Benjamin Appl; "Ich habe genug"; BWV 82; Johann Sebastian Bach
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- เผยแพร่เมื่อ 9 ก.พ. 2023
- This channel is the re-establishment of previous channels that have been sadly terminated.
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Benjamin Appl--baritone
Berlin Barock Solisten
Reinhard Goebel--conductor
2020
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Benjamin Appl (born 26 June 1982) is a German-British lyric baritone, a classical singer who has appeared world-wide in opera houses and concert halls, particularly known as a Lieder singer.
Born in Regensburg, Appl has two older brothers, with whom he sang as a chorister with the Regensburger Domspatzen, the boys' choir at the Regensburg Cathedral, performing in concerts across Europe and Asia. Following secondary school, rather than spending a compulsory year in the army he completed his alternative community service working for the Bayerischer Blinden- und Sehbehindertenbund in Regensburg, providing assistance to blind people in the community. He started training as a bank clerk at the Liga Bank in Regensburg. He then studied business administration at the University of Regensburg, graduating in 2009 with a diploma. His diploma thesis, an empirical study of withdrawn initial public offerings, received the highest possible marks.[1] He was awarded a scholarship from the Studienstiftung des deutschen Volkes between 2007 and 2012.[2]
In 2009, Appl met Dietrich Fischer-Dieskau at a public masterclass of the Schubertiade in Schwarzenberg, Austria, which led to his receiving private lessons as his last student until Fischer-Dieskau's death in May 2012.[3]
In 2010, Appl moved to London to study at the Guildhall School of Music and Drama with Rudolf Piernay. During this time, he attended masterclasses with Brigitte Fassbaender, Gerald Finley, Christian Gerhaher, Thomas Hampson, and Peter Schreier, among others. In 2019, he became a British citizen.
While studying at the August Everding Academy, Appl took part in opera and operetta productions, including appearing as Ypsheim-Gindelbach in Wiener Blut,[5] Falke in Die Fledermaus by Johann Strauß, Schaunard in Puccini's La bohème and Baron Tusenbach in Tri sestry by Peter Eötvös. In London, he performed the roles of the Count in Mozart's Le nozze di Figaro, Bustamente in La Navarraise, Chevalier des Grieux in Le portrait de Manon, Dr Cajus in Nicolai's Die lustigen Weiber von Windsor, and the title role in Britten's Owen Wingrave. Further opera roles include Guglielmo in Mozart's Così fan tutte and Papageno in Die Zauberflöte, Ottokar in Weber's Der Freischütz, Ernesto in Il mondo della luna, F. Scott Fitzgerald in Susan Oswell's Zelda, and Adonis in Venus and Adonis. He appeared as Leo in Bernhard Gander's Das Leben am Rande der Milchstraße for Bregenzer Festspiele and Konzerthaus Vienna,[6] the King in Orff's Die Kluge, Aeneas in Purcell's Dido and Aeneas for the Aldeburgh Festival and Brighton Festival,[7] and Tusenbach again for the Berlin State Opera.[8] In 2019, Appl performed the role of Guglielmo in Cosi fan tutte with the Mozartists, conducted by Ian Page.[9]
Concerts
Appl has performed in concert with orchestras including the Academy of Ancient Music, Akademie für Alte Musik Berlin, the Bach-Collegium Stuttgart, Berliner Barocksolisten, Concerto Köln, Deutsche Kammerphilharmonie Bremen, the Dunedin Consort, Gabrieli Consort & Players, Les Violons du Roy, London Philharmonic Orchestra, NHK Symphony Orchestra, NDR Radiophilharmonie, Philadelphia Orchestra, the Royal Liverpool Philharmonic, Philharmonia Orchestra, the Seattle Symphony, the Symphony Orchestra of India, Vienna Symphony, and on multiple occasions with the major BBC Orchestras and Singers. He made his Proms debut in September 2015 singing Triumphlied by Brahms with Marin Alsop and the Orchestra of the Age of Enlightenment, and Orff's Carmina Burana with the BBC Concert Orchestra five days later. In December 2017, he performed alongside Diana Damrau in the ZDF Advent Concert at the Dresden Frauenkirche with the Staatskapelle Dresden conducted by Christian Thielemann, broadcast on national television. He has also performed regularly at the Hamburg State Opera, singing for several of John Neumeier's productions for the Hamburg Ballet.[10]
Appl has worked with conductors including Marin Alsop, Ivor Bolton, John Butt, Christian Curnyn, Thomas Dausgaard, Johannes Debus, Edward Gardner, Reinhard Goebel, Michael Hofstetter, Paavo Järvi, Bernard Labadie, Alessandro De Marchi, Andrew Manze, Yannick Nézet-Séguin, Sir Roger Norrington, Vasily Petrenko, Helmuth Rilling, Yutaka Sado, Jordi Savall, Ulf Schirmer, Paul McCreesh, and Duncan Ward.
Awards
In 2012, Appl was awarded the German Schubert Society's German Schubert Prize.[11]
Gramophone Classical Music Awards named him Young Artist of the Year in 2016.[12] His debut album as an exclusive Sony Classical recording artist, "Heimat", won the Prix Dietrich Fischer-Dieskau (Best Lieder Singer) at the 2017/18 Académie du disque lyrique [fr] Orphées d'Or.[15]"; Wikipedia (edited)
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Benjamin interpreta esta obra con tanta delicadeza y sentimiento que te elevan el alma. Su bellísima voz, es tan dulce como la miel.
👏 AND thank you for following along with the channel. TH-cam will only allow this channel to post 10 videos daily. My apologies.
Geweldig mooi uitgevoerd en gezongen !
🙏
È la prima volta che ascolto con piena soddisfazione un'interpretazione recente di questa meravigliosa Cantata di Bach. Negli altri casi il confronto con la storica versione con Karl Richter e Dietrich Fischer-Dieskau era impari e schiacciante. Con Benjamin Appl ho trovato finalmente un interprete all'altezza. Si capisce che è stato allievo del sommo DFD. La sua voce è veramente splendida e dimostra quanto sia bravo e intelligente, come dimostrano le sue incisioni di Lieder di Schubert.
🙏
T
6:24 6:30 6:30 6:32
Excelente interpretação de uma inspiradora cantata de J. S. Bach.
🙏
Thanks you for putting this fine baritone's work on TH-cam. He is truly gifted.
My pleasure! AND thank you for following along with the channel.
Nicht schlecht, aber warum so schnell? Nur um etwas Neues zu machen, das wäre für mich sehr verwerflich.
Schlummert ein in diesem Tempo, geschmacklos. Auch alle Vorhalte plötzlich ganz kurz, es klingt so, als wolle man Hauptsache was Anderes tun. Karl Richter damals tat das Gegenteil von dem hier.
Bach muss immer lebendig bleiben, aber nicht der Mode willen