Immer wenn ich Paul sehe, freue ich mich so eine großartige Musik zu hören. Ich kann es nicht verstehen, dass es ohne Harmonic Pedal einen Sinn ergäbe. Danke FEURICH !!!
you will never understand the creation of free will. therefore, there will always be war. peace is a deception when death is a reality. everything races towards death.
This piece was played by our church organist (on piano) while the congregation meditated for several minutes during a Good Friday service. It certainly enhanced everyone's focus on the meaning of the this sacred observance.
Mr. Barton, you are one of the most generous artist in the world... Sharing your talent freely, like that, on TH-cam! Thank you so much. As for the music itself, one of my teacher once told me that it was one most beautiful fraud ever committed!
~~💝💝~~ Oeuvre très difficile à interpréter !!! toute en nuances, profondeur des sentiments, élégance etc ... Très belle interprétation Maestro Paul :-) c'est un grand moment musical d'atmosphère ..... Merci **********!
Wauuuuuuu impresionantemente maravilloso y sublime. Mis oídos no pueden estar jamás tan fascinado de escuchar esta pieza magistral y la interpretación en el piano es simplemente hermoso. 🥹🥹🥹🥹🥹🥹
Congratulations! I'm a Brazilian researcher and I'm studing about Barroco from Minas Gerais and its impact on the work of a romanian painting Emeric Marcier and this piece sounds lovely.
Paul Barton It's very interesting! If you want to know more about the research on the painter Emeric Marcier, I'll be very pleased! Thank you, very much!
this is Wonderful solemn and sombre certainly deserves the octaves and this piano created piano amplification from an organ reduction. There are other arrangements that use thirds in right hand sections or bounce the bass up down up ie opposite from down up down... in places however after all that im not sure what I was even asking for originally. Thanks for this inspirational performance and being true to the music is everything. Hope the elephants get to hear this one when they got the blues ;) many thanks and best wishes from Scotland
Funny you should mention elephants, as I was recording I started to think an elephant called Romsai might like to listen to parts of this. If I get the chance, I will play it to him. One of the main challenges of playing piano reductions of slow orchestral works is it's not possible to crescendo into a note expressively as stringed instruments and singers can do or hold on to a note's duration powerfully as a string section can do with bowing, which gives the work so much of its character. So as you associate the orchestral sound colour so much with the music hearing it played on piano can come across as a bit of a shock. I somehow feel more comfortable about listening to piano reductions of orchestral works than listening to orchestral version of piano works. Do you know what I mean? So -- one solution would be to play it faster on the piano than you would usually hear with a string ensemble with organ and that was my plan, but even though the decay was less noticeable at a faster tempo, it lost more than it gained. To approximate the sustained organ bass while the violin solos alI I could think of was to hold down a pivot note silently to support the hand and make a shallow vibrato with the hammers as close to the strings as possible rather than a full tremolo. Sometimes pianists will repeat a long sustained bass chord half way along its duration as a solution, which often turns up at the end of Bach's Prelude and Fugues for example, and I tried this but it didn't work. When the theme is heard in ff for the last time in the orchestral version the melody comes through much more than it does in the piano sheet music, especially if you think of the now well known orchestral recordings with a full modern orchestra (I think Karajan used the Savini arrangement) rather than the string ensemble and organ it was originally made for by Giazotto. So adding notes with the aim to get as close as possible to the fullness of a large string section, seemed worth a try. It's strange Albinoni's most famous work, one of the best known pieces in classical music is claimed to be entirely the work of the 20th century musicologist and critic Remo Giazotto. It's a curious story. ".... He stated that he had arranged the work but not composed it. He subsequently revised this story, claiming it as his own original composition. The fragment has never appeared in public; Giazotto stated that it contained only the bass line, and the work was copyrighted by Giazotto". "There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work". I was tempted to put the title as "Adagio in G minor" by Remo Giazotto but didn't as it's not very search-friendly.
Adagio in G-minore (1958.) - Remo Giazotto (generosamente atributo a Tomaso Albinoni / velikodušno pripisano Tomasu Albinoniju) „È una specie di inno non ufficiale, per noi futuri morti, che abbiamo ordinato a un certo momento dagli attuali viventi, per tutta l'eternità e per tutti gli uomini.“ „To je svojevrsna nezvanična himna nas budućih mrtvih, koju smo u jednom trenutku naručili od trenutno živih, za cijelu vječnost i sve ljude.“ Il mondo sarebbe andato in pezzi se non fossero sempre state persone buone, altruiste e generose come Remo Giazotto. Non sono numerosi, ma ci sono. Svijet bi se raspao da nije uvijek bilo dobrih, nesebičnih i velikodušnih ljudi poput Reme Giazottija. Nisu mnogobrojni, ali ih ima. Per visibilia ad invisibilia! Per audibilia ad non audibilia! Un'interpretazione musicale degna della monumentalità di un'opera imperitura, che parla del Creatore. Congratulazioni agli artisti! Glazbena interpretacija dostojna monumentalnosti neprolaznog djela, koja govori o Stvoritelju. Čestitke umjetnicima!
I think that piano version is really good but especially I LOVE ANDRE RIEU’S VIOLIN VERSION.If you havent listened it yet,don’t die before listening it.
I've usually played this music faster than that! I've already know that is adágio, so a little slowly, but I prefer faster in my music interpretation! I made my own arregements for that! But I loved your interpretation and the way that you've played this! So lovely! I don't have this original song for piano! Please, I'm waiting for your help about that!
You may have addressed this in a previous video, but I was curious about your practice schedule (such as the duration of practice and what sort of exercises you do)? Thanks!
Excelente interpretación Señor Barton. No he podido hallar en internet, la partitura exacta para el arreglo que Ud. ejecuta en esta ocasión. Muy agradecido por su aporte.
Bu besteyi çok seviyorum çeşitli enstrümanlarla oynanmış farklı versiyonlu hali bile bestenin ruhunu bozmuyor bu beste benim en çok sevdiğim beş müzik arasında yerini sonsuza kadar koruyacak bir bestedir.
I just now discovered you're the elephant pianist! I don't mean to demean you or your work or skills by saying that, pleas don't be offended, but that's the only thing I know about you right now. The reason I didn't put two and two together is because I discovered your daughter's piano videos quite separately from your own. Now it makes complete sense, how such a young girl has soooo much talent! Not only are you a great pianist but a great artist, too! What a highly talented family you are! 😃
Good night! How are you? Please, I would like to play this music... How can I take this paper of that melody that you've played? How can I take this song to buy for piano? Could you help me with this? I play piano too sometimes! Congratulations! I've loved your an artist music! Thanks!
Caro Paul: só tenho elogios para esta tua interpretação da obra de Giazotto que tão bem conheço e muito aprecio. Ademais, muito apreciei todos os critérios usados para a transcrição para piano. Também altos elogios para as modulações dinâmicas durante os diversos momentos da obra. Faço apenas um reparo "pouco-positivo" à captação de som... No meu entender (além de músico, fui também técnico de gravação) há uma "agressividade e secura" que prejudica a sensível e inteligente interpretação. Dou-te um conselho, caro Paul. Pede a abalizado profissional de som para "limar-arredondar" a gravação este vídeo. Se muito complicado, uma nova gravação com cuidados especiais, nomeadamente rever distância de captação e equilização. Abraço Forte!
Hi I have 2 channel dedicated to just using the pedals: English language: th-cam.com/users/Harmonicpianopedal and French language: th-cam.com/users/LaPedaleHarmonique
![5 Pieces by Hans Zimmer \\ Iconic Soundtracks \\ Relaxing Piano [20min]](http://i.ytimg.com/vi/Os47nMrjw_Y/mqdefault.jpg)
Immer wenn ich Paul sehe, freue ich mich so eine großartige Musik zu hören. Ich kann es nicht verstehen, dass es ohne Harmonic Pedal einen Sinn ergäbe.
Danke FEURICH !!!
I don't understand why dislike a video especially a video where a person have put Hard Work in it.
Jasmeet Matharoo freewillidiot
Jasmeet Matharoo because people have there opinions
you will never understand the creation of free will. therefore, there will always be war. peace is a deception when death is a reality. everything races towards death.
There is a possibility that the dislikes are directed at Giazotto.
Or it's just not their taste
My favorite part is 0:00 - 9:28
You’re so sweet
It’s so beautiful isn’t it.
Same! Isn't it weird ?😅
Oh paul... every time I find a new classical piece I like I try to find a piano solo version of it... you never ever fail me. Thank you.
This piece was played by our church organist (on piano) while the congregation meditated for several minutes during a Good Friday service. It certainly enhanced everyone's focus on the meaning of the this sacred observance.
Mr. Barton, you are one of the most generous artist in the world... Sharing your talent freely, like that, on TH-cam! Thank you so much.
As for the music itself, one of my teacher once told me that it was one most beautiful fraud ever committed!
Why a fraud? I dont understand that part. Can you explain, please?
@@joelvictores3540 did you find out?
Yes. It is a beautiful fraud.
and No, I haven't found the music sheet piece.
I've never heard a piano performance of this before. Superb!
One of the most beautiful musical piece ever written played by one of the most talented pianist (and painter)
~~💝💝~~
Oeuvre très difficile à interpréter !!! toute en nuances, profondeur des sentiments, élégance etc ...
Très belle interprétation Maestro Paul :-) c'est un grand moment musical d'atmosphère .....
Merci **********!
the last bit scared the hell out of me . it was so terrifying and it is so good . perfect thank you sir
2:45 i accidentally hit my glass of water and it made the same note, same octave, same time.
My ears are blessed.
Esta pieza remueve mis emociones más profundas, no sé si me lleva a la grandeza o a la desesperanza.
Bellísimo Albioni y el pianista ,desconocido para mí magistral 🥇🇮🇷 interpretación. gracias ,Ya tengo sueño 💤💤 buenas noches.
La mejor versión del adagio de Albinoni que he escuchado 💓
BRAVISSIMO GIAZZOTTO! UNO DEI MIEI PREFERITI NEL PANORAMA DI MUSICA CLASSICA!!! I LOVE THAT!!!❤❤❤❤❤❤❤
Beautifully played Sir. And what a magnificent sounding Feurich piano!!
Wauuuuuuu impresionantemente maravilloso y sublime. Mis oídos no pueden estar jamás tan fascinado de escuchar esta pieza magistral y la interpretación en el piano es simplemente hermoso. 🥹🥹🥹🥹🥹🥹
Música belíssima!! Muito introspectiva , nos leva a uma imersão profunda e reflexiva!!!!
Very well executed, thank you!
The beautiful, perfect bass tremolos!
6:21 amazing!!!
Très belles variations et nuances! Le morceau vit
Thank you so much for sharing, I often enjoy this recording. Greetz from NL.
Divine. So beautiful, so touching. Thank you so much
Excellent delivery on a difficult request!
Congratulations! I'm a Brazilian researcher and I'm studing about Barroco from Minas Gerais and its impact on the work of a romanian painting Emeric Marcier and this piece sounds lovely.
Very interesting -- I used to live in Sao Joao del Rei (2 years)
Paul Barton
It's very interesting! If you want to know more about the research on the painter Emeric Marcier, I'll be very pleased! Thank you, very much!
I am very interested to know more. Thank you.
Paul Barton
May I send you by email?
Thanks!
yes, that would be very good. paulbartonpiano@gmail.com thank you!
A wonderful translation played with much Soul.. Thank you Paul .
Sounds so beautiful. I am learning this one. Great job Paul.
This is the one of the lovely pieces. Very well played Paul. I enjoyed it.
beautiful. I played this at my year 11 recital. missed it twice. then it came like water
this is Wonderful solemn and sombre certainly deserves the octaves and this piano created piano amplification from an organ reduction. There are other arrangements that use thirds in right hand sections or bounce the bass up down up ie opposite from down up down... in places however after all that im not sure what I was even asking for originally. Thanks for this inspirational performance and being true to the music is everything. Hope the elephants get to hear this one when they got the blues ;) many thanks and best wishes from Scotland
Funny you should mention elephants, as I was recording I started to think an elephant called Romsai might like to listen to parts of this. If I get the chance, I will play it to him.
One of the main challenges of playing piano reductions of slow orchestral works is it's not possible to crescendo into a note expressively as stringed instruments and singers can do or hold on to a note's duration powerfully as a string section can do with bowing, which gives the work so much of its character. So as you associate the orchestral sound colour so much with the music hearing it played on piano can come across as a bit of a shock. I somehow feel more comfortable about listening to piano reductions of orchestral works than listening to orchestral version of piano works. Do you know what I mean?
So -- one solution would be to play it faster on the piano than you would usually hear with a string ensemble with organ and that was my plan, but even though the decay was less noticeable at a faster tempo, it lost more than it gained.
To approximate the sustained organ bass while the violin solos alI I could think of was to hold down a pivot note silently to support the hand and make a shallow vibrato with the hammers as close to the strings as possible rather than a full tremolo. Sometimes pianists will repeat a long sustained bass chord half way along its duration as a solution, which often turns up at the end of Bach's Prelude and Fugues for example, and I tried this but it didn't work.
When the theme is heard in ff for the last time in the orchestral version the melody comes through much more than it does in the piano sheet music, especially if you think of the now well known orchestral recordings with a full modern orchestra (I think Karajan used the Savini arrangement) rather than the string ensemble and organ it was originally made for by Giazotto. So adding notes with the aim to get as close as possible to the fullness of a large string section, seemed worth a try.
It's strange Albinoni's most famous work, one of the best known pieces in classical music is claimed to be entirely the work of the 20th century musicologist and critic Remo Giazotto. It's a curious story.
".... He stated that he had arranged the work but not composed it. He subsequently revised this story, claiming it as his own original composition. The fragment has never appeared in public; Giazotto stated that it contained only the bass line, and the work was copyrighted by Giazotto".
"There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work".
I was tempted to put the title as "Adagio in G minor" by Remo Giazotto but didn't as it's not very search-friendly.
Studying this reduction. This interpretation is totally my reference.
Danke für das Video und diese große Leistung! Ich hatte 2015 dieses Stück zur Beerdigung unseres Vaters ausgewählt. Daran haben Sie mich erinnert :-)
Beautiful Paul, congratulations.
Fantastic performance Paul 🎹🎶
Amazing adaptation and performance. Bravo
Very fine transcription and superbly performed.
04:24 gives me goosebumps
Thank you this is one of my favorite pieces.
Великолепное исполнение великолепного произведения!!!!!!!!!
Wonderful! Thank you.
Beautiful performance!
Adagio in G-minore (1958.) - Remo Giazotto (generosamente atributo a Tomaso Albinoni / velikodušno pripisano Tomasu Albinoniju)
„È una specie di inno non ufficiale, per noi futuri morti, che abbiamo ordinato a un certo momento dagli attuali viventi, per tutta l'eternità e per tutti gli uomini.“
„To je svojevrsna nezvanična himna nas budućih mrtvih, koju smo u jednom trenutku naručili od trenutno živih, za cijelu vječnost i sve ljude.“
Il mondo sarebbe andato in pezzi se non fossero sempre state persone buone, altruiste e generose come Remo Giazotto. Non sono numerosi, ma ci sono.
Svijet bi se raspao da nije uvijek bilo dobrih, nesebičnih i velikodušnih ljudi poput Reme Giazottija. Nisu mnogobrojni, ali ih ima.
Per visibilia ad invisibilia! Per audibilia ad non audibilia!
Un'interpretazione musicale degna della monumentalità di un'opera imperitura, che parla del Creatore. Congratulazioni agli artisti!
Glazbena interpretacija dostojna monumentalnosti neprolaznog djela, koja govori o Stvoritelju. Čestitke umjetnicima!
Absolut divin♥️ Mulțumesc 🙏
You sure earned your thumb up, thank you for uploading
Amazing playing thank you
This is amazing! You have great control over your right and left hand!
DANKE FEURICH VERY BEAUTIFULL AND AN AMAZING PIANO MUSIC LOVE IT MAY GOD BLESS YOU ❤
You made my heart melt
Fantastisch!Bravo 👏
Beautifully melancholic.
I think that piano version is really good but especially I LOVE ANDRE RIEU’S VIOLIN VERSION.If you havent listened it yet,don’t die before listening it.
Es muy linda la obra, excelente interpretación...
Это музыкальная ода миру, в котором мы живём сегодня. Классика!!! !!🌹🌹🌹
Maravilloso !, eres un gran artista del piano.
Gracias!
I've usually played this music faster than that! I've already know that is adágio, so a little slowly, but I prefer faster in my music interpretation! I made my own arregements for that! But I loved your interpretation and the way that you've played this! So lovely! I don't have this original song for piano! Please, I'm waiting for your help about that!
Beautiful!
You may have addressed this in a previous video, but I was curious about your practice schedule (such as the duration of practice and what sort of exercises you do)? Thanks!
Marvellous!!! 👏👏👏👏👏👏👏👏👏👏
Wonderfully played. Thank you. Where can I get the piano partition?
Excelente interpretación Señor Barton. No he podido hallar en internet, la partitura exacta para el arreglo que Ud. ejecuta en esta ocasión. Muy agradecido por su aporte.
Bu besteyi çok seviyorum çeşitli enstrümanlarla oynanmış farklı versiyonlu hali bile bestenin ruhunu bozmuyor bu beste benim en çok sevdiğim beş müzik arasında yerini sonsuza kadar koruyacak bir bestedir.
Ich würde sehr gerne wissen, was Ihre anderen vier Lieblingsmusikstücke sind.
Mögen Sie es mir verraten? Herzlichen Dank im voraus.
Nossa! Dói no coração essa música é bonita e triste ao mesmo tempo, dá vontade de chorar 😢😢
Aşırı güzel 🥺
Stunning.
Beautiful!! Thank you! 😊
Parabéns pela sua parformance. Eu não conhecia essa versão para piano.
Je dois le jouer au piano, ça m'aide beaucoup à voir le rythme Merci ! Très beau morceau ! !
Bravo👏
Wow, j'adore,,,, je suis dans l'apprentissage du piano et cette pièce est mon but.... Merci à toi
I just love it.. I imagine this song playing background Angels & Demons for whom read it... Dan Brown such a great author.
Bellissima interpretazione
Beautiful
BRAVO!!
beautiful😍😍😍😍
Thank you.....👏👏🙌🙌🙌🖤
Me gusto su técnica y el respeto de la partitura
Muito bem interpretada parabéns.
magnifico
Do you know the specific sheet music arrangement that you used, as it would be easier to find the sheet music online? Your playing is beautiful!
Good play
Super...
Im here Paul!! (im always here though)
so you're here and I'm here too :)
I like it
I just now discovered you're the elephant pianist! I don't mean to demean you or your work or skills by saying that, pleas don't be offended, but that's the only thing I know about you right now. The reason I didn't put two and two together is because I discovered your daughter's piano videos quite separately from your own. Now it makes complete sense, how such a young girl has soooo much talent! Not only are you a great pianist but a great artist, too! What a highly talented family you are! 😃
Bravissimo! One of my favorite songs of all time. Any chance to obtain this exact music sheet? Thanks for sharing such a beautiful piece.
it’s the first piece in the big book of classical music from hal leonard
May God Bless Your Golden fingers ❤
Good night! How are you? Please, I would like to play this music... How can I take this paper of that melody that you've played? How can I take this song to buy for piano? Could you help me with this? I play piano too sometimes! Congratulations! I've loved your an artist music! Thanks!
Is there anyway to purchase the music score of this arrangement. It is just beautiful.
Excelente!
Ya se porq amo esta melodia la compuso alguien q vivio el dolor mas grande q puede vivir un ser humano al perder un hijo😭
It is very good
Beautiful! What is the name of the sheet transcription and do you know where I could find it? Thanks a lot for all your videos I’m a frequent visitor.
genial!!!!!
Caro Paul: só tenho elogios para esta tua interpretação da obra de Giazotto que tão bem conheço e muito aprecio. Ademais, muito apreciei todos os critérios usados para a transcrição para piano. Também altos elogios para as modulações dinâmicas durante os diversos momentos da obra. Faço apenas um reparo "pouco-positivo" à captação de som... No meu entender (além de músico, fui também técnico de gravação) há uma "agressividade e secura" que prejudica a sensível e inteligente interpretação. Dou-te um conselho, caro Paul. Pede a abalizado profissional de som para "limar-arredondar" a gravação este vídeo. Se muito complicado, uma nova gravação com cuidados especiais, nomeadamente rever distância de captação e equilização. Abraço Forte!
good Job!
Hi Paul! Do you think you can do a video on how to utilise the different pedals?
Hi I have 2 channel dedicated to just using the pedals: English language: th-cam.com/users/Harmonicpianopedal and French language: th-cam.com/users/LaPedaleHarmonique
Thanks
I think this song is more perfect with the piano or the organs rather than than the strings.