00:00:10 Haydn Piano Sonata 30, D Major, Moderato 00:05:08 Haydn Piano Sonata 30, D major, Andante 00:10:57 Haydn Piano Sonata 30, D Major, Allegro assai 00:15:30 Brahms, Intermezzo op.117 n.1 00:21:19 Brahms, Intermezzo op.117 n.2 00:27:27 Brahms, Intermezzo op.117 n.3 00:36:30 Liszt, Trascendental Etude n.8 Wilde Jagd 00:41:17 Liszt, Trascendental Etude n.5 Feux Follets 00:44:40 Liszt, Trascendental Etude n.10 00:49:27 Scarlatti, sonata L.23 in E Major 00:51:47 Scarlatti, sonata L.33 in b minor 00:55:29 Scarlatti, sonata L.488 in g minor 00:58:23 Scarlatti, sonata L.224 in E Major 01:00:17 Scarlatti, sonata L.486 in G Major 01:02:15 Scarlatti, sonata L.415 in D Major 01:04:57 Chopin, Mazurka op.59 n.1 01:08:52 Chopin, Mazurka op.59 n.2 01:11:51 Chopin, Mazurka op.59 n.3 01:16:20 Scriabin, Sonata n.4 01:25:16 Balakirev, Islamey
Unforgettable recital. Had the unbelievable luck to be seated in the first row of on-stage chairs! Ivo was about 13 feet in front of me. It was hypnotic. One thing that I discovered as I watched him from up close: He is incredibly physical, visceral almost, in his command of the keyboard. A lot of heavy labored breathing, writhing almost, humming, mumbling (not as audible though as Gould)...
I mean, let's face it: This is simply one of the best piano recitals every played in the entire history of classical music. A great and well-staged sequence of works, technically brilliant playing beyond words and, most importantly, a performance so full of whit and ingenuity and wisdom. Could listen to this all day.
@@edwindepianist Yes, he's become a very tortured and withdrawn man, it seems. It's very sad. There are very very few geniuses of the piano - and he is certainly one of them. I wish him a great rebirth.
@@edwindepianist That's interesting, Edwin, that in your comment you're taking the point of view of "piano playing" in regard to Pogorelich. Obviously he has a love affair with that instrument and it goes without saying he is a master of it, but to me, it seems he is searching for something that transcends the piano. To master the instrument so one can soar beyond it - something like that. And in his later years - almost unrecorded, officially - it seems there is even an anger and hardness toward the piano (or perhaps not the piano: once again, beyond the piano - at life? at people? at the loss of his wife, as you mention?). I just don't know - surely there has been no greater Chopin player since Pogorelich came on the scene - but he has still only recorded a fraction of his music.......Ah, the whole thing is tragic.
After all that brimstone and 64th note runs I didn’t expect him to also master the fragile glassy singing notes of Scriabin. But that is one of the best Scriabin performances I’ve heard. The treble notes sail like clouds above the uncertain earth. Incredible. And to think I was a concert pianist at the same time, I wish I had met him.
I have never heard a Wilde Jagd reaching these heights of passion and climax, recording or otherwise. I think I would have cried if I had been present there, it really sounds like a miracle, it's not the technique, it's the strength of soul to pull it off.
Absolutely, I just herd part of this recording (not yet de hole recital, can't wait for it) and I got atonished by the etudes and Scarlatti!! never herd something like that in a live, such a power with out making the piano out of tune, nor even Cziffra, I should say, did this kind of result, I mean the arpeges of the Liszt's No. 10 etude, before the coda, never herd it like that.. Everything is breathtaking in this recording. Has anyone know if it ever went published as commercial rec?
That Ivo didn't record Scriabin's 4th Sonata when he recorded the 2nd Sonata is a crime against humanity. There are great performances of this electrifyingly ecstatic piece but this performance soared into the stratosphere.
@@bartremmelzwaal5775 Yes Bart. And it seems insane to me that there are no quality (commercial) recordings of his live concerts - we have only these valiant, but poor pirate recordings (although we sure thank those pirates!). There's a massive historical precedent though: in an age of film, there is not one video recording of Rachmaninov playing. Unforgivable tragedy.
the program is emotionally devastating for any pianist, he, however, faces it with great humility and with sounds that I would say are from another planet. In Wilde Jagd he leaves life with the sounds he confronts us with, making wonderful juggling of each note and octaves. His technique is impeccable. We heard them at Tch1 in Montevideo years ago, it was different, it was praised and destroyed by critics. Irreverent I would say. His encore Scarlatti was unique, almost imperceptible in his gestures and great depth of sound. Disruptive and exciting. There are not two like him. Gould, mmmm, yes but in another style. Both geniuses.
What a program, my God! Not many pianist are able to perform a live recital with this kind of commitment. His Liszt is out of bounds. The level of finesse, technical control, attention to musical detail, and sheer strength is, simply put, beyond words.
The Carnegie Hall impeccable acoustics marvelously capture his singing tone. I gravitate to Chopin always, and the aching beauty of his mazurka interpretations took my breath away. The rubato was incredibly musical, not exaggerated, and supremely Chopin-esque. I loved the Brahms as well - - almost ascetic and slightly underplayed, which opens the listener to insights and nuances of these beautiful and mysterious pieces.
He imbues the Piano with 2 inimitable qualities: it is a thinking instrument and it is an orchestra. At the service of a divine mind. What a blessing to humanity: the intimacy of the divine
An amazing artist! Phrasing, dynamics, overall control and virtuosity place Maestro Pogorelich in a most high class of world renown pianists! Bravo Maestro!!
I heard this recital live and will never forget it; I'm so grateful that everyone can enjoy it now and understand the hights that this pianist reached at his peak! I find Pogorelich' conceptualisation of interpretation of today very interesting and I'm always ready to be shocked by his unique performances; I just regret that he obviously doesn't practice so much as he did in his early years and you can hear it very clearly!
Oh! Quel concert incroyable ! Je n’avais jamais entendu un tel niveau d’interprétation ! Merci infiniment à la personne qui a accepté de poster ce document magnifique. Toutes les œuvres sont divinement exécutées. Une telle perfection dans un récital est rare, la conduite rythmique et la dynamique sont tellement cohérentes au regard des esthétiques abordées. Le scénario du récital est aussi très intéressant. Un moment mémorable. Génial Ivo Pogorelich!
I believe this recital is one of those immortal moments in music history where time stops.The Liszt Transcendental Etudes are played with a freshness and sense of discovery that leaves all the competition in the shade.
He really puts the 'Appassionata' in the 10th etude. Such daring, bold intensity, which no other performer (how tasteful they may be) has been able to achieve
Wow, Ivo plays Wilde Jagd with such wild abandon and romance. My new favorite recording/performance of that one :) edit: same with Feux Follets lol, Ivo’s a beast
@TH-cam Customer Support Couldn’t agree more. Young Ivo’s playing was so athletic, hearty and, you’re right, courageous. To use a basketball phrase, he left it all on the court (or, in this case, the keys)!
Around 1990, Pogo was in a prodigious state of musical blessing. Although record companies often do a mess mixing in an album recordings from very different years, I usually try to search the real year of recording. In Pogo's case, my golden time is from late 80s until the Gap at the middle of 90s. Particularly fascinating are the official videos of several concerts or recordings. Those years, his technique was hypnotic, in my POV. I am very grateful for those who put Pogo's material here because it is useful to propagate his music and save it from a possible disappearance.
Agreed, though I would add simply one of the geatest artists of all time, reaching beyond just the piano for something universal and universal to all of humanity.
I've always liked Pogorelich's Scriabin. He has the right combination of langor and drama needed to make these pieces come alive. I never heard him play the 4th sonata before and it doesn't disappoint. His recording of the 2nd sonata is amazing. I highly recommend that one too.
Не сказала бы, что абсолютный. Султанов впереди Погорелича по целостности формы. П.- увлекающийся деталями, поэтому воспринимается как поток. Его темповое rubato иногда просто недопустимо, сочинение разваливается на глазах..
Everyone pretty much mirrored what I feel about his piano interpretations. i grew up with his phonographs. My family would vacation in Yugoslavia while I was growing up and my relatives always gifted me his records when we'd visit. I have a stack of them still - and used them as inspiration for my own interpretations. But... Even though he looks really young here he was SO handsome.
@@MarcAmengual It means, Marc, that most all of us would have no choice other than to agree. Along this last line of your own, search the recent comments here for my other one. I believe you'll like it. (Keep practicing - "make the scales afraid of YOU!") . : .
thank you littlemy...the forces and beauty created in this recital are out of this world...no gravity...transcendental...super human...at 1:16:21 the intoxicating beauty of this scriabin sonata 4 is just incredible, the sound is so misterious and radical...coming from some mystical magical roots ...it is so original...genesis is here...the creation of energy...of the world...while parts of liszt etudes or islamey are so apocalyptic...black beauty... ivo´s alchemy of opposing creative and apocaliptical forces generates huge unmeasurable amounts of energy...way beyond beauty...and collapsing sound and silence...time and space... life and death...into an eternal moment of infinity....just confirms me again ivo is the greatest living pianist...maybe the greatest ever...of the past...of all time...and perhaps for very long...
Many thanks for uploading this phenomenal recital. His recitals were unforgettable events. A very great artist with compelling (albeit sometimes provocative) musical ideas, a riveting stage presence, stunning virtuosity, gorgeous tone, and ardent emotionality.
В общем, весь концерт на одном дыхании прослушал. Соната Гайдна великолепная, мощная и мужественная первая часть с очень плотным звуком, великолепная вторая, лиричная и нежная и потрясающая третья, особенно великолепные тремоло на ля, просто блестящее исполнение, хотя я бы хотел, чтобы он ещё более изысканно сыграл трели в этой сонате, но такой подход не менее прекрасен, никакой жеманности, только брутальность и мощь. Брамс философский у Погорелича, очень лиричный, тонкий, сентиментальный и, в то же время, очень много мудрости, про технику вообще не пишу, тут все идеально. Единственное звук рояля не слишком интересен, но пианист все это компенсирует прекрасным цветным звучанием, которое было только у него. Лист вне конкуренции, этюды прекрасны, особенно фа минорный хорош, настоящая страсть и огонь, мощь и трагедия, пробирает. Блуждающие огоньки очаровательны, но чрезмерно быстрые, хотелось более плотного звука, слишком мелкие звуки, поток. Классный звук в дикой охоте. Наименее удачен цикл сонат Скарлатти, вроде и звук хорош, и настроение лихое, но скучно до ужаса, будто это не его музыка. Исключением является соната ми мажор, но его Скарлатти неинтересный, особенно после роскошного Гайдна, чудесного Брамса и настоящего огненного Листа. Такие же претензии к Шопену. У меня чувство, что в этих миниатюрах Погорелич не может раскрыться, так как в них ему не за что зацепиться, ему нужны вещи мощные и героические, а эти три бедные мазурки вообще сухие как древесная кора, хотя некоторая красота обнаруживается в эмоциональном исполнении фа диез минорной мазурки. Но после столь безынтересного цикла из Скарлатти и Шопена идёт потрясающий Скрябин. Звук идеальный, от восхитительного начала с этим прекрасным жемчужным верхним звуком, в котором и свежесть, и радость, и предвкушение любви и волшебства таинственной ночи, усеянной миллионами светил до восхитительных аккордовых структур в середине и в финале. Это та полётность, эйфория и сила, которую я слышу в этой сонате только у Погорелича, это тот русский символизм Скрябина и Бальмонта, который я обожаю, так и хочется слушать в этой музыке космические гармонии. Ну а исламей без слов. Только Иво мог его играть настолько безупречно! Спасибо за концерт, лучший пианист своего времени в золотой форме своей, да здравствует Иво Погорелич! да здравствует Югославия! Да здравствует великая сила музыки и любви!
This recital was the one and only time I heard Pogorelich live. An outstanding concert that I remember well; thanks for posting the recording. Such a contrast to the perverse larghissimo banging into which Pogorelich's playing has degenerated since 2006.
The Liszt is transcendental for sure ! Never heard something like this. Even if I had the talent, I wouldn't even have the strength in my arms and fingers to play like this for more than 10 minutes... I wonder what else he could do...
I've always been amazed by the Islamey's recording from this concert. It was Pogorelich at this best (not his actual shade) so having the opportunity of hearing the entire recital is something magical. Thank you for this pearl dear uploader.
Momento Histórico..de difícil coyuntura Social ..la perfección del lenguaje ..su dramaturgia..!! El Arco de Belleza desde Haydn del Clasicismo Vienna 1800..Napoleòn ..se Corona Emperador u se derrumba..Caos en Europa y World..solo la Pietá de un Nuevo Cielo..el Sueno d Zorastro enMozart..Beethoven. Haendl..y. Haydn ..ofrecen.." Un Ensayo de Cordura y Ética..Ensayo sobre el Ejercicio de la Libertad " ..escribe Borja Campo Alange..así Ivo Pogorelich..educado en la alta y refinadísima Escuela Rusa..y Su Maestra y Esposa ..ofrecen en sus Trabajos ..Difisilíssimas en Color..y Arquitectura.. Formas Dialécticas q perfilan ..la sustancial Performans de Mejoría y Aquellos tiempos de La caída del Muro d Berlín la bella..Tiempos de Gorbachiov ..y cierta Amistad de las Superpotencias..como en 1800..poco a poco La Humanidad aprende a amar ..
Otimo som, maravilhoso recital, adorei, obrigado por postar, e como se a gente estivesse la, voce que postou poderia ser for um favor postar o nome da peças tocadas no recital, eu agradeceria demais, mas mesmo assim agradeço por postar tao importante recital., muitos que estao ouvindo vao agradecer.
Just my comment here in 2021. I just saw his post from Nara Japan. He 63 yo now. Slowing down and becoming Buddhist like. He must have tons of memories. I wonder if he dreams of Belgrade. IF HE NEVER LEFT? He seem to me like he's a prodigy without a country. I dont know what he thinks. I think he lives in Lugano Switzerland for some unknown reason. But thats his story. But, I just think Ivan likes the Italian wines. Quiz: what do van cliburn, pogorlich, Horowitz, Richter, and, Scriabin have in common??
his haydn sonata 30 live.... so electric...pure...angelic...like photo...music beyond words...beyond magic...can someone write down the whole program please...
I typed in "May 7th, 1990" in the TH-cam Search Bar, and sorted the results by "View Count", and this was the top video, with 68,692 views as of 05/07/2022 at 10:50 A.M. Eastern Time(U.S. & Canada). Below are the remaining results of the top three videos from this search. 2. "All Japan TV (January 7th, 1990)"(4.9-thousand views)-Uploaded by Roy Lucier All Japan pn May 28th, 2020. 3. "BBC1 Continuity Monday 7th May 1990"(4.1-thousand views)-Uploaded by Callum Heggie on December 1st, 2008.
Can someone please include the program and timestamps pleases? All I know is that maestro ivo pogorelich plays the chopin ballade 2 with such mind altering beauty and hypnotic power it boggles my mind to this day
Excuse- me, please, but i am very Sorry, if you please, I would like to hear just one song /music. It is "pour elise" by Ludwig Van Beethoven, mister ivo pogorelich.
He might have skipped some repeats on purpose. I noticed the same thing in Scarlatti Sonata K 8, which is after the break. Ivo Pogorelich doesn't simply "overlook" something!
00:00:10 Haydn Piano Sonata 30, D Major, Moderato
00:05:08 Haydn Piano Sonata 30, D major, Andante
00:10:57 Haydn Piano Sonata 30, D Major, Allegro assai
00:15:30 Brahms, Intermezzo op.117 n.1
00:21:19 Brahms, Intermezzo op.117 n.2
00:27:27 Brahms, Intermezzo op.117 n.3
00:36:30 Liszt, Trascendental Etude n.8 Wilde Jagd
00:41:17 Liszt, Trascendental Etude n.5 Feux Follets
00:44:40 Liszt, Trascendental Etude n.10
00:49:27 Scarlatti, sonata L.23 in E Major
00:51:47 Scarlatti, sonata L.33 in b minor
00:55:29 Scarlatti, sonata L.488 in g minor
00:58:23 Scarlatti, sonata L.224 in E Major
01:00:17 Scarlatti, sonata L.486 in G Major
01:02:15 Scarlatti, sonata L.415 in D Major
01:04:57 Chopin, Mazurka op.59 n.1
01:08:52 Chopin, Mazurka op.59 n.2
01:11:51 Chopin, Mazurka op.59 n.3
01:16:20 Scriabin, Sonata n.4
01:25:16 Balakirev, Islamey
THANK YOU!
Thank you for posting the program!
Ditto to what was already said. Appreciate the effort.
Thanks king
incomparable. Impresionante. Everything from Scarlatti to Balakirev. Without words,
Unforgettable recital. Had the unbelievable luck to be seated in the first row of on-stage chairs! Ivo was about 13 feet in front of me. It was hypnotic.
One thing that I discovered as I watched him from up close: He is incredibly physical, visceral almost, in his command of the keyboard. A lot of heavy labored breathing, writhing almost, humming, mumbling (not as audible though as Gould)...
I attended that recital. He was at his best that day. I sat far away, as one can in that space, and the sound enveloped me.
It must be a wonderful experience to be able to hear that recital again.
I mean, let's face it: This is simply one of the best piano recitals every played in the entire history of classical music. A great and well-staged sequence of works, technically brilliant playing beyond words and, most importantly, a performance so full of whit and ingenuity and wisdom. Could listen to this all day.
Yeah, and no recording company has the guts, or foresight, to actually record one of his concerts. Bless these pirates!
За да говориш за история на класическия писнизъм или си глух, или си дилетант и нищо не разбираш!
@@edwindepianist Yes, he's become a very tortured and withdrawn man, it seems. It's very sad. There are very very few geniuses of the piano - and he is certainly one of them. I wish him a great rebirth.
@@edwindepianist That's interesting, Edwin, that in your comment you're taking the point of view of "piano playing" in regard to Pogorelich. Obviously he has a love affair with that instrument and it goes without saying he is a master of it, but to me, it seems he is searching for something that transcends the piano. To master the instrument so one can soar beyond it - something like that. And in his later years - almost unrecorded, officially - it seems there is even an anger and hardness toward the piano (or perhaps not the piano: once again, beyond the piano - at life? at people? at the loss of his wife, as you mention?). I just don't know - surely there has been no greater Chopin player since Pogorelich came on the scene - but he has still only recorded a fraction of his music.......Ah, the whole thing is tragic.
Hard to say it's the best when the majority of our history has gone unrecorded.
After all that brimstone and 64th note runs I didn’t expect him to also master the fragile glassy singing notes of Scriabin. But that is one of the best Scriabin performances I’ve heard. The treble notes sail like clouds above the uncertain earth. Incredible.
And to think I was a concert pianist at the same time, I wish I had met him.
REPERTOIRE
Haydn sonata Hob.XVI:19
mov 1
mov 2 5:09
mov 3 10:59
Brahms Intermezzi op.117
No.1 15:30
No.2 21:21
No.3 27:27
Liszt Trascendentals Etudes
No.8 36:30
No.5 41:18
No.10 44:41
Pause
Scarlatti Four sonatas
1. K.380 49:29
2. K.87 51:48
3. K.8 55:30
4. K.135 58:24
Chopin Three Mazurka op.59
No.1 1:04:58
No.2 1:08:54
No.3 1:11:52
Scriabin Puani sonata no.4 op.30
mov1 1:16:21
mov2 1:20:35
Balakirev Islamey-Oriental Fantasy
1:25:16 Balakirev Islamey-Oriental Fantasy
Scarlatti K.119 1:02:15
Yes
The greatest. Uploader is a saint. End of story.
I have never heard a Wilde Jagd reaching these heights of passion and climax, recording or otherwise. I think I would have cried if I had been present there, it really sounds like a miracle, it's not the technique, it's the strength of soul to pull it off.
I was there, and I am sure I didn't breathe during those Liszt Etudes - to say I was awestruck doesn't even begin to describe it.......
Absolutely, I just herd part of this recording (not yet de hole recital, can't wait for it) and I got atonished by the etudes and Scarlatti!! never herd something like that in a live, such a power with out making the piano out of tune, nor even Cziffra, I should say, did this kind of result, I mean the arpeges of the Liszt's No. 10 etude, before the coda, never herd it like that.. Everything is breathtaking in this recording. Has anyone know if it ever went published as commercial rec?
@@clericinah Over the top incredible. Totally unknown to me. Simply stunning.
Yes, I cry every time, he truly transcends when he plays!
I have no words for his Islamey. It's a superhuman feat. Bravo Ivo. Talent at this level is rare. Listen also to his Gaspard. Out of this world.
And his scherzi
Yes Gaspard is unreal with him, I couldnt believe my ears!
That Ivo didn't record Scriabin's 4th Sonata when he recorded the 2nd Sonata is a crime against humanity. There are great performances of this electrifyingly ecstatic piece but this performance soared into the stratosphere.
Can’t agree more with you. His 4th should be recorded more often imo
@@bartremmelzwaal5775 Yes Bart. And it seems insane to me that there are no quality (commercial) recordings of his live concerts - we have only these valiant, but poor pirate recordings (although we sure thank those pirates!). There's a massive historical precedent though: in an age of film, there is not one video recording of Rachmaninov playing. Unforgivable tragedy.
This is your recording of his Scriabin 4th. It’s immortalized on YT. Is this not good enough for you?
@@globalc3849 Always greedy for the best, my friend! Not you?
One of the worst crimes against humanity committed by someone from Yugoslavia in the 1990s
the program is emotionally devastating for any pianist, he, however, faces it with great humility and with sounds that I would say are from another planet. In Wilde Jagd he leaves life with the sounds he confronts us with, making wonderful juggling of each note and octaves. His technique is impeccable. We heard them at Tch1 in Montevideo years ago, it was different, it was praised and destroyed by critics. Irreverent I would say. His encore Scarlatti was unique, almost imperceptible in his gestures and great depth of sound. Disruptive and exciting. There are not two like him. Gould, mmmm, yes but in another style. Both geniuses.
Браво, Маэстро!!! Лист просто на разрыв аорты!! Скрябин и Балакирев волшебны!
Surely one of the most phenomenal pianists and piano recitals ever, wish I'd been there.
His talent is on another level
What a program, my God! Not many pianist are able to perform a live recital with this kind of commitment. His Liszt is out of bounds. The level of finesse, technical control, attention to musical detail, and sheer strength is, simply put, beyond words.
When Ivo was young he was in a class by himself.
38:31 - 39:05 There is something really mesmerizing in what he does in that part. Genius.
The Carnegie Hall impeccable acoustics marvelously capture his singing tone. I gravitate to Chopin always, and the aching beauty of his mazurka interpretations took my breath away. The rubato was incredibly musical, not exaggerated, and supremely Chopin-esque. I loved the Brahms as well - - almost ascetic and slightly underplayed, which opens the listener to insights and nuances of these beautiful and mysterious pieces.
He imbues the Piano with 2 inimitable qualities: it is a thinking instrument and it is an orchestra. At the service of a divine mind. What a blessing to humanity: the intimacy of the divine
Pogorelich at his best!
An amazing artist! Phrasing, dynamics, overall control and virtuosity place Maestro Pogorelich in a most high class of world renown pianists! Bravo Maestro!!
I heard this recital live and will never forget it; I'm so grateful that everyone can enjoy it now and understand the hights that this pianist reached at his peak! I find Pogorelich' conceptualisation of interpretation of today very interesting and I'm always ready to be shocked by his unique performances; I just regret that he obviously doesn't practice so much as he did in his early years and you can hear it very clearly!
zmienił podejście, wizję pianisty, sposób gry, stał się inspiracją i legendą w końcu
Oh! Quel concert incroyable ! Je n’avais jamais entendu un tel niveau d’interprétation ! Merci infiniment à la personne qui a accepté de poster ce document magnifique. Toutes les œuvres sont divinement exécutées. Une telle perfection dans un récital est rare, la conduite rythmique et la dynamique sont tellement cohérentes au regard des esthétiques abordées. Le scénario du récital est aussi très intéressant. Un moment mémorable. Génial Ivo Pogorelich!
I believe this recital is one of those immortal moments in music history where time stops.The Liszt Transcendental Etudes are played with a freshness and sense of discovery that leaves all the competition in the shade.
He really puts the 'Appassionata' in the 10th etude. Such daring, bold intensity, which no other performer (how tasteful they may be) has been able to achieve
@@florisende8015 Cannot agree more!
Yes he transcended time for sure!
Wow. That Jagd is just........ I'm speechless.
funny how restless even the Carnegie Hall audience gets with the Brahms Intermezzi! Pogorelich is pure genius. Thank you for this wonderful concert.
Arthur Rubinstein found out early in his career that audiences had a hard time responding to Brahms. He performed very little Brahms thereafter.
@@raymondgood6555 As Horowitz also didn't play much Brahms. I guess he is more reknown by the public for philharmonic compositions...
Skrjabin... genial interpretation! So original!!! A very new point of view.
Too bad he didn't record more Liszt on CD. Love to have heard him play all of the Transcendental Etudes...
Wow, Ivo plays Wilde Jagd with such wild abandon and romance. My new favorite recording/performance of that one :) edit: same with Feux Follets lol, Ivo’s a beast
@TH-cam Customer Support Couldn’t agree more. Young Ivo’s playing was so athletic, hearty and, you’re right, courageous. To use a basketball phrase, he left it all on the court (or, in this case, the keys)!
Around 1990, Pogo was in a prodigious state of musical blessing. Although record companies often do a mess mixing in an album recordings from very different years, I usually try to search the real year of recording. In Pogo's case, my golden time is from late 80s until the Gap at the middle of 90s.
Particularly fascinating are the official videos of several concerts or recordings. Those years, his technique was hypnotic, in my POV.
I am very grateful for those who put Pogo's material here because it is useful to propagate his music and save it from a possible disappearance.
Easily one of the greatest pianist of all time
One of the greatest pianists of the 1990s.
Agreed, though I would add simply one of the geatest artists of all time, reaching beyond just the piano for something universal and universal to all of humanity.
Huh?
Exciting fabulous, marvelous, fantastic. unbelievable. What a pianist! tku
I've always liked Pogorelich's Scriabin. He has the right combination of langor and drama needed to make these pieces come alive. I never heard him play the 4th sonata before and it doesn't disappoint. His recording of the 2nd sonata is amazing. I highly recommend that one too.
You're right, I just wish he recorded more of scriabin!!
Абсолютный гений, неповторимый!!!
как Вы правы!
Да, хорош !
Не сказала бы, что абсолютный.
Султанов впереди Погорелича по целостности формы.
П.- увлекающийся деталями, поэтому воспринимается как поток.
Его темповое rubato иногда просто недопустимо, сочинение разваливается на глазах..
@@valentinasvetlaoka9153это, увы, характерно для него в нынешнее время, после смерти Алисы, на этом концерте все сыграно просто блестяще!
There is so much great playing here...
Everyone pretty much mirrored what I feel about his piano interpretations. i grew up with his phonographs. My family would vacation in Yugoslavia while I was growing up and my relatives always gifted me his records when we'd visit. I have a stack of them still - and used them as inspiration for my own interpretations. But... Even though he looks really young here he was SO handsome.
this interpretation was awesome, he's really a good pianist, bravissimo! and I have to say, he was very attractive too when he was young!
Regarding that last point, you would not put us on, would you Marc?
. : .
@@jamesmiller4184 sorry James, I don't get your comment
@@MarcAmengual It means, Marc, that most all of us would have no choice other than to agree. Along this last line of your own, search the recent comments here for my other one. I believe you'll like it. (Keep practicing - "make the scales afraid of YOU!")
. : .
thank you littlemy...the forces and beauty created in this recital are out of this world...no gravity...transcendental...super human...at 1:16:21 the intoxicating beauty of this scriabin sonata 4 is just incredible, the sound is so misterious and radical...coming from some mystical magical roots ...it is so original...genesis is here...the creation of energy...of the world...while parts of liszt etudes or islamey are so apocalyptic...black beauty... ivo´s alchemy of opposing creative and apocaliptical forces generates huge unmeasurable amounts of energy...way beyond beauty...and collapsing sound and silence...time and space... life and death...into an eternal moment of infinity....just confirms me again ivo is the greatest living pianist...maybe the greatest ever...of the past...of all time...and perhaps for very long...
Phenomenal...
Many thanks for uploading this phenomenal recital. His recitals were unforgettable events. A very great artist with compelling (albeit sometimes provocative) musical ideas, a riveting stage presence, stunning virtuosity, gorgeous tone, and ardent emotionality.
В общем, весь концерт на одном дыхании прослушал. Соната Гайдна великолепная, мощная и мужественная первая часть с очень плотным звуком, великолепная вторая, лиричная и нежная и потрясающая третья, особенно великолепные тремоло на ля, просто блестящее исполнение, хотя я бы хотел, чтобы он ещё более изысканно сыграл трели в этой сонате, но такой подход не менее прекрасен, никакой жеманности, только брутальность и мощь. Брамс философский у Погорелича, очень лиричный, тонкий, сентиментальный и, в то же время, очень много мудрости, про технику вообще не пишу, тут все идеально. Единственное звук рояля не слишком интересен, но пианист все это компенсирует прекрасным цветным звучанием, которое было только у него. Лист вне конкуренции, этюды прекрасны, особенно фа минорный хорош, настоящая страсть и огонь, мощь и трагедия, пробирает. Блуждающие огоньки очаровательны, но чрезмерно быстрые, хотелось более плотного звука, слишком мелкие звуки, поток. Классный звук в дикой охоте. Наименее удачен цикл сонат Скарлатти, вроде и звук хорош, и настроение лихое, но скучно до ужаса, будто это не его музыка. Исключением является соната ми мажор, но его Скарлатти неинтересный, особенно после роскошного Гайдна, чудесного Брамса и настоящего огненного Листа. Такие же претензии к Шопену. У меня чувство, что в этих миниатюрах Погорелич не может раскрыться, так как в них ему не за что зацепиться, ему нужны вещи мощные и героические, а эти три бедные мазурки вообще сухие как древесная кора, хотя некоторая красота обнаруживается в эмоциональном исполнении фа диез минорной мазурки. Но после столь безынтересного цикла из Скарлатти и Шопена идёт потрясающий Скрябин. Звук идеальный, от восхитительного начала с этим прекрасным жемчужным верхним звуком, в котором и свежесть, и радость, и предвкушение любви и волшебства таинственной ночи, усеянной миллионами светил до восхитительных аккордовых структур в середине и в финале. Это та полётность, эйфория и сила, которую я слышу в этой сонате только у Погорелича, это тот русский символизм Скрябина и Бальмонта, который я обожаю, так и хочется слушать в этой музыке космические гармонии. Ну а исламей без слов. Только Иво мог его играть настолько безупречно! Спасибо за концерт, лучший пианист своего времени в золотой форме своей, да здравствует Иво Погорелич! да здравствует Югославия! Да здравствует великая сила музыки и любви!
He's like Cziffra with better control of the narrative. I'm awe struck.
Fantastic! Thanks
This recital was the one and only time I heard Pogorelich live. An outstanding concert that I remember well; thanks for posting the recording. Such a contrast to the perverse larghissimo banging into which Pogorelich's playing has degenerated since 2006.
thank you
The Liszt is transcendental for sure ! Never heard something like this.
Even if I had the talent, I wouldn't even have the strength in my arms and fingers to play like this for more than 10 minutes...
I wonder what else he could do...
Unbelievable rhythms! i heard Ivo play in Auckland!
Thanks for uploading!
Thank you very much for sharing!
Amazing!
Nice to listen to Scarlatti from one of the best pianists of this world
A unique version of the Brahms' intermezzi op. 117. And also, a very visceral, chaotic (in the best sense) version of the Liszt's etudes.
Que buen interprete!!!!!
great sound quality!
I've always been amazed by the Islamey's recording from this concert. It was Pogorelich at this best (not his actual shade) so having the opportunity of hearing the entire recital is something magical. Thank you for this pearl dear uploader.
Fantastic 👏👏👏
Sol invictus... Thank you for sharing this.
Balakirev's Islamey is totally transformed under Pogorelich's fingers. One ones if this what Liszt would have sounded like live.
and STILL such a Sensation.........
Perfección..!!!
Momento Histórico..de difícil coyuntura Social ..la perfección del lenguaje ..su dramaturgia..!! El Arco de Belleza desde Haydn del Clasicismo Vienna 1800..Napoleòn ..se Corona Emperador u se derrumba..Caos en Europa y World..solo la Pietá de un Nuevo Cielo..el Sueno d Zorastro enMozart..Beethoven. Haendl..y. Haydn ..ofrecen.." Un Ensayo de Cordura y Ética..Ensayo sobre el Ejercicio de la Libertad " ..escribe Borja Campo Alange..así Ivo Pogorelich..educado en la alta y refinadísima Escuela Rusa..y Su Maestra y Esposa ..ofrecen en sus Trabajos ..Difisilíssimas en Color..y Arquitectura.. Formas Dialécticas q perfilan ..la sustancial Performans de Mejoría y Aquellos tiempos de La caída del Muro d Berlín la bella..Tiempos de Gorbachiov ..y cierta Amistad de las Superpotencias..como en 1800..poco a poco La Humanidad aprende a amar ..
a magician!!!
Genije!
I would gladly trade one of the times I saw Horowitz at Carnegie to have been there for this. I didn't even know about it!
Better just get both tho
@JURGEN MARTIN Moller Ha! Very good.
Pogorelich's Liszt Etudes are WILD!
As everyoone hangs on facebook, i can enjoy Ivo. Look at him. Listen.
Its quite impressing, how fast and loud he can play...
Ivo man...
unique recital from the Master
The "Tadziu" of the grand piano-forte!!! (But . . . time and life's rigors do take their toll cruelly, do they not?)
. : .
Probably the greatest Scriabin sonata 4 recording. Only Sokolov can compete perhaps.
Feinberg and Zhukov are nice too
gilels ;)
Sokolov ? Well that's not a very good way to start imo . Try Pletnev , Berman and Villa :P
Does anyone know Stanislav Neuhaus version of Scriabin's 4th Sonata ??
@@musiclassic1 Nice references! Few people know these recordings. Feinberg especially is stunning. :)
Haydn
Sonata Hob.XVI:19
Brahms
Intermezzi op.117 No.1, No.2, No.3
Liszt
Transcendental Etudes No.8, No.5, No.10
Scarlatti
Sonatas K.380, K.87, K.8, K.135
Chopin
Mazurkas op.59 No.1, No.2, No.3
Scriabin
Sonata No.4 op.30
Balakirev
Islamey
Some passages in the first part of Brahms Intermezzo 1 remind me of 'Reprise', from Spirited Away
The Brahms intermezzi really sounded mournful, very mournful indeed
Liszt, Trascendental Etude n.5 Feux Follets - Brilliant !
Otimo som, maravilhoso recital, adorei, obrigado por postar, e como se a gente estivesse la, voce que postou poderia ser for um favor postar o nome da peças tocadas no recital, eu agradeceria demais, mas mesmo assim agradeço por postar tao importante recital., muitos que estao ouvindo vao agradecer.
Está descrito abaixo do vídeo, no texto de informações.
❤
Just my comment here in 2021.
I just saw his post from Nara Japan.
He 63 yo now. Slowing down and becoming Buddhist like.
He must have tons of memories.
I wonder if he dreams of Belgrade.
IF HE NEVER LEFT?
He seem to me like he's a prodigy without a country. I dont know what he thinks.
I think he lives in Lugano Switzerland for some unknown reason. But thats his story. But, I just think Ivan likes the Italian wines.
Quiz: what do van cliburn, pogorlich,
Horowitz, Richter, and, Scriabin have in common??
They're men. Pianists. With an R in their name...
🏆♥️
Un Islamey complètement déchainé... Wow!
his haydn sonata 30 live.... so electric...pure...angelic...like photo...music beyond words...beyond magic...can someone write down the whole program please...
:)
Haydn sonata Hob.XVI:19
mov 1
mov 2 5:09
mov 3 10:59
Brahms Intermezzi op.117
No.1 15:30
No.2 21:21
No.3 27:27
Liszt Etudes
No.8 36:30
No.5 41:18
No.10 44:41
Pause
Scarlatti sonatas
1. K.380 49:29
2. K.87 51:48
3. K.8 55:30
4. K.135 58:24
Chopin Mazurka op.59
No.1 1:04:58
No.2 1:08:54
No.3 1:11:52
Scriabin sonata no.4 op.30
mov1 1:16:21
mov2 1:20:35
Balakirev Islamey-Oriental Fantasy
1:25:16
Nice work. But missing two Scarlatti after K. 135: K. 13 and K. 119.
+Lawrence Li 太谢谢啦！再听才发现掉了这两首，曲目编号不是很熟😅，多谢提醒。🍀
Many thanks to Mr Li and his kind reminder☺️，I just found I missed two Scarlatti sonatas in the programme list.
K.13 1:00:18
K.119 1:02:16
wow asians are so smart lol
I typed in "May 7th, 1990" in the TH-cam Search Bar, and sorted the results by "View Count", and this was the top video, with 68,692 views as of 05/07/2022 at 10:50 A.M. Eastern Time(U.S. & Canada).
Below are the remaining results of the top three videos from this search.
2. "All Japan TV (January 7th, 1990)"(4.9-thousand views)-Uploaded by Roy Lucier All Japan pn May 28th, 2020.
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I love his Feux follet
Can someone please include the program and timestamps pleases? All I know is that maestro ivo pogorelich plays the chopin ballade 2 with such mind altering beauty and hypnotic power it boggles my mind to this day
Is this available as CD? Has this ever been released officially? (my Google search suggested otherwise...)
Initially Pogorelich was a tremendous giddy pianist!! Then pitily somethind happened to him
Negli studi trascendentali Pogorelih offre solo degli effetti. Nello stesso periodo Bolet registrò per la Decca una versione più organica e composta
핫한 클래식은 없다 자주 뜨거워지지 않는 사람은 (비교적) 클래식한 사람이다
Croatia , the country of Pogorelich and Cro Cop ...
That's a respectful comparison
Excuse- me, please, but i am very Sorry, if you please, I would like to hear just one song /music. It is "pour elise" by Ludwig Van Beethoven, mister ivo pogorelich.
Compare the piano stars we have today to this...
I'm back here again 36:32
So why is there STILL no list of the pieces (not songs) played?
Where did you get this recording? It sounds very good
It's from a recital i guess
钢琴声音好炸 难道是我电脑音响不好？
scriabin sonata no.4 1:16:19
Interesting that he didn't observe the repeats in the first and second movements of the Haydn sonata as he did in his recording for DG.
He might have skipped some repeats on purpose. I noticed the same thing in Scarlatti Sonata K 8, which is after the break. Ivo Pogorelich doesn't simply "overlook" something!
kopsje I wasn't implying that it was intentional. I'm not sure what gave you that impression.
I understood you didn't imply that it was intentional, but I think it was.
Sorry, I meant to say that I wasn't implying that it wasn't intentional. Of course, he had a reason. I prefer it with the repeats.
Yes, me too.
Why din't he recording the 12 transcendals
Russian school !