor, Klaus Makela, has shown somewhat disorders forward and interpreted Mahler's notes in new details that was also unique and interesting too.
Bravo!!! Fantastic performance!!!
The tempo at the end is magnificent!!! Not rushed or racing like so many!
first time hearing Langsam at university i got hooked on Mahler
Totalement géniale.
very pretty in my mind thanks
refined
Bellissimo !!! ❤️
This is a long, leisurely waking up on any given holiday.
Musica bellissima su di un tema incredibile ma sublime.
UN MAGNIFICO CONCIERTO
大変素晴らしい、私は好きです。
こんな素晴らしい演奏は他にありません。最高の名演です。
Mahler’s genius… I love so much this symphony and that’s a great performance here. R.I.P L. Maazel.
Nur die Musik die in die Ohren Fließ ist das einzige wahre wirklichkeit ❣️🌹❣️🌹🥂
I have to say very, very good ... love the tempos. Far too many conductors rush Mahler's 1st. (Although maybe a bit ponderous in the last French horn refrain).
Very good Lorin Maazel!
A coisa mais linda q já vi na vida
Tô fazendo um trabalho pra escola e q coisinha chata viu... A Professora pergunta um monte de coisa, e eu n sei como eu vou descobri sasporra as legenda tudo em inglês, espanhol sla... "Quais são os principais componentes" aí a professora vem me perguntar isso... uai são um monte de véio pronto aaaaaaa
@@upperstorm_ quem me dera ter tido um trabalho escolar sobre essa obra…