How to Create Color Contrast as a Cinematographer
ฝัง
- เผยแพร่เมื่อ 10 มี.ค. 2024
- Today we're covering colour contrast in filmmaking / commercial cinematography.
We're breaking down our Adidem Asterisks Sophisticated Fun Commercial. We're had a lot of fun making this one and we've had a lot of requests about it!
Let us know what you think.
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magnifying glass shot is so sick
Thanks! Appreciate you
The white balance orange and blue shot just blew my mind 😂
Always solid quality content and good tips for cinematography. Keep it up!
Thanks! Appreciate you
Always have great content. So informative and useful. Thank you!
Thanks Slam! Appreciate you
Great explanation thank you! I was struggling to figure out the right white balance for a warm scene the other day and this explains how I should of been thinking about it. Thank you! More breakdowns like this please 💫
Thanks for the Feedback Peter! We have some great breakdowns coming soon. Appreciate you
this looks so beautiful! I saw the first two shots and I’m like whoa I am in 🔥
Thanks Benjamin! Appreciate you
Such a great tutorial packed with value
Thanks so much, appreciate you for watching!
I am in love with your work man
Thank you! Appreciate it
this video is gold thank you
Thanks so much for watching! We have a ton of great breakdowns and live on set projects coming soon.
Just discovered your channel and am loving it so far! Really great images! I'd love to hear a bit about the color grading process on the detective piece from the beginning of this vid and the therapist piece from your "shooting a dialogue scene" video! Such rich colors and tones in both! Subscribed!
Will dive into this in a future video!
Killer way to think about white balance.
lol true
Love this
Thanks Andre!
I love that you are using black skin as your example to explain contrast … I honestly feel cameras are not made for black skinned people , and it’s so enlightening to see you actually doing it with black skin. Thank you
Thanks, definitely requires practice and understanding of lighting skin. But we are often filming black skin which we find looks best on camera. Thanks for watching!
Extremely foolish opinion
Camera sensors are grey gamma based and Rgb gamma etc.. my opinion dark skins way amazing how sensor reads
@@cliffordtemple6751 thank you 😊
Thank you for this information 🙌🤝
Thanks for watching! Appreciate you 🙏
Keep doing these light videos, are tooooooo interest, thanks :,)
Appreciate you!
This is so informative! You've got a new subscriber 🤌
Thanks so much for supporting!
Dope and informative!
Thanks Jerrald! Would love to know what you’re looking to learn more about
@@TenfoldProduction I shoot and edit videos for my clients so the really in depth study on light and placement is awesome. I think knowing how to do these with less access to gear or with limited gear would be helpful too. I usually have the budget to rent a camera, 2 lenses and one or two lights. Super dope stuff tho. Very glad I found your channel.
Great stuff as usual! With changing the white balance in camera, I find the skin tones can get affected sometimes.
How do you manage with this? Do you rely on the grade?
Thank you 🙏🏿, Godbless 🙌 you nailed it
Appreciate you! Glad it was helpful
Great Video!!!! Question are you recording in any flat profiles and using LUTS as you shoot or just looking at the cameras internal color profile?
Recording in Log, but usually viewing rec 709 or a lut.
Thank you 😊
This channel 🔥🙏🏿🎥
Appreciate you!
i love you bro!!!!
Thanks 🙏
i just found another magician
I still believe this is about movie (movie). Instead of talking through everything we can actually intercut with the finished result in full screen. We can visualize better that way of what is been talked about. It feels like radio honestly (with due respect).
Thanks for the feedback!
mystic mushrooms
When using Bi-color lights would you say color is added through great production design? Rather than using RGB lights?
Typically, if you're going for a specific colour look , RGB will be the easiest for your to monitor on set and for post to push around. If it's not there in monitor, it'll be much harder to change in post.
so do you shoot in log or any other format?
Hey Miko, we always shoot in log!
What was the aperture of the newspaper scene if you wont mind 😅
Close to 2.8-4
What is the one light to rule them all? (aka most versatile in your opinion)
Tough one! If you have no lights whatsoever, definitely something stronger like the 600 bi colour, Nanlite 500B / bicolour. You can do a lot to shape light with more powerful lights. That plus maybe an Amaran f22. Super versatile combo.
@@TenfoldProduction awesome, thanks! I have been really enjoying your breakdowns btw 🤙🏽
Wow Tiwa
Thanks!
You shot for tiwa savage?
Yeah a music video a while back!
I thought the higher the kelvin the warmer the light?
you got it backwards bud daylight = 5600k tungsten (warm) =3200k it is basically blue at 10.000k
@@Lizzzzzzy921 thank you, I really had mix up! 😅
Why is Tiwa Savage your thumbnail?
Zach shot the music video for that one with Tiwa.
@@TenfoldProduction oh I'm a go watch it now
Thanks for replying 🙂 I didn't expect any
Oops it's not out yet?
@@malloysenpai it is, somewhere out there haha! Zach coloured this thumbnail
I literally clicked because i saw tiwa savage but i gained a lot
Haha appreciate you. Zach shot the Tiwa shot a while back, and was a great example so it worked out well.
Amazing, how the 1st thought is: wow, I'll get SUCH image just by applying their magic LUT. Too bad it turned out as always NOT the way you thought it would be.