Pulling beautiful chords out of thin air, and as you said "limitless", and you string them together in such an unconventional way. I never get tired of listening to your renditions of classics tunes.
Thank you for this Tory. As a very late starter to playing jazz I will be viewing this a million or so times as I continue to learn useful grips. You are an inspiration.
Thanks for posting this! I really like the detailed chord info. I'm actually more of a metal / hard rock player, but I think everybody can benefit from learning to hear all the chord interval sounds
Tory, if I had your talent at your age, I would have been traveling the world, staying in first-class hotels and lounging around for tips. You diserve nothing but the best - touch of class.
Thanks, I couldn't be happier with the choice of tune. One of my personal music validation moments was when I learned the basics of this one, and I'm looking forward to working on it some more. 👏👏👏
SO diggin' some "'Round Midnight" @ just around 6:16 in the A.M. & loved from Los Angeles, thank you very very much... ...done by the amazing Lady with a grand piano in her lap (!)
I think Don Mock had some of the best chromatic descending chord stuff for R. M. on yt. BTW, thanks, I'm really glad you did Round Midnight, it's one of my favorite tunes for solo guitar performance.
Thanks. I think the open coil style humbuckers are inherently brighter and more modern sounding.... which is a thing.... Kind of different from what I'm used to. I basically have like a heavily tweaked matchless chieftain model from the GP 10, which is everything you hear that's clean over the last number of years, and it's basically just like a pedal platform... If you can get it right to the point where it starts to just get a little gritty, then it's like you've got enough gain to actually push it almost into saturation...vs what I've tried in the past, which is just this very clean thing, which ends up being very plinky... That s*** might work for rock or some other style but, it just kind of sounds dead on the Jazz side, at least to me anyway... The aforementioned I think also helps with the two-handed style quite a bit.
I like to start the song off in E Minor then on bar 5 go to D Minor. Plus use a lot of sus chords for tension. On the middle Section I use the Tonal area of F Major. The more key changes, the better.
Pulling beautiful chords out of thin air, and as you said "limitless", and you string them together in such an unconventional way. I never get tired of listening to your renditions of classics tunes.
Tory Tory Tory. Thank you so very much.
Hey Tory, Nice voicing and melody accompaniment. Feel the Love !
I always loved your video of round midnight. Please do more of this type of instruction. Chord grids pdf would be a real time saver, please!
You are a maestra Tory.thanks
Kenny Burrell's version is my absolute favorite. The tune itself is my favorite. Long live Monk
Thank you for this Tory. As a very late starter to playing jazz I will be viewing this a million or so times as I continue to learn useful grips. You are an inspiration.
Thanks for posting this! I really like the detailed chord info. I'm actually more of a metal / hard rock player, but I think everybody can benefit from learning to hear all the chord interval sounds
🖐️😊 all good
tysm
Really great of you to go through your chord voicings. Thanks Tory, much appreciated.
Tory, if I had your talent at your age, I would have been traveling the world, staying in first-class hotels and lounging around for tips. You diserve nothing but the best - touch of class.
Sounds awesome!
Dig the chord progressions.
Nice Zelda soundbite at the beginning
Thanks, I couldn't be happier with the choice of tune. One of my personal music validation moments was when I learned the basics of this one, and I'm looking forward to working on it some more. 👏👏👏
🖐️😊😊😊😊😊😊😊😊
Inspired
Oh nice! Can’t wait to sink my teeth into this
SO diggin' some "'Round Midnight" @ just around 6:16 in the A.M.
& loved from Los Angeles, thank you very very much...
...done by the amazing Lady with a grand piano in her lap (!)
I think Don Mock had some of the best chromatic descending chord stuff for R. M. on yt. BTW, thanks, I'm really glad you did Round Midnight, it's one of my favorite tunes for solo guitar performance.
The double time demonstration at 6:40 slayed me! lol Great tutorial, Tory
...had to do it
May be my fave version.
Always inspiring!
Pretty chilled compared to some of your more recent oeuvre
And when I thoughts Gods of guitar were dessapearing, I found Tory. Btw great tone, warm, and sometimes creamy.
Thanks. I think the open coil style humbuckers are inherently brighter and more modern sounding.... which is a thing.... Kind of different from what I'm used to. I basically have like a heavily tweaked matchless chieftain model from the GP 10, which is everything you hear that's clean over the last number of years, and it's basically just like a pedal platform... If you can get it right to the point where it starts to just get a little gritty, then it's like you've got enough gain to actually push it almost into saturation...vs what I've tried in the past, which is just this very clean thing, which ends up being very plinky... That s*** might work for rock or some other style but, it just kind of sounds dead on the Jazz side, at least to me anyway... The aforementioned I think also helps with the two-handed style quite a bit.
I like to start the song off in E Minor then on bar 5 go to D Minor. Plus use a lot of sus chords for tension. On the middle Section I use the Tonal area of F Major. The more key changes, the better.
reminds me of a 50[s song ... Mr sandman or something... happy election day to ya Tory Thelonious ... !
It does sort of sound like that. I never would have noticed that.
There are PDF?great song and chords.thelonius song
No pdf, I just kind of did it off hand