ฝัง
- เผยแพร่เมื่อ 6 พ.ย. 2015
- Oleg Kagan and Sviatoslav Richter playing Brahms' Violin Sonata no. 1, op. 78, live in Freiburg on 6 March 1985. This was part of a recital in memory of David Oistrakh.
Святослав Рихтер - Олег Каган - Брамс - Соната для скрипки и фортепиано - เพลง
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Very sad that Kagan died so young. He had so much more to offer.
Great rendition of a masterpiece by the best composer ever 👍🏻
Наслаждение слушать
музыку И.Брамса в их
исполнении.
Для полноты чувств,мне
не хватило только горящей в темноте свечи.
Благодарю, вас, сердечно!
Со С.Т.Р. во всем так! Ну просто дух захватывает, все на одном дыхании! И дискуссия, наверное была о темпах( теперь уже и неважно!) А 2 ч.-ну уникально просто ; Только Ойстрах с С.Т.Р. и мог так! Спасибо за пост. такого памятника всем этим гениям!!!
Да уж , темповое решение меня удивило
Просто и гениально.
Уникальное исполнение!!! Спасибо за видео.
Koln filharmonia
...хоть и быстровато на мой вкус
3rd movement: 16:37-23:56 😌♥️♥️
Гениальное творение И. Брамса и чудесное исполнение,
Ambos son grandes.
Lol. Why did they bow each other at the very beginning? Awesome performance anyway!!
+CookingJames1 it made me laugh too :) The feeling I get is that they were having an argument at that time. If you watch the other video I uploaded from this recital (Shostakovich sonata), you'll see there seems to be some friction between them after the first movement, and at the end when Richter strangely offers his hand, as if by way of conciliation. They were good friends though.
Die wunderbare intime Klangwelt des Komponisten in völlig uneitler kammermusikalischer Darbietung...
Why such a hurry?? ☹️
because it's fucking Vivace even if non troppo and everyone else plays it like it's Adagio. it makes no sense
Too fast
I agree ... a bit... but it works
I like this tempo tho , flows better imo 😶😶😶😶😶😶
This is likely a more accurate tempo than the usual too ponderous speeds. In the first movement playing vivace non troppo keeps the middle section sostenuto from dragging. The second movement is played with the grace of an orchestral Brahms adagio and the piu andante can come alive so the return of the A-flat chorale is a little profound. The third, marked confusingly enough as allegro molto moderato, has to scurry along to enliven the tranquillo section.
This is a recording of the century of a small often overlooked gem. Listen for a bit to the violinist respecting the opening mezzo voce…almost no vibrato and a light slow bow. I believe there is a lot to learn about performing Brahms here.
Perfect tempo! Sounds wonderful, good tempo and "flow" of the music.
I love it!
I don't know what is "too fast" about it, it's still moderate but at least doesn't fall apart