Nice! I see you've opted for the Hazel Dickens / Bill Monroe tradition of harmonizing a major third above the tonic while playing a IV chord (when you sing the high note of the chorus). Bill Monroe pulls it off, I guess, although I do find it harmonically strange. Interestingly, Roland White opts for harmonizing a bluesy flattened third (creating a flattened 7th)... (Others, like Del McCoury, play it safer by avoiding the IV chord...) Anyway, thanks for sharing the wonderful music!
Nice! I see you've opted for the Hazel Dickens / Bill Monroe tradition of harmonizing a major third above the tonic while playing a IV chord (when you sing the high note of the chorus). Bill Monroe pulls it off, I guess, although I do find it harmonically strange. Interestingly, Roland White opts for harmonizing a bluesy flattened third (creating a flattened 7th)... (Others, like Del McCoury, play it safer by avoiding the IV chord...) Anyway, thanks for sharing the wonderful music!