LOVE this performance! Fischer's violin has a viola's richness, so perfectly matched to the sustained lyricism. My favorite Brahms piece, and these two play it gorgeously.
I was there, one of the most magical and wonderful experience in my life! I've always loved this piece and i wanted to see them both live so when i discovered that they would have played this I knew i couldn't miss this. They were also very kind to sign me the program and we took a photo together, I highly recommend to attend those kind of event to enjoy the wonderful music, the musician's passion and to support them!
I always come back to Brahms and his violin sonatas when I am in emotional distress. This is the first time I am listening to Julia Fischer playing this music, and I love her performance very much. Big sound, very expressive, wonderful energetic feeling. A bit faster than other performances I have gotten used to, but it doesn't detract from the beauty and... wholesomeness of the outcome.
Yes - 💕❤💕 Joanna Brahms (as I call her-him) is one of the most emotionally, psychologically and philosophically grown-up composers. She mush have been a real treat at the dinner table, sarcastic as hell, but full of brilliant remarks and insights, and such a profound and balanced sensibility cascading with both wit and the deepest romantic-sensuous-tragic-transcendental perspectives. Plus a brilliant formal quasi-classical stylist, supreme melodist, stunning harmonic and melodic analyst, with a Bach-level gift for transformation and counterpoint. The first and forth movements of her 4th symphony are page after page of jaw-dropping imagination and perfection. "Romantic wine indeed in classical bottles". Like watching Leonardo and Michelangelo and Bernini and Picasso at work! As with Bach, or Mozart, the better bits of Beethoven, Mahler, later Wagner, Debussy, Berg - there is no gap or distinction between Brahms' musical ideas and their orchestral embodiment. Though my musician string-playing friends say his writing for violins in particular often has a pianistic bias and some fiendish fingering as a result. All quite unlike that hysterical, self-indulgent proponent of "Slavic damnation and despair", the neurotic though very thrilling Tchaikovsky. Love andrea
This is a violin and piano duo made in heaven. A sublime performance of a beautiful masterpiece. Thank you for your inspirational and insightful playing.
Actually it's the Brahms Piano and Violin Sonata in G. Brahms doesn't give the piano a break there's no slacking. The pianist Yulianna won the Chopin competition she's also first rate.
This is a good example for all piano accompanists. Look at the emotions and at the same time the restraint of the Ms Avdeeva! Violinists we appreciate such as a wonderful detail.
Agreed, but wouldn't say this is an "accompanist". The piano part is arguably more complex and at least equally as important the violin part. Some say it should be called Piano and Violin sonata, Brahms himself used to play the piano part.
Fabulous work and very inspiring performance! I know the piano part is full on and there is not a single moment to yawn. Yulianna Avdeeva played incredibly well, focused and yet so relaxed👌
I came here by an interview with Julia Fischer in "Living the Classical life", and here I am listening to this wondrous music. Thank you, Julia and Yulianna!
Julia Fischers Interpretation ist wirklich raffiniert und schön. Ihr Gesichtsausdruck ist kraftvoll und doch sehr zart. Ihr Geigenklang ist voller abwechslungsreicher Töne. Mir gefällt der Auftritt von Julia Fischer am besten, weil mich ihre Musik tiefer berührt als die Interpretationen aller anderen.
oh my god!! Brahms No.1 Sonata played by a violinist I really like and a pianist I really like!!! If Julia and Yulianna perform in our country, I can cancel my schedule and rush to the concert. I am so grateful that this world exists where I can watch this performance on video.
Wonderful music played by consummate musicians. I was moved when listening to the first movement. I played this sonata when I was 17 for my ATCL exam. The examiner wrote that he thought I took the final movement too quickly, that he thought it was supposed to have a languid, nostalgic and slightly melancholy feel. The repeated and falling quaver figures in the piano part were reputed to have been portrayed by Brahms as reminiscent of the raindrops trickling down a window during a summertime rainy day. I feel that Ms Fischer takes the final movement at the same tempo that I did, which I find slightly disappointing, like the current tendency of many musicians to play at too fast tempi. Of course she is a major soloist and chamber musician and is one of my favourite violinists. A lot of her music reminds me of Nathan Milstein’s and I’m 99.99 % full of admiration for her playing. I’m a suburban violin teacher and couldn’t perform this piece nowadays.
Клаудия, здравствуйте! :) Послушал сонату Брамса в исполнении моей любимицы, Юлии Фишер и решил посмотреть комментарии, где увидел ваш. У меня тоже столько чувств и эмоций от этого исполнения! Юлия очень талантливый человек, ведь она начинала как пианистка, а затем стала заниматься скрипкой, и этот музыкальный инструмент полюбился ей больше. Она ещё преподаёт и организовала свой квартет, КВАРТЕТ Юлии Фишер.
@@levpetrenkov Лев!! Привет! Я сильно скучал по тебе! Как дела? Согласен с вами, Джулия Фишер отличная скрипачка... Ваш новый плейлист очень хорош, давно не слушал эти песни! 🎶PS Посетите мой блог, когда сможете, myloveformusicschedule, погуглите.
единственное в мире искусство кроме диалектической философии обладающее способностью взаимодействовать с чувствами и подсознанием без конкретного образа как в живо писи архи тектуре скуль птуре эс траде цир ке и художественной лите ратуре я слушаю мне нравится но я не понимаю что происходит внутри но оно происходит в направлении которое мне нравится возможно поэтому я очень люблю моего кота мурзика
@washingtonferreirateles9451 Actually I have to agree with you, mlle @peterchandanatural . I'm always entranced by Joanna Brahms' piano writing. Indeed my string playing and other orchestral friends say her writing for other instruments is manifestly influenced by her having such a pianistic imagination. Either way, what a genius JB is, and what a pair of supreme instrumentalists are Julia Fischer and Yulianna Avdeeva. If I could even begin to play with their skill and grasp of the music, I would happily die and go to heaven, provided I could meet and chat with Wagner, Brahms, Dvorak, Stravinsky and Mahler and Erich Korngold and Strauss and Willy Walton all day. Just keep that squeaky voiced fascist Herbert von NaziPartyCarryOn well away! Catering by "St Peter and Paul and Big Jesus' back street trattoria", of Napoli, I hope! Love andrea
E pensare che in Italia c'è gente che pensa che I Maneskin facciano musica... Io li ritengo un insulto alla cultura e all'arte Giuseppe Perego Monza 16.2.1962
The music and the performance are of course outstanding, as so many comments here already say, but the camera work and the lighting is also amazing, plus the soundrecording. What a joy to listen to this time and time again. Thank you for making this available to us !!
It’s mesmerising how totally calm she is, so that the music can speak for itself. I feel that Brahms first theme is god- given, and that this ‘musical outpouring’ is flowing inextricably to it’s final resting place. In my opinion, this music is truly inspirational and seems to come from somewhere beyond.
What a gorgeous violin tone (full, dark, and rich), and what expressive phrasing! This is my favorite recording of all the performances I've heard. Fischer has well established her playing as among the very, very finest. She also has a wonderful recording of the Brahms double concerto on TH-cam. Check it out! It's awesome.
After some listening around I find this uptaking of Brahms Violin Sonata No 1 the best. Exquisite playing from both Julia Fischer and Yulianna Avdeeva! And a wonderful sound uptaking. Together they give this milestone in chamber music a more than adequate treatment. Just wonderful!
Such a perfect amalgam of warmth, intelligence and maturity from these two splendid musicians (I accidentally started to write "magicians" - nicht übel!). Would love to see more Chamber Music from Julia on YT - her concerti are stunning, but she glows in the intimacy and immediacy of the Sonata... More Trios, Quartets, Quintets, liebe gnädige Julia - wir bitten Sie!!
I am extremely sorry but the first movement sounds like a WAR, so violent and loud. Its not the character of the piece at all, except in a few passages…but if you play everything so so so loud, thoses passages dont have the dramatic effect. A pity. Brahms is not only power. Leave the power and the violence for the last movement of the third sonata…
Unfortunately I agree. These musicians have no mercy with the audience, music, least of all with themselves. Arew they engaged in a serious business ? Yes. Does that need to be displayed sonically, emotively, and affectively ? NO.
I just HATE the cresc on 5:57…it destroys completely the diminuendo done before…how can you make SUCH cresc in the most mysterious moment, when NOBODY knows what is coming……it kills it. I really hate that moment. And I am the greatest admirer of Fischer, but this sonata is the worst thing I ever heard from her. Still, she is one of the best 3,4 violinists of the world today. But violinists can be like tenors, sometimes.
Welp, Brahms marked hairpins and that's what they are doing. And no, you can definitely get a hint of what's coming because at 5:57, the violin and piano simply switched their roles of leading and following, with the motive G-F#--G (you get what I mean). It's basically a variation of the previous 8 bars. Also, there's no diminuendo in their performance nor in the score. It's a sudden decrease in dynamics. How would I interpret this part is that the 8 bars before 5:57 should be played as mysterious as possible. After 5:57, the violinist should establish a new idea and develop it clear enough for the pianist to follow or develop even further. I would say it is more of a curious fantasy-like exploration after 5:57. Finally, it is true that a more profound understanding could be developed for this particular sonata. However, they both played extremely beautifully. I was surprised by the colour when I first listened.
LOVE this performance! Fischer's violin has a viola's richness, so perfectly matched to the sustained lyricism. My favorite Brahms piece, and these two play it gorgeously.
en realidad el instrumento tiene un sonido muy cálido, acentuado por la magnífica técnica de arco de la maestra Fischer
I was there, one of the most magical and wonderful experience in my life! I've always loved this piece and i wanted to see them both live so when i discovered that they would have played this I knew i couldn't miss this. They were also very kind to sign me the program and we took a photo together, I highly recommend to attend those kind of event to enjoy the wonderful music, the musician's passion and to support them!
It's Julia Fischer playing Brahms to perfection! 😍
I always come back to Brahms and his violin sonatas when I am in emotional distress. This is the first time I am listening to Julia Fischer playing this music, and I love her performance very much. Big sound, very expressive, wonderful energetic feeling. A bit faster than other performances I have gotten used to, but it doesn't detract from the beauty and... wholesomeness of the outcome.
Yes - 💕❤💕
Joanna Brahms (as I call her-him) is one of the most emotionally, psychologically and philosophically grown-up composers.
She mush have been a real treat at the dinner table, sarcastic as hell, but full of brilliant remarks and insights, and such a profound and balanced sensibility cascading with both wit and the deepest romantic-sensuous-tragic-transcendental perspectives.
Plus a brilliant formal quasi-classical stylist, supreme melodist, stunning harmonic and melodic analyst, with a Bach-level gift for transformation and counterpoint. The first and forth movements of her 4th symphony are page after page of jaw-dropping imagination and perfection. "Romantic wine indeed in classical bottles". Like watching Leonardo and Michelangelo and Bernini and Picasso at work!
As with Bach, or Mozart, the better bits of Beethoven, Mahler, later Wagner, Debussy, Berg - there is no gap or distinction between Brahms' musical ideas and their orchestral embodiment. Though my musician string-playing friends say his writing for violins in particular often has a pianistic bias and some fiendish fingering as a result.
All quite unlike that hysterical, self-indulgent proponent of "Slavic damnation and despair", the neurotic though very thrilling Tchaikovsky.
Love andrea
@@andreapandypetrapan hmmm... Never thought of Tchaikovsky in those terms. But then again, I am more of a Brahms fan, recorder player though I am...
Ms. Fischer is such a wonderful musician. She has such deep understanding of the music. It's a joy to listen to her and Ms. Avdeeva. Thank you.
This is a violin and piano duo made in heaven. A sublime performance of a beautiful masterpiece. Thank you for your inspirational and insightful playing.
Actually it's the Brahms Piano and Violin Sonata in G. Brahms doesn't give the piano a break there's no slacking. The pianist Yulianna won the Chopin competition she's also first rate.
We all know that, bro!!!
But everyone also knows that nobody listens to a "Sonata for Piano and Violin" for the piano part.
Most piano accompliment for other instrument's sonata are eazypeezy. Exceptions are Mozart, Beethoveen, and Brahms, and I'm sure there are others.
@@petechandanatural Yes, Schumann!
This is a good example for all piano accompanists. Look at the emotions and at the same time the restraint of the Ms Avdeeva! Violinists we appreciate such as a wonderful detail.
Agreed, but wouldn't say this is an "accompanist". The piano part is arguably more complex and at least equally as important the violin part. Some say it should be called Piano and Violin sonata, Brahms himself used to play the piano part.
Fabulous work and very inspiring performance! I know the piano part is full on and there is not a single moment to yawn. Yulianna Avdeeva played incredibly well, focused and yet so relaxed👌
I came here by an interview with Julia Fischer in "Living the Classical life", and here I am listening to this wondrous music. Thank you, Julia and Yulianna!
Julia Fischers Interpretation ist wirklich raffiniert und schön. Ihr Gesichtsausdruck ist kraftvoll und doch sehr zart. Ihr Geigenklang ist voller abwechslungsreicher Töne. Mir gefällt der Auftritt von Julia Fischer am besten, weil mich ihre Musik tiefer berührt als die Interpretationen aller anderen.
Best performance ever of Brahms 1st.
чем более тонкий внутренний мир человека тем более он полон стремления слушать и чувствовать музыку классики спасибо за возможность
Freude ist groß,dieses Konzert zu hören und Ihnen zuzusehen,tolles Spiel,oh ja.😊
Very fine performance indeed! This is musicianship of the highest order👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽
ピアノ伴奏とヴァイオリンが良くかみ合い、穏やかで落ち着いた演奏で、曲の持ち味を堪能させてくれる。若いコンビで見事！
What a momentous performance!
Bravo to both!
oh my god!! Brahms No.1 Sonata played by a violinist I really like and a pianist I really like!!! If Julia and Yulianna perform in our country, I can cancel my schedule and rush to the concert. I am so grateful that this world exists where I can watch this performance on video.
Unusual to see a soloist play from memory in a chamber piece. Fabulous performance.
Quando la malinconia si fa arte ❤❤❤❤❤❤🎉Giuseppe Perego Monza 16.2.1962 Grazie
Чудова музика, прекрасне виконання! Браво!
Julia's always perfect... A caress for the soul!! 🎻💘For me Yulianna's an energetic and ravishing pianist, amazing! 🎹💘 Thanks for share!!! 😊
The finest in performance yes, bravo!👏
second movement reminds me of Brahm's arrangement of Bach's Chaconne in D minor. Great pieces
And Julia Fisher love the violin 🎻
Music from the heavens ❤
A fabulous dialogue between the two. I thoroughly enjoyed already their Mozart KV 481.
The comfort and wonderfulness of her transformative performance is unfathomable and immeasurable, and full of admiration and emotion
FromTokyo
Thank you! Greetings to Japan
@@Suedtirolinconcert
You are welcome
I am looking forward to your wonderful programs
I am glad to hear that!! 👍
@@Suedtirolinconcert
Thankyou
I am rooting for you
I love this version!❤
Eccezionali, bravissime ❤
Very good, thanks very much!
Truly wonderful
thank you thank you...❤❤
Bravo! Charme you can not practice, Brahms you must and you did both!
Wonderful music played by consummate musicians. I was moved when listening to the first movement. I played this sonata when I was 17 for my ATCL exam. The examiner wrote that he thought I took the final movement too quickly, that he thought it was supposed to have a languid, nostalgic and slightly melancholy feel. The repeated and falling quaver figures in the piano part were reputed to have been portrayed by Brahms as reminiscent of the raindrops trickling down a window during a summertime rainy day. I feel that Ms Fischer takes the final movement at the same tempo that I did, which I find slightly disappointing, like the current tendency of many musicians to play at too fast tempi. Of course she is a major soloist and chamber musician and is one of my favourite violinists. A lot of her music reminds me of Nathan Milstein’s and I’m 99.99 % full of admiration for her playing. I’m a suburban violin teacher and couldn’t perform this piece nowadays.
Brahms sonata ❤ wunderbar👍🌏
what a powerful 2nd movement. thank you thank you for sharing this video...!!
Maestro!!!!!it's Wonderful
Both have recorded for Pentatone Music, hopefully the label invite them to make a full recording.
Bravissimo!!! Muchas gracias!! :) :)
Клаудия, здравствуйте! :) Послушал сонату Брамса в исполнении моей любимицы, Юлии Фишер и решил посмотреть комментарии, где увидел ваш. У меня тоже столько чувств и эмоций от этого исполнения! Юлия очень талантливый человек, ведь она начинала как пианистка, а затем стала заниматься скрипкой, и этот музыкальный инструмент полюбился ей больше. Она ещё преподаёт и организовала свой квартет, КВАРТЕТ Юлии Фишер.
@@levpetrenkov Лев!! Привет! Я сильно скучал по тебе! Как дела? Согласен с вами, Джулия Фишер отличная скрипачка... Ваш новый плейлист очень хорош, давно не слушал эти песни! 🎶PS Посетите мой блог, когда сможете, myloveformusicschedule, погуглите.
Extraordinaria interpretación de una pieza favorita.
Johannes Brahms (Amburgo,1833-Vienna,1897)❤❤❤❤❤❤🎉 Giuseppe
I wanted so much to see the Mozart concerts that Julia is playing this year... 2022. Does anyone know if it's possible to watch online? 🤔
Regen Sonate ❤❤❤😂Giuseppe
Does Julia play this all by ear!?
no, she plays with her arms
@@enochwong654 smart!
@@enochwong654: Finally, there’s a real musician in the house! 😎🎹
Yulianna Avdeeva personifies a steel magnolia.
Steel Magnolia: “A woman who exemplifies both traditional femininity and an uncommon fortitude.”
An apt description of Yulianna Avdeeva. 😎🎹🌼
единственное в мире искусство кроме диалектической философии обладающее способностью взаимодействовать с чувствами и подсознанием без конкретного образа как в живо писи архи тектуре скуль птуре эс траде цир ке и художественной лите ратуре я слушаю мне нравится но я не понимаю что происходит внутри но оно происходит в направлении которое мне нравится возможно поэтому я очень люблю моего кота мурзика
即使是黑格爾的精神現象學，也是有所說有所對，絕非胡說，而是以高度抽象的密碼來說，Alexandre Kojeve的黑格爾導讀是很好的指引，只要將他的人本解釋轉為聖靈顯象學即十分完美. 雨之歌小提琴奏鳴曲作品編號78,是77號小提琴協奏曲的同時期作品. 協奏曲講的是天人關係：第一樂章：生命之奮進，第二樂章：對越在天，第三樂章：奔向樂土. 78號： 第一樂章：我告訴妳，第二樂章：愛的苦澀回憶，第三樂章：
第三樂章：堅貞不移
meza voce
3:40
@washingtonferreirateles9451
Actually I have to agree with you, mlle @peterchandanatural .
I'm always entranced by Joanna Brahms' piano writing.
Indeed my string playing and other orchestral friends say her writing for other instruments is manifestly influenced by her having such a pianistic imagination.
Either way, what a genius JB is, and what a pair of supreme instrumentalists are Julia Fischer and Yulianna Avdeeva.
If I could even begin to play with their skill and grasp of the music, I would happily die and go to heaven, provided I could meet and chat with Wagner, Brahms, Dvorak, Stravinsky and Mahler and Erich Korngold and Strauss and Willy Walton all day.
Just keep that squeaky voiced fascist Herbert von NaziPartyCarryOn well away!
Catering by "St Peter and Paul and Big Jesus' back street trattoria", of Napoli, I hope!
Love andrea
07:03
Прекрасныетемпычастейснаты, какивтрактовкеКаганасРихтеромиэтоубеждает. АЛ. Шв
🪐🫀
E pensare che in Italia c'è gente che pensa che I Maneskin facciano musica... Io li ritengo un insulto alla cultura e all'arte Giuseppe Perego Monza 16.2.1962
When I hear Julia playing, it sounds almost always like fairy tale Mendelssohn, which is not the appropriate color and style for this piece
\Закройте крышку рояля , теряется пропорциональное созвучие , но это упрек не музыкантам , которые явно на уровне , а бездарному звукорежиссеру !
Sounds like she's playing in a monotone throughout when this piece demands color and nuance.....
The music and the performance are of course outstanding, as so many comments here already say, but the camera work and the lighting is also amazing, plus the soundrecording. What a joy to listen to this time and time again. Thank you for making this available to us !!
Thank you!!!
It’s mesmerising how totally calm she is, so that the music can speak for itself.
I feel that Brahms first theme is god- given, and that this ‘musical outpouring’ is flowing inextricably to it’s final resting place.
In my opinion, this music is truly inspirational and seems to come from somewhere beyond.
What a gorgeous violin tone (full, dark, and rich), and what expressive phrasing!
This is my favorite recording of all the performances I've heard. Fischer has well established her playing as among the very, very finest. She also has a wonderful recording of the Brahms double concerto on TH-cam. Check it out! It's awesome.
Yes William, I have checked this out, and I agree! Julia Fischer is new to me, but already one of my favourites.
Thankyou for introducing the Brahms double concerto to me!
@@richardforshaw8479 You're most kindly welcome.
Beautiful balance here between both instruments and personalities.
技術、感情、知性の円やかな調和を演奏から感じました
The last movement has
a feeling of ‘going home’
It’s wonderfully evocative; played with such spellbinding authority.
Wonderful Musicians! Thank You so much
You're welcome!
Absolutely exquisite. Please come to the US together!!!
listening with a smile on my face, thanks so much!
Esecuzione strabiliante ❤❤❤❤❤❤🎉🎉🎉🎉🎉🎉🎉Giuseppe Perego Monza 16.2.1962 Grazie
Thank you Julia Fischer & Yulianna Avdeeva 👏👏👏👏👏👏👏👏👏
After some listening around I find this uptaking of Brahms Violin Sonata No 1 the best. Exquisite playing from both Julia Fischer and Yulianna Avdeeva! And a wonderful sound uptaking. Together they give this milestone in chamber music a more than adequate treatment. Just wonderful!
Interpretazione fantastica . Grazie.
Beautiful.
I miss your videos with J&Y!! 💘✨
Muito lindo, um musica Classicas
Such a perfect amalgam of warmth, intelligence and maturity from these two splendid musicians (I accidentally started to write "magicians" - nicht übel!). Would love to see more Chamber Music from Julia on YT - her concerti are stunning, but she glows in the intimacy and immediacy of the Sonata... More Trios, Quartets, Quintets, liebe gnädige Julia - wir bitten Sie!!
So very beautiful and thoughtful, both
Such a beautiful vibrato ❤❤
E' la prima volta che sento da Avdeeva Brahms
虎虎生風。
04:11
07:26
01:30
No. There is no intimacy whatsover, too much of everything. This is not the Brahms Concerto.
I am extremely sorry but the first movement sounds like a WAR, so violent and loud. Its not the character of the piece at all, except in a few passages…but if you play everything so so so loud, thoses passages dont have the dramatic effect. A pity. Brahms is not only power. Leave the power and the violence for the last movement of the third sonata…
Unfortunately I agree. These musicians have no mercy with the audience, music, least of all with themselves. Arew they engaged in a serious business ? Yes. Does that need to be displayed sonically, emotively, and affectively ? NO.
I just HATE the cresc on 5:57…it destroys completely the diminuendo done before…how can you make SUCH cresc in the most mysterious moment, when NOBODY knows what is coming……it kills it. I really hate that moment. And I am the greatest admirer of Fischer, but this sonata is the worst thing I ever heard from her. Still, she is one of the best 3,4 violinists of the world today. But violinists can be like tenors, sometimes.
Welp, Brahms marked hairpins and that's what they are doing. And no, you can definitely get a hint of what's coming because at 5:57, the violin and piano simply switched their roles of leading and following, with the motive G-F#--G (you get what I mean). It's basically a variation of the previous 8 bars. Also, there's no diminuendo in their performance nor in the score. It's a sudden decrease in dynamics.
How would I interpret this part is that the 8 bars before 5:57 should be played as mysterious as possible. After 5:57, the violinist should establish a new idea and develop it clear enough for the pianist to follow or develop even further. I would say it is more of a curious fantasy-like exploration after 5:57.
Finally, it is true that a more profound understanding could be developed for this particular sonata. However, they both played extremely beautifully. I was surprised by the colour when I first listened.