THE FLYING DUTCHMAN by Richard Wagner (Audio + Full Score)
ฝัง
- เผยแพร่เมื่อ 5 ส.ค. 2024
- pf: Joseph Keilberth cond/ Bayreuth Festival Orchestra & Chorus (1955)
Year/Date of Composition: 1839-41
Senta: Astrid Varnay
The Dutchman: Hermann Uhde
Erik: Rudolf Lustig
Daland: Ludwig Weber
Mary: Elisabeth Schärtel
The Steersman: Josef Traxel
SYNOPSIS: www.wagneroperas.com/indexflyi...
LIBRETTO: www.murashev.com/opera/Der_fli...
ACT ONE, OVERTURE - 0:00
10:55 No.1: Introduction (Norway. Daland's ship casts anchor off a steep rocky shore. Daland was trying to reach his house and see his daughter Senta, before a storm blew his ship off course.)
15:36 - (Daland enters his deck)
19:46 - (The Flying Dutchman arrives and casts anchor on the opposite shore.)
21:23 - No.2: Dutchman's Aria (He laments his curse and wishes for salvation/self-annihiliation, i.e. the Day of Judgement)
32:23 - No.3: Scene, Duet and Choir (Daland meets the Dutchman, who offers him treasure in exchange for shelter for the night. When Daland mentions his daughter, the Dutchman offers to marry her in the hope of redemption. Daland relishes the prospect of fortune (41:11) and accepts (45:08). After the winds change direction (48:22), Daland sets sail for his home (50:12), whilst the Dutchman and his ship stay behind.)
52:50 - ACT TWO, No.4A: The Spinning Chorus (Daland's house. Senta sits in her chair, brooding on an image of the Dutchman hanging on the wall, whilst maidens sitting at their spinning wheels sing a song about their lovers returning one day from sea.)
1:02:00 - No.4B: Ballade (Senta sings of the tale of the Flying Dutchman)
1:10:30 -(Erik, a huntsman, enters. Daland's ship has been spotted.)
1:12:38 - No.5: Duet (As the maidens leave, Erik stops Senta; he wishes to be her husband. But Senta is instead hopelessly fixated on the Dutchman, out of pity for his curse. (1:19:35))
1:21:38 - (Erik tells Senta his dream: A ship comes to shore, followed by Daland and the Dutchman walking up the shore. Senta runs to greet Daland, but spots the Dutchman. They kiss, then sail off together. Senta believes the dream will come true. Erik runs away in despair.)
1:26:12 - No.6: Finale; Aria, Duet and Trio (Daland enters with the Dutchman. He asks Senta to marry the Dutchman (Aria: 1:27:58). She accepts...but is behaving strangely, and Daland decides to leaves them alone.)
1:33:55 - (Duet: Senta pledges to bring salvation to the Dutchman in the form of love, "true to death.")
1:49:10 - (Trio: Daland drops in to see how the pair is getting on. He invites them to join the homecoming celebrations outside...)
1:52:18 - ACT THREE, No.7: Chorus of the Norwegian Maidens and Ensemble (Outside. Two ships, Galand's ship and the Flying Dutchman, sit at the bank. Galand's crew feast on food and drink, but despite hailing the crew, the Dutch ship remains silent. The crowd begins to realize that it is the notorious Flying Dutchman with the undead crew...)
2:02:28 - A storm; the Flying Dutchman begins to rock as the crew start to sing. The Norwegian seamen, horrified by this scene, end up going below deck.
2:05:51 - Finale; No.8A (Duet) - Erik is horrified by Senta's abandonment of him in favour of the Dutchman. (2:08:16 - No.8B (Cavatine))
2:11:24 - No.8C (Finale) - The Dutchman expresses his woe as he realises that Senta may not redeem him after all. He gets ready to set sail, but Senta stops him, telling him that she holds true to her vow. Erik gets nervous...and calls for help (2:15:55). The Dutchman departs in his ship (2:17:21), after which Senta throws herself off a cliff into the sea ("Praise thou thine Angel with thy last breath! Here stand I, faithful unto death!"). The ship sinks, and we see the glorified forms of the Dutchman and Senta rise above the wreck, soaring upwards. - เพลง
Found this gem at my local thrift store for $3 in glorious stereo. Tonight is going to be a frightening night!
Well done grasshopper!
I screamed when I saw this on my feed.
I can’t hear this piece and not think about hindemith.
that's on TH-cam too!
This Ouverture is a Masterpiece!
Who could listen to the opening and not think of the sea. A man from the desert would think of the sea. Genius.
it's only a matter of time until cursed filthy youtube removes this precious video...
At least I was able to download the whole ringcycle and this video before they were removed, curse corporations.
What Wagner did with the string section, the rolling chromatics must have been so amazing to people listening in 1840. I imagine it was like adding special effects/miniature sets to a disaster film in the early 20th Century during the birth of film, it was at one time unheard of--and then after its use it became widespread/ a standard practice of the genre, and a film would be, in general, more successful financially if it were to employ the technique. It was, in a word; groundbreaking!
This piece came to me out of nowhere while I was doing math homework. The ultimate description of stormy weather on the sea, and perhaps of the flying Dutchman itself.
this is a REALLY good recording for 1955.
yes it is!
Wagner is one of the goat of music.
He is the necromancer. He accurately predicted the industrialization of music and the rise of short, meaningless, songs as a cash grab. He would probably write a 30 hour cycle in protest of the music industry now.
Your channel is fantastic! Thank you so much for this!
I KNEW and all your subscribers another Wagner Oper was coming, thank you!!!
I came here because of Gene Roddenberry's Andromeda. No-one is the same.
Fue la primera opera wagneriana que escuche y me sigue gustando como el primer dia.
Not only a great job, but also a very nice choice of recording!
A thousand thanks!
Extraordinary recording and performance. This is a music-drama realization that storms and breathes!
Absolutely brilliant in directing the orchestra and perfect temp.
So now I know where the music from the beginning of the Warner Bros. cartoon featuring Bugs Bunny and Elmer Fudd "What's Opera Doc" comes from. Wow
He also had Tannhauser but it got removed very quickly.
Why?
Thank you
One word: Parsifal
Oh and also watch out for copyright!
Late, but here for anyone who comes here recently:
th-cam.com/play/PLafpqg3vsKmfIH0QmU8c_rZu9zKVMHtlb.html
@@TheOneAndOnlyZeno thank you very much, I have wanted this for a long time!
@@TheOneAndOnlyZeno Danke
You can clearly hear the difference in technique from the 9:30 part up to 10:01 compared to the rest of the overture. Im pretty sure that is something Wagner added many years later to the score.The last few bars of the overture as well i might add.
What technique?
The most notable difference is in harmony.
Yes, from 9:30 is more recent. You can listen to the original overture here and compare: th-cam.com/video/LnhyW_z7WBE/w-d-xo.html
Thx a lot for the link.
many thanks for that hint! its is always about art and never about him, he proved it on and on.
HE DID IT AGAIN
thank you this is great to have the vocal score in English and Italian in addition to German - I can't get along with German! greetings from Lima, Peru
YASSSSS TOM WE STAN AN EXTRA KING YASSSSS OMG IM SHOOK ILYSM
....also are you gonna upload tannhauser and Lohengrin? Because I would literally pledged my eternal soul to you if you did
Looks like Tannhauser is done but we won't get because of copyright...... as of Lohengrin can only hope TH-cam doesn't instantly block it :(
🙏🏻🙏🏻🙏🏻🙏🏻
Notes for myself:
5:47 momento sereno vittorioso
14:04 chiusura 14:47 v.dolce
16:04 effetto archi
Subscribed:)
you made history again
edit: Meistersinger? :)
Can you upload Hanson’s Merry Mount Suite?
Just commenting to say that your Mahler 4 video has been blocked under copyright issues. Hope you bring us another one with score. Thanks
It's ok it's copyrighted material, but I really wonder how TH-cam gets to know whether it's copyrighted or not. Anyway it's so annoying
Not to mention a wonderful recording of a Wranitzky symphony which also ended up blocked. It was on one of those KuhlauDilfeng channels. You might want to include it in your list :)
KuhlauDilfeng is not a score video channel, it uses stationary images, so nope that doesn't count.
Oh yeah, missed that
Haruki Murakami brought me here by the bakery attack
比1985 年的好!!
15:37
50:00
1:51:36
2:17:54 What a Voice?
die varnay!!
4:45
Just a stupid question. When did wagner actualy started using leitmotifs?
Well, this Opera is know as the first one in which he displays a discernible style. But my guess is far earlier.
It depends on your definition of leitmotifs. There's no single answer (especially since leitmotif was not a term Wagner himself liked at all). Little motifs appear in every Wagner opera, but this one is the first to utilize them heavily (as far as I know). But the motifs in this opera aren't really leitmotifs, as in say Der Ring des Nibelungen or Tristan und Isolde. Wagner's use of leitmotifs further developed in Tannhäuser and Lohengrin. Though I'd say the first time the Wagnerian leitmotif as we like to think of it really showed up was in Das Rheingold.
@@iiiiiiiiiiiiiiiivy Why shouldn't we already see the Holländer motif as a perfectly valid type of leitmotif?
@@musik350 Well, I'm sure you could call it a leitmotif, but Wagner's more unique way of using motifs really began to shine later. But that's mostly just my opinion, based off of other's. You may certainly believe as you wish!
@@iiiiiiiiiiiiiiiivy You are right that his more elegant way of transforming them only began later, yes
9:30
What happened to your Rheingold video?
Hi Micha, take a look at Pierre-Julien Godier's comment chain in the Die Walkure video, it's all explained there.
Thanks
It seems Tannhauser got blocked as soon as it got uploaded as well. This is extremely annoying and there's got to be a way around it... TH-cam is ruining your channel for me because I am here exclusively for Wagner's Operas :(
I think I will have to take them up on it, because it's becoming evidently clear that their system simply doesn't work.
By the way, I didn't catch the video on time, so which recording did you upload to Tannhäuser?
24:30
at first i was like "S P O N G E B O B ? !"
Too much fuzz.
What a weak performance of that overture. It has no power or bite. Sad. Impressive for 1955 though, I guess.
The brass is literally deafening 💀
What is your preferred recording then?